Digital Commons Network^™

Metropolitan (Im)Migrants In The "Lettered City", Stacey Balkan

CLCWeb: Comparative Literature and Culture

In her article "Metropolitan (Im)migrants in the 'Lettered City'" Stacey Balkan employs Ángel Rama's discussion of audience as a means of analyzing a Latin American diaspora that exists beyond the "rational periphery" of the state. Herein, the term diaspora is redefined as a translocal phenomenon wherein the metropolitan (im)migrant moves from rural margin to urban center. Normative definitions of exile — persons displaced from autonomous nation-states — are likewise scrutinized in the context of what the Rama terms a post-contemporary "city of letters." This post-contemporary city is the subject of what Mabel Moraña refers to as a "subaltern boom" — …

In Defense Of Adaptation: Aestheticism Versus Functionalism In The Wicked Franchise, Amanda S. Adams

Mahurin Honors College Capstone Experience/Thesis Projects

This project serves as an extended case study on the adaptability of an aesthetic text into a popular text. It focuses on Gregory Maguire’s original novel Wicked, which drew its inspiration from the universally known land of Oz, and the subsequent stage adaptation by the same name. The first half of the project involves an extensive text-to-stage analysis, delineating the differences between the two mediums. The second half of the project involves an examination of the sequels to the original novel as commodities. Each of the novels is a literary text created for a narrower audience, while the popular …

The Truth Can Be A Funny Thing: A Comparison Of Traditional Broadcast News To The Daily Show With Jon Stewart In Coverage Of The 2012 Presidential Campaign, Madeleine Sciarra

Communication Studies

No abstract provided.

Contemporary Us-American Satire And Consumerism (Crews, Coupland, Palahniuk), J.C. Lee

CLCWeb: Comparative Literature and Culture

In her article "Contemporary US-American Satire and Consumerism (Crews, Coupland, Palahniuk)" J.C. Lee focuses on contemporary satire's potential (or lack thereof) for change, reform, or rebellion through an investigation of works by Harry Crews, Douglas Coupland, and Chuck Palahniuk, all of which target consumerism. The said writers employ satire not to initiate rebellion or cultural change, but to reflect the problematic role of institutions in modern life and, in turn, the potential, even hope, for personal growth. Lee's analysis of texts by Crews, Coupland, and Palahniuk is intended to question satire's potential as a form of cultural critique and institutional …

Evans's The Turducken And Chekhov's The Seagull, Brian R. Johnson

CLCWeb: Comparative Literature and Culture

In his article "Evans's The Turducken and Chekhov's The Seagull" Brian R. Johnson approaches The Turducken as a travesty of The Seagull, examining six iconic scenes from The Seagull, in order to explore the satirical effect of the altered scenes. In December of 2008, Bedlam Theatre of Minneapolis presented The Turducken, "a holiday dinner theater spectacular inspired by Anton Chekhov's The Seagull." Playwright Josef Evans takes Chekhov's 1895 work and turns the classic piece into a musical and farcical satire. The plot of The Turducken follows the plot of The Seagull, and some scenes …

Intercultural Approaches To Cities And Spaces In Literature, Film, And New Media: A Review Of New Work By Manzanas And Benito And López-Varela And Neţ, Ana María Martín Castillejos

CLCWeb: Comparative Literature and Culture

No abstract provided.

Metaphor Translation As A Tool Of Intercultural Understanding, Ipshita Chanda

CLCWeb: Comparative Literature and Culture

In her article "Metaphor Translation as a Tool of Intercultural Understanding" Ipshita Chanda takes up specific cases of metaphor translation as a methodological exercise towards understanding intercultural exchange. Chanda's study is based on a semiotic and linguistic understanding of metaphor as a signifying and cognitive device. When a metaphor is translated from one linguistic-literary field into another, the process of translation itself yields some specific operational steps for studying inter- and cross-cultural relations. Here, translation is not proposed as a framework but as practical method: the translation of metaphor becomes an exercise in strategy for the pedagogy of …

Aesthetics In Gao's Soul Mountain, Mabel Lee

CLCWeb: Comparative Literature and Culture

In her article "Aesthetics in Gao's Soul Mountain" Mabel Lee analyses Nobel Laureate 2000 Xingjian Gao's aesthetics. Transnational conglomerates today control the book industry from publishing house to bookshop and through aggressive market strategies they exert considerable influence on readers. Nonetheless, there are writers who refuse to capitulate to market demands and seek only to actualize their aesthetic ideas in the creation of literary texts. One such writer is Gao, author of the novel Soul Mountain. Lee posits that Gao's aesthetics is founded on the close interrogation of both Chinese and European models and practices and explores specific …

Egypt's Police State In The Work Of Idris And Mahfouz, David F. Dimeo

CLCWeb: Comparative Literature and Culture

In his article "Egypt's Police State in the Work of Idris and Mahfouz" David F. DiMeo examines how two leading twentieth-century authors of politically committed fiction addressed an angry generation's confrontations with former members of the oppressive state police apparatus. Yusuf Idris's The Black Policeman (1962) and Najib Mahfouz's al-Karnak (1974) remain particularly relevant as today's Egyptian activists confront the vestiges of the former regime's security forces. Using Mikhail Bakhtin's theory of the carnival as a paradigm for analysis, DiMeo examines how both texts present sharp contrasts between hollow quests for public revenge through purges and a genuine overturning of …

Nostalgia In Oral Histories Of Israeli Women, Yael Zilberman

CLCWeb: Comparative Literature and Culture

In her article "Nostalgia in Oral Histories of Israeli Women" Yael Zilberman explores the narration of nostalgia of elderly women about the city of Be'er Sheva. In their narration, the subjects of the study create textual and spatial practices which are engendered and create analogies between the city, their maturing/ed bodies, and by-gone youth. Further, the grief owing to the perceived condition of the city intensifies the idealized description of the city and the longing for its past. Zilberman's study brakes new ground in that the study of urban experience within folklore is a lesser explored field as the urban …

Victims Of The City In Novels Of Zola And Dostoevsky, Marta L. Wilkinson

CLCWeb: Comparative Literature and Culture

In her article "Victims of the City in Novels of Zola and Dostoevsky" Marta Wilkinson argues that urbanity in its nineteenth-century setting functioned as the culpable agent in criminal behavior found in Dostoevsky's Crime and Punishment and in several of Zola's Rougon-Macquart novels. Wilkinson an analysis of the novels based on Merlin Coverly's concept of psychogeography which supports the extension of the cityscape as an integral part of the novels' characters. Further, Wilkinson illustrates how in Zola's and Dostoevsky's novels the city reigns triumphant as characters fall victim to disease, drink, or are left with desperate choices: in Dostoevsky's novel …

Evoking A Memory Of The Future In Foer's Everything Is Illuminated, Doro Wiese

CLCWeb: Comparative Literature and Culture

In her article "Evoking a Memory of the Future in Foer's Everything is Illuminated" Doro Wiese discusses Jonathan Safran Foer's novel. In the text a photograph plays a decisive role: the image of two young people drives the Jewish American Jonathan to visit the Ukraine. The photograph is presumably of Jonathan's grandfather Safran and a woman named Augustine who saved Safran's life during a nazi raid of his village: the photograph becomes an ekphrasis, a description of a visual work of art in another medium which transforms the generic characteristics of written and photographic representations. According to Anselm …

Barthelme's "Paraguay," The Postmodern, And Neocolonialism, Daniel Chaskes

CLCWeb: Comparative Literature and Culture

In his article "Barthelme's 'Paraguay,' the Postmodern, and Neocolonialism," Daniel Chaskes explores the analytic opportunities afforded by conjoining globalizing critical approaches with a story by an author who has often been circumscribed by the postmodern rubric. Donald Barthelme's "Paraguay," written the summer after Nelson Rockefeller's fact-finding mission to South America in 1969, provides a chance to consider modes of anti-colonial critique in Barthelme's work. It also offers examples of a more self-reflective criticism aimed at the U.S. counterculture and the indeterminacies of postmodernism. Chaskes reads "Paraguay" with the aim of understanding Barthelme's hemispheric interest and he investigates the multiple cultural …

New Forms Of Contemporary Aesthetics: A Review Article Of New Works By Camerotti And Quaranta, Marina Mantini

CLCWeb: Comparative Literature and Culture

No abstract provided.

Memory, Identity, And Narration: A Book Review Of New Work By Assmann And Conrad And Tilmans, Vree, And Winter, Simona Mitroiu

CLCWeb: Comparative Literature and Culture

No abstract provided.

The Ring Goes To Different Cultures: A Call For Cross Cultural Studies Of Religious Horror Films, Seung Min Hong

Journal of Religion & Film

Within the field of religion and media, the study of horror films has always been treated as a minor topic, and cross-cultural comparative studies of such films are even rarer. Furthermore, such comparative projects that involve East Asian contexts, despite their influence on the genre of horror, are yet more difficult to find. By attempting a brief American & East Asian comparative analysis of the Ring series as an example and also proposing an empirical comparative audience research, I call for more cross cultural studies of religious horror films.

'Land Of Kami, Land Of The Dead': Paligenesis And The Aesthetics Of Religious Revisionism In Kobayashi Yoshinori's 'On Yasukuni', James Mark Shields

Faculty Contributions to Books

In 2005, Japanese manga artist and conservative provocateur Kobayashi Yoshinori published a graphic work entitled Shin gōmanizumu sengen special: Yasukuniron (Neo-Gōmanism Manifesto Special: On Yasukuni), which tackles the much-debated ‘problem’ of Yasukuni Shrine, the militaristic religious complex that has become a lightning-rod for debates regarding Japanese historical memory – especially with regard to the military expansionism in East Asia that led to the Asia-Pacific War (1931–45). Frequently overlooked in discussions of Yasukuni, however, are a number of complex issues related to its religious doctrines – in particular, the interpretation of Shinto presented at Yasukuni and the dominant ideology of Japan’s …

Terra Nova, An Experiment In Creating Cult Televison For A Mass Audience, Laura Osur

Media Studies - Theses

When it aired in Fall 2011 on Fox, Terra Nova was an experiment in creating a cult television program that appealed to a mass audience. This thesis is a case study of that experiment. I conclude that the show failed because of its attempts to maintain the sophistication, complexity and innovative nature of the cult genre while simultaneously employing an overly simplistic narrative structure that resembles that of mass audience programming. Terra Nova was unique in its transmedia approach to marketing and storytelling, its advanced special effects, and its dystopian speculative fiction premise. Terra Nova's narrative, on the other hand, …

A Postmodern Sense Of Nostalgia: Demonstrating Through A Textual Analysis Of Twin Peaks How Cult Membership Can Be Inculcated., Nicholas G. Albanese

Pell Scholars and Senior Theses

This paper explores a “cult” following in television, by looking at various aspects of the program Twin Peaks. It seeks to answer the questions of how a television show that aired for only two seasons over two decades ago was and still is able to garner such a loyal fandom, and is there some primary factor for developing this cult status? In order to answer these questions, aspects of media studies such as narrative complexity, authorship and the cult status of a show, as well as elements from the show itself, such as postmodernism and manufactured nostalgia must be teased …

Gaming Matters: Art, Science Magic And The Computer Game Medium [Book Review], Marc Ouellette

English Faculty Publications

The singular—maybe more aptly put as the pre-eminent—image that occurs when reading Gaming Matters is that of duelling dualisms. While this is a tried-and-true method of covering a topic, from the dissoi logoi to “The Owl and the Nightingale” and beyond, it is the site and the subject of these apposites that makes for an intriguing if (intentionally) unsettling read. The very title of the book makes the exercise of reading (and likely of writing) a part of and apart from this process. Gaming Matters stands as both call and catalogue. Gaming matters, most certainly, in terms of its audience, …

Menstruation As Heroine’S Journey In Pan’S Labyrinth, Richard Lindsay

Journal of Religion & Film

I propose that the Guillermo del Toro film, Pan's Labyrinth (2006) follows the narrative outline of Joseph Campbell's hero's journey as experienced through the biological process of onset of menstruation in its young protagonist. I suggest a reading of the film that takes into account the visual and mythological symbolism of the figure of Pan, as well as the cultural context of menstruation in mythology and religion. I offer interviews from the director that support this interpretation, but ultimately I value a folk interpretation, or a "viewer's hunch" that the strange and fertile symbolism of the film represents a coming-of-age …

Blood In The Grass, James Trent Davis

LSU New Orleans Theses and Dissertations

This paper thoroughly examines the thesis film, Blood in the Grass. Each area of the film's production is carefully analyzed, including writing, directing, production design, cinematography, editing, sound, and technology and workflow. In addition to these areas, the background and ideology of the filmmaker provides a context for the choices made in production. This overall analysis discusses the effectiveness of the goals set by the filmmaker for the film to be an emotionally effective commentary on capital punishment, and to be conducive to the short film medium.

'People Want To See What Happened': Treme, Televisual Tourism, And The Racial Remapping Of Post-Katrina New Orleans, Lynnell L. Thomas

American Studies Faculty Publication Series

Occupying the space between cultural reproduction and theatrical production, the HBO series Treme offers an important vantage point from which to analyze the intersection of race, class, culture, and media representation animating New Orleans’s post-Katrina tourist identity. Treme illustrates the tension between the welcome recognition and celebration of New Orleans black expressive culture and its spectacularization and commodification. The resuscitation of tourist tropes and an emphasis on jazz and heritage music in the series often render the city’s history of racial conflict and injustice invisible or subordinate to new narratives of cross-racial unity among Katrina survivors and paternalistic actions by …

Fetuses Are People, Too?: How Images Of Sonograms In Popular Culture Affect Our Conception Of Fetal Personhood, Shayna L. Orent

Scripps Senior Theses

This thesis explores the way popular culture imitates and reinforces a sentimentalized reading of sonogram images that has been established by the conservative Right as the proper way to view this image. It analyzes several popular culture texts to expose the way their use of sonogram images personifies the fetus. It aims to problematize the way this image has become a symbol of fetal personhood and initiate a discussion about our roles as consumers of popular culture and images. Finally, it connects the use of this image to recent legislation surrounding mandatory ultrasounds and personhood initiatives, and argues that the …

Satire And Dissent: A Theoretical Overview, Amber Day

English and Cultural Studies Journal Articles

In an age when Jon Stewart tops lists of most-trusted newscasters and Michael Moore becomes a focus of political campaign analysis, the satiric register has attained renewed and urgent prominence in political discourse. Day focuses on three central contemporary forms: the parodic news show, the satiric documentary, and ironic activism. She highlights their shared objective of circumventing the standard conduits of political information and the highly stage-managed nature of current political discourse. In so doing, she argues, they provide fans with a sense of community and purpose notably lacking from organized politics in the twenty-first century.

Busting A Gut: Portrayals Of Obesity In Popular Culture, Carly Babel

Annual Undergraduate Conference on Health and Society

Obesity is America’s number one leading health epidemic, affecting more than 93 million Americans today (OAC). From 1985 to 2010, obesity has gone from affecting an average of 10% of individuals in just about every state to today affecting 33.8% of people within each state. Children and adults alike all over the U.S. are being diagnosed with obesity and encouraged to change their lifestyles. Doctors are prescribing patients to lose weight, exercise, eat healthy, and in extreme cases, go under the knife, but none of these recommendations are making a dent in lowering the rate of obesity. Rather, the number …

Shaping Identity: Male And Female Interactions In Cinema, Jonette Lauren Lagamba

USF Tampa Graduate Theses and Dissertations

ABSTRACT

Since the inception of cinema, women have been portrayed with the typical identities of emotionally and physically weak characters; this portrayal led to their subsequent dependence on men. Men were usually the protagonists and/or the heroes, following their archetypal journey. Thus, women's position in early cinema was to exemplify what men were not, placing the former in the diminutive position of the Other. One may conclude that men were often defined by what women lacked, and the women were defined by their relationships with these heroic men. As time progressed in the history of cinema, women's images retained part …

When Bad Things Happen To Good Mothers: Rethinking Motherhood Through The Single Mother Image In American Films From The 1930s To The 1970s, Tanna Alice Mancini

USF Tampa Graduate Theses and Dissertations

ABSTRACT

The single-mother figure shows up in myriad American film genres, and my thesis explores three of these genres, maternal melodrama, film noir, and horror. I argue there is a melodramatic mode that carries over from maternal melodrama to film noir and horror. This mode emphasizes emotional excess. In maternal melodrama, the emotional excess is pity. For film noir, the emotion is anxiety, and in horror, it is repulsion. Even though each genre has its own emotional excess, maternal melodrama still speaks to these other genres through its maternal sacrifice, non-heteronormative families and misreading of proper gender performances. For this …

Out Of Our Depth: Hyper-Extensionality And The Return Of Three-Dimensional Media, Justin Alan Brecese

USF Tampa Graduate Theses and Dissertations

This work theorizes the contemporary attraction to three-dimensional media. In doing so, it reframes ongoing debates surrounding digital three-dimensional media in order to critique the neoliberal social relations such media engender. I argue that the contemporary interest in dimensionality, especially regarding digital media, is symptomatic of a broad cultural shift, wherein millions of lives are now essentially being lived through two-dimensional, "flat" media, which have consequently generated a lack of spatial relationships and a craving or desire for "depth." This "desire for depth" has arisen in contemporary society because people are being "spread too thin" through a combination of the …

Time In Television Narrative: Exploring Temporality In 21st Century Programming, Melissa R. Ames

Faculty Research & Creative Activity

This collection analyzes twenty-first-century American television programs that rely upon temporal and narrative experimentation. These shows play with time, slowing it down to unfold the narrative through time retardation and compression. They disrupt the chronological flow of time itself, using flashbacks and insisting that viewers be able to situate themselves in both the present and the past narrative threads. Although temporal play has existed on the small screen prior to the new millennium, never before has narrative time been so freely adapted in mainstream television. The essayists offer explanations for not only the frequency of time play in contemporary programming, …