Digital Commons Network^™

“Yellow Fever” + Pornhub Statistics: A Sociological Sickness, Patricia Plachno

Audre Lorde Prize

This essay was written to explore the complexities behind "Yellow Fever," or the fetishization of Asian women. In further understanding the origins of "Yellow Fever", shining a light on historical stereotypes and microaggressions assist in problematizing this phenomenon. Pornhub's yearly statistics provide a tangible outline of the sheer volume of participants in racial fetishization.

The Hidden Figures Of Cognitive Dissonance, Jennifer Berkebile

Senior Honors Theses

In utilizing cognitive dissonance theory (CDT) as postulated by Festinger (1957), this research sought to identify how European American (EA) superiors Paul Stafford and Vivian Mitchell were influenced by EA coworkers while interacting with African American (AA) subordinates Katherine Johnson and Dorothy Vaughan, respectively, within the film Hidden Figures. Based upon a thorough review of the literature on CDT and its relationships with racism and sexism, this research examined specific scenes in which the pair interacted individually and around coworkers before determining the impact of external interpersonal relationships upon the central biracial relationships. Conclusions demonstrated the key principle of …

And The Oscar Goes To... Tiktok, Dawson Bley

Senior Honors Theses

Companies have been forced to take note of the emerging social media app, TikTok, which has attracted more than a billion users to its platform and invited businesses into an uncharted market ready to be exploited. By seeking to understand and employ the unique features which have led to TikTok’s far-reaching success, many companies can similarly improve their position. In particular, traditional movie companies, which have recently suffered blows at the box office due to factors such as competition with online streaming, could benefit from an analysis of this tech to restore lost engagement and revenue. Specifically, how can the …

Why Industry Professionals Should Care About Fandom, Abigail Minzer

Student Publications

A fandom is a community of people who share a common interest and interact with each other on the basis of that common interest. When a fandom comes together on the basis of a creative work, it allows a mutually beneficial relationship to form in which the fandom will eagerly consume existing content, allowing new content to be produced for their consumption. Thus, professionals in industries such as publishing, theater, and television and film should be aware of the integral role fandoms play in the consumption of their content and how to nurture fandoms through the means discussed in this …

Song Of The South: The Silence Of A Song, Magdalena E. Fernald

Student Publications

A persuasive essay explaining the history of the film Song of the South and the Uncle Remus stories that its based on, and why the film deserves to be re-released with educational materials.

Momim, Christopher Halligan

LMU Theses and Dissertations

Alex, an intersex 19 year old, decides that the only way he can be a complete man is to have penis resection surgery, but when the only job available to him is job on the river, he must face his extreme aquaphobia and fear of the feminine and learn to follow the true flow of his nature.

Gender And Sexuality In Desperate Housewives, Berkley Smith

Honors Theses

No abstract provided.

A New Atticus Is Afoot: The Portrayal Of Lawyers In Popular Culture, Anna Thrush

Senior Theses

This project analyzes the stereotypical image of lawyers in popular culture, focusing on either overly demonic or unrealistically heroic. Both stereotypes that are common portrayals of attorneys in popular culture are unrealistic and deny society a true comprehension of the profession. Popular culture has molded the image of lawyers to the characteristics that sell, rather than focusing on a realistic portrayal. Therefore, popular culture creates a falsely dramatized image of attorneys to generate revenue, putting the reputation and future of the profession as risk. These stereotypes are exemplified in this project through a close literary analysis of lawyer characters from …

The Evolution Of Computer Generated Images And Special Effects Design In The Jurassic Park Trilogy, Samantha Renee Pearson

Whittier Scholars Program

Based on Michael Crichton’s unpublished novel, The Andromeda Strain, the awe-inspiring Jurassic Park trilogy (1993-2001) emerged from Steven Spielburg’s determination to make extinct characters come to life again. Early on in their careers, Crichton and Spielburg met at Universal Studios while working on Duel (1971) with ambitions to direct a film that would completely immerse their audience into a dinosaur-encompassing world. About five years later, Spielberg attempted to form a digital rendering for his film Close Encounters of the Third Kind (1977), but later concluded that “‘The technology wasn’t there yet'” (Mottram 20).

Fast-forward to 1990, Spielburg was fixated on …

Lutter Contre L’Effacement Et Pour La Reconstitution De Traces : « Penser Entre Les Disciplines », Lara Mroué

Regards

Living outside Lebanon, Lebanese artists like Rabih Mroué and Lina Majdalanie have contributed in many ways to the evolution and reconstruction of the cultural and artistic scene in Lebanon, as well as to its history. They took part in the shaping of Civil War memory. This article will analyze the way in which these artists put on stage absence, disappearance, and the erasure of traces, while transforming contemporary artistic practice in Lebanon. Rethinking creation as a field of resistance and change, the artist on stage becomes, with Majdalanie and Mroué, an actor, a dancer, and a visual artist.

Résumé

Vivant …

Traduire Novarina En Arabe. Les Mots Sens Dessus Dessous, Georgine Ayoub

Regards

The theater text is always a text to come, according to Valère Novarina’s expression. Once written, it writes itself over and over again on stage. And translating it is always a delicate undertaking. This task becomes even more difficult when the theatrical text is one where the adventure of thought resides in the very act of passing through language – where “a speech from before the ability to speak” emerges, where words, “set in motion,” surprise with unpredictable, incisive meanings, thanks to a mysterious sonority or a tripping up of grammar.
This is the great difficulty in translating Novarina’s theatre …

عن تمويل فنون الأداء المستقلة في المنطقة العربية: في احتضان الجديد, Abdullah Al Kafri

Regards

Nous nous penchons dans cet article sur le sujet des modèles de production et des sources de financement des arts de la scène indépendants, afin d’analyser les questions qu’il génère. Nous examinons son rôle en tant qu’élément fondamental pour l’existence du champ des arts de la scène indépendants durant les deux dernières décennies. Nous tentons de cerner le financement des arts de la scène indépendants dans la région arabe, en nous focalisant sur l’étude des principaux acteurs qui ont joué un rôle clé dans la constitution et l’existence de ce champ, à savoir les organismes donateurs arabes qui ont émergé …

Coopérer Pour Exister : Les Collaborations Théâtrales Avec L’Europe Ou L’Impérative Stratégie Des Théâtres En Palestine, Astrid Chabrat-Kajdan

Regards

Since the Oslo Accords in 1993, theatrical collaborations between European and Palestinian artists have multiplied. They play a role in the development of theatres in Jerusalem and the Palestinian Territories. In this article, we examine their forms and manifestations. The collaborations range from workshops – which consist predominantly of technical classes – to co-creations involving partly European and partly Palestinian teams.
Through the analysis of European–Palestinian theatrical collaborations, this article questions to what extent different forms of collaboration contribute to the key challenges of professional Palestinian theatre: the sustainability of institutions in Palestine, the visibility of Palestinian artists, and the …

Introduction – Quel Avenir Pour Le Théâtre Dans Le Monde Arabe ? Pratiques, Formes Et Perspectives De La Pérennisation Du Courant Théâtral Dans Le Monde Arabe, Najla Nakhlé-Cerruti

Regards

Quel avenir pour le théâtre arabe ? En posant cette vaste question qui a guidé la réflexion collective présentée dans ce dossier thématique, nous avons souhaité interroger les effets de durabilité et les procédés qui participent à la pérennisation du mouvement théâtral dans le monde arabe. Dans ce contexte, les contraintes, nombreuses et de natures diverses, s’ajoutent à la dimension éphémère du genre théâtral. Il se construit en effet sur sa propre mise en péril puisqu’il n’existe que dans la fugacité du moment de la représentation, lorsque les comédiens sur scène et le public dans la salle sont réunis.

Molière Chez Les Hommes De Théâtre De La Nahda Et Tayeb Saddiki, Mahfoud Kecili

Regards

In this paper, we study the presence of Molière in the theatre of Mārūn al-Naqqāš and of Tayeb Saddiki. We show how al-Naqqāš appropriated Molière’s theatre to introduce a new literary genre in the Arab world: Western-style theatre. He employs the comedy and satire of Molière’s theatre as a tool for reflection. In his play al-Baẖīl, he deals with the theme of avarice and that of generational conflicts, which he exposes with a comic vein and satire. In doing so, he urges his fellow citizens to innovate in the arts, drawing from the classical adab and the glorious past …

Belonging On Stage: Theatre As A Practice Of Belonging For The Syrian Diaspora In Turkey, Asma Hedi Nairi

Regards

This article is a preliminary research focusing on the role of theatre as a belonging practice for the Syrian diaspora in Turkey. Based on a qualitative and narrative research methodology, the work analyzes the experience of the Theatre Scene group and their performance of the play Outside the Flock. Building on the belonging conceptual framework presented by Yuval-Davis (2006), the work offers an overview of how theatre served as both a space and a practice of belonging for the Syrian diaspora. It contributes to the growing scholarship on diasporic arts, highlighting the specificity of the Syrian theatrical experience.

Résumé …

Entretien Avec Roger Assaf. Théâtre Et Espace Public : Entre Immersion Et Divertissement, Roger Assaf, Marianne Noujaim

Regards

In this interview, Roger Assaf perceives the constraints of contemporary Lebanese and Arab theatre through the lens of his reflection on the relationship between History — with its dark periods and revolutions — and theatre’s history. Contingent on its historical context, theatre has always oscillated between entertainment and immersion. Assaf evokes his Al-ḥakawātī theatre experience as well as the earliest Arab theatre festivals, drawing a comparison between their sociopolitical dynamics and production modes, on the one hand, and those of contemporary Lebanese and Arab theatres, on the other. He believes that the memory of such theatrical experiences, albeit lacunary, stands …

La Mort Par Les Yeux, Omar Abi Azar

Regards

Omar Abi Azar témoigne de la naissance et du cheminement de la compagnie de théâtre Zoukak. Il met en relation le parcours de ses membres et de ses créations avec les crises et impasses historiques du Liban, d’une part, et avec les conditions de production imposées par les fonds européens et la réception des pièces en Occident, d’autre part.

Le Pire ?, Chrystèle Khodr

Regards

Chrystèle Khodr, actrice, autrice et metteuse en scène, témoigne de sa pratique du théâtre aujourd’hui au Liban, des moyens qu’elle met en place pour pérenniser son travail, et des effets de la production sur la forme et le fond de ses spectacles.

Faire D’Avignon « Une Sorte De Grenade, De Ville Dans Laquelle Toute La Méditerranée S’Est Synthétisée ». Retour Sur La Programmation Arabe Du Festival D’Avignon 2022, Pauline Donizeau

Regards

Arab artists had an important place in the 2022 edition of the Festival d’Avignon in France. This edition was the last one directed by Olivier Py, whose mandate was marked by the regular programming of artists from the Maghreb, the Middle East, and the Near East. This article analyzes the different performances directed by Arab artists on the stages of Avignon in 2022, with a particular focus on issues of representation (especially female figures on stage) and production.

Résumé

L’édition 2022 du Festival d’Avignon a donné une place importante aux artistes arabes. Cette édition fut la dernière dirigée par Olivier …

Repenser Le Théâtre D’Objets : Témoignages, Réflexions Et Retours D’Atelier Au Théâtre Tournesol De Beyrouth, Yassaman Khajehi

Regards

Les manifestations de 2019, dites la Révolution ou thawra, la pandémie liée au Covid, l’explosion du port de Beyrouth, la gravité de la crise économique, les élections législatives de mai 2022, les questions d’immigration et d’émigration trouvent leur place sur la scène contemporaine libanaise.
Cette présence très évidente de ces éléments confirme une fois encore la réciprocité entre théâtre et société : une synergie devenue de moins en moins perceptible sur la scène occidentale. La situation théâtrale et sociétale libanaise ouvre alors aux études théâtrales de nouvelles pistes de réflexion sur l’interaction entre politique, société et création scénique.
Cette …

Rape Jokes, Sexual Violence, And Empire In Revelation And This Is The End, Meredith J.C. Warren

Journal of Religion & Film

The Book of Revelation is one of the most borrowed-from texts of the New Testament when it comes to popular culture. Although there are dozens of other ancient apocalyptic writings, it is John’s apocalyptic visions that directly inform contemporary ideas of apocalypse. The apocalyptic comedy This Is The End (Dir. Seth Rogen and Evan Goldberg, 2013) not only invokes imagery from Revelation but also adapts portions of the text in its portrayal of the end times. However, it also reproduces and expands upon the use of sexual violence as a means of punishment found in Revelation. This paper will examine …

Baraka: A World Without Words: A Guided Meditation, Wanda E. Avila

Journal of Religion & Film

Baraka: A World Beyond Words (1992) is a guided meditation that aims to induce the transcendent experience in the viewer. Through the eyes of a Zen Buddhist monk, the viewer is invited to meditate on the various phenomena that testify to the existence of the transcendent (the first eight chapters), to experience the everyday world where the transcendent is painfully absent (the next eleven chapters), and to finally arrive at stasis (the last two chapters). This paper is a description of and commentary on each of the 21 chapters of the film.

Art Cinema And India’S Forgotten Futures: Film And History In The Postcolony, Vijay Mishra

Journal of Religion & Film

This is a book review of Rochona Majumdar, Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony (Columbia University Press, 2021).

The Dardenne Brothers’ Cinematic Parables: Integrating Theology, Philosophy, And Film, Matthew Kingcroft

Journal of Religion & Film

This is a book review of Joel Mayward, The Dardenne Brothers’ Cinematic Parables: Integrating Theology, Philosophy, and Film (Routledge, 2023).

Natalia, Dereck Daschke

Journal of Religion & Film

This is a film review of Natalia (2023), directed by Elizabeth Mirzaei.

Lars Von Trier’S Cinema: Excess, Evil, And The Prophetic Voice, Jeanette Solano

Journal of Religion & Film

This is a book review of Rebecca Ver Straten-McSparran, Lars Von Trier’s Cinema: Excess, Evil, and the Prophetic Voice (Routledge, 2021).

Motherhood In The Multiverse: Melodrama And Asian American Identity In Everything, Everywhere, All At Once, Aditya Sudhakaran

USF Tampa Graduate Theses and Dissertations

In what follows, I look to the visual and narrative composition of the multiverse between Everything, Everywhere, All at Once (The Daniels, 2022) and Doctor Strange: Multiverse of Madness (Sam Raimi, 2022) to develop a more precise understanding of the superhero blockbuster as a contemporary expression of sensation melodrama. To do so, I use two depictions of maternity to excavate two very different approaches to the multiverse: one that externalizes social conflict, which it answers with individuated and exculpatory violence, and another that internalizes social conflict, which it answers through collective care. I introduce the blockbuster’s mobilization of the multiverse …

Politika Sa Mga Obra Ng Pantas Ng Pelikulang Pilipino: Ang Mga Ideolohiyang Politikal Sa Mga Pelikula Ni Ishmael Bernal (Politics In The Works Of The Genius Of Philippine Cinema: The Political Ideologies In The Films Of Ishmael Bernal), Lois Mauri Anne L. Liwanag, Von Griel S. Capague, Marie Frances Therese Ds. Luglug

Social Sciences and Development Review

The main purpose of this paper is to identify the political ideologies in five films of Ishmael Bernal: Manila by Night “City After Dark” (1980); Himala (1982); Broken Marriage (1983); Hinugot sa Langit (1985); and Pahiram ng Isang Umaga (1989). The basis of the selection of these films are the nominations and awards they received specifically from the Gawad Urian Awards which gave them either the Best Film of the Decade or the Best Picture award. As its hermeneutical lens, this paper utilized the two-dimensional ideological spectrum of the German theorist Hans Slomp, modified by F.P.A. Demeterio in his book …

The Eye Of The King: Screenplay Adaptation As A Craft Tool, Nora Annette Graves

Masters Theses

Adaptation studies typically focus on a screenplay’s fidelity to its original text within the constraints imposed by the new genre. This thesis approaches adaptation as a craft tool: a rich source of fresh authorial insight into characters, settings, and plotlines. Experimentation, not fidelity, is the goal of the self-adapter; adaptations are valued and deemed successful based on the new levels of complexity they uncover or add to an ongoing story. The author’s screenplay adaptation of her original novel, The Eye of the King, served as a case study for testing the value of adaptation as a writer’s craft tool. Re-telling …