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Elisabeth Louise Vigee Le Brun: A Historical Survey Of A Woman Artist In The Eighteenth Century, Evangelia Karvouni

Journal of International Women's Studies

Elisabeth Louise Vigee Le Brun may be considered one of the most celebrated women artists of eighteenth century France. The elegance of her style and her ability to produce idealized images of her noble sitters made her increasingly popular within royalist circles. She was particularly favoured by the Queen Marie Antoinette whom she painted in a manner that provoked controversy among the critics and the public. Vigee Le Brun’s approach to her royal subject was very sentimental as it can be seen from her statements in her autobiography, the “Memoirs”. After the outbreak of the Revolution, Vigee Le Brun fled …

Mcwilliams, Ellen. Women And Exile In Contemporary Irish Fiction, Maureen T. Reddy

Journal of Interdisciplinary Feminist Thought

No abstract provided.

Transmission: Premium Television Characters Outside Of The Gender Binary, Daniel L. Ketchum

Electronic Theses and Dissertations

Five fictional characters have emerged on the U.S. premium-pay-cable channels that blur the traditional male-or-female gender divide. The basics of queer theory (sex, gender, orientation, and transgender) and critical/cultural studies (encoding, decoding, and reading a text) are explained as a basis for the analysis of the characters, which seeks to answer the research question: does the premium-pay-cable television format offer truly empathetic non-binary transgender characters that challenge the dominant American ideologies about gender identity and expression? If so, how? If not, why not?

Shane McCutcheon from Showtime’s lesbian melodrama The L Word (2004- 2010), Lafayette Reynolds from HBO’s supernatural drama-comedy …

The Absence Of Context: Gay Politics Without A Past, Jen Manion

History Faculty Publications

No abstract provided.

The Problems And Potentials In Haunted Maternal Horror Narratives, Sarah Laura Novak

USF Tampa Graduate Theses and Dissertations

This thesis will examine the representation of motherhood in horror cinema in order to discuss the problems and potentials of repeated domestic traditions. While maternal horror narratives impose gender roles based on heterosexual hegemonic biases, some of these films also examine the feminine experience and criticize the patriarchal institutional structures that affect domesticity and femininity. If we discuss these promising features, we can build on the implied trajectories, and engender more representation of marginalized experience in order to seek out new methods of cultural stabilization and unity. This proposal relies on Jacques Derrida's theory of hauntology, which addresses past and …

Blogging Through Motherhood: Free Labor, Femininity, And The (Re)Production Of Maternity, Kara Mary Van Cleaf

Dissertations, Theses, and Capstone Projects

Drawing from a thematic analysis of 47 North American mommy blogs over a 2-year period, I situate the genre in critical discussions of feminism, media, and labor, exploring both the technological and cultural shifts that turn mothers into cultural producers and that turn the experience of motherhood into a commodity. I situate the content of such blogs, or what gets said therein, within theories of media, gender, and labor. Examining the blogs within and against such academic discussions allows me to develop an intersectional analysis of feminism, media, and labor studies.

Roth's Graveyards, Narrative Desire, And "Professional Competition With Death", Debra Shostak

CLCWeb: Comparative Literature and Culture

In her article "Roth's Graveyards, Narrative Desire, and 'Professional Competition with Death'" Debra Shostak analyzes Philip Roth's 1954 short story "The Day It Snowed" and surveys a range of his books. Shostak offers a reading of Sabbath's Theater and Everyman to explore Roth's fictional forms and his conception of storytelling, elucidates how the traumatic knowledge of death at graveside initiates the psychoanalytic process of repression, repetition, remembering, and telling, and uncovers several motifs or formal strategies that appear when Roth deploys cemetery scenes: the linear plotting toward death is often embraced within circular narrative structures; the voice of the mother, …

Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio

CLCWeb: Comparative Literature and Culture

In his article "Reverse Anti-Semitism in the Fiction of Bellow and Roth" Jay L. Halio discusses anti-Semitism in Philip Roth's fiction that what might be called reverse anti-Semitism: the active reaction by Jews who are subjected to anti-Semitism. This aspect of Roth's work is not often discussed: it is not the same as philo-Semitism, which takes a different form entirely. Since Roth was an admirer of Saul Bellow, Halio begins by considering reverse anti-Semitism in Bellow's early novel The Victim. In the novel the protagonist, Asa Leventhal, is accused by a character named Allbee of costing him his job …

Roth’S Humorous Art Of Ghost Writing, Paule Levy

CLCWeb: Comparative Literature and Culture

In her article "Roth's Humorous Art of Ghost Writing" Paule Lévy analyses Philip Roth's Exit Ghost, the last novel featuring Nathan Zuckerman, in which Roth reassesses his favorite alter ego's itinerary while exploring the troubled relation between writing and aging. Lévy considers Exit Ghost as an ironic sequel to The Ghost Writer and posits that in the light of Derrida's theories of writing and "hauntology" the central motifs of ghosts and "spectrality" in the novel are a means for Roth to reflect anew on the ambiguous relation between autobiography and fiction. Lévy asks whether Exit Ghost should be …

Jewish History, Us-American Fictions, And "Soul-Battering" In Roth's "Conversion Of The Jews", Sandor Goodhart

CLCWeb: Comparative Literature and Culture

In his article "Jewish History, US-American Fictions, and 'Soul-Battering' in Roth's 'Conversion of the Jews'" Sandor Goodhart discusses Philip Roth's story in which an innocent question raised in a Hebrew school discussion in the early 1950s gets wildly out of control. It leads the student into a screaming fight with his Rabbi, which propels the child into a confrontation with his mother, which in turn leads to a second violent confrontation with the Rabbi (who ends up slapping the child), and the episode culminates in a rooftop exchange over the synagogue where the boy’s thought of escape is suddenly converted …

European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales

CLCWeb: Comparative Literature and Culture

in his article "European Literary Tradition in Roth's Kepesh Trilogy" Gustavo Sánchez-Canales discusses the significance of European literature in Philip Roth's novels. Sánchez-Canales analyses the influence of Nikolai Gogol's "The Nose" and Franz Kafka's "The Metamorphosis" on Roth's The Breast and in Roth's The Professor of Desire of Anton Chekhov's tales and Franz Kafka's "A Hunger Artist" and The Castle. Further, Sánchez-Canales elaborates on the impact of Thomas Mann's Death in Venice and W.B. Yeats's poem "Sailing to Byzantium" on Roth's The Dying Animal.

Roth's Contribution To The Narrativization Of Illness, Miriam Jaffe-Foger

CLCWeb: Comparative Literature and Culture

In her article "Roth's Contribution to the Narrativization of Illness" Miriam Jaffe-Foger argues that Philipp Roth's fiction represents him as an empath, a writer who prescribes for modern medicine a dose of humanity in listening to the pain of others. Using Roth's The Anatomy Lesson, The Dying Animal, and Exit Ghost as primary source material in combination with theories from medical anthropology, Jaffe-Foger suggests that Roth is an inspiration for the field of narrative medicine. Jaffe-Foger examines the art in organizing narratives to tell these stories. Jaffe-Foger also argues against misogynist views of Roth as he represents woman's …

Roth's Fiction From Nemesis To Nemesis, Emily Budick

CLCWeb: Comparative Literature and Culture

In her article "Roth's Fiction from Nemesis to Nemesis" Emily Budick discusses Philip Roth's novel Nemesis as the culminating work of a career in which one nemesis or another has afflicted almost all of the author's protagonists. During the bulk of Roth's career, the hero's nemesis was generally, as in the ordinary, literary usage of the term, the protagonist's enemy, whether Judge Wapter in The Ghost Writer or the alter-Roth in The Counterlife. In Nemesis Roth restores the word nemesis to its classical meaning: Nemesis, as the goddess of revenge and cosmic balance. The nemesis in Roth's novel, therefore, …

Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe

CLCWeb: Comparative Literature and Culture

In his article "Literary Adaptations of James in Roth's, Ozick's, and Franzen's Work" John Carlos Rowe posits that Henry James continues to exert a powerful influence on contemporary writers. Given the dramatic social, economic, and political changes from modern to postmodern eras, his continuing influence requires explanation. Rowe considers three US-American novelists—Philip Roth, Cynthia Ozick, and Jonathan Franzen—who are influenced by James and presents an interpretation of James's continuing impact. Despite James's reputation as a cosmopolitan modern who influenced global literature in significant ways, US-American writers attempt to "Americanize" him. Their effort expresses the problem of contemporary US-American literary practice …

Bibliography For The Study Of Phillip Roth's Works, Gustavo Sánchez-Canales, Victoria Aarons

CLCWeb: Comparative Literature and Culture

No abstract provided.

性工作女性主義 : 偶然與必然 = Already Historiography : Sex Work (And) Feminism, Naifei Ding

《新自由主義下的新道德》研討會 NEO-MORALISM UNDER NEOLIBERALISM INTERNATIONAL CONFERENCE

In this paper, I read a selection of historians and sociologists located in the US and UK on women’s organization for indexical signs to how feminism as language (in English) emerges as a pedagogical imperative from the post-war, cold war period into the present. This particular lineage of feminism is traceable through new cold war histories of the last decade examining the role of feminism as tutelage in US-brand democracy. These fragments of a story are placed alongside some of these scholars’ self-reflections on the state of US feminism as thought and lesson, as the latter continue to exert juridical …

A Working Paper On Genderphobia In Southeast Asian Cinema = 東南亞電影中的性別恐懼初探, Mikee Inton

《新自由主義下的新道德》研討會 NEO-MORALISM UNDER NEOLIBERALISM INTERNATIONAL CONFERENCE

In this paper, I intend to look at the cinematic portrayals of male-bodied queerness in gay-themed films from the Philippines, Thailand, and Indonesia. All three contexts have a similar long history of gender-bending and gender-crossing traditions, which still exist in contemporary forms today: the bakla from the Philippines, the kathoey of Thailand, and the waria of Indonesia. The paper will attempt to inter-reference these gender performances with each other, as well as articulate how concepts of genderphobia and homophobia operate within cinematic discourses from across this region.

本文將分析菲律賓、泰國及印尼以男同志為題材的電影中，在男性身上體現的酷兒特質。菲律賓、泰國及印尼這三個國家均有悠長的性別跨越傳統，而這些傳統亦隨著歷史演變，在現代社會以獨特的形態呈現：菲律賓的bakla、泰國的kathoey、及印尼的waria族群。透過三地例子的相互對照，本文嘗試探討不同的性別操演策略及性別體現，以及勾勒出性別恐懼及恐同意識如何透過電影影響該地區的主流性別論述。

Reading In Vogue: The Function Of Fashion In Three Chopin Short Stories, Rachael Scardelli

Seton Hall University Dissertations and Theses (ETDs)

Since its debut in 1892, Vogue magazine has been a temple for fashion and consumerism amongst the elite. It provided instructions on mannerisms, tastes, marriages, and the latest styles. In 1900, the average family income was $769 with $108 allocated to clothing costs; the average elite consumer was spending more than $556 on clothing per year. Today, that would be a clothing budget of more than $12,000. With the ever-increasing interest in cultural studies of objects, particularly clothing and fashion, it is startling that more has not been done with the nineteen short stories Kate Chopin published in the magazine …

Whovians And Directioners: Challenging The Fangirl Identity, Brianna Vancant

Cultural Studies Capstone Papers

Using notions from fan blogs and fan theory, this project analyzes the inconsistencies surrounding the phenomenon of so-called fangirls in the Doctor Who and One Direction worlds. The term fangirl is usually defined as an irrational adolescent female who is only a fan of very specific types of entertainment because of factors that are perceived by other fans as superficial and irrelevant. In contemporary music and television fandom, these fangirls are often criticized and policed by other fans, many times disregarded as not ‘true’ fans. The project studies this distorted perception and how it leads to misconceptions about the wider …

The Queer Blogger: Interrogating The Commodification Of Identities, Anne Lacy

Cultural Studies Capstone Papers

Using Queer blogs found throughout American blogging networks, while drawing upon Marxism, Michel Foucault’s notions of confession and coming out, and Gramsci’s concept of hegemony, this project is a materialist analysis that unveils how Queer identities are being consumed and commodified. In contemporary American society a phenomenon is occurring online: Queer blogs are acting as a platform where subjectivities are attempting to resist hegemonic notions of identity while they are simultaneously being incorporated into a capitalistic agenda of subject formation. This project ultimately calls upon an act of resistance, as these Queer blogs are in fact a negotiable space for …

"Women In The House Y'All:" She Should Run, Post-Feminism, And Women's Representation In Politics, Amy Gooch

Cultural Studies Capstone Papers

This project investigates “She Should Run,” a non-profit organization dedicated to increasing the number of women in public leadership by attempting to eliminate barriers to success. The project argues “She Should Run” addresses the lack of women’s representation in government, but does so by mobilizing problematic essentialist rhetoric and post-feminist constructions. Drawing on second wave feminist scholarship, this rhetorical analysis examines the cultural conditions that mediate women’s role in politics as well as their willingness to participate. This project claims that the organization ultimately reestablishes existing essentialist notions of women’s identities and uses post-feminist rhetoric to delegitimize the aims of …

A Divine Inequality: Contextualizing Gender And Authority In Contemporary Mormon Feminism, Taylee Robinson Pardi

Cultural Studies Capstone Papers

This project traces the decline of authority for Mormon women coupled with the rise of defined gender roles within the Church of Jesus Christ of Latter Day Saints in order to contextualize contemporary Mormon feminism. Using a radical feminist analysis, this project will explore how contemporary Mormon women relate to their early Mormon sisters and the ways in which the culture and doctrine of Mormonism often converge, lending itself to a unique feminist perspective. This project argues that the Church of Jesus Christ of Latter Day Saints, as currently practiced, is not just inherently patriarchal, but un-egalitarian, and that contemporary …

When Ana Becomes The Protagonist: Eating Disorder Narratives, The Pursuit Of Thinness And Social Resistance On The Internet, Nadezh Mulholland

Cultural Studies Capstone Papers

There is media concern that books about eating disorders are harmful to young readers. However, there is little research on how readers interpret the content of novels and memoirs featuring characters with eating disorders. This project considers the thinspiration images used as motivation to lose weight on so-called pro-ana and pro-mia social networks for people with eating disorders, and draws parallels between thinspiration and images used on the covers of eating disorder books. This paper uses a Gramscian lens to dismantle media claims by analyzing the interactions between members of eating disorder social networks, showing that website users tum to …

Take Off Your Masc: The Hegemonic Gay Male's Gender Performance On Grindr, Duncan Shuckerow

Cultural Studies Capstone Papers

The hegemonic Grindr clone is a gay male Grindr user who enforces the privileging of traditional masculine gender performance and condemns effeminacy. Through this project’s own field work along with the website “douchebagsofgrindr,” the hegemonic Grindr clone is here within analyzed. Drawing upon the theory ofhegemony articulated by Gramsci, a historical analysis of the 1970s urban gay male clone, and contemporary analysis and research, the project argues that the hegemonic Grindr clones, while only a minority group of Grindr users, rules over the cyberspace as sexual gatekeepers. Hegemonic Grindr clones maintain their privileged status on the application through depicting and …

Teaching Willmore, James Evans

ABO: Interactive Journal for Women in the Arts, 1640–1830

Teaching Aphra Behn’s The Rover for nearly four decades, I have witnessed a considerable shift in students’ attitudes toward the play, especially toward Willmore. More positive about his character in the 1970s and 1980s, they have had a much more negative assessment since then. The only available video version, the Women’s Theatre Trust production, compounds my pedagogical problem through filming techniques and choice of actor; emphasizing male violence against women, its interpretation parallels feminist criticism of the 1990s. Asking students to examine theater history may lead them to see that Behn does not completely match this ideological paradigm. The original …

Toward A Transnational Queer Futurity: The Photography Of Catherine Opie, Zanele Muholi, And Jean Brundrit, Camille Erickson

Art and Art History Honors Projects

North American photographer Catherine Opie and South African photographers Zanele Muholi and Jean Brundrit create art that documents the lived experiences of queer and LGBTI-identified individuals and communities. Although their varying geographic and cultural specificities contribute to diverse representations, this research applies a queer transnational methodology to analyze how each artist uses the body as a site for re-visualizing queer identities. Employing cultural theorist, José Esteban Muñoz’s conception of a queer futurity reveals how these artistic projects resist the majoritarian politics of the present and envision potential utopian spaces of transformation. By embracing collectivity, belonging, and difference, the photographs enact …

Diversity In Times Of Austerity: Documenting Resistance In The Academy, David Moscowitz, Terri Jett, Terri Carney, Tamara Leech, Ann M. Savage

Scholarship and Professional Work - LAS

What happens to feminism in the university is parallel to what happens to feminism in other venues under economic restructuring: while the impoverished nation is forced to cut social services and thereby send women back to the hierarchy of the family, the academy likewise reduces its footprint in interdisciplinary structures and contains academic feminists back to the hierarchy of departments and disciplines. When the family and the department become powerful arbiters of cultural values, women and feminist academics by and large suffer: they either accept a diminished role or are pushed to compete in a system they recognize as antithetical …

‘My Freedom Is A Privilege Which Nothing Else Can Equal’: The Life And Writings Of Venture Smith And Phillis Wheatley, American Slaves, Donald Holmes Ii

Honors Theses

Slavery in the United States was an evolving institution that lasted nearly 400 years. To understand the colonial era of slavery within the United States, I examine the life and times of Venture Smith, as documented in his autobiography, A Narrative of the Life and Adventures of Venture, A Native of Africa (1798), and that of Phillis Wheatley using The Collected Works of Phillis Wheatley (1988). Both Smith and Wheatley were African-born slaves brought to America during the eighteenth century. In Smith’s narrative, he concludes by proclaiming “my freedom is a privilege which nothing else can equal” (31). This statement …

La Prostitution Dans La Culture Française Du Dix-Neuvième Siècle: Classe, Sexe, Et Contagion, Kelsey Callahan

Senior Honors Theses

The creation of the French Penal Code of 1791, which failed to address the legality of prostitution, and the social climate of nineteenth-century France led to the rapid development of sexual commerce. The spread of syphilitic diseases soon became a serious crisis, and the fault of the spread of syphilis and disease was quickly ascribed to purchasable women. Other social crises of the time, such as problems with sewage and the spread of disease and decay also came to be associated with prostitution. My thesis will examine ways in which male artists of the time used literature and painting to …

Women's, Gender, And Sexuality Studies Newsletter Spring 2014, Sandra L. Faulkner

Women’s, Gender and Sexuality Studies Newsletters

No abstract provided.