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"El Corregidor" At The Crossroads: Desire, Law, And Coloniality In Martel's Zama, Leisa Kauffmann

CLCWeb: Comparative Literature and Culture

In "'El Corregidor at the Crossroads: Desire, Law and Coloniality in Martel's Zama" Leisa Kauffmann discusses Lucrecia Martel's filmic adaptation of Antonio DiBenedetto's 1952 novel, Zama. Highlighting the director's emphasis on the psychoanalytic (as opposed to the existentialist) dimensions of the novel, the essay follows the titular characater's unravelling and shows how Martel's film allegorizes colonial(ist) subjectivity. In Kauffmann's essay, various psychoanalytic theories (such as the work of Bhabha, Fanon, and Žižek), and critiques centering the notion of race in the Lacanian tradition are applied. In addition, differences between the novel and film, particularly regarding Zama's mutilation and …

Haunting Pasts, Cancelled Futures: Polish And Argentinian Experiences Of Postdependency, Ewa Kobyłecka-Piwońska

CLCWeb: Comparative Literature and Culture

The aim of this article is to compare Polish and Argentinian experience of democratic transitions of the 1980s and 1990s. Establishing new political and economic orders in both countries did not entail a change in their citizens’ post-dependent mentality. In the first part of the paper, a connection is drawn between Polish and Argentinian collective memories in line with the methodology of transcultural memory studies (Erll, Rothberg). The post-dependent condition is articulated twofold: through the remembrance of the disappearance (of the Jews, the victims of the Argentina’s state terrorism, the indigenous peoples), and through the confusion in grasping the sense …

‘Balatyagon, Huya, Kag Kabalaslan’: Ang Kampanya Ng Mga Pilipinong Baptist Tungo Sa Pagsasarili At Pagsasakapangyarihan, 1922–1935, Kristoffer R. Esquejo

Malay Journal

Gamit ang tatlong larangan ng sikolohiya ng pakikipag-ugnayang panlipunan, itinatampok ng papel na ito ang pagkakatatag ng Convention of Philippine Baptist Churches (CPBC), isang denominasyong Protestante na nakasentro sa Kanlurang Bisaya, bilang resulta ng kompromiso ng mga Pilipinong Baptist at ng American Baptist Foreign Mission Society (ABFMS) noong 1935. Kolektibong nasadlak ang mga Pilipinong Baptist sa isang kumplikadong sitwasyon noong dekada 20 at dekada 30. Sa isang banda, naging saksi at biktima sila sa paternalismo at diskriminasyong ipinaiiral ng mga misyonerong Amerikano. Naging mulat din sila sa pagsiklab ng samotsaring kilusang agraryo at pagkilos ng mga samahang manggagawa sa iba’t …

Pagawaan/Piitan: Konsepto At Rekonseptuwalisasyon Ng Bartolina Bilang Danas At Talinghaga Sa Koleksiyong Makabayang Antolohiya Ng Unyonista-Bilanggong Politikal Na Si Randy Bulan Vegas, Jonathan V. Geronimo

Malay Journal

Tampok sa papel na ito ang dalumat ng bartolina bilang konsepto at rekonseptuwalisasyon sa danas ng mga bilanggong politikal, sa partikular ang danas at talinghaga sa pagtula ng isang unyonista-bilanggong politikal na si Randy Bulan Vegas. Ipinook ang piling tula ni Vegas sa nagpapatuloy na tradisyon ng pag-akda sa piitan ng mga uring manggagawa sa kasaysayang Pilipino; maikling pagpapakilala sa poetika ng makata; bartolina bilang konsepto sa akda ng iba pang bilanggong politikal at manipestasyon nito sa danas at talinghaga ng binuong koleksiyon ni Vegas. Nais mag-ambag ng papel sa diskurso hinggil sa kalagayan ng paggawa sa bansa, panukalang modelo …

Reparative Cuteness: Summer Camp Island’S Obfuscated Streaming Distribution Reveals Our Dependence On Monetary Care, James R. Hanjian

USF Tampa Graduate Theses and Dissertations

Summer Camp Island exhibits the culmination of the animation styles and ethics of dependent care produced within contemporary Cartoon Network animations. As part of the production cycle of Warner Bros. animated television programs following Adventure Time, Julia Pott’s animated program depicts networks of collaborative care informed by the lived realities of the creator-animators. By employing a reparative reading of the narratives and cute aesthetics which appear in the program, I maintain that the care networks presented within the diegesis of Summer Camp Island depict alternatives to the precarious economic and industrial realities that actively shaped the show’s production and distribution. …

Intersectional Realities, Multi-Dimensional Films: Reading Julie Dash's Illusions As An Activist Text, Amelia Morrison

University Honors Theses

This paper reads Julie Dash's 1982 film Illusions as an activist text, which challenges dominant cinematic and historical narratives through its Black feminist perspective. It explores the cinematic and narrative devices that Dash uses--including the weaving of fantasy and history, the strategic use of period aesthetics, and masking--to expose and subvert the mechanisms of white supremacist and patriarchal hegemony within Hollywood. Drawing on intersectional feminist theory from scholars like Kimberlé Crenshaw, Patricia Hill Collins, and bell hooks, alongside cinematic theory, this analysis demonstrates how Illusions critiques the historical erasure of people of color from United States cinema and history. By …

Beyond The Meadow: Exploring The Violence And Dynamics Of Power In Watership Down Through Critical Animal Studies And Cinematographic Lens, Marwa Hussein Abdelfattah

Arts and Design

This paper aims to analyze the 2018 Netflix miniseries adaptation of Richard Adams's classic novel, Watership Down, using Critical Animal Studies and a Cinematographic lens. The analysis focuses on its visual storytelling through the camera angles, lighting, and character representation. Adams’ novel was adapted three times. The first two animated versions were horrifying to the extent that one of them was banned. The most recent version used Computer-Generated Imagery (CGI) technology to be more friendly. The CGI version toned down explicit brutality while maintaining the novel's darker themes. Unlike the two previous versions, the CGI focused on inferred violence and …

[2025 Honorable Mention] The White Savior Trope In A “Post-Racial” Era, Gannon Camp

Ethnic Studies Research Paper Award

This paper explores how the media's promotion of the white savior trope, particularly following Obama's election, contributed to a false perception among Caucasians that significant racial issues had been resolved, despite evidence to the contrary.

Cuny In The News: A History Of Reporting On The Humanities At The City University Of New York, Jacqueline R. Cahill

Dissertations, Theses, and Capstone Projects

This project compiles newspaper articles concerning humanities at the City University of New York, placing them on a timeline to establish patterns and changes within media reporting and public perception. The archival research of this project explores four distinct eras, grouped around major events in the history of the university: 1961-1971, for the founding of the university and open admissions struggle; 1980-1990, for the response to the ‘70s fiscal crisis and introduction of the Board of Trustees; 2000-2010 for the post-open admissions era and the centralization of CUNY; and 2020-present, for COVID and a new fight for racial equity. Examining …

The Reimagined Past: Investigating Generational Trauma Through Visual Semiotics And Visual Autoethnography Of Recreated Family Photographs, Josephine A. Barnett

Dissertations, Theses, and Capstone Projects

Family photographs, and particularly the curation of family photo albums, serve as a source of data, providing researchers with the opportunity to illustrate the role of the visual in reproducing certain social norms and ideals by dictating the depiction or representation of specific types of families and experiences. Arguably, what is left outside the frame of a photograph is more revealing about familial norms, memory, and narrative than what is deliberately captured within it (Hirsch, 1997a; Kuhn, 2002a). In other words, the hegemony and standardization of family photos shed light on the need for an alternative visual narrative that depicts …

Theatricality Of The Ephemeral: Media Of Surplus And Spectatorship In Liang Dynasty (南朝梁, 502-557) Palace-Style Poetry And Hou Hsiao-Hsien’S A City Of Sadness (1989), Yingyi Wang

Comparative Literature M.A. Essays

This essay focuses on the mediation of spectatorship experience by “ephemeral media” in Liang Dynasty (南朝梁, 502-557) palace-style poetry and Hou Hsiao-hsien’s film A City of Sadness (1989). Drawing from Alexander Galloway’s “the interface effects” in new media studies, I investigate how the diegetic “ephemeral media” in these two texts, such as dust, candlelight, silence, and writing, function as opaque interfaces that complicate spectatorship. I examine spectatorship experience from the angle of ephemeral media by looking at how they direct spectators’ attention from the world of representations to processes of mediation. Transplanting Xiaofei Tian’s notion of the “surplus” in her …

The Sauce To Meat Is Ceremony: Cannibalism And Hospitality Serve As Horror And Culture Tropes In Hannibal And Macbeth, Shay Williams

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

When examining Macbeth (1623) as a case study within Shakespeare’s canon, we see all the obvious horror tropes - murder, witches, a ghost, bodies, blood and gore. What is less pronounced is the horror that lies within eating, drinking, feasting, and the ceremony of banquets. On the other side of the spectrum, and unlike the character of Macbeth, we have a figure that epitomizes all things horror, and has been read about in novels, watched on film, and as of late (2013-2015) has been the subject of a Television show, aptly named: Hannibal. In both works, we encounter men/monsters/killers …

The Performance Of Gender In Sound And Screen: Unpacking And Countering The Double Standards Of Women In Taylor Swift’S “The Man,” Brienne Of Tarth, And The Substance, Alexandra C. Ali

Masters Theses, 2020-current

This rhetorical analysis examines how femininity is constructed, policed, and resisted in popular culture through three case studies: Taylor Swift’s “The Man,” Brienne of Tarth from Game of Thrones, and The Substance, using the lens of Judith Butler’s theory of gender performativity. “The Man,” both the song and the music video, reveals the double standards working against women, incorporating an additional layer of analysis through Kenneth Burke’s perspective on incongruity. Brienne of Tarth from Game of Thrones defies gender expectations, blurring the line between the performance of masculinity and femininity. Additionally, this analysis embodies archetypes of women, such …

‘Amazigh Literary Space’: Intersection And Hybridity Across Languages And Media, Daniela Merolla

Journal of Amazigh Studies

My contribution will focus on multilingualism and multimedia in the ‘Amazigh literary and cinematographic space’ (Merolla De l’art, “Amazigh/Berber Literature”). Examining this notion coined in the 1990’s (Merolla “Gender and Community”) allows us to reflect on ongoing debates regarding North African literatures in postcolonial contexts. It also helps to see that Amazigh/Berber literature solely defined as Amazigh-language production tends to isolate works and performances that engage with multiple languages and literary traditions, cultural intersections, and hybridization in North Africa and its diasporas. The discussion is contextualized within the historical development of what is sometimes referred to as the “North …

The Kinship Of Creatives, Saba Saif Ur Rehman

MFA in Illustration & Visual Culture

This research essay contends that artists and creative individuals must recognize their agency in shaping societal narratives, particularly during times of technological and political upheaval. The essay draws on the insights and contributions of visionaries like Walter Benjamin, Ursula K. Le Guin, and Tomm Moore to emphasize the power of imagination and creativity in addressing real-world issues. It argues that previous technological advances have often reinforced hierarchical and oppressive systems, benefitting a select few while neglecting the masses. As we enter the fourth Industrial Revolution, this essay calls the artists to reclaim their tools from being co-opted for exclusionary and …

The Inescapable Ideology: How Third Cinema And Afrofuturism Can Change The Future, Daniel Silver

James Madison Undergraduate Research Journal (JMURJ)

Ryan Coogler’s Black Panther films brought the genre of Afrofuturism to a mainstream audience. Afrofuturism seeks to reclaim a past that was stolen by Western colonial and imperialist powers; because that past has been erased, it must be imagined in fiction. Afrofuturistic stories are then used to address issues in the present and look towards a better future. This paper examines how those stories are told using the words and symbols of the dominant ideology in society. It uses Althusser’s theory of Ideological State Apparatuses, Gramsci’s concept of cultural hegemony, and Solanas and Getino’s understanding of the Third Cinema movement, …

The Tales Of Maruni, Sikuma Rai

Theses and Dissertations

Sikuma Rai journeys into the fading indigenous genre of Maruni—an eastern Nepali song and dance form—narrating letters to her late grandfather. Accompanied by her father, and a devoted folk musician from an upper-caste background, she traces echoes of memory, identity, and the fragile inheritance of indigenous culture.

Gendered Film Criticism And “Intolerable Images”: Representation Of Female Trauma In Brady Corbet’S Vox Lux (2018), Alison Kreul

Film and Media Studies (MA) Theses

This thesis explores Brady Corbet's 2018 film Vox Lux, focusing on its portrayal of female trauma and the subsequent gendered division in its critical reception. The film centers on Celeste, a survivor of a school shooting who rises to pop stardom, depicting an eighteen-year narrative that transforms her personal trauma into a public spectacle and a critique of American culture. Through theoretical frameworks from Judith Lewis Herman, E. Ann Kaplan, Jacques Rancière and Susan Sontag, this thesis examines how the film's fragmented narrative and stylistic shifts represent the long-term psychological aftermath of trauma, manifesting as emotional dysregulation, substance abuse, …

“But Where Are Those Good Old-Fashioned Values?”—The Racial Politics Of Animated Satire In Family Guy, Jordanne Greenidge

Master's Theses

Few animated shows have shaped American pop culture quite like Family Guy. Known for its rapid-fire cutaway gags and irreverent humor, the series has remained a television mainstay since its debut in 1999, despite frequent criticism and even two cancellations. Created by Seth MacFarlane and based on his 1995 student film The Life of Larry, Family Guy has built its reputation on pushing the boundaries of taste, especially when it comes to race, gender, and politics. Though often defended as satire, the show’s use of racial humor raises questions about its true impact: Do its portrayals of Black characters challenge …

Double, Double, Toils And Troubles: Analyzing The “Magical” Relationships Between University Leaders’ Personality Traits And Their Self-Efficacy In Leadership Situations, Fay Ludvine Boudreaux

LSU New Orleans Theses and Dissertations

This present study investigated the relationship between higher education leaders’ personality traits and their self-efficacy in leadership situations. A total of 151 leaders employed across the nine institutions within the University of Louisiana System completed a survey that prompted them to identify their personal values, traits, and skill sets, as derived from the online Pottermore quiz, the official Harry Potter Hogwarts House sorting instrument. This niche personality metric was chosen to cater to higher education’s evolving landscape, as it welcomes an influx of Millennials into leadership positions. Participants’ responses were eventually recoded to “sort” them into their respective Houses: Gryffindor, …

A Modern Prometheus: Frankenstein's Relevance In Our Modern Society, Amanda C. Partida

Theses and Dissertations

For over two hundred years Mary Shelley’s Frankenstein has been in the public consciousness. It took only five years for the first adaptation, Presumption; or the Fate of Frankenstein, to be staged in 1825. Since then, there has been at least one adaptation every decade, with Universal Studios’ 1931 Frankenstein as the most famous adaptation, which shows just how much Shelley’s novel of science and hubris has resonated with audiences for many years.

This thesis aims to connect the ever-changing scientific anxieties of society with the most well-known Frankenstein film adaptations. By focusing on four specific films Frankenstein (1931), …

We Are Our Brains: Disembodied Brain Films In 1950s Cold War America, David P. Pierson

Faculty, Staff, and Alumni Books

Personified Body Parts in Cinema, Literature, and Visual Culture investigates the power of personifying body parts in cinema, television, visual culture, literature, erotica, folklore, and mystique.

Culturally, socially, and poetically exposing hidden aspects and subtleties of human existentialism, this book vigorously questions and problematizes numerous artistic, aesthetic, technological, naïve, and macabre manipulations of body parts for various purposes. A diverse team of authors explore how scribing human traits to limbs, eyes, brains, genitalia, hearts, and other inner organs is grotesque and aesthetic, repealing and appealing, intimidating and intimate, rude and enjoyable, material and spiritual, surprising and mundane. Personified organs are …

El Sonido Del Exotismo: Retratos De España En Carmen, Grace Quasebarth

Vernacular: New Connections in Language, Literature, & Culture

Este artículo examinará la “orientalización” de la identidad nacional de España, que resulta de la creación de estereotipos tanto creados en el extranjero como apropiados por la misma España durante el siglo XIX. Específicamente, voy a examinar la influencia de la ópera francesa Carmen de Georges Bizet (1875) en la creación de la imagen nacional española actual en la “Canción del torero” de dicha la producción de Ana Zamora para el Teatro de la Zarzuela de la zarzuela por el mismo nombre (1887) en 2014. Como obra plenamente romántica, hace hincapié en las características de ese movimiento cultura; por ejemplo, …

A Labor Of Love: Wall-E'S Redemption, Rosamund M. Gammie

Journal of Religion & Film

Inaugurated into the Criterion Collection in 2022 this paper re-examines some of the initial responses to the 2008 Disney-Pixar animated film, WALL-E. The movie received a mixed reception, largely celebrated (but occasionally viewed as “too leftist” by others) for its environmental, anti-capitalist message by many public critics, yet disparaged or dismissed as being superficially empty, shallow, and hollow in academic circles. Labor has been the focus of some academic criticism of the film, particularly as it relates to commoditisation, but this paper recontextualises labor not with capitalism, but with love. By viewing the film through the dynamic of labor and …

The Roles Of Literature And Film In Shaping Culture: An Examination Of All Quiet On The Western Front And The German Lesson, Charles Hansen

Senior Theses

This paper examines the cultural impacts of All Quiet on the Western Front (Im Westen nichts Neues) and The German Lesson (Deutschstunde). More specifically, it examines the impacts of the works through the shaping of German identity and public memory following World War I and World War II, as well as any long-term impacts that have lasted into the present day. These two works of literature, as well as their respective film adaptations, can serve as vehicles for national reflection, education, and confrontation of the past. This paper will examine the key themes of All Quiet …

The Tragic Outlaw Hero In Modern Egyptian Fiction: A Case Study On Naguib Mahfouz’S "The Thief And The Dogs", Manar Ellethy

Regards

This article examines the outlaw figure in modern Egyptian fiction

through the lens of the conceptual framework of social banditry and classical

tragedy. It offers a unique angle of analysis of one of Mahfouz’s most prolific

works that emerges in times of growing political anxiety following the Egyptian

Revolution of 1952. Reading the 1962 film adaptation of Naguib Mahfouz’s The

Thief and the Dogs directed by Kamal El-Sheikh as a projection of the socio-

political uncertainty of the post-revolution Nasser era, this paper considers the

outlaw figure within the condition of social alienation. Using the conceptual

borders set by Eric …

Awful, Yet Awe-Full: The Sublime Dystopia Of Blade Runner 2049, Charles E. Butt

USF Tampa Graduate Theses and Dissertations

Blockbuster dystopian sci-fi features stories of environmental collapse, authoritarian governments, out of control corporations, unbounded consumerism, and other awful possibilities. Scholars of science fiction broadly agree that this genre explores collective fears, anxieties, and speculations about the present and future. At the same time, film scholars have established that dystopian sci-fi cinema is compelling, and audiences respond to their effects-driven visuals, photorealistic mise-en-scene, and dramatic narratives. This creates an apparent paradox: Blockbuster cinematic aesthetics portray undesirable worlds desirably. I resolve this paradox by arguing that the worldbuilding of spectacle-driven, dystopian sci-fi cinema is Romanticized. That is, the provocative style of …

Protracting The Immediate: Time As Form In Contemporary Horror, Kennedy Kelley

USF Tampa Graduate Theses and Dissertations

This thesis examines the expression and experience of temporality in horror films of the last decade. Whereas early twenty-first century horror was characterized by high-octane jump scares, current horror is marked by contemplative slowness. I argue that the elongated duration of recent horror extends an experience of indeterminate anxiety that attunes us to an expansive relationality, offering a corrective not only to contemporary logics of immediacy, but also to the frequently constricting nature of embodiment as a theoretical concept. Recent horror scholarship tends to center sensuous propinquity in response to a long history of gaze theory’s disembodied passivity. While these …

The Manosphere’S Reception Of The Women Auteurs Behind The ‘Man-Eating’ Jennifer’S Body (2009) And ‘Man-Hating’ Barbie (2023), Hilda Sheridan-Hewlett

USF Tampa Graduate Theses and Dissertations

Scholarship on women filmmakers has not significantly emphasized the burden women auteurs carry when bracing themselves for the reception from misogynistic community discourse online, the manosphere. Director Greta Gerwig and screenwriter Diablo Cody are not simply perceived as filmmakers but as birth mothers of their work: Barbie (2023) and Jennifer’s Body (2009) which convey inherently popular feminist narratives. I argue Cody and Gerwig faced the wrath of the men online because they are inextricably linked to their productions, the feminization of their work in the eyes of the manosphere equals personalization. Despite Cody having the freedom to write any film …