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From Patriarchal Stereotypes To Matriarchal Pleasures Of Hybridity: Representation Of A Muslim Family In Berlin, Rahime Özgün Kehya Dr

Journal of Religion & Film

Sinan Çetin’s blockbuster Berlin in Berlin (1993) is a Turkish-German co-production. In contrast to certain representational tendencies with German orientalism or Turkish occidentalism, it deconstructs the intersectional structures of migration, religion, and gender. The portrayal of religion in films about Turkish-German labour migration is a kind of cultural narcissism often projected into national cinema by denigrating the faith of the other and glorifying one’s own religion. However, perspectives at such intersections are critical and require sensitivity in filmmaking, as films can create prejudice or help build peaceful relationships around these sensitive issues. The paper employs discourse analysis in linking Derrida’s …

Reframing Space: Religion, History, And Memory In The Early Documentary Film Of The Yugoslav Space, Milja Radovic

Journal of Religion & Film

This paper examines cinematic representations of religion and religious communities in the early cinema of the Yugoslav space. This paper introduces the readers to the rich heritage of the cinema of the Yugoslav space by providing 1) the first study of the representations of religion and the concepts of faith in the early film, and 2) novel approaches in reading religion and history through film. Film is used as a primary rather than supplementary source in historical research on diverse religious and ethnic communities in this part of the Balkan Peninsula. This is the first study that investigates the importance, …

Icons In Lyari: Resonance, Visibility, And Global Blackness In An Indian Ocean Port Town, Zehra Husain

Dissertations, Theses, and Capstone Projects

This doctoral dissertation studies the resonances of boxing, football, and rap music in Lyari Town, a working-class neighborhood located in Pakistan’s commercial port city Karachi. Based on 12 months of in-person and remote ethnographic fieldwork, this dissertation traces the circulation of iconographies of Blackness and global sports as they sediment in a port town on the Indian Ocean. Lyari has long been in the news for gang violence and urban strife, but is also noted for its talented boxers, footballers and more recently rap musicians, some of whom are of Afro-Baluch descent. These “two faces” of Lyari Town informs its …

Audible Futures: Scenes Of Sonic Encounter In Cold War Kurdistan, 1923–2023, Nicholas S. Glastonbury

Dissertations, Theses, and Capstone Projects

This dissertation examines a century of cultural politics in Kurdistan, from 1923 to 2023, and it does so from a relatively marginal vantage point in most histories of Kurdistan: that of the Soviet Caucasus. It takes as its primary object the cultural and political itineraries of sonic media and listening in Kurdistan, from Soviet Kurdish radio broadcasting and pirated cassettes to postsocialist archives, DJ booths, and streaming music. These itineraries map not only the emergence and circulation of Kurdish notions of tradition, heritage, and cultural memory, but also the methods of counterinsurgency deployed by the states that occupy Kurdistan. In …

Narratives In, On, And Around Contemporary Queer Film: A Study Of Adam And Its Paratexts, Jeremy Stoller

Dissertations, Theses, and Capstone Projects

Film’s ability to present and inspire desire, and to realize alternate worlds, render it a uniquely potent medium for expressing queerness. Because of this potency, and because films are among the most prominent ways that LGBTQ+ people are represented in society, queer film can feel both deeply personal and highly political for LGBTQ+ identifying audiences. But movies do not merely offer statements about political systems, they are also made within and reflective of those systems.

Scholars have thoroughly investigated films and our relationships to them for productive ways of seeing gender, sexuality, desire, and oppression. But the conversations about how …

Screen Ruptures: Disrupted Content For The Prosumer Generation, Kelsey Clark

Postgraduate

Television content has faced various forms of interruption to the viewing experience since the very beginning with the location of the television set and interruptive nature of advertising breaks. Irani et al. (2010) note that television has always been “a fixed temporal structure” and that the physical location of the television set has always had a place in the home where the opportunities for distraction and disengagement form a part of the viewing experience (p. 621). Similarly, the presence of advertising intermittently interrupting episodes of television programs quickly became a norm, which further characterises television viewing as a disrupted practice. …

Storytelling In Motion: Rhetorical Approaches To Autoethnography, Critical Pedagogy, And African Filmmaking, Sethunya Mokoko

All Dissertations

This dissertation exposes the marginalization in the education systems of my country Lesotho, South Africa, an injustice that still survives long after the plague of Apartheid. Drawing on the values in African epistemologies of storytelling, I describe and illustrate their principles, then show how storytelling can transform composition pedagogy and thus help eradicate the residue of colonization. The methodology draws from auto-ethnography, narrative, spoken word, traditional oral wisdom, and African filmmaking as counter-story and resistance to the ideologies plaguing the minds of colonized South Africans. The goal is to celebrate oral traditions while improving reading comprehension and writing. With an …

Selective Framing And Narrative As Anthropocentric Agents In Yellowstone: America’S Eden, Breanna Lee Hansen

USF Tampa Graduate Theses and Dissertations

Yellowstone: America’s Eden is but one example of nature documentaries tackling the complexities of nature-culture relationships during the age of the Anthropocene. Yellowstone National Park, the first to be named, is a primary example of how our relationship to the natural world developed through conservation and commodification. Yellowstone: America’s Eden demonstrates how film techniques conceal nature as a human construct through selective framing and narrative. By analyzing editing techniques made in the representation of Yellowstone National Park, this thesis bridges anthropocentrism to nature documentaries. Drawing on interdisciplinary research from media studies, environmental humanities, and anthropology, this thesis analyzes the ways …

From Counter-Strike To Counterterrorism: How The Cheater Reconfigures Our Understanding Of Asymmetric Warfare, Enya C. Silva

USF Tampa Graduate Theses and Dissertations

Around the turn of the century, as the United States increased its military presence in the Middle East in what was widely known as the War on Terror, computer games were also rising in popularity. Military inspired narratives and settings are very common in video games, especially in the genre known as the first person shooter – characterized by a single player, first person point of view. Alexander Galloway provides a vocabulary for understanding the video game, and the first person shooter in particular, derived from the framework of game studies. Scholarship around video games usually either seeks to affirm …

Women's Interracial Friendships: Cultivating Coalitional Possibilities Across Difference Through Dialogue, Akie Fukushige Wenk

LSU Doctoral Dissertations

In my dissertation, I thread through the macro-structure as well as micro-operations of hegemonic ideologies, namely white-supremacist capitalist cis-hetero patriarchy (hooks, 1995, Valdes, 1996), that has historically plagued the United States, eventually gaining a global reach over time. I center interracial friendship between Black and White cis-women, where I locate coalitional possibilities that begin at the grassroots level. I situate this interracial relationship within the socio-ecological system where the personal meets the social (including racialized backgrounds). I use a series of analogies to equate these ideologies as toxins in the air, water, and soil. Soil is where we can work …

Family Dining: Food And Drink In The Sopranos – A Gastrocritical Approach, Lisa Davies

Dissertations

This thesis uses gastrocriticism to explore food and drink in the 86 episodes of the long-form narrative HBO television series The Sopranos. Gastrocriticism is an emerging branch of literary criticism that draws on scholarship from a range of disciplines such as sociology, anthropology and cultural studies. A deeper understanding of the series was gained by using a structured framework of enquiry to explore narrative, setting, characterisation and genre through the lens of food and foodways. The Sopranos is a story of an Italian-American crime family and food is abundant in the series and bound up with the identity of …

Historical Trauma: Literary And Testimonial Responses To Hiroshima, Mariam Ghonim

Theses and Dissertations

The concept of trauma is controversial in literature. While one may be able to come up with ways to describe trauma in fiction, representing historical trauma is a hard task for writers. Some argue that trauma can not be described through those who did not experience it, while others claim that, provided some elements are added, one can represent trauma to the reader. This thesis focuses on twentieth-century historical traumas related to a nuclear catastrophe and explores the different literary and testimonial responses to the catastrophic man-made event of Hiroshima (1945). In this thesis, Kathleen Burkinshaw’s historical fiction The Last …

“She Was No Taller Than Your Thumb. So She Was Called Thumbelina”: Gender, Disability, And Visual Forms In Hans Christian Andersen’S “Thumbelina” (1835), Hannah J. Helm

Journal of Gender, Ethnic, and Cross-Cultural Studies

This article explores representations of femininity and disability in Hans Christian Andersen’s fairy tale “Thumbelina” (1835) and select examples of his paper art. In this article, I argue that, on one level, the fairy tale and Andersen’s own paper cuttings uphold feminine and ableist norms. However, on another level, these literary and visual forms simultaneously work to destabilise social prejudices and challenge bodily normativity. I explore how characters and themes associated with the fairy tale and paper art can be (re)read in strength-based ways. In the story, Thumbelina experiences the world through her smallness, and key themes including accessibility, physical …

Austentatious Aspirations: How Janeite Women Writers Create And Expand Their Own Cultural Communities Through Recounting And Adapting Jane Austen's Original Works In Literature And Film, Kerri L. Bennett

Student Theses and Dissertations

In comparison to Jane Austen’s purportedly quiet, unassuming life, her six novels have had an ostentatious and extensive impact upon Anglophone literature, culture, and history, particularly through the innumerable adaptations that have been created, written, and produced by her most ardent admirers. As such, this research explores the ways that their various literary and filmic adaptations of Austen’s original narratives both create and expand their communities. Additionally, this project situates Janeite cultural production within the framework of Jacques Derrida’s theory of archival expansion, as well as the scholarship of Claudia Johnson, Abigail Derecho, and Sarah Glosson, among others. The texts …

Afrofuturisms : Ecology, Humanity, And Francophone Cultural Expressions, Isaac Vincent Joslin

Ohio University Press Open Access Books

An exploration of Francophone African literary imaginations and expressions through the lens of Afrofuturism

Generally attributed to the Western imagination, science fiction is a literary genre that has expressed projected technological progress since the Industrial Revolution. However, certain fantastical elements in African literary expressions lend themselves to science fiction interpretations, both utopian and dystopian. When the concept of science is divorced from its Western, rationalist, materialist, positivist underpinnings, science fiction represents a broad imaginative space that supersedes the limits of this world. Whether it be on the moon, under the sea, or elsewhere within the imaginative universe, Afrofuturist readings of …

Coming Of Age In The Multiverse What Japanese Anime Say About Growing Up Amidst The Chaos And The Illogical, Yukana Inoue, Kenneth Provencher

Honors Thesis

In recent years, there has been a noticeable increase in the interest in multiverse storylines in coming of age stories, with the popularity of works like “Everything Everywhere All at Once” and “Spider-Man: Into the Spiderverse” — all narratives that deal with characters who are coming of age in an unnatural environment where multiple dimensions exist. Anime, as a medium, especially possesses the unique capability to convey multiverse narratives given its freeform and limitless nature. In my research, I focus on two coming-of-age anime series that feature multiverse narratives — “Sonny Boy” and “The Tatami Galaxy” — to explore what …

Contestant Theology: Toward A Play Theology Of Religions, Greg Jones

Electronic Theses and Dissertations

How can a Christian theology of religions navigate the interreligious dialogical problems of 1) the inability to fully articulate faith, 2) the lack of persuasive religious language, 3) the reality of violence among religions, and 4) the liquescent “truth” of modern times? This dissertation answers this question with a theology of religions considered through the lens of play theology. Contestant theology navigates these problems as 1) a space of cooperation and contest which 2) incorporates assertiveness (exclusivism), compassion (inclusivism), openness (pluralism) and free participation (Trinitarianism) to 3) hold together enriching and diminishing relationalities among diverse religious peoples with a view …

“Everything And Nothing”: Exhibiting Irishness At The Chicago World Fair Of 1893, Jessica Bocinski

English (MA) Theses

This project employs a cultural studies approach to investigate the overlapping productions of Irish identity at the Irish Villages of the Chicago World’s Fair of 1893. Conceptualized and designed by two British philanthropists and businesswomen, the Irish Villages presented an Irishness shaped by Ireland’s long history of colonial rule. For Irish Americans living in the United States during the late nineteenth century, the Irish Villages offered a particularly well-suited opportunity to present an identity that would facilitate their acceptance into American society. Rather than challenging or negating the colonial representations of Irishness that existed at places like the Chicago World’s …

The Audrey Hepburn Image: Stardom, Gendered Authorship, And Creative Agency, Livi Edmonson

Film and Media Studies (MA) Theses

Female stardom was an essential component to the star system and film industry in Hollywood’s Golden Age. During the postwar era, one of the most influential female stars was Academy award winning actress, Audrey Hepburn. Hepburn’s emergence in the industry, as well as her branding as a “postwar Cinderella,” was representative of the emerging intersection between fashion and film. The association of Hepburn’s stardom with the two mediums --- especially to that of haute couture --- was solidified through her association with French couturier and close friend, Hubert de Givenchy. However, Hepburn’s agency becomes subverted in scholarship and popular culture …

What Are You Crying For?: Renegotiating White Masculine Hegemony Through Melodramatic Excess In The 1990s Films Of Tom Hanks, Bryce Thompson

Film and Media Studies (MA) Theses

This thesis studies the emergence of a renegotiated masculinity in the 1990s predicated on the expression and containment of anxieties around White masculinity and an appropriation of the melodramatic mode. By establishing a historical and theoretical foundation from which to understand and analyze this unique cultural moment, this thesis demonstrates how such a renegotiation acted in tandem with a larger reactionary project. This foundation includes a critical review of the “crisis of masculinity” of the 1990s defined in Sally Robinson’s (2000) work; an engagement with the nature, reproduction, and self-preservation of hegemony, as explored through traditional theorists like Raymond Williams …

The Meaning Of The Mask: Darth Vader On The Screen And The Page, Brenna Renfroe

Honors Theses

Masks can be found throughout popular culture, and their roots trace back through history. Whether on the screen, the page of a comic book, the stage, or in the halls of a Comic-Con, masked faces are intriguing. Among the numerous masked faces that populate our imagination, few are as iconic and instantly recognizable as Darth Vader from Star Wars. Despite his popularity, most of the research devoted to masked characters has been interested in why heroes such as Batman wear masks. There is little research on why a tragic hero turned villain does so, since the connotation of masks seems …

Serious Play: Campus Humor In Precarious Times, Kevin Howley

Communication & Theatre Faculty Publications

The article explores the use of campus humor as a crisis intervention approach in higher education as of 2023. Topics discussed include the production of campus humor as a subversive form of play within the corporatized university, and three case studies of humorous media that examine discrete but highly intertextual forms of mediated humor to address campus crises before and during the pandemic. Also noted are these studies' transmedia adaptation to the university in crisis.

The Student-Teacher Romance Film Genre: Hollywood's Historical Representation Of Abuse Of Power, Darby Gilliland

Graduate Theses and Dissertations

Despite vast literature analyzing films that depict romantic and sexual relationships between young students and their teachers, scholarship has yet to explicitly call this category of films and television a genre. The purpose of the present thesis is to define the student-teacher romance film genre and identify patterns that make it up as a means of illuminating the genre’s exploration of abuse of power in the classroom. I use a historical-generic methodology and gaze theory as a framework to conduct this analysis. I identify three distinct eras of the genre and analyze films from each time period. The first era …

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …

Mixed Speak: Towards A Re-Poetics Of Race And Self, Celina Mizuki Ohga Samuelson

Media and Cultural Studies Honors Projects

This paper tells the stories of mixed-race Japanese people. I engage in a re-poetics, positing storytelling as an essential tool into complicating our understandings of race and self. I examine the relationship between language and race, exploring how subjects existing within a space of mixedness navigate identity-formation and racial belonging. Operating under a socio-constructivist lens, I begin with a brief re-telling of the history of race in Japan, re-framing mythologies of race throughout literature, legislation, and into national and colonial projects. While popular discourse alleges Japan was and is a country of racial homogeneity, I argue that this falsifies colonial …

Remembering The Future: Wild Time And The Cosmic Imagination, Arabella Thaïs

Journal of Conscious Evolution

Entropy – the Second Law of Thermodynamics – is generally held to prove “time’s arrow”: that time is linear and unidirectional, and that the universe is following this trajectory. This paper presents a preliminary exposition into a new, integral ontology of time in which time is hyper-dimensional, non-linear and flows in both directions. This is supported through trans-disciplinary praxis at the intersection of aesthetics, cosmology, quantum mechanics, and chaos theory. The metaphysical implications of reverse causality are investigated, and confer a teleological universe that is coherent with the paradigm of an intelligent, self-realising cosmos in which beauty is a fundamental …

Faire D’Avignon « Une Sorte De Grenade, De Ville Dans Laquelle Toute La Méditerranée S’Est Synthétisée ». Retour Sur La Programmation Arabe Du Festival D’Avignon 2022, Pauline Donizeau

Regards

Arab artists had an important place in the 2022 edition of the Festival d’Avignon in France. This edition was the last one directed by Olivier Py, whose mandate was marked by the regular programming of artists from the Maghreb, the Middle East, and the Near East. This article analyzes the different performances directed by Arab artists on the stages of Avignon in 2022, with a particular focus on issues of representation (especially female figures on stage) and production.

Résumé

L’édition 2022 du Festival d’Avignon a donné une place importante aux artistes arabes. Cette édition fut la dernière dirigée par Olivier …

Motherhood In The Multiverse: Melodrama And Asian American Identity In Everything, Everywhere, All At Once, Aditya Sudhakaran

USF Tampa Graduate Theses and Dissertations

In what follows, I look to the visual and narrative composition of the multiverse between Everything, Everywhere, All at Once (The Daniels, 2022) and Doctor Strange: Multiverse of Madness (Sam Raimi, 2022) to develop a more precise understanding of the superhero blockbuster as a contemporary expression of sensation melodrama. To do so, I use two depictions of maternity to excavate two very different approaches to the multiverse: one that externalizes social conflict, which it answers with individuated and exculpatory violence, and another that internalizes social conflict, which it answers through collective care. I introduce the blockbuster’s mobilization of the multiverse …

Losing The Streaming Wars: What Netflix Loses In Television Narrative And Participatory Fan Cultures, Annabelle G. Naudin

USF Tampa Graduate Theses and Dissertations

This thesis focuses on the rise of streaming television and subsequent “binge-watching” and its impact on the narrative structure of a series. By looking at shows such as Stranger Things, which pioneered the rise in this new form of television, one can see the shift in narrative structure in comparison to previous long- form television such as LOST. This shift can be seen in the slow disappearance of “game-changer” cliffhangers within episodes that build to a larger implication in a season arc in favor of one longer mystery that stretches throughout the season. In this thesis, I argue that this …

Remembering Complicity And Resistance: A Review Of Mihaela Mihai’S Political Memory And The Aesthetics Of Care: The Art Of Complicity And Resistance (2022), Sofía Forchieri

CLCWeb: Comparative Literature and Culture

This article offers a review of Mihaela Mihai’s book Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance (2022). In it, Mihai courageously brings together insights from critical theory, political and legal science, philosophy, literary studies, and feminist theory to argue for the need of rearticulating how we remember complicity and resistance in the aftermath of political violence. Mihai develops her argument in three steps. First, she provides an account of how complicity and resistance are misremembered after systemic violence. Second, she tracks the political, epistemic and ethical consequences that this faulty work of memory-making holds …