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Articles 391 - 420 of 2882
Full-Text Articles in Entire DC Network
Us Manufacturing Readiness Assesment For Industry 4.0, Yogesh Bhutani
Us Manufacturing Readiness Assesment For Industry 4.0, Yogesh Bhutani
All-Inclusive List of Electronic Theses and Dissertations
Industry 4.0 is the next frontier in manufacturing evolution. Industry 4.0 is the term coined by the German government based on the research work of Henning Kaegermann. Multiple studies have been published worldwide, showing the slow or no adoption of Industry 4.0 technologies. Factors such as high costs, unproven technologies, integration, and others impacting the adoption are areas of concern. Readiness is an important factor that impacts adoption. Understanding the current readiness for Industry 4.0 to predict future adoption levels is important. It is vital to understand the readiness of manufacturing companies to adopt Industry 4.0 technologies, as this is …
Casar Public Lecture: 'How Different Are We? Sexual Harassment Education In The Us And Egypt', The Prince Alwaleed Center For American Studies And Research Casar
Casar Public Lecture: 'How Different Are We? Sexual Harassment Education In The Us And Egypt', The Prince Alwaleed Center For American Studies And Research Casar
Performances, Events, and Presentations
This event was part of a series of events centered around women since November is the United Nations month dedicated to awareness about the Elimination of Violence against Women. Director of CASAR Professor Mark W. Deets introduced the speaker, Jilllian Campana, Professor and Associate Dean for Undergraduate Studies in the School of Humanities and Social Sciences. Campana has given a TEDx talk in Mumbai, Created a film titled The Puzzle Club, and written several books including Western Theatre in Global Contexts: directing and teaching culturally inclusive drama around the world (Routledge, 2020) and It’s Not My Fault: five new plays …
In Yellow: A Solo Poem-Play, Emily Kitchens
In Yellow: A Solo Poem-Play, Emily Kitchens
Faculty Articles
“In Yellow” was developed in the INKubator residency at Art House Productions (Jersey City, NJ) in 2019 with the following blurb:
In Yellow is a solo poem-play about a relationship between a young woman and a ceramic doll her grandmother made that she has just accidentally broken. It is about grief. It is about breaking out of generationally instilled feminine values. It is about the color yellow. It’s all true.
“In Yellow” is an experiment of a poem and play for one voice. I was in New York City for about 10 years, before that The Bay Area, but am …
Thappad: A Tale Of Women’S Resistance Against An Abusive Social System, Avishek Deb
Thappad: A Tale Of Women’S Resistance Against An Abusive Social System, Avishek Deb
Journal of International Women's Studies
No abstract provided.
Joyland: A Story Of Unquenchable Desires, Salma Javed
Joyland: A Story Of Unquenchable Desires, Salma Javed
Journal of International Women's Studies
Contrary to the title, Saim Sadiq’s debut work Joyland is about struggling with gender identities and unquenchable desires in a conventional society. This heart-breaking drama of a conservative family belongs to the exceptional kind of cinema that sews craft with content. This poignant tale contains such intrigue that the viewers feel glued to the aching narrative until the very last minutes of the movie. The storyline follows three men protagonists from a damaged family, and four women characters, including a transgender woman. The story takes a turn when Haider, one of the main characters, falls in love with Biba, a …
Women Supporting Women: A Glass Ceiling For Women Politicians In Ibadan, Nigeria, Chisaa Onyekachi Igbolekwu, Chukwubueze Ogadimma Arisukwu, Judith Ifunanya Ani, Eunice Uwadinma-Idemudia, Omowumi Oluwaseun Agbemuko
Women Supporting Women: A Glass Ceiling For Women Politicians In Ibadan, Nigeria, Chisaa Onyekachi Igbolekwu, Chukwubueze Ogadimma Arisukwu, Judith Ifunanya Ani, Eunice Uwadinma-Idemudia, Omowumi Oluwaseun Agbemuko
Journal of International Women's Studies
Nigerian women account for almost half of the country’s population, yet they represent a minuscule percentage of elected positions. Many scholars have attributed this to the patriarchal system inherent in Nigeria. This study, however, submits that the rate at which women support women politicians during elections is a major contributing factor to unequal gender representation in Nigerian politics. The concept of the glass ceiling and postcolonial theory guided the explanatory framework for this study. The study was conducted among women within voting age in Ibadan, in southwestern Nigeria. The study adopted a mixed-method design to generalize and gain deep insights. …
Chuck Chuck Baby, Sherry Coman
Chuck Chuck Baby, Sherry Coman
Journal of Religion & Film
This is a film review of Chuck Chuck Baby (2023), directed by Janis Pugh.
Days Of Happiness, Sherry Coman
Days Of Happiness, Sherry Coman
Journal of Religion & Film
This is a film review of Days of Happiness (2023), directed by Chloe Robichaurd.
Dear Jassi, Sherry Coman
Dear Jassi, Sherry Coman
Journal of Religion & Film
This is a film review of Dear Jassi (2023), directed by Tarsem Singh Dhandwar.
On Gary Snyder’S Tradaptation Of Cold Mountain Poems And Its Spiritual Salvation And Literary Enlightenment In Postwar America, Hu Anjiang
CLCWeb: Comparative Literature and Culture
Cold Mountain Poems (CMPs), which have been neglected in the history of Chinese literature for ages, captured the attention of most Americans immediately after its being translated into America by the American poet Gary Snyder in 1950s, however. It is Snyder that reconfigured and recreated a sagacious Chinese Chan Buddhist poet Han-shan (literally, Cold Mountain), the acknowledged author of Cold Mountain Poems, in his translation for the postwar Americans in the midst of varied social problems and cultural identity crisis after World War II. Snyder eventually found in his translation of Cold Mountain Poems a back-to-nature remedy of …
Topological Tropology Of V.S. Naipaul’S Islamic Travelogues And Daniel Pipes’ Islamic History: Ahistorical Historicism, Md. Habibullah
Topological Tropology Of V.S. Naipaul’S Islamic Travelogues And Daniel Pipes’ Islamic History: Ahistorical Historicism, Md. Habibullah
CLCWeb: Comparative Literature and Culture
Nobel laureate V. S. Naipaul’s (1932-2018) first Islamic travelogue Among the Believers: An Islamic Journey (1981) contains his experience of a visit from August 1979 to February 1980 to the four non-Arab Muslim-majority countries – Iran, Pakistan, Malaysia, and Indonesia. Similarly, his last Islamic travelogue Beyond Belief: Islamic Excursions among the Converted Peoples (1998) has a description of another visit to the same countries for five-month in 1995. Concurrently, Daniel Pipes (1949-), an American historian, published his doctoral dissertation, Slave Soldiers and Islam: The Genesis of a Military System (1981), which represents Islamic culture as the first instigator of …
I Was Crazy Once: An Examination Of Elizabethan Insanity In Shakespeare’S Work, Hope L. Kobus
I Was Crazy Once: An Examination Of Elizabethan Insanity In Shakespeare’S Work, Hope L. Kobus
[Archive] Belmont University Research Symposium (BURS)
William Shakespeare wrote numerous works, diving into the common motifs of love, revenge, power, but most importantly, madness. While Elizabethan audiences were more accustomed to seeing madness as a ploy for comedy, Shakespeare changed the appeal through shows such as King Lear, Hamlet, and Macbeth. He presents the power and ambition of women, as well as the failings of the upper-class, but he disguised them through the idea of insanity. At a time when the public had little understanding of mental health, it was easy to blame madness on gender, social status, and even the supernatural. Through …
(Alte)Rnative Realities In Ghana; An Africanfuturist Travelogue Into The World Buildings Of Contemporary Ghanaian Female Alte Musicians, Agasarokeza Natasha Naomi
(Alte)Rnative Realities In Ghana; An Africanfuturist Travelogue Into The World Buildings Of Contemporary Ghanaian Female Alte Musicians, Agasarokeza Natasha Naomi
Independent Study Project (ISP) Collection
In this research paper, I will use Africanfuturism as a lens through which I explore Ghanaian female alte musicians’ contributions to the growing Africanfuturistic imaginaries. Overall, this research aims to contribute to the growing body of knowledge on Ghanaian female Alte musicians and highlight their significance in shaping alternative realities. I will employ a qualitative research methodology, including interviews with two Ghanaian female alte musicians, and content analysis of their music videos, lyrics, and musical productions. By delving into their personal experiences and artistic expressions, the paper seeks to uncover how these artists challenge traditional gender roles, explore cultural identities, …
A Woman Born Twice: Esther Greenwood’S Reconstruction Of The Female Identity In A Pervasively Patriarchal 1950’S America, Taylor Steinbeck
A Woman Born Twice: Esther Greenwood’S Reconstruction Of The Female Identity In A Pervasively Patriarchal 1950’S America, Taylor Steinbeck
sprinkle: an undergraduate journal of feminist and queer studies
No abstract provided.
Body Check: Transgressive Body Politics Of Gina Pane, Orlan, And Deborah De Robertis, Avant-Garde Performance Artists In France, 1960s–Present, Patricia Anne Winter
Body Check: Transgressive Body Politics Of Gina Pane, Orlan, And Deborah De Robertis, Avant-Garde Performance Artists In France, 1960s–Present, Patricia Anne Winter
Dissertations, Theses, and Capstone Projects
In the 1960s, when Gina Pane and Orlan were trying to gain a foothold in the art world, it was very much a man’s world. This created obstacles for them, yet, at the same time, being relegated to the margins, they were free to experiment and were less visible as objects of the gaze.
The point of departure of my study is the realization that a woman’s body is what most defines her identity (Alcoff, Bordo, Butler, Gonzenbach, Mulvey, Spelman, Suleiman). The female body is the material site from which I discuss how, and to what ends, women avant-garde performance …
Politics Of Refusal: Justice And Liberation For Black Trans Lives, Quincy Smith
Politics Of Refusal: Justice And Liberation For Black Trans Lives, Quincy Smith
Dissertations, Theses, and Capstone Projects
This thesis investigates the challenges faced by Black trans people. In this thesis, I will explore how protest is used to highlight and confront the obstacles faced by the Black trans community. I will also examine the cultural work of Black trans people and what they teach us. The Brooklyn Liberation march and the TV show Pose is an important part of Black trans legacy. They both look at the complications surrounding Black trans lives and contributes to Black trans representation in protesting and fighting marginalization. This thesis will argue the importance of allyship to create safe space for Black …
Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky
Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky
Theses and Dissertations
This thesis is organized through the varied ways Fini incorporated death imagery, like the skeleton, into her art. I trace how she changed her interpretations of death from being a symbol in earlier works to then rendering death as the subject itself and concluding with depicting herself as death.
Resistance Narratives: Storytelling Of Transnational Insurgencies In 1960-70s Us And Mexico, Tania Libertad Balderas
Resistance Narratives: Storytelling Of Transnational Insurgencies In 1960-70s Us And Mexico, Tania Libertad Balderas
English Language and Literature ETDs
Resistance Narratives: Storytelling of Transnational Insurgencies in 1960-70s US and Mexico emphasizes how the narratives from the Mexican Insurgency, the American Indian Movement (AIM), and the leftist faction of the Chicana/o Movement in the 1960s and 1970s articulate intersecting notions of resistance, liberation, and transnational solidarity. The comparative analysis of the testimonial novel Las mujeres del alba (2019) by Chihuahuan novelist Carlos Montemayor, the autobiographies Lakota Woman (1991) and Ohitika Woman (1993) by Sičháŋǧu Lakȟóta writer and AIM militant Mary Brave Bird (formerly Crow Dog), and the memoirs and plays by the San Diego-based group Teatro de las Chicanas, collected …
The Happy Hooker Revisited: Trauma And Sexualized Memories, Carolyn Gage
The Happy Hooker Revisited: Trauma And Sexualized Memories, Carolyn Gage
Dignity: A Journal of Analysis of Exploitation and Violence
No abstract provided.
The Changing Contours Of The Indian Public Sphere: Courtesans, Culture, And The British Invasion Of Oudh In Kenizé Mourad’S In The City Of Gold And Silver, Anurag Kumar, Isha Malhotra, Rishav Bali
The Changing Contours Of The Indian Public Sphere: Courtesans, Culture, And The British Invasion Of Oudh In Kenizé Mourad’S In The City Of Gold And Silver, Anurag Kumar, Isha Malhotra, Rishav Bali
Journal of International Women's Studies
The article explores the role of women in the Indian freedom struggle, particularly Begam Hazarat Mahal of Lucknow through Kenizé Mourad’s In the City of Gold and Silver (2010). The text explicitly and implicitly foregrounds the role of tawaifs (courtesans) in the culture and the literature of the public sphere prior to 1857 or the first Indian freedom struggle. Their participation in the freedom struggle was a response to the British attempt to reduce their role to strictly economic and sexual purposes. The article imbricates the issues of nationalism, gender, and sexuality by mining the invisible contributions of various groups …
Traversing The Inner Courtyard To The Public Sphere: Exploring Lalithambika Antharjanam’S Short Stories As Narratives Of Protest In Early Twentieth Century Kerala, Revathy Hemachandran, Maya Vinai
Traversing The Inner Courtyard To The Public Sphere: Exploring Lalithambika Antharjanam’S Short Stories As Narratives Of Protest In Early Twentieth Century Kerala, Revathy Hemachandran, Maya Vinai
Journal of International Women's Studies
This essay analyzes women writing about their experience in the changing socio-cultural and political context of the early twentieth century and especially in the face of the global, national, and regional transformations that Kerala underwent. The essay argues that the short stories of Lalithambika Antharjanam subverted the popular representation of antharjanams in the early 20th century as impassive, oppressed, and vulnerable subjects and provided alternative ways to conceptualize an antharjanam as a feminist trailblazer with a strong voice of protest. Her writing exposes her first-hand experiences of gender discrimination practiced in families as related to her caste and family lineage. …
Women's Work: The Sublime Is Now, Michelle Blackstone
Women's Work: The Sublime Is Now, Michelle Blackstone
MFA in Visual Arts Theses
What influences the lens through which we view art and the value we ascribe to it? This paper investigates the ways in which the historically gendered philosophy of “The Sublime,” a lack of institutional access, and traditionally gendered materials have acted as impediments for women in the arts. Discussion is given to the ways that masculine rhetoric in terms of “The Sublime” prevented women from attaining what was once considered the highest level of artistic achievement. Further attention is given to obstructions female artists face(d) in terms of gaining intuitional access within the art world. Finally, I examine the ways …
Review Of Figurations Of The Feminine, By Siobhán Mcilvanney, Tonya J. Moutray
Review Of Figurations Of The Feminine, By Siobhán Mcilvanney, Tonya J. Moutray
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of Siobhán McIlvanney's Figurations of the Feminine, by Tonya J. Moutray
Review Of Sapphic Crossings, By Ula Lukszo Klein, Ziona K. Kocher
Review Of Sapphic Crossings, By Ula Lukszo Klein, Ziona K. Kocher
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of Ula Lukszo Klein’s Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature, by Ziona Kocher.
Review Of Carrying All Before Her, By Chelsea Phillips, Jennifer Buckley
Review Of Carrying All Before Her, By Chelsea Phillips, Jennifer Buckley
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of Chelsea Phillips’s Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689-1800, by Jennifer Buckley
Subversive Cartography: Teaching Mary Prince And Saidiya Hartman, Carolina Hinojosa
Subversive Cartography: Teaching Mary Prince And Saidiya Hartman, Carolina Hinojosa
ABO: Interactive Journal for Women in the Arts, 1640–1830
This chapter utilizes Hartman’s methodology of retrieval to create a map1 in StoryMap JS2 (“the map” or “this map”) that analyzes multiple geographic spaces in The History of Mary Prince: A West Indian Slave Narrative and Saidiya Hartman’s Lose Your Mother: A Journey Along the Atlantic Slave Route. The map is an archive or a witness to some of the geographical spaces Mary Prince lived (and was sold) as an enslaved woman seeking freedom and the places in which Saidiya Hartman has conducted research or visited in Ghana as a “free” woman. Layering the past over present creates a …
Along And Against The Grain: Close Reading The History Of Mary Prince, Kristina Huang
Along And Against The Grain: Close Reading The History Of Mary Prince, Kristina Huang
ABO: Interactive Journal for Women in the Arts, 1640–1830
Due to the highly mediated conditions of its production, The History of Mary Prince presents a challenge to New Critical methods of reading that are frequently taught in undergraduate literature classrooms. Without questioning the British abolitionists’ textual representation of Prince’s experiences, readers unfamiliar with the historical conditions for slave narratives may attribute the publication’s sentimentalism and representations of violence as direct expressions of Prince. This essay mobilizes close reading towards contrary ends: I throw the editor’s (Thomas Pringle’s) paratextual material, particularly the Preface, under scrutiny by close reading its insistence on transparency and symmetry between the first-person narrative and Prince …
Mary Prince’S Undisciplining Lessons: Counter-Narrative And Testimonio In The History, Kerry Sinanan
Mary Prince’S Undisciplining Lessons: Counter-Narrative And Testimonio In The History, Kerry Sinanan
ABO: Interactive Journal for Women in the Arts, 1640–1830
This essay discusses teaching The History of Mary Prince at a Hispanic Serving Institution via Ethnic Studies praxis. It develops Nicole Aljoe’s definition of Prince’s narrative as counter-story and testimonio and explores the undisciplining effects of reading Prince’s history as relevant to the lives of Borderlands students. To understand the multiple meanings of “undisciplining’ this essay draws on the theory of Sylvia Wynter and shows how Prince’s testimonio offers an alternative to Western epistemologies via communal resistance and resurgence. Several pedagogic tools are explored for teaching Prince in this way.
Introduction: Teaching The History Of Mary Prince (1831), Guest Edited By Kerry Sinanan, Kerry Sinanan
Introduction: Teaching The History Of Mary Prince (1831), Guest Edited By Kerry Sinanan, Kerry Sinanan
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Chawton House And Its Library: Legacies And Futures, Kim Simpson
Chawton House And Its Library: Legacies And Futures, Kim Simpson
ABO: Interactive Journal for Women in the Arts, 1640–1830
In a review of Women’s Writing, 1660-1830: Feminisms and Futures, Paula Backscheider draws attention to “the miracle that is Chawton House, whose conferences nurtured these essays” in the collection. This essay will examine the legacy of this unique institution and explore the futures for the organization both as heritage site and as home to a substantial collection of women’s writing of the long eighteenth century. The community encouraged and nurtured by Chawton House since it opened to the public in 2003, as is so often the case with all things related to Jane Austen, complicates divisions between the academic …