Digital Commons Network^™

Derrida In Mesopotamia: On The Import Of The Cuneiform Inscriptions In Of Grammatology, Will Greenshields

CLCWeb: Comparative Literature and Culture

Cuneiform writing has a small but privileged position in Derrida’s Of Grammatology – providing the text with its first two epigraphs. By elucidating the source and import of these inscriptions and evaluating Derrida’s understanding of the cuneiform writing system in reference to more recent grammatological studies, this paper explains the significance of these references to the ancient Near East for Derrida’s arguments regarding the origins of Western metaphysics and logocentrism. In the first part, I analyze Derrida’s brief paragraph on cuneiform writing in Of Grammatology as evincing a “fundamental synaesthesia” of phonetic and non-phonetic elements that problematizes the phonocentric definition …

Haunting Pasts, Cancelled Futures: Polish And Argentinian Experiences Of Postdependency, Ewa Kobyłecka-Piwońska

CLCWeb: Comparative Literature and Culture

The aim of this article is to compare Polish and Argentinian experience of democratic transitions of the 1980s and 1990s. Establishing new political and economic orders in both countries did not entail a change in their citizens’ post-dependent mentality. In the first part of the paper, a connection is drawn between Polish and Argentinian collective memories in line with the methodology of transcultural memory studies (Erll, Rothberg). The post-dependent condition is articulated twofold: through the remembrance of the disappearance (of the Jews, the victims of the Argentina’s state terrorism, the indigenous peoples), and through the confusion in grasping the sense …

Shifting Mindsets: The Second Wave Of Feminism In Brian Friel’S The Freedom Of The City, Jennifer Tenner

AWE (A Woman’s Experience)

In Brian Friel’s The Freedom of the City, Elizabeth Doherty (Lily) is a mother of eleven children who stumbles into the Guildhall, along with two young men, after a peaceful civil rights protest turns sour. During the hours spent in the Guildhall, Lily is subject to demeaning and oppressive comments. From the reporter Liam O’Kelly to Michael and Skinner, each of them makes quick assumptions about Lily without letting her speak, leading her to believe that she never had “an experience, an event, even a small unimportant happening been isolated, and assessed, and articulated”. However, over the course of …

Time To Go, Sophie Graham

AWE (A Woman’s Experience)

INT. ANDREW’S ENTRY WAY - EVENING

LAUREN (early twenties) puts a key and a silver, diamond-studded letter “A” necklace on the counter. As she starts to leave, ANDREW (late twenties) walks in the door with takeout. Lauren freezes. Andrew kisses her and puts the food on the counter. He stops and inspects the discarded necklace.

Queer Ga(Y)Ze And Desire In Flesh And Pink Narcissus, Kel R. Karpinski

Publications and Research

Through their portrayals of gay-for-pay hustlers, the films Flesh and Pink Narcissus, offer an expansive view of queerness and illuminate the queer history of Times Square.

Full Issue

AWE (A Woman’s Experience)

No abstract provided.

An Examination Of Katherine Philips And Aphra Behn: Differing Approaches To Male Authority Inside And Outside The Private Sphere, Sophie Hirtle

AWE (A Woman’s Experience)

Susa Young Gates Award 2024

Winner

The mid to late 1600s were a time of intense societal change in England as a result of the English Civil War and the abdication and restoration of the English monarchy. During this time of religious and political upheaval, those who had historically been silenced found more opportunities to speak up regarding recent changes. This was the case for Katherine Philips and Aphra Behn, two female writers who had their own distinct views on the recent political and religious upheaval. In past studies concerning these two women, there has been a trend of either …

Wearing The Pants: Patriarchal Breeches Roles In Oroonoko And The Rover, Emmalee Collyer

AWE (A Woman’s Experience)

Oroonoko and The Rover, or, the Banished Cavaliers are set in very different locations with a variety of colorful characters. Oroonoko features a split plot set in Suriname exploring the relationships between commerce, slavery, and marriage; whereas The Rover features the collision of three women and a group of cavaliers at Carnival in Naples. But these seemingly disparate plays do have something in common; both are popular adaptations by arguably progressive playwrights. Thomas Southerne adapted a novel by Aphra Behn into Oroonoko, and Aphra Behn adapted Thomas Killigrew’s Thomaso, or The Wanderer into The Rover. Both Southerne and …

Nature Et Relations Dans La Littérature Caribéenne Francophone De Fin Du Xxe Siècle Et Contemporaine, Louise Bonastre-Fajardo

Dissertations, Theses, and Capstone Projects

My research project argues that literature novels from the french-speaking Caribbeans contribute to testifying to relationships with the environment, with others, and with oneself. By recognizing nature as a subject of rights under Latin America's new constitutionalism to prevent environmental harm caused by humans, politics can acknowledge that nature is actually a part of a domination system. This study addresses a range of issues within existing power structures, by articulating the notion of "nature" with the notions of "natural" and "supernatural" in a selection of francophone late XX’s century and contemporary Caribbean novels.

An important literature on Latin American and …

Echoes Of Longing, Mahalexmi Mohan

Masters Theses

Loss lingers like a shadow, a weight no time can lift. Longing becomes a silent scream, echoing within, unanswered. Internal pain festers in the quiet, where unhealed wounds weave themselves into the fabric of being. Each breath is both survival and surrender, a fragile balance between hope and the hollow ache of what was, what will never be, yet could be.

Abstract

My work is deeply influenced by my experiences within a dysfunctional family structure and is explored through the relationship of emotional vulnerability and its effect on self-worth. Layered into the work is a confrontation with the scars, conflict …

Beyond Methodology: Hungry Translation As A Yearning For Justice, Richa Nagar

Study of Women, Gender, & Sexuality: Faculty Publications

This essay emerges from an invited lecture that I delivered at the University of Amsterdam in 2024. My reflections include glimpses from three decades of journeying within and across diverse sites of knowledge-making: a farmers’ and workers’ movement, a theatre group and my classrooms. I ask: how do we move from the idea of remaking research to a transformational praxis through which we can co-create shared hungers for justice that refuse the borders among research, creativity, unlearning and relearning? I draw on my co-authored labours in Playing with Fire, Muddying the Waters and Hungry Translations to explore this question …

The Interconnectedness Of Fun Home On Page And Stage, Livia M. Nocito

English and Creative Writing Independent Study Projects

In Fun Home: A Family Tragicomic by Alison Bechdel, instances of Alison’s emotional “rise,” or openness in being queer, and Bruce’s “descent,” or need to conform, in the book are further supplemented by translations made into the musical through leitmotif and musical composition. This cements not only their roles as Daedalus and Icarus respectively in the metaphor Alison presents in her memoir, but also highlights their lived experiences in a way that truly extends Alison’s liberation as a lesbian to be elevated in grandeur and Bruce’s stifling life to be as damning as Icarus’s fall into the sea.

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

All You Can Eat, Kelly Schiesswohl

Theses and Dissertations

All You Can Eat is a 2D-animated horror short following the patrons and inhabitants of a bakery as they prepare for its annual pie-eating contest. As the contest nears, tensions rise after the discovery of a dark secret amongst the staff inspires rebellion. Through the visual metaphor of pie and the pie-eating contest, this film explores how sexual violence functions on a systemic level. It explores our collective conditioning to a range of behaviors that contribute to patriarchal oppression and the social cycles that reinforce them across generations. Through design and surreal storytelling, this film captures the urgent threat of …

The Rage, Spring 2025, Aspen Humphries, Savannah Moore, Lottie Taylor

The Rage Zine

The Rage zine is published in collaboration with Students Advocating Gender Equality and CCU Women's and Gender Studies. Volume 3, Issue 2.

Illustrating Identity: Ethel Reed’S Art Posters And Women's Claims To Public Space In Fin-De-Siècle Boston, Miranda R. Knofczynski

School of Art, Art History, and Design: Theses and Student Creative Work

Much scholarship has uncovered the history of women illustrators during the late nineteenth century. The rebuilding of these lost histories calls for research which theorizes women’s contributions to the burgeoning arts scene of the fin-de-siècle. This thesis will examine the posters Ethel Reed created for different companies during the height of the 1890s poster craze and discuss how she articulated women in public space in them. Reed’s art offers an aestheticized yet feminist visualization of women engaging in leisure activities such as exploring the city, reading, or attending the theatre. Many have described the women in her posters as merely …

Bathrooms As Borders: Moms For Liberty And The Policing Of Women’S Spaces, Eva Burklund

Theses/Capstones/Creative Projects

As debates about transgender identity and inclusion influence discussions and policy across the United States, it is important to understand the rhetoric and manifestations of transphobia and trans exclusion. One organization advocating for the exclusion of transgender individuals is Moms for Liberty which is dedicated to preserving parental rights. On their official X (formerly Twitter) account Moms for Liberty often voices their opposition to the inclusion of transgender women in women’s sports and women’s private spaces, justifying their exclusive stance by denying transgender women’s womanhood. They additionally cast themselves as the authorities on who is a woman and who is …

Cultural Of Authenticity And Commodification: Analyzing The Aesthetic Waves And Collective Culture In The 2010s And 2020s, Stefanny Leung Yu

Student Theses

The “authentic self” is curated, aestheticized, and most notably, commodified. Digital algorithms, likes, views, and engagement are more than just digital metrics, they are the management of performance. For millions of other users — including the author herself — social media is the locus of personal expression. Most notably, sites like Tumblr, where users in the 2010s posted hazy images or overly filtered graphics along with melancholic song lyrics that match the vibe of the moment, expression was earnest and idealized. Today, social media in the 2020s, new creators like Hannah Neelaman, better known as Ballerina Farm, dress in pastoral …

Kansas City, Kansas, Vida Davidović

Department of English: Dissertations, Theses, and Student Research

KANSAS CITY, KANSAS is a thesis that operates in the tradition of expressionist dramaturgy and playwriting, taking up themes of abuse, imperialism, war, trauma, womanhood, Balkan identities, history of the Balkans, as well as the discourses of psychoanalysis and postcolonial theory. The use of different theoretical frameworks related to both international and personal politics, which are shown to be intertwined, suggests a strong relationship between political processes in the Second World Countries that had experienced many occupations throughout their history and the way women in those countries relate to the questions of body, authority, feminity, and interpersonal relationships. The play …

“As If The Devil Was In Her”: Fanny Fern’S Remaking Of Authorship In The Nineteenth Century, Rowan S. Q. Havranek

Honors Program: Senior Projects (Public)

Fanny Fern revolutionized nineteenth-century literature with her unapologetically blunt and insightful commentary on social norms, education, women’s rights, and more. As a columnist for The New York Ledger, Fern challenged the conventional boundaries placed on women, blending her personal observations and experiences with sharp social critique. Because of her unflinching style and writings that addressed a wide range of topics, she became one of the most well-paid and widely read authors of her time. Yet, she was also subjected to harsh judgment. The media, particularly in the hands of her second husband, was used to damage her reputation, yet Fern …

Belly Dance In Nebraska: Identity, Social Acceptance, And Perseverance, Alex R. Mohr

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Belly dance is an art form as well as an often-contested practice due to tensions over dress, terminology and cultural practices within the belly dance community because the dance originated outside the United States. Additionally, there is often a need to prove the legitimacy of the dance to those outside its sphere because it is often stigmatized due to the early association with exotic dancing. Belly dance is inherently geographic, as seen through its places of origin, music and movement styles, global spread, practitioners, and spaces of practice. However, it has not been well-represented in geography, and there is also …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

Race, Sex Work, And Spatial Segregation In Storyville, New Orleans, Paige M. Magoto

All Theses

Storyville, New Orleans, operated as a legalized vice district from 1897 to 1917. This 38-block area facilitated sex work and prostitution “across the color line,” perpetuating and encouraging the practice of white men seeking sexual acts from Black women and women of mixed-race descent. I engage with multiple interacting subsections of historiography within this thesis project. The historiography spans Southern history from the early nineteenth century in the Old Antebellum South until the early twentieth century in the Progressive Era. The broader historiographic dimensions of labor and sexuality were also influential in curating this research project, engaging with the evolving …