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Documentales Sobre El 15-M: Una Modalidad Plural Para Una Revolución Plural, Carmen Moreno-Nuño

Hispanic Studies Faculty Publications

La deficiente cobertura informativa que los medios llevaron a cabo sobre el 15-M en 2011, además de otorgar a los documentales producidos sobre el tema la capacidad de intervenir en el imaginario social, desveló la dificultad de representar esta movilización. En este artículo se analizan los documentales #Indignados. Del 15M al 20N, 15M: “Excelente, Revulsivo, Importante”, #Acampadasol: historia de una ciudad, Falsos horizontes y Libre te quiero para mostrar cómo la variedad de modos documentales —usando el esquema conceptual de Bill Nichols— usados por los cineastas revela que el 15-M es un fenómeno difícilmente encasillable dentro de …

Perspectives Plurielles Sur La Danse Du Lion Et Du Dragon: La Chinafrique, Suzanne Crosta

Présence Francophone: Revue internationale de langue et de littérature

When it comes to China and Africa, one thinks spontaneously of immensity versus mosaic, but one can also be fascinated by the rooting in the past. To create La legende des siècles, a French epic, Victor Hugo allowed himself to be carried by "history listened through the gates of legend", according to his own words. Imagine what would be the writing of The legend of the millennia for China and Africa, impressive asteroids launched in the sky of time? Thousand eyes scrutinize with their camera the interactions between the people of the great country and those of the African …

La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé

Présence Francophone: Revue internationale de langue et de littérature

This article analyzes the importance of the film industry in West Africa by posing the problem of the closure of cinemas in recent decades in three countries: Senegal, Mali and Burkina Faso. The disappearance of movie theatres jeopardizes reception and drives the use of the Internet and television as broadcasting outlets for movies. This issue occupies little space in film criticism that privileges, according to Claude Forest, the "creative and cultural aspects" and therefore the aesthetics of African film.

Abstracts (N° 90)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Les Modes De Réception Des Films Populaires Africains Au Brésil: Entre Usage Socioculturel Et « Plaisir Du Texte », Mahomed Bamba

Présence Francophone: Revue internationale de langue et de littérature

In this article, I discuss the uses and the reception of African films (popular films and films d'auteur) in Brazil, especially in some Mostras. I examine, among other issues, the role of these mini-festivals in the establishment of what we can call a popular African cinema experience in a community. These contexts of reception produce in the audience a level of expectation, but also some constraints that impact the films' reading and interpretation.

On The Culturalization Of Ethnic Economy In China, Yi Liu, Jiayan Xiao

CLCWeb: Comparative Literature and Culture

In their article "On the Culturalization of Ethnic Economy in China" Liu Yiand Xiao Jia-Yan examine the cultural impact of autonomous minority regions on national economy. This study surveys the internal factors that include geography and history as well as external factor such as govermental policy. The findings suggest that cultural factors should be taken into greater consideration, as they are an important aspect in the inner motivation to push forward the economic development of ethnic areas at a faster pace. The paper argues that culture can afford the most efficient pathway for these ethnic areas in terms of economic …

Collective Memory In Advocating Peace. The Nanjing Incident As A Case Study, Idham Badruzaman

CLCWeb: Comparative Literature and Culture

In his paper "Collective Memory in Advocating Peace. The Nanjing Incident as a case study" Idham Badruzaman provides an example of how to build a peaceful Asian Community. The Foundation is establishing forms of bilateral cooperation at the educational level; mostly in universities and higher education institutions across the world. These programs are contributing to create cross-cultural ties within the Asian Community and across the world, surpassing national interests and boundaries, fostering inter-culturalism, and promoting tolerance amid differences. By focusing on the Nanjing Incident, the paper provides an example of how the building of collective memory can help reconciliation, showing …

Portraits Of Jeju Haenyeo As Models Of Empowerment In The Korean Newspaper Maeilshinbo During Japanese Occupation, Seohyeon Lee, Soon-Ok Myong

CLCWeb: Comparative Literature and Culture

In their article "Portraits of Jeju Haenyeo as Models of Empowerment in the Korean Newspaper Maeilshinbo during Japanese Occupation" Seohyeon Lee and Soon-ok Myong analyze the life of Korean women divers, Jeju Haenyeo, portrayed in the news articles of the Maeilshinbo, the only Korean newspaper during Japanese occupation (1910-1945). In the past, the activities of Haenyeo have been considered the cultural product of Jeju Island. However, within a structure of female repression, Confucian feudalism and colonization, the Haenyeo can be seen as emancipatory pioneers and voluntary economic agents, displaying initiative and pro-activeness and protecting their rights and …

Innovations In Self-Consciousness. Towards Oneness With The World, Soon-Ok Myong, Byong-Soon Chun

CLCWeb: Comparative Literature and Culture

In their article "Innovations in Self-Consciousness. Towards Oneness with the World" Soon-ok Myong and Byong-soon Chun examine the limitations and vulnerabilities of modern civilization. Asia is a multiethnic, multilingual and multicultural territory of over 40 countries and more than 4.4 billion people, that is, almost half of the population of the world. The One Asia community seeks to question a world made up of strong egos that make up businesses, organization and nations, and embrace communal goals, helping Asia and the world to become 'one community.' Thus, the paper suggests ways of self-innovation through forms of transitional consciousness. Although the …

Dayak Lundayeh: A Report From The Border, Luqman Hakim Zainuri

CLCWeb: Comparative Literature and Culture

In his paper "Dayak Lundayeh: A Report from the Border" Luqman H. Zainuri explores the vulnerabilities and potential of national disintegration coming from indigenous communities in Indonesia. In particular, the paper focuses on one of the communities which has been largely ignored, the Dayak people, who have played an important role in the border between Indonesia and Malaysia in Borneo Island. The Dayak indigenous people which inhabit this highland plateau are known as the Lun Bawang, on the Malaysian side, and the Lun Dayeh (or Lundayeh) in the Indonesian side. Both groups are linguistically and culturally the same. This paper …

Foreign Villains Shape The World: Transnational And Global Antagonists Within The Martial Arts Film Trilogy Ip Man, Kelvin Chan

Master's Projects and Capstones

This paper explores how foreign antagonists are portrayed and positioned within the Ip Man trilogy directed by Wilson Yip. Typically, protagonists such as Ip Man are the focal point of research, but this paper will examine the historical and contextual use of foreign antagonists such as the invading Japanese, the corrupt and condescending British, and the rapacious American in the Ip Man trilogy and how their portrayals are transmitted transnationally. The examination of these foreign antagonists in relation to the protagonist Ip Man expose themes such as nationalism, national identity, and victimhood to a Chinese diaspora. They also expose a …

Learning Culture: Cultural Relationship In Masked Lanterns, Yuxuan Ding

Graduate School of Art Theses

Culture shock, or culture conflict, is the unfamiliarity or disorientation an individual experiences after encountering a culture different than their own. To better understand the people around us who share a different culture and the way of life it creates, we need to first respect and understand their culture. In general, Chinese culture stresses that individuals must see themselves as part of a larger group for the benefit of society, while American culture stresses the importance of individualism.

Based on my experiences in graphic design, I decided to further my studies in a studio art context to understand how the …

Race In Romance: Racialized Femininity And Intimacy Between Asian Female And Non-Asian Male, Minju Kim

Media and Cultural Studies Honors Projects

The film “Racing Romance” is a study of Asian female and non-Asian male intimacy. The film is based on an understanding that intimacy, desire and love are critical parts of one’s self-identification, while these desires are inevitably influenced by the historical and social contexts of race to varying degrees. There has been a limited academic interest in the female agency of Asian women in interracial intimacy. Too often, interracial marriages and relationships are simply celebrated as part of multiculturalism or anti-racism, without getting proper attention to the subtleties of racial and gendered dynamics that influence both members of the relationship. …

Global Muslim Audiences’ Polysemic Reading Of “My Name Is Khan”: Toward An Emergent Multiculturalism, Priya Kapoor

International & Global Studies Faculty Publications and Presentations

In this study, we learn how audiences make sense of a non-dominant text that is conveying a nonWestern story about the Global War on Terror (GWOT). The audiences affective narratives affirm Deuze’s argument that media is not separate from our lived experience; we live in media rather than with media. This study was conducted on an urban campus in the Pacific North-West, with film audiences of over fifty Saudi Arabian, Baharanian, Iranian, Iraqi, Yemeni, and other Arab and non-Arab Muslims. Multiple screenings of Hindi language film, My Name is Khan, shows that it speaks to a global, transcultural, primarily Muslim …

From Perfect Daughter To Feminist: How Culture Disguises Disney’S Recycled Formula In Mulan And Moana, Aricelia Arcadia

Honors Theses

Film is a relatively young art form and industry compared to others, such as music and dance. Its origins go back no more than 150 years, yet criticism surrounds film over the lack of originality. The Walt Disney Company, or Disney, is one of the most well-known companies in the industry, and it too is accused of recycling some of the same narrative elements and images in its films. This recycling of themes, characters, animation, plot points, and more are known as formulas that Disney uses to ensure financial success. In recent years, the film industry, but more specifically Hollywood, …

The Postmodern Indian: Representation And The Films Of Sherman Alexie, Tara P. Mccrink Burcham

Dissertations

For hundreds of years, Native Americans have been characters in American media. For most of those years, whites determined the way in which Native Americans were represented. First in print, radio, silent movies and later talkies and television, representations of Native Americans have included being uneducated sidekicks, savages, noble savages seeking to steal white women, drunken idiots, or hilarious jesters all for the entertainment of viewers. This troublesome history of negative depictions of Native Americans is the reason this research is directed at the films by Native American writer and filmmaker Sherman Alexie. This research is a qualitative analysis of …

"It's Like They're Right There Next To You": Maintaining Girls' Camp Friendships Via Mobile Media, Elise Bragard

Dissertations, Theses, and Capstone Projects

This thesis explores how a group of adolescent girls uses mobile and computer-mediated communication as a resource for social and emotional support from their friends. In the midst of widespread public panic about teenage social media use, this study finds nuanced and positive ways that technology is being used in girl culture. Within the context of a technology-free summer camp, adolescent girls form close relationships, which continue throughout the school year. The girls construct a virtual-symbolic camp space using mobile-emotive communication to stay connected with their friends. As a result, they recreate the intra- and inter-personal benefits they experienced at …

Dolls Who Speak: Sex Robots, Cyborgs And The Image Of Woman, Victoria E. Pihl Sorensen

Dissertations, Theses, and Capstone Projects

This thesis examines the emerging phenomenon of sex robots from a feminist materialist perspective. I explore the current scholarly and popular debates on sex robots, and suggest a reading of sex robots in their machinic, literary and cinematic expressions to move beyond the moral-ethical impasse that seems to dominate sex robot discussions. Employing Donna Haraway’s “Cyborg Myth” on a methodological and theoretical level, I argue for an interdisciplinary approach to studying sex robots, which proceeds carefully so as to avoid contributing to sex panic, and which thinks critically about what it might mean to assess sex robots from a feminist …

From Plato’S Cave To Edward Yang’S Cinema: An Examination Of Filmic Language And Its Noetic Potential, Ruochen Bo

Foreign Languages & Literatures ETDs

Following Jean-Louis Baudry’s incorporation of Plato’s cave allegory into the analysis of cinematic apparatus, my approach engages in a philological analysis of the films to show that various film languages embody the potential to compel the audience into thought reflection about transcultural, transhistorical philosophical issues. Through a close reading of two filmic texts by Edward Yang, Yi Yi (2000) and Terrorizers (1986), I will argue that certain overlooked Asian films, especially in the field of film philosophy, not only serve as artistic sites for intercultural, political and social examinations but also present thoughtful and dialectical engagement with philosophical and metaphysical …

Realness Over Reality: Analyzing Gender Binary Deconstruction In Rupaul’S Drag Race, Jonah Wilson

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

From its conception in 2009, RuPaul’s Drag Race (RPDR) has grown incredibly in popularity, quality, and potential to serve as a mainstream way of change and acceptance for varying gender performances and identities. Particularly working within frames of commercialism, homonormativity, and queer commodification, RPDR loses a lot of its potential to serve as a radical, decentering challenge to the rest of mainstream television. In regards to rigid western ‘borders’ of gender and the gender binary, RPDR has done a considerable amount to deconstruct sociocultural boundaries that restrict individuals from presenting their gender identities and allowed a stage for transgender and …

Cross-Dressing In Taiwanese Dramas: A Reinforcement Of Heteronormativity, Jelana E. Szymanski

Student Publications

An examination of temporary cross-dressing in Taiwanese romantic comedy dramas that seeks to analyze how gender, sexuality and romance are portrayed. The following discourses will be used to demonstrate how these dramas often support heteronormative ideals: the absurdity of gender, the utilitarian cross-dresser, the idea of the true (bio)gender, the eroticization of the female body, the bivalent kiss, the Sexuality Crisis Bro trope, 'gender does not matter' as romance, and relationship dynamics.

Editorial In(Ter)Ventions: Comparing The Editorial Processes Of The Hebrew Bible And The Star Wars Saga, Timo Tekoniemi

Journal of Religion & Film

Canonicity and authority of one textual form over another, textual plurality, and scribal freedom in the early transmission of the Hebrew Bible have in the recent decades become prominent topics in the methodological discussions of biblical scholars. Since the discovery of the Dead Sea Scrolls, it has become clear that, when attempting to discern the oldest text of the Hebrew Bible, we are in need of new and better models of textual transmission that take into account all extant textual evidence. Working solely on the basis of the so-called Masoretic Text is no more methodologically tenable, especially when it comes …

Imaginative Geographies: Visualising The Poetics Of History And Space, Clive Barstow

Landscapes: the Journal of the International Centre for Landscape and Language

This essay presents a visual dialogue about our relationship to place. I adopt Henri Lefebvre’s model of cumulative trialectics (1991) as a new thirdspace that more accurately represents the complexities of modern day geographies and hybrid communities by extending the binary analysis of the past and present and beyond the real and the imagined. Trialectics expand our understanding beyond physical geographies by suggesting a cerebral space that searches for new meaning and is therefore more radically open to additional otherness and toward a continuing expansion of [human] spatial knowledge and imagination.

Julia Lossau describes thirdspace as a space that ‘…tends …

Eliminating The Uncertainty Of Hong Kong In 1990s: Tsui Hark’S Once Upon A Time In China (1, 2, 3), Zhanwen Peng

USF Tampa Graduate Theses and Dissertations

My argument is that the Wong Fei-hung film series, Once Upon a Time in China (Tsui Hark, Chapters 1, 2, 3), not only affirms the ideas of Confucianism but also criticizes them. Tsui Hark’s film series express Hong Kong’s tension of selecting eastern tradition and western modernity before it returned to mainland China in 1997, which represents the selection of entirely different values between East and West. Though the film series was made from 1991 to 1993, Hark started considering how to eliminate the uncertainty in selecting ideology after Hong Kong’s return. He provides his answer by combining eastern Confucianism …

"He Didn't Mean It": What Kubrick's The Shining Can Teach Us About Domestic Violence, Kelley O'Brien

USF Tampa Graduate Theses and Dissertations

With Second Wave Feminism and the Women’s Rights Movement, 1970’s Americans began to see a shift in gender norms affecting how we relate to one another, particularly within a family structure. Scholars have noted an anxiety permeating the decade over the potential negative ramifications of such a drastic cultural shift. We see these issues of gender politics played out in numerous popular films from the 1970s and into the 1980s. Kubrick’s The Shining, like many horror films of the time, preys upon the societal fear for the family, due to these shifting gender norms, by featuring a crumbling patriarch (Jack), …

Cool Moms & Cool Media: Returning To, Morgan Wallace

USF Tampa Graduate Theses and Dissertations

I posit that contemporary fears about the effect electronic media has on us and our children is anything but new. Therefore, reminiscing about the "good ole days" and wanting to go back would not actually solve the problem. However, looking back to a time when there was also anxiety about electronic media and the shifting field of public and private may reveal new possibilities for relating to and with these media. Rather than flatly blame media as an apparently new cause of harm, it is essential to reveal media's historical and political conditions, only in this way can we better …

The Revival Western And, Kevin Thomas Mckenna

USF Tampa Graduate Theses and Dissertations

I create a dialogue between films credited with reviving the Western film genre in the early 1990’s. I examine spatial representations in a group of films I label “the revival westerns”: Kevin Costner’s Dances with Wolves (1990), Clint Eastwood’s Unforgiven (1992), and George P. Cosmatos’ Tombstone (1993). Through the use of extreme long shots, characters demonstrating a confined sense of place, and continuity editing, the revival westerns erect a concentrically scaled conception of space and place and maintain a linear temporality. However, I offer Jim Jarmusch’s Dead Man (1995) as an intervention that reassembles these spatial and temporal notions. Dead …

Failing To Move Forward: Journalism, Media, And Affect In David Fincher's, Nicholas Orlando

USF Tampa Graduate Theses and Dissertations

Zodiac (David Fincher, 2007) offers a critique of the mass media’s efforts to restore American valiance with heroic narratives of ordinary people in the aftermath of 9/11. Amending prior scholarly readings of Zodiac as a serial killer narrative, I reconfigure my analysis by taking Fincher at his word and treating it as a journalism film. Borrowing a term from political theorist Elisabeth Anker, I argue that, unlike other contemporary journalism films, Zodiac is constructed as a “melodrama of failure” that, rather than seeking mastery, unveils the instability of evidence and the obsessive uncertainty of procedure.

With his film sitting between …

Pantheism And Escapism In Abu Madi's 'Enigmas' And 'The Evening' From English Romanticism Perspectives, Yasser K. R. Aman

CLCWeb: Comparative Literature and Culture

In his article "Pantheism and Escapism in Abu Madi's 'Enigmas' and 'The Evening' From English Romanticism Perspectives" Yasser K. R. Aman investigates and analyses the possibilities of pantheism's encirclement of escapism in Elia Abu Madi's two poems from English Romanticism perspective. The article compares Abu Madi's fluctuating attitude towards escapism and pantheism to William Wordsworth's "Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour July 13, 1798," Samuel Taylor Coleridge's "The Rime of the Ancient Mariner," and Percy Bysshe Shelley's "Ode to the West Wind," highlighting the affinities and differences. The …

Disoriented Nationalist Discourse Of The Wenxuan Group Amidst Manchukuo’S Anti-Modern Chorus, Chao Liu

CLCWeb: Comparative Literature and Culture

In his article "Disoriented Nationalist Discourse of the Wenxuan Group amidst Manchukuo's Anti-Modern Chorus" Chao Liu analyzes the proposal of "native-land literature" made by left-wing Chinese writers in occupied northeast China. As it turns out, inheriting the nationalist discourse of the May Fourth Movement and further radicalizing it via a "new romanticism," those writers over-emphasized the socio-political function of literary production and took native-land literature as the most effective tool for nationalist mobilization. Accordingly, they repelled modern civilization as it was associated with the colonists, relying instead on natural wilderness and primitive force and thus adopting subject matters as well …