Digital Commons Network^™

The Changing Contours Of The Indian Public Sphere: Courtesans, Culture, And The British Invasion Of Oudh In Kenizé Mourad’S In The City Of Gold And Silver, Anurag Kumar, Isha Malhotra, Rishav Bali

Journal of International Women's Studies

The article explores the role of women in the Indian freedom struggle, particularly Begam Hazarat Mahal of Lucknow through Kenizé Mourad’s In the City of Gold and Silver (2010). The text explicitly and implicitly foregrounds the role of tawaifs (courtesans) in the culture and the literature of the public sphere prior to 1857 or the first Indian freedom struggle. Their participation in the freedom struggle was a response to the British attempt to reduce their role to strictly economic and sexual purposes. The article imbricates the issues of nationalism, gender, and sexuality by mining the invisible contributions of various groups …

Traversing The Inner Courtyard To The Public Sphere: Exploring Lalithambika Antharjanam’S Short Stories As Narratives Of Protest In Early Twentieth Century Kerala, Revathy Hemachandran, Maya Vinai

Journal of International Women's Studies

This essay analyzes women writing about their experience in the changing socio-cultural and political context of the early twentieth century and especially in the face of the global, national, and regional transformations that Kerala underwent. The essay argues that the short stories of Lalithambika Antharjanam subverted the popular representation of antharjanams in the early 20th century as impassive, oppressed, and vulnerable subjects and provided alternative ways to conceptualize an antharjanam as a feminist trailblazer with a strong voice of protest. Her writing exposes her first-hand experiences of gender discrimination practiced in families as related to her caste and family lineage. …

Women's Work: The Sublime Is Now, Michelle Blackstone

MFA in Visual Arts Theses

What influences the lens through which we view art and the value we ascribe to it? This paper investigates the ways in which the historically gendered philosophy of “The Sublime,” a lack of institutional access, and traditionally gendered materials have acted as impediments for women in the arts. Discussion is given to the ways that masculine rhetoric in terms of “The Sublime” prevented women from attaining what was once considered the highest level of artistic achievement. Further attention is given to obstructions female artists face(d) in terms of gaining intuitional access within the art world. Finally, I examine the ways …

Review Of Figurations Of The Feminine, By Siobhán Mcilvanney, Tonya J. Moutray

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Siobhán McIlvanney's Figurations of the Feminine, by Tonya J. Moutray

Review Of Sapphic Crossings, By Ula Lukszo Klein, Ziona K. Kocher

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Ula Lukszo Klein’s Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature, by Ziona Kocher.

Review Of Carrying All Before Her, By Chelsea Phillips, Jennifer Buckley

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Chelsea Phillips’s Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689-1800, by Jennifer Buckley

Subversive Cartography: Teaching Mary Prince And Saidiya Hartman, Carolina Hinojosa

ABO: Interactive Journal for Women in the Arts, 1640–1830

This chapter utilizes Hartman’s methodology of retrieval to create a map1 in StoryMap JS2 (“the map” or “this map”) that analyzes multiple geographic spaces in The History of Mary Prince: A West Indian Slave Narrative and Saidiya Hartman’s Lose Your Mother: A Journey Along the Atlantic Slave Route. The map is an archive or a witness to some of the geographical spaces Mary Prince lived (and was sold) as an enslaved woman seeking freedom and the places in which Saidiya Hartman has conducted research or visited in Ghana as a “free” woman. Layering the past over present creates a …

Along And Against The Grain: Close Reading The History Of Mary Prince, Kristina Huang

ABO: Interactive Journal for Women in the Arts, 1640–1830

Due to the highly mediated conditions of its production, The History of Mary Prince presents a challenge to New Critical methods of reading that are frequently taught in undergraduate literature classrooms. Without questioning the British abolitionists’ textual representation of Prince’s experiences, readers unfamiliar with the historical conditions for slave narratives may attribute the publication’s sentimentalism and representations of violence as direct expressions of Prince. This essay mobilizes close reading towards contrary ends: I throw the editor’s (Thomas Pringle’s) paratextual material, particularly the Preface, under scrutiny by close reading its insistence on transparency and symmetry between the first-person narrative and Prince …

Mary Prince’S Undisciplining Lessons: Counter-Narrative And Testimonio In The History, Kerry Sinanan

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay discusses teaching The History of Mary Prince at a Hispanic Serving Institution via Ethnic Studies praxis. It develops Nicole Aljoe’s definition of Prince’s narrative as counter-story and testimonio and explores the undisciplining effects of reading Prince’s history as relevant to the lives of Borderlands students. To understand the multiple meanings of “undisciplining’ this essay draws on the theory of Sylvia Wynter and shows how Prince’s testimonio offers an alternative to Western epistemologies via communal resistance and resurgence. Several pedagogic tools are explored for teaching Prince in this way.

Introduction: Teaching The History Of Mary Prince (1831), Guest Edited By Kerry Sinanan, Kerry Sinanan

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Chawton House And Its Library: Legacies And Futures, Kim Simpson

ABO: Interactive Journal for Women in the Arts, 1640–1830

In a review of Women’s Writing, 1660-1830: Feminisms and Futures, Paula Backscheider draws attention to “the miracle that is Chawton House, whose conferences nurtured these essays” in the collection. This essay will examine the legacy of this unique institution and explore the futures for the organization both as heritage site and as home to a substantial collection of women’s writing of the long eighteenth century. The community encouraged and nurtured by Chawton House since it opened to the public in 2003, as is so often the case with all things related to Jane Austen, complicates divisions between the academic …

Why Austen, Not Burney? Tracing The Mechanisms Of Reputation And Legacy, Marilyn Francus

ABO: Interactive Journal for Women in the Arts, 1640–1830

During the 200^th anniversary of Austen’s death in 2017, the narrative of Austen’s rise to fame and her ongoing celebrity circulated throughout modern culture. But how did this happen? When Austen died in 1817, it was not obvious that Austen would become the archetypal British woman writer. Frances Burney was far more famous in her lifetime than Austen was in hers, and Burney’s novels (particularly Evelina and Cecilia) achieved as much, if not more, critical acclaim than Austen’s works. By comparing the afterlives of Jane Austen and Frances Burney, the factors that shape legacy come into focus—and scholars …

Forgotten Encounters: The Legacy Of Sculptresses And Female Muses, Laura Engel

ABO: Interactive Journal for Women in the Arts, 1640–1830

Sculpture as a medium is inherently connected to legacy making. In producing three- dimensional monuments designed to withstand the test of time, women artists provided evidence of the lasting quality and permanence of their creative acts. This article examines the actress, sculptress and novelist Anne Damer’s sculpture of the famous actress turned Countess Eliza Farren (c. 1788), paying particular attention to the relationship between sculpture as a static art form that captures tactile embodied presence and the ephemerality of performance. Farren’s involvement in Damer’s staging of the private theatricals at Richmond House (Farren directed and Damer starred) suggests that their …

Elizabeth Boyd's Disappearing Act: Performing Literary Legacy On The Georgian Stage, Kristina Straub

ABO: Interactive Journal for Women in the Arts, 1640–1830

How do we trace the historical processes that grant some writers visibility and, hence, legacy, while shoving others into the historical closet? This essay offers the case study of Elizabeth Boyd (1727-1745), a novelist, poet, and playwright who has received some attention from scholars interested in women’s contributions to the legacy of William Shakespeare in the second quarter of the eighteenth century. In particular, her unperformed play, Don Sancho: Or, the Students Whim, a Ballad Opera of Two Acts, with Minerva’s Triumph, a Masque (1739) dramatizes a woman writer’s reflections on the politics of legacy at this formative moment in …

Introduction: Shaping The Legacy Of 18th-Century Women, Marilyn Francus

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Military Masculinities And Honorary Men: A Comparative Analysis Of United States And United Kingdom Approaches To Iraq Security Sector Reform, Caitlyn C. Aldersea

Undergraduate Theses, Capstones, and Recitals

The 2003 Iraq War marked the first time in wartime that the United States and United Kingdom deployed female-specific units in support of combat operations. As manifestations of changing gendered norms within defense institutions, these Team Lioness units became symbolic of military transitions to a more diverse fighting force. Following the Iraq War, the US and UK were authorized as governing entities over the post-conflict Security Sector Reform process. Despite growing internal awareness on the importance of gender-inclusive policies, US-UK Coalition Forces instead focused reconstruction efforts on addressing immediate security needs of Iraq. While prior feminist literature has criticized the …

In A Condition Of No Light, Alana Perino

Masters Theses

In a Condition of No Light is an autofictional investigation into lineages of familial domesticity. The performances therein circumnavigate one family in one domestic environment, yet are in dialogue with repertoires learned and rehearsed within legacies of myth, literature, theater, film, music, and image; as well as through the otherwise untraceability of embodied memory and inherited trauma. The methodologies used are primarily photographic but also encompass practices reaching towards sculpture, installation, and performance. The line of questioning reserved for this inquiry is how a home, its objects, and inhabitants generate, spacialize, and embody the conditions of wealth, whiteness, and gender. …

Irigaray’S Feminine Language In Joyce Johnson’S Minor Characters: A Beat Memoir, Vida Rahiminezhad, Mahdieh Sadat Faal Nazari

Journal of International Women's Studies

This is a critical reading of Joyce Johnson’s memoir Minor Characters to investigate the ways women’s language is generated using philosopher Luce Irigaray’s feminist framework of language. This study is library-based research done by a close reading of the memoir. Joyce Johnson was part of the second generation of women Beat writers, and she had a love affair with the main male Beat figure, Jack Kerouac. In Minor Characters, she illustrates the history of the Beat Generation. Irigaray, a Belgian feminist theorist, discusses the concept of feminine language, gender roles, and women’s position in society. Findings illustrate that Joyce …

Mary Sidney’S The Tragedy Of Antony And Fadwa Tuqan’S A Mountainous Journey: Language, Gender Politics, And The Emergence Of Authorial Identities, Bilal Hamamra

Journal of International Women's Studies

This article engages with the critical lenses of new historicism and presentism, using Fadwa Tuqan’s A Mountainous Journey and the discourse of Palestinian female martyrs as contemporary intertexts to scrutinize women’s silence, speech, and authorial identity in Mary Sidney’s early modern English work The Tragedy of Antony. I contend this text enabled Sidney to construct a narrative of mourning for her brother Philip Sidney, just as Tuqan uses her writing to mourn her brother Ibrahim Tuqan. It is argued here that Sidney’s and Tuqan’s creation of their authorial identities emanated from their close relationships with their brothers. I argue that …

Nollywood Cinema As A Tool For Pro-Lesbian Advocacy: A Feminist Reading Of Unaiedu Ikpe-Etim’S Ife, Floribert Patrick C. Endong

Journal of International Women's Studies

In spite of the homophobic nature of Nigerian society, the LGBTQ+ rights movement has been very visible in Nigeria. A number of local pro-LGBTQ+ initiatives have sought to challenge the conservative myths and homophobic stereotypes that prevail in the society. One method used for such advocacy has been avant-garde cinema, particularly lesbian or gay films. A case in point is Ikpe-Etim’s 2020 romantic film titled Ife. As an unusual Nollywood movie, Ife strongly makes a case for the human rights of lesbian, bisexual, and queer women in Nigeria. Its very positive representation of what Nigerian legislation and censorial forces consider …

Austentatious Aspirations: How Janeite Women Writers Create And Expand Their Own Cultural Communities Through Recounting And Adapting Jane Austen's Original Works In Literature And Film, Kerri L. Bennett

Student Theses and Dissertations

In comparison to Jane Austen’s purportedly quiet, unassuming life, her six novels have had an ostentatious and extensive impact upon Anglophone literature, culture, and history, particularly through the innumerable adaptations that have been created, written, and produced by her most ardent admirers. As such, this research explores the ways that their various literary and filmic adaptations of Austen’s original narratives both create and expand their communities. Additionally, this project situates Janeite cultural production within the framework of Jacques Derrida’s theory of archival expansion, as well as the scholarship of Claudia Johnson, Abigail Derecho, and Sarah Glosson, among others. The texts …

Hooded, Madison Taylor Mcginnis

Student Theses and Dissertations

As a modern reworking of the classic tale of “Robin Hood,” my creative thesis is a post-modern realist fiction novel that aims to provide the classic tale with a feminocentric point of view in a modernized setting. The story begins with Robin Holdt robbing a rich man only for him to give the money to the orphanage that he grew up in. Through a series of heists and reunions with old friends, Robin finds himself as the leader of the “merry band.” Like other renditions, Hooded conveys the central themes that surround the character of Robin Hood but unlike other …

Female Reception Of Stained Glass Images Of St. Anne In Late Medieval York: Women, Mothers, And Wives, Susanna Wyse Jackson

Medieval Feminist Forum: A Journal of Gender and Sexuality

This article explores the depiction of St. Anne in the late medieval stained glass of three York parish churches. Focusing on two iconographic subjects, St. Anne teaching the Virgin Mary and St. Anne with her extended family, it argues that the representation of St. Anne in these contexts speaks to the conscious orientation of iconography towards female members of the laity. Images of St. Anne may have served to reinforce specific roles and values by providing a focus for performative identification. In addition, they reflect women’s status within the family, the parish, and society as a whole. This under-explored area …

Digital Waves: Communicating Feminist Movements, Shauna M. Macdonald

Feminist Pedagogy

Online learning provides opportunities for pedagogical growth and innovation. When tasked with teaching an undergraduate Gender and Communication class during a virtual semester (amid the COVID-19 pandemic), I sought ways to engage students through online technologies rather than working against or despite them. The Digital Waves (DW) assignment, one that asks students to research and then create digital representations of a particular “wave” of feminism, was one of several strategies I adopted; it quickly evolved into a favorite.

“There’S A Double Meaning In That”: Heroism And Blessedness In Much Ado About Nothing, Laura Elizabeth Gregory

Great Plains Graduate Review

I have chosen to include this line “There’s a double meaning in that” (spoken by Benedick in Act 2 scene 3) in the title of this analysis as a way of introducing the play’s two heroines: Hero and Beatrice, and my argument that these women’s names at once symbolically exemplify and ironically contrast with their characters’ natures. While referring to scholarship on Shakesperean names, allegory, and societal and gender roles, I will consider the meaning of these names—Hero meaning “hero” and Beatrice meaning “blessed” or “blessing”—and examine the ways that these characters define and are defined by heroism, blessing, and …

Dirt Circus: Queering Sports And Home Through Filth, Hannah Patteson

Masters Theses, 2020-current

This monograph accompanies the MFA Thesis Exhibition, “Dirt Circus”. I outline the history of circus and carnival culture and the ways in which queer identities are expressed through these artistic modes. I describe the nonconforming expressions of gender in these arenas through bearded ladies, aerialists, clowns, and the freak show. I then explore various groups from the 70’s to present day, including Bread and Puppet Theater, The Cockettes, and Split Britches, who utilize performance to further their ideologies of gender freedom, anti-capitalism, and sexual liberation. I compare our differing uses of cheap art and public engagement within the realm of …

Other Oceans, Other Skies, Sharlene Lee

MFA in Visual Art

I create immersive installations, performances, and time-based media artworks that delve into stories of belonging, feminism, and language as power. These stories offer a potential for transformation from viewer to participant and a shift in how our world is seen and experienced. Through an exploration of perception and affect, I challenge dominant narratives, prompting a contemplation of contemporary power struggles for control.

In this text, I examine the impact of historical borders and migration on my life while also investigating questions of home, shared values, and rituals that contribute to one’s sense of belonging. I also highlight my commitment to …

Prosthetic Traveling Companions, Carrie Keasler

MFA in Illustration & Visual Culture

This essay explores the potential for narrative art (film, literature, comics) to be a transformative experience in the life of the consumer (viewer, reader) through a sensuous, embodied interaction with that work of narrative art. Drawing from film, narrative and comics theory as well as primary sources, I show that there is potential for consumers to engage in reading and viewing in an embodied way that allows them to take on these experiences as new memories, highlighting the ability of art to engage our senses in a manner that is similar to everyday lived experiences. In contrast with some theories …

Smokebox: Writing Into Embarrassment, Julia Storch

Theatre & Dance ETDs

Engaging with theoretical concepts and dramaturgical tools, this essay follows my journey through The Dramatic Writing MFA program at the University of New Mexico, focusing on the production of my thesis play, Smokebox. In Part I, I give the background and development of my journey as a playwright, exploring the obstacles I faced and overcame through my engagement with coursework and staged readings. I map out the development of Smokebox, from its humble beginnings as a class assignment, to its transformation through workshop, and finally its realization through an intense rehearsal and production process. In Part II, I …

Playing With Policy: What Insights Arise From Transgender Adults After Participating In A Legislative Theatre Exercise, Skylar A. Stratemeyer

Expressive Therapies Capstone Theses

The transgender community is underrepresented in the current body of academic research, underserved in the current clinical model of healthcare services, and legislatively oppressed on a state and federal level in the United States. As of March 2023, more than 400 anti-LGBTQI laws have been introduced on a state level in 2023 alone (ACLU, 2023). In response to the hostile Western sociopolitical climate, this thesis will focus on what insights arise from transgender adults and cisgender allies (N = 12) after participating in a dramatherapeutic group therapy session that explored current anti-trans legislation and highlighted the legal needs of …