Digital Commons Network^™

Mainstream Versus Ethnic Media: How They Shape Ethnic Pride And Self-Esteem Among Ethnic Minority Audiences, Srividya Ramasubramanian, Marissa Joanna Doshi, Muniba Saleem

Media Studies - All Scholarship

This article explores the underlying processes that influence the ways in which mainstream and ethnic media shape ethnic minority audiences’ self-concepts. Ethnic minorities are often underrepresented and presented in stereotypical and negative ways in mainstream popular U.S. culture, while ethnic media tend to represent them in more diverse and auspicious ways. This study uses survey methodology to simultaneously assess the differential effects of mainstream and ethnic media on ethnic minorities. Specifically, it tests the role of mainstream media and ethnic media in influencing ethnic pride, self-esteem, and ethnic performance (behavioral expression of one’s ethnic identity) among Indian Americans. Results from …

"Revealing Reality": Four Asian Filmmakers Visualize The Transnational Imaginary, Stephen Edward Spence

American Studies ETDs

This dissertation posits that four Asian filmmakers engage in “revealing reality” in unique but interconnected ways that employ innovative narrative and cinematic/visual techniques, including a direct address to the senses and an augmenting of their vision with fantasy or surrealism. My study argues that Hou Hsiao-hsien (Taiwan), Jia Zhangke (China), Tsai Ming-liang (Taiwan), and Apichatpong Weerasethakul (Thailand) mobilize this visual and narrative strategy to participate in debates about globalization and to comment on the state of their respective nations, the concept of the nation, and the transnational. The films of each artist are examined in detail; I investigate their stylistic …

Religion And Violence In Jesse James Films, 1972–2010, Travis Warren Cooper

Journal of Religion & Film

This essay analyzes recent depictions of Jesse James in cinema, examining filmic portrayals of the figure between the years of 1972 and 2010. Working from the intersection of the anthropology of film and religious studies approaches to popular culture, the essay fills significant gaps in the study of James folklore. As no substantial examinations of the religious aspects of the James myths exist, I hone in on the legend’s religiosity as contested in filmic form. Films, including revisionist Westerns, are not unlike oral-history statements recorded and analyzed by anthropologists, folklorists, and ethnographers. Jesse James movies, in other words, have much …

Global Catastrophe In Motion Pictures As Meaning And Message: The Functions Of Apocalyptic Cinema In American Film, Wynn Gerald Hamonic

Journal of Religion & Film

The steady rise in production of American apocalyptic films and the genre's enduring popularity over the last seven decades can be explained by the functions the film genre serves. Through an analysis of a broad range of apocalyptic films along with the application of several theoretical and critical approaches to the study of film, the author describes seven functions commonly found in American apocalyptic cinema expressed both in terms of its meaning (the underlying purpose of the film) and its message (the ideas the filmmakers want to convey to the audience). Apocalyptic cinema helps the viewer make sense of the …

How To Attain Liberation From A False World? The Gnostic Myth Of Sophia In Dark City (1998), Fryderyk Kwiatkowski

Journal of Religion & Film

In the second half of the 20th century, a fascinating revival of ancient Gnostic ideas in American popular culture could be observed. One of the major streams through which Gnostic ideas are transmitted is Hollywood cinema. Many works that emerged at the end of 1990s can be viewed through the ideas of ancient Gnostic systems: The Truman Show (1998), The Thirteenth Floor (1999), The Others (2001), Vanilla Sky (2001) or The Matrix trilogy (1999-2003).

In this article, the author analyses Dark City (1998) and demonstrates that the story depicted in the film is heavily indebted to the Gnostic myth of …

Converging Horror: Analyzing The Importance Of Convergence Culture On A Digital Audience Through An Examination Of The Conventions And Politics Of The Horror Genre, Kelsey M. Fox

Media and Cultural Studies Honors Projects

This thesis draws attention to the genre of horror in new media through a close examination of various digital texts, arguing that these new texts, while built on traditional horror narratives used in cinema, are also examples of Convergence Culture, a mobile, multiplatform, participatory medium that engages professionals and amateur content creators. The thesis begins with a review of scholarly work about horror as a genre, continues with a close analysis of several digital horror texts and their online communities, and ends with the argument that these new texts are good examples of how horror has accommodated Convergence culture, morphing …

The Dislocated Spectator's Relationship To Enchanted Objects In Early Film And Modernist Poetry, Rachel Christine Ekblad

USF Tampa Graduate Theses and Dissertations

In the early 1900s, industry and new technologies dislocated our sense of selfhood. Since the Industrial Revolution, the world had become increasingly crammed with material objects, leading up to when the invention of radio and the rise of electricity perpetuated and evidenced an interest in the immaterial. A similar fascination with magic as expressed in cultural forms such as the traveling show and the séance pointed to our new relationship to the object world: the self, dislocated from the body, could relocate in objects, forming a circuitous relationship akin to electricity. This phenomenon is encapsulated by the representation of enchanted …

"You Want It All To Happen Now!": The Jinx, The Imposter, And Re-Enacting The Digital Thriller In True Crime Documentaries, Brett Michael Phillips

USF Tampa Graduate Theses and Dissertations

In this thesis, I outline the changing shape of the reenactment in the contemporary true crime documentary to illustrate a burgeoning crisis of epistemology and anxieties about the authority of evidence in the Digital Age. I examine two works—The Jinx and The Imposter—that deal with evidence in formally similar but ideologically opposite ways.

Logic in the Digital Age prioritizes an ever-widening collection of increasingly more precise artifacts and details, which supposedly paint a more complete picture but end up highlighting what is unknown more often. Key to this examination is the adoption of classic Hollywood thriller techniques (e.g., non-traditional narrative …

Playing-With The World: Toy Story's Aesthetics And Metaphysics Of Play, Jonathan Hendricks

USF Tampa Graduate Theses and Dissertations

Pixar’s Toy Story (John Lassiter, 1995) is not just a story about toys and the children that play with them, but a demonstration of how we interact with the world. This thesis looks at the way in which both main children, Andy and Sid, interact with their toys and how this interaction is one that is structured by way of what Martin Heidegger calls “Enframing.” In this modality of playing, toys and other things and entities in the world, and the world itself, appear to the children as on-hand resources for use at any time and can be molded, as …

Identity And Scene: Alterity And Authenticity In Taxicab Confessions, Steven W. Schoen

Faculty Publications

This essay examines the visual rhetoric of HBOs reality TV program Taxicab Confessions, New York, New York (2005). Drawing on Burke’s rhetorical understanding of scene and Straw’s approach to scene as a category for the analysis of urban culture, I argue that the taxicab interior and nighttime street images of New York City structure a scene of indeterminacy, intimacy, and “reality,” thus framing the passengers’ self-presentations within a context of “authenticity.” The program’s visual structure locates passengers simultaneously outside of and within social norms and reinforces hegemonic notions of race, gender, and sexuality. Passengers are situated within a scene that …

Approaching The Value And The Future Of The Novel: A Book Review Article On Boxall's Scholarship, Yili Tang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Ted Talks As An Emergent Genre, Julia Ludewig

CLCWeb: Comparative Literature and Culture

In her article "TED Talks as an Emergent Genre" Julia Ludewig analyzes TED talks—short, informational, and entertaining presentations that are given during TED conferences in North America and abroad—as a hybrid and emerging genre. Based on a qualitative interpretation of 14 such talks, she offers a list of recurring thematic, argumentative, and rhetorical features, which she aligns with three parent genres—the sales pitch, the memoir, and the academic lecture. Comparing recent versions of TED talks with three older talks from the 1980s and 1990s, she suggests an historical trajectory, which emphasizes the professional performance character of recent talks and their …

The Dramatization Of Cultural Hybridity And The "In-Between" Turkey In Fazıl's Künye, Önder Çakırtaş

CLCWeb: Comparative Literature and Culture

In his article "The Dramatization of Cultural Hybridity and the "In-Between" Turkey in Fazıl's Künye" Önder Çakırtaş addresses Turkey's historical context and exposes how political, social and cultural changes were expressed in Turkey's public sphere. Using Niyazi Berkes's theory of secularism as proceeding of modernism Çakırtaş discusses different examples of stylistic strategies of cultural hybridity in the playwright's historical-based play, Künye. He investigates how political changes in pre-Turkey times signify Turkey's national striving, and how the Ottoman-conservative past metamorphoses into Turkic-secular. The study juxtaposes the perceptions of 'introduction to Westernization' and 'departure from Islamic past' in a period …

Anarcho-Feminist Melodrama And The Manic Pixie Dream Girl, Claire T. Solomon

CLCWeb: Comparative Literature and Culture

In her article "Anarcho-Feminist Melodrama and the Manic Pixie Dream Girl (1929-2016)" Claire Solomon analyzes the Manic Pixie Dream Girl trope as an apparatus of capture (Deleuze and Guattari, A Thousand). More precisely, her article models how such tropes imply modes of reading anachronistically and metafictionally that decontextualize gestures of resistance and conflate female writers, performers, and characters across time and place. Solomon offers a situated formalist reading of Argentine playwright Salvadora Medina Onrubia's 1929 drama, Las descentradas, revealing an avant-garde counterpoint of melodrama and metafiction as an ambiguous alternative to capture.

“The Robocop We Deserve”: Post-Human Transformations And Social Critique In Paul Verhoeven’S And Jose Padilha’S Robocop, Mynt Marsellus

Laurier Undergraduate Journal of the Arts

No abstract provided.

The Fat Female Bodies Of Saturday Night Live: Uncovering The Normative Cultural Power Of A Countercultural Comedy Institution, Katharine Cacace

Dissertations, Theses, and Capstone Projects

Despite its reputation as one of the most countercultural and anti-establishment voices in mainstream television comedy, Saturday Night Live helps produce and reproduces cultural norms. Using weight and gender as a lens, this paper investigates Saturday Night Live’s methods of creating, imitating, and evoking the fat female body in order to limit female agency and police unruly female power. It contends that even the inclusion of nonnormative female bodies—fat bodies, queer bodies, and bodies of color—is merely a reiteration of the techniques of neoliberal multiculturalism for the television audience.

The Underrepresentation Of African Americans And The Role Of Casting Directors, Chantal Suhling

School of Communications Undergraduate Research

Films are cultural products, which reflect the existing ideologies in a culture. In the American culture the two dominant ideologies are white normativity and patriarchy. With the Oscars right around the corner, the world is anticipating this year's nominees and winners. Hopes are high that this year the Academy Award for best actor will go to someone who is diverse. If films are reconstructions of culture, then can we really expect to see change at the Oscars? Through thorough qualitative research and interviews with industry professionals, a detailed picture of the role of casting directors in the casting process for …

Ageing In Action: Hollywood’S Ageing Ensemble Action Hero Series, Philippa Gates

English and Film Studies Faculty Publications

This paper explores the treatment of ageing in the ensemble action hero series RED (2010 and 2013) starring Bruce Willis and Helen Mirren and The Expendables (2010, 2012, and 2014) starring Sylvester Stallone and other 1980s action stars. These two series combine action with comedy to thematize two sets of issues in relation ageing—first, about competence and usefulness and, second, about meaningful relationships. In the RED series, these two overarching concerns are linked explicitly to ageing whereas, in the Expendables films, these concerns replace those about ageing. In other words, the Expendables series mainly ignores ageing and presents its heroes …

Infancia (In)Visible: La Subjetividad De La Niñez Como Transgresión A La Marginalidad En Las Películas Conducta Y Pelo Malo, Tania Carrasquillo Hernández

Faculty Publications

Tania Carrasquillo Hernández's research on race, gender, and sexuality has led her to develop a more specific interest in the study of childhood and sexuality in literature and cinema. This article, based on a presentation given at the Hispanic Literatures Across Cultures Conference (October 6–8, 2016 at Fresno Pacific University), analyzes the representation of boyhood and masculinity in contemporary Cuban and Venezuelan cinema via the films Conducta (2014, directed by Ernesto Daranas) and Pelo Malo (2013, directed by Mariana Rondón).

In the case of Chala (Armando Valdes Freire, Conducta), Carrasquillo Hernández explores how his masculinity is related to the …

Analysis Of The Progression Of The Representation Of Female Protagonists In The Sci-Fi/Fantasy Tv Shows Orphan Black And Buffy The Vampire Slayer: Girl Power, Appropriated “Masculinity” In Conjunction With Femininity, Empowered Sexuality, And The Heterosexual Script, Dakota Becker

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

Buffy Summers goes from urban Los Angeles to Sunnydale, California after she is expelled from her previous high school on the grounds of an assortment of Slayer-related incidents. Chosen as the Slayer, Buffy is fated to fight against the forces of darkness, although this responsibility is not always conducive to leading the life of an average teenage girl. Upon moving to Sunnydale, Buffy quickly learns that Sunnydale High School sits directly above a “Hellmouth,” a hub for demon activity. Specifically, the entrance to the Hellmouth is located directly beneath the Sunnydale High School library, home to a curious collection of …

Affect Bleeds In Feminist Networks: An "Essay" In Six Parts, Alexandra Juhasz

Publications and Research

No abstract provided.

Barbie Doesn't Have Bruises: Gendered Images Of Anxiety And Avoidant Attachment Relationships In Film, Claudia G. Chiang-Lopez

Calvert Undergraduate Research Awards

Viewers’ interpretations of romantic relationships portrayed between those with anxious and avoidant attachments can affect their opinions on what constitutes appropriate relationship behavior. I conducted a literature review on media impacts and offer an interpretation of the implications of the language used to describe characters, relationships and characters’ ends. The films studied - Sunset Boulevard, Sid and Nancy, and The Hustler - showed a pattern where in a relationship between an anxious and an avoidant character, the anxious character was punished, absorbed by their relationship, abandoned, trapped in their life, and cut off from the world. Viewers watch films to …

"If You Want To Be The Man, You've Got To Beat The Man": Masculinity And The Rise Of Professional Wrestling In The 1990'S, Marc Ouellette

English Faculty Publications

This paper traces the relationship between the shifting representations of masculinity in professional wrestling programs of the 1990s and the contemporaneous shifts in conceptions of masculinity, examining the ways each of these shifts impacted the other. Most important among these was a growing sense that the biggest enemy in wrestling and in day-to-day life is one’s boss. Moreover, the corporate corruption theme continues to underscore the WWE’s on-screen and off-screen coverage, well into the second decade of the twenty-first century. Thus, the paper provides a template for considering a widely consumed popular cultural form in ways that challenge the determinism …

A Theory Of Veteran Identity, Travis L. Martin

Theses and Dissertations--English

More than 2.6 million troops have deployed in support of the wars in Iraq and Afghanistan. Still, surveys reveal that more than half feel “disconnected” from their civilian counterparts, and this feeling persists despite ongoing efforts, in the academy and elsewhere, to help returning veterans overcome physical and mental wounds, seek an education, and find meaningful ways to contribute to society after taking off the uniform. This dissertation argues that Iraq and Afghanistan War veterans struggle with reassimilation because they lack healthy, complete models of veteran identity to draw upon in their postwar lives, a problem they’re working through collectively …

A Case For Empathy: Immigration In Spanish Contemporary Media, Music, Film, And Novels, Constantin C. Icleanu

Theses and Dissertations--Hispanic Studies

This dissertation analyzes the representations of immigrants from North Africa, Latin America, and Eastern Europe in Spain. As engaged scholarship, it seeks to better the portrayal of immigrants in the mass media through the study of literature, film, and music about immigration spanning from the year 2000 to 2016. Because misconceptions continue to propagate in the media, this dissertation works to counteract anti-immigrant, xenophobic representations as well as balance out overly positive and orientalized portrayal of immigrants with a call to recognize immigrants as human beings who deserve the same respect, dignity, and rights as any other citizen.

Chapter 1 …

Politics, Feminism, And Popular Television: Madam Secretary As A Politician, Wife, And Mother, Katie Lynn Schwind

Electronic Theses and Dissertations

A recent surge in political dramas on television has produced an opportunity for media scholars interested in gender, politics, and entertainment media. To date, most research involving the study of fictional politics has revolved around male characters, leaving a gap in the study of female political characters. This study looks at the representation of the character of the US Secretary of State, Elizabeth McCord, in the television drama Madam Secretary in order to evaluate whether the show challenges or reproduces the postfeminist notion that "women can have it all." Through a qualitative textual analysis of six episodes of Madam Secretary …

Distant Electric Vision: Cultural Representations Of Television From “Edison’S Telephonoscope” To The Electronic Screen, Ivy Roberts

Theses and Dissertations

Do inventions that exist only on paper have less credibility than functional technologies? How has the meaning and significance of audiovisual media and technology changed over time? This dissertation examines historiography and methodology for media history, arguing for an interdisciplinary approach. It addresses methodological issues in media history—media in transition, media archaeology, and film history—through an examination of television’s speculative era. It tackles moving-image history through an historical investigation of Victorian and Machine age “television”.

Because the concept and terminology of “television” changed dramatically during this period, I use the phrases “distant electric vision” and “seeing by electricity,” to define …

Yi, Observational Documentary Aesthetics, And The Identity Politics Of Transcultural Migrancy, Jiacheng Xu 4159187

Theses and Dissertations

There is a moment in Edward Yang’s acclaimed film Yi Yi (2000) in which a young boy in a conversation with his father observes that he cannot see what his father sees and that his father cannot see what he sees, prompting two questions: “How can I know what you see?” and “Can we only know half of the truth?” Unable to provide adequate answers, his father instead offers his son a camera. Later in the film, the same boy presents his uncle with a picture he took of the back of his head. When asked why, the boy responds …

A Station In Motion: Termini As Heterotopia, Simone Brioni Dr.

Department of English Faculty Publications

Drawing on Michel Foucault’s definition of heterotopia, the article analyses the filmic and literary representation of Stazione Termini, Rome’s main train station. The Fascist architectural project, which mirrors an idea of the nation as homogeneous, monolithic, and white, begins to be challenged in the post-World War II representations of Termini which depict the station as the place where liminal and unexpected experiences can occur and accepted moral codes of behaviour are put into question. The article then focuses on the recent representation of Termini as a key place of contact with and among immigrants. While migration literature describes the station …

Negotiating Desire: Resisting, Reimagining And Reinscribing Normalized Sexuality And Gender In Fan Fiction, Charity A. Fowler

Theses and Dissertations

Fan studies has examined how fan fiction resists heteronormativity by challenging depictions of gender and sexuality, but to date, this inquiry has focused disproportionately on slash, to the exclusion of other genres of fan fiction. Additionally, scholars disagree about slash’s subversive effects by setting up a seemingly stable dichotomy—subversive vs. misogynistic—where one does not necessarily exist.

In this project, I examine multiple genres of fan fiction—namely, slash arising from bromances; femslash from female friendships; incestuous fan fiction from dysfunctional familial relationships; and polyamorous fics. I chose fics from four televisions shows—NBC’s Revolution, MTV’s Teen Wolf, the CW’s The …