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The Effects Of Social Rank On Shame And Guilt, Alexandra Bohaska

All-Inclusive List of Electronic Theses and Dissertations

The differentiation of shame and guilt is not widely discussed. The reason why some people feel shame while others feel guilt is also not universally understood. Various theories have examined cultural influences and how individuals attribute the outcome of various situations. This paper discusses past theories of the reasons behind shame and guilt and conducts a study that examines how social rank, or lack thereof, could affect a person’s emotional response. It was predicted that when the participants, consisting of college undergraduates and residents of a private community, are primed towards feelings of superordination or equality, via vignettes, they would …

Ironic Appropriation Of Hemingway's For Whom The Bell Tolls In Bulosan's The Cry And The Dedication, Robert Brown

CLCWeb: Comparative Literature and Culture

In his article "Ironic Appropriation of Hemingway's For Whom the Bell Tolls in Bulosan's The Cry and the Dedication" Robert Brown discusses Carlos Bulosan's The Cry and the Dedication and Ernest Hemingway's For Whom the Bell Tolls. Brown claims that Bulosan's appropriation of For Whom borders on plagiarism and that this in part defines The Cry as a postcolonial text. Brown maintains that E. San Juan Jr.'s otherwise comprehensive introduction to The Cry ignores Hemingway's text in favor of a Filipino author, Luis Taruc, with an implicit argument that Bulosan used Taruc to make his novel a more …

Introduction To Asian Culture(S) And Globalization, I-Chun Wang, Li Guo

CLCWeb: Comparative Literature and Culture

No abstract provided.

Shen And Cinema In 1930s Shanghai, Ling Zhang

CLCWeb: Comparative Literature and Culture

In her article "Shen and Cinema in 1930s Shanghai" Ling Zhang analyzes the film十字街頭 (1937) (Crossroads) in relation to the influence from foreign film practice and concepts from Hollywood and Soviet cinema in 1930s Shanghai. By an analysis of the film's cinematic style, Zhang explores the transcultural and transmedial possibilities and potentials in the context of film and film culture in the 1930s and the unruly energy and unique aesthetic characteristics embedded in the process of creative mimesis and transplantation. While in the 1930s Chinese cinema had an ambivalent and paradoxical attitude to US-American and Soviet films, Chinese filmmaker …

Transnational Socialist Imaginary And The Proletarian Woman In China, Anup Grewal

CLCWeb: Comparative Literature and Culture

In her article "Transnational Socialist Imaginary and the Proletarian Woman in China" Anup Grewal discusses 1930s Shanghai and representations of the proletarian woman in relation to the intellectual New Woman and the fashionable Modern Girl. Grewal considers the concept of the proletarian woman in socialist culture first within the context of a local and global field of contending modernist visions of femininity, class, and the city. Next, Grewal analyses how the figure of the Chinese proletarian woman activates a socialist transnationality through shared formal and narrative innovations of translational leftist literature and cinema. Through her analysis, Grewal suggests how the …

Eng And The Entertainment Film In The People's Republic Of China, Munib Rezaie

CLCWeb: Comparative Literature and Culture

In his article "Eng and the Entertainment Film in the People's Republic of China" Munib Rezaie discusses the rise of film as entertainment in the People's Republic of China with a focus on the accomplishments director Dayyan Eng, known in China as Shixian Wu. Rezaie briefly reviews the changing definitions and views towards film as entertainment in the PRC as well as some relevant changes in regulation and policy within the industry itself that largely stem from the ongoing process of globalization and China's accession to the World Trade Organization. Within this new cinematic landscape, Rezaie argues that Eng should …

Is Snow White Still The Fairest Of Them All? How Once Upon A Time Reinvents The Image Of The Disney Princess, Hannah M. Gonneville

Pell Scholars and Senior Theses

A modern fairy tale drama on the ABC network, Once Upon A Time recasts the animated Disney princesses as live-action heroines. Building on Disney scholars' research, I study how the company uses synergy to establish a connection between a primetime television show and a children's franchise. Through a textual analysis of the show's main princess, Snow White, I discover that Once Upon A Time's Snow White establishes a more modern, dynamic image of the original princess, indicating that the Disney Company is moving in a new direction. However, the show still preserves the character's status as a traditional Disney princess …

Sméagol Versus Gollum: The Bridge Between Fantasy And Reality: Applying Jungian Psychology To Tolkien’S The Lord Of The Rings, Courtney C. Randall

Pell Scholars and Senior Theses

Many literary critics have observed Tolkien's work through biographical, allegorical, and source analyzing perspectives. Few scholars have considered the significance of Gollum. The complexity of Gollum is revealed through a Jungian lens and, although he is a fictional character, he may not be so far removed from reality. This character's split personality, as determined by the Ring, presents what could eventually become of man if he is not strong enough to resist that which has the potential to consume him. In other words, the worst version of the human condition is presented through Gollum and his internal conflict. He provides …

#Prettylittleliars: How Hashtags Drive The Social Tv Phenomenon, Melanie Brozek

Pell Scholars and Senior Theses

Twitter is used by many TV shows to promote discussion and encourage viewer loyalty. Most successfully, ABC Family uses Twitter to promote the teen drama Pretty Little Liars through the use of hashtags and celebrity interactions. This study analyzes Pretty Little Liars use of hashtags created by the network and by actors from the show. It examines how the Pretty Little Liars official accounts engage fans about their opinions on the show and encourage further discussion. Fans use the network-generated hashtags within their tweets to react to particular scenes and to hopefully be noticed by managers of official show accounts. …

Sinologism, The Western World View, And The Chinese Perspective, Ming Dong Gu

CLCWeb: Comparative Literature and Culture

In his article "Sinologism, the Western World View, and the Chinese Perspective" Ming Dong Gu discusses how the West formulated its ways of observing China and how the rest of the world and the Chinese themselves view Chinese culture through the Western lens. Gu discusses the thought of selected scholars in Western history who have contributed to the formation of Sinologism and explores the motivation, logic, rationale, epistemology, methodology, and characteristics of the West's long-term endeavor to incorporate China into the Western-centered world system.

Shimoda's Program For Japanese And Chinese Women's Education, Mamiko Suzuki

CLCWeb: Comparative Literature and Culture

In her article "Shimoda Program for Japanese and Chinese Women's Education" Mamiko Suzuki discusses Western developments as a facet of educational curricula in Japan in the early twentieth century. When in the early 1900s a number of elite Chinese women traveled to Tokyo — for most, their first time abroad — to receive a modern education, it was at Jissen Women's Academy, which was the first to enroll female Chinese students in Tokyo and thus a crucial site for the development of a modern pan-Asian female identity. A central figure in the popularization of women's education and household and hygiene …

Re-Defining South Korean Scholarship And Education Within The Context Of Globalization, Simon C. Estok

CLCWeb: Comparative Literature and Culture

In his article "Re-defining South Korean Scholarship and Education within the Context of Globalization" Simon C. Estok discusses effects of globalization on the educational and scholarly goals and realities of Korea. Estok argues that although the transformational impacts of globalization in terms of sports, entertainment, politics, and business in Korea are visible, efforts to produce more globally visible Korean scholarship have been ineffective and counter-productive. Estok shows that the imagined dangers to Korean nationhood are rooted in fears of invasion which have strong historical and contemporary justification. Colonized for a third of the twentieth century, Korea in the twenty-first century …

Singapore, State Nationalism, And The Production Of Diaspora, Cheryl Narumi Naruse

CLCWeb: Comparative Literature and Culture

In her article "Singapore, State Nationalism, and the Production of Diaspora" Cheryl Narumi Naruse examines The Straits Times series "Singaporean Abroad" and analyzes how conceptions of national time, space, and community are restructured by state concerns of economic survival within the era of globalization. In "Singaporean Abroad," readers find a curious amalgamation of feature writing, travel writing, and advertising about cosmopolitan, transnationally connected citizens of Singapore. Naruse shows how positive representations of overseas Singaporeans as "national heroes" reflected in the content of the series evidences efforts by the Government of Singapore to refashion cultural values and to advance beyond national …

Intermarried Couples And "Multiculturalism" In Japan, Kaori Mori Want

CLCWeb: Comparative Literature and Culture

In her article "Intermarried Couples and 'Multiculturalism' in Japan" Kaori Mori Want discusses why hyphenated names for the children of intermarried children are important for the achievement of multiculturalism in Japan in an era of globalization. In Japan the number of people who marry interracially or inter-ethnically is increasing, but changes to naming practices must occur for Japan to become a multicultural society. Intermarriage is not a reliable indicator of the maturity of multiculturalism. Foreign residents who have intermarried in Japan do not have the rights of Japanese, such as those of voting, social welfare, education, and so on. This …

Us-American Protestant Missionaries And Translation In China 1894-1911, Mingyu Lu

CLCWeb: Comparative Literature and Culture

In her article "US-American Protestant Missionaries and Translation in China 1894-1911" Mingyu Lu discusses impact of and surrounding atmosphere between Protestant missionaries and Chinese intellectuals in translating Western texts. During the national crisis in 1894-1911, Protestant missionaries and Chinese intellectuals co-translated a large number of Western texts and adjusted their translations with regard to content and objectives. While the missionaries and their Chinese co-translators held different views towards the mapping of learning specifically towards Western learning, Chinese learning, and Christian messages, the translations were of significant impact in the period discussed. Lu argues that under the appeal of national renewal, …

Wait Upon Ishiguro, Englishness, And Class, Mustapha Marrouchi

CLCWeb: Comparative Literature and Culture

In his article "Wait upon Ishiguro, Englishness, and Class" Mustapha Marrouchi analyzes Kazuo Ishiguro's novels with focus on the writer's interest in Japanese culture and his preoccupation with matters of class in England. Marrouchi analyzes Ishiguro's novels as located astride of East, West, and the in-between: his precise, exquisitely made stories are shadowed by absences and silences, balanced "between elegy and irony" (Rushdie) and this is so whether the speaker is the obsessive butler in The Remains of the Day or one of the demented heroes in The Unconsoled or When We Were Orphans or the Japanese, guilty or exiled, …

The Narration Of Transnational Territory In Kingston's China Men And Kim's 검은 꽃 (Black Flower), Ju Young Jin

CLCWeb: Comparative Literature and Culture

In her article "The Narration of Transnational Territory in Kingston's China Men and Kim's 검은 꽃 (Black Flower)" Ju Young Jin analyzes Maxine Hong Kingston's and Young-Ha Kim's novels both of which feature East Asian indentured workers in the U.S. and Mexico, respectively. Jin traces the way in which the transnational subjects in the two novels create a textual territory by displacing national histories in a period that has witnessed an increase in indentured workers from East Asia to American continents. Kim creates an apocryphal history of the Korean presence in the New World reimagining the forgotten past by interweaving …

The Myth Of Nothing In Classics And Asian Indigenous Films, Sheng-Mei Ma

CLCWeb: Comparative Literature and Culture

In his article "The Myth of Nothing in Classics and Asian Indigenous Films" Sheng-mei Ma discusses how the desert and the permafrost region are terra incognita, except nomads and Indigenous peoples. Given the extreme conditions of these forbidding places, Western modernity sees its own shadow cast on such black holes on earth. Since the 1960s, classic Hollywood or art house films by David Lean, Akira Kurosawa, Hiroshi Teshigahara, Anthony Minghella, and Sergei Bodrov romanticize and/or mythologize what is perceived as modernity's mirror image. Indie films in recent decades, particularly by Asian Indigenous filmmakers Byambasuren Davaa, Zacharias Kunuk, and Khyentse …

Hollywood And Shanghai Cinema In The 1930s, Adrian Song Xiang

CLCWeb: Comparative Literature and Culture

I In his article "Hollywood and Shanghai Cinema in the 1930s" Adrian Song Xiang argues that Hollywood films provided a repertoire of images Chinese filmmakers of the 1930s adapted to their films. Xiang analyses Yu Sun's (孙瑜) 1932 film 野玫瑰 (Wild Rose), whose leading female character Xiaofeng was adapted from Hollywood actress Mary Pickford's iconic rambunctious teenager screen persona, particularly from the 1922 film Tess of the Storm Country. The modernist connotations of Tess' teenage girl character were changed in the process to meet Chinese cultural and political needs. Xiang's analysis suggests an adjustment in the history of early …

Virtuality, Nationalism, And Globalization In Zhang's Hero, Ping Zhu

CLCWeb: Comparative Literature and Culture

In her article "Virtuality, Nationalism, and Globalization in Zhang's Hero" Ping Zhu examines how Yimou Zhang's martial arts film dislodges the historical tale from its spatiotemporal context by creating virtual images, characters, narratives, and ideologies, and presents the virtual idea of tianxia (天下) (all under heaven) as an active mode of participation in the virtual global. Amidst the surge of virtuality in its cinematic space, with Hero Zhang aims to eclipse the national by a higher order: a homogenizing and harmonizing order that originates in traditional Chinese culture and that is compatible with the post-9/11 world order. However, Zhu …

Cultural Hybridization In A 1930s Taiwanese Popular Song, Mei-Wen Lee, Timothy P. Urban

CLCWeb: Comparative Literature and Culture

In their article "Cultural Hybridization in a 1930s Taiwanese Popular Song" Mei-Wen Lee and Timothy P. Urban present a comparison of the three different sets of lyrics used for the melody of the 1930s Taiwanese popular song, "Moonlight Sorrow": Taiwanese lyrics used by Yu-Xian Deng and Tian-Wang Chou in their 1933 arrangement, Japanese lyrics by Kurihara Hakuya from the late 1930s, and Mandarin lyrics added by Nu Chuan in the 1960s. Lee and Urban examine three orchestral settings of the "Moonlight Sorrow" melody. In the first orchestral version Japanese composer Hayakawa Masaaki uses the melody in a manner similar to …

Crossed Boundaries In Musical Culture Between Asia And The West, Kheng K. Koay, Mikel Ledee

CLCWeb: Comparative Literature and Culture

In their article "Crossed Boundaries in Musical Culture between Asia and the West" Kheng K. Koay and Mikel LeDee examine Tony Prabowo's Pasar Loak (Flea Market) for soprano and percussions and Chinary Ung's Grand Alap (A Window in the Sky). Composers Prabowo and Ung adopt modernist techniques from Western and traditional Asian music cultures in their compositions. Koay and LeDee explore aspects which broaden the presentation of sound in the two selected compositions and the background influences of Western and Asian music on the two composers. Prabowo and Ung absorb new experiences and embrace music that excites them and Prabowo, …

Rethinking Theatrical Images Of The New Woman In China's Republican Era, Li Guo

CLCWeb: Comparative Literature and Culture

In her article "Rethinking Theatrical Images of the New Woman in China's Republican Era" Li Guo analyses the multivalent representations of the New Woman and posits that they encompass a broad array of blended feminine identities following the introduction of Western literary and cultural trends into Chinese culture. The tensions between ideological discourses about nation, gender, and politics as revealed in the plays of the republican period reveal the many underlying cultural paradigms and the processes in which dramatists Sinicized foreign models of the New Woman to appeal to their domestic audiences. Guo explores how the playwrights' gendered viewpoints contribute …

Globalization And Theater Spectacles In Asia, I-Chun Wang

CLCWeb: Comparative Literature and Culture

In her article "Globalization and Theater Spectacles in Asia" I-Chun Wang discusses how performance is an integral part of cultural discourse: in industrially advanced Asian nations governments started to examine the relationship between cultural discourse and popular culture, cultural identity and tourist attractions and artists have become prominent participants in this development in particular with regard to theater performance, an activity with old traditions in Asian cultures. With the uptake of technology and in some cases Western innovation, Asian theater performance not only became an important part of social and cultural discourse, it rejuvenated itself. Wang posits that Asian theater …

Bibliography For The Study Of Asian Culture(S) And Globalization, Chien-Hang Liu, Li Guo, I-Chun Wang

CLCWeb: Comparative Literature and Culture

No abstract provided.

A Study Of Music, Embodiment, And Meaning In The World Of Portal, Helen A. Rowe

Lawrence University Honors Projects

Interactive video game music is a relatively new and quickly expanding art form, incorporating elements of music history, cinema, and video game theory. This study explores how music functions, reveals meaning, and defines player experience within the interactive world of the video games Portal and Portal 2—and how the paradoxical, twisting essence of the Portal world is created and shaped musically. Ultimately, this is a study of the continued existence and relevance of classical music and traditional music history in the futuristic world of video games.

Worlds Wide, Will H. Blanke Jr.

LSU New Orleans Theses and Dissertations

Story of an alien who inhabits the body of middle-aged man George. Mission for Alien George is to convince a fertile, intelligent, attractive woman to move back with him to their planet to create a hybrid species. The major benefit for the woman is having the alien's elixir for her to live for thousands of years. George begins to feel human emotions for Connie, the young woman he initially picks. However, Connie is a lost drug addict who has no signs of a future. This does not appease George's alien guide. George must weigh his new human emotions with his …

Red Bean Monday, Craig S. Carter

LSU New Orleans Theses and Dissertations

The process of filmmaking starts with an idea and is brought forth to reality through a collaborative effort.

This paper will include the process of producing a film through each step from the conception to completion of my thesis film “Red Bean Monday.”

I will thoroughly discuss the writing, producing, cinematography, directing, editing, sound, technology, and workflow. I will also discuss things I have learned as a filmmaker through the successes and failures that I determined based on surveys from audience participation.

The Lonely, Brent Steven Scott

LSU New Orleans Theses and Dissertations

No abstract provided.

Behind The Scenes: A Look At Socio-Cultural Messages In Situation Comedies And Their Effects On Gendered Messages, Victoria S. Hogan

Honors Program Theses and Projects

Specific values, characteristics and behaviors are expected for men and women in American society. Previous research has shown that gender stereotypes on television programs are believed to influence society's “perception of appropriate sex roles” and reinforce negative notions about the role of women in society (Fullteron et al. 2000). According to Lee & Shaw (2010), matters have not changed much. Television uses speech that creates images of and attitudes towards women that prevent equality. This study undertakes a content analysis of two prime-time television shows, 2 Broke Girls and Happy Endings. The objective of this research is to analyze the …