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Francis Thompson's Place In English Literature, Mary Frances Oswald

Bachelors’ Theses

Little cared Francia Thompson about the place that might be assigned him, after hie death, among the singers upon earth, enjoying as he did, the proud assurance of a place "in the nurseries of Heaven", singing forever hi a "Jubilate!" and "Laudate!"

The Isaqueena - 1922, May, Isabel Easley

Isaqueena

Contributors include: Frances Luck, Jack Jones, Elizabeth Welborn, Marjory Martin, Eula Burns, Mary Jenkinson, Annie Mary Timmons, Reba Smith, Isabel Harris, Virginia Quick

The Beginnings Of English Dramatic Literature, Clarence Francis Dickopf

Bachelors’ Theses

No art has been practiced by human beings from the beginning. We only find a gradual development. We have men, however, who were born with a gift of genius, who were unconscious of the laws and rules governing their respective spheres. We read of a Mozart, a Michaelangelo and a host of other gifted men whose art came to them intuitively. These are exceptions. Art has laboriously grown, and so it is with our own dramatic art, we see its gradual development. In order to study English drama intelligently we must know its origins or beginnings, how it arose from …

The Philosophy Of Composition, Frederick Paul Arnold

Bachelors’ Theses

D.ring the slow and regular development of the human race from infancy to adolescence and from adolescence to old age, the one question confronting it is the "quiddity" of its environment. One of the most prominent of man's characteristics is to seek knowledge; to learn something new; to know what was hitherto unknown and through this knowledge to gain further enlightenment upon things about him. He has studied the planets and the elements; he has made note of the physical and chemical laws but has me:rely attempted to gain an adequate knowledge of himself.

The Essence Of The Drama, William M. Lamers

Bachelors’ Theses

No abstract provided.

The Isaqueena - 1922, April, Greenville Womens College

Isaqueena

Contributors include: Elizabeth Welborn, Grace Long, Mary Lawton, Bessie Prickett, Frances Luck, Beulah Farnham, Jennie Scruggs, Ruth Giles, Lois Ballenger, Grace Alexander, Annie Mary Timmons, Jack Jones

The Isaqueena - 1922, March, Maribel Waters

Isaqueena

Contributors include: Frances Luck, Rene Joyce, Eula Burns, Beulah Farnham, Bessie Priskett, Thrace Mauldin, Flora Bennett, Lois Ballenger, Eugenia Pearson, Eleanor Keese, Bess Barton

The Orion, Volume 6, Issue 3, The Orion Editorial Staff

Ivy Leaves

The March 1922 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for this issue of The Orion were Irene Biggs, Caroline Parnell, Frances Mattox, Mozelle Jones, and Mary Clement.

The Voice Of The Phi Sigma -- 1922 -- All Star Number, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.

The Isaqueena - 1922, January, Maribel Waters

Isaqueena

Contributors include: Eula Burns, Mary Holcombe, Jack Jones, Marjorie Martin, Lucile Nix, Margaret Mahon, Elizabeth Welborn, Lois Ballenger, Kathleen Childress

The Orion, Volume 6, Issue 2, The Orion Editorial Staff

Ivy Leaves

The December 1921 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for this issue of The Orion were Madge E. Bradley, Kathleen Cooke, Mary Dell Stewart, Mabel Dillingham, Madeline Kelly, and Ethel Medlock.

The Orion, Volume 6, Issue 1, The Orion Editorial Staff

Ivy Leaves

The November 1921 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for this issue of The Orion were Susan Creech, Hazel Murphy, Zenith Freeman, Isabel Cunningham, Mary Dell Stewart, Lula Lee Leathers, and Gena Gwin.

En Renouant La Correspondence Avec Une Amie Ex-Ennemie, Vernon Lee (Violet Paget)

Vernon Lee: Manuscripts, Published Works, and Typescripts

Language: French

The Isaqueena - 1921, May, Martha Osborne

Isaqueena

Contributors include: Martha Peace Knight, David M. Ramsay, Margaret Hayne Beattie, Rosa C. Paschal, Marie Marshall Padgett, Germaine Bouquet, Mary Seyle, Thrace Mauldin, Marjorie Martin, Eleanor Keese, Marie Askins, Grace Decker Coleman, Annie H. Brown, Rena Rice Geer, Mary C. Judson, Virginia Quick, Bess Barton, Dorothy White

A History Of The Theatre In Louisville., Mary Martha Dietz

Electronic Theses and Dissertations

A child is considered by some psychologists to pass through on its way to manhood the stages through which the race has passed on its way to civilization. If this is true of a single man, might it not equally be true of a community of men? Have not most settlements, in greater or a less degree, passed through the stages of development common to the growth of all cities until they have reached the standards of their day? A company of civilized men and women going forth to make a settlement in a new place, upon their arrival at …

The Isaqueena - 1921, April, Martha Osborne

Isaqueena

Contributors include: Flora Bennett, Marjorie Martin, Bess Barton, Germaine Bouquet, Ruth Cowart, Annie Laurie Quickel, Thrace Mauldin, Marie Askins, Jack Jones, Virginia Quick, Mae Jones, Edith Ouzts, Dorothy White

The Isaqueena - 1921, March, Martha Osborne

Isaqueena

Contributors include: Mary Seyle, Germaine Bouquet, Lucile Wyatt, Lois Ballenger, Marjorie Martin, Iris Hollis, Jack Jones, Bonnie Bess Mahaffey, Bess Barton, Barbara Hewell, Kathleen Childress, Virginia Quick, Mae Jones, Dorothy White

The Voice Of The Phi Sigma -- 1921 --, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.

Poetic Origins And The Ballad, Louise Pound

Department of English: Faculty Publications

The leading theses of the present volume are that the following assumptions which have long dominated our thought upon the subject of poetic origins and the ballads should be given up, or at least should be seriously qualified; namely, belief in the "communal" authorship and ownership of primitive poetry; disbelief in the primitive artist; reference to the ballad as the earliest and most universal poetic form; belief in the origin of narrative songs in the dance, especially definition of the English and Scottish traditional ballad type as of dance origin; belief in the emergence of traditional ballads from the illiterate, …

Minstrelsy, Music, And The Dance In The English And Scottish Popular Ballads, Lowry Charles Wimberly

University of Nebraska Studies in Language, Literature, and Criticism

CONTENTS
I INTRODUCTION The pastimes of the ballad in relation to the theme of the ballad. -The ballad narrative rather than descriptive.-Rapid action in the ballad.-Pastimes not ordinarily an essential part of the action.-Minstrelsy, music, and the dance in King Estmere and The Bonny Lass of Anglesey.-Pastimes usually portrayed in casual descriptive touches.-Purpose of the present study.Importance of recreational interests in the ballad.-The place of music in the present study. . . . . . . . . . . . . .. . . . . . . . . . .. . . . . . . 3·6 …

The Isaqueena - 1920, December, Maribel Waters

Isaqueena

Contributors include: Eleanor Keese, Davis Padgett, Kathleen Childress, Mary Seyle, Germaine Bouquet, Thrace Mauldin, Bess Barton, Marie Askins, Marjorie Fulmer, Lois Ballenger, Edith Ouzts, Mae Jones, Virginia Quick

The Isaqueena - 1920, May, Martha Peace

Isaqueena

Contributors include: Martha Peace, Mary Seyle, Eleanor Keese, Amelia E. Boor, Lillian Wilson, Myrtle Loftis, Lois Ballenger, Marjorie Martin, V. Martin, M. Askins

The Isaqueena - 1920, April, Martha Peace

Isaqueena

Contributors include: Mary Seyle, Amelia Boor, Martha Peace, Dorothy Davis Padgett, Eleanor Keese, Florence Gardner, Emily Bates, Frances Johnston, Lois Ballenger

The "Uniformity" Of The Ballad Style, Louise Pound

Department of English: Faculty Publications

" It is a significant fact," says a well-known writer on ballads,' "that wherever found, the ballad style and manner are essentially the same." Many make the same generalization. But this is true only in the most general sense. It presupposes too great fixity ill the ballad style. The ballad is a lyric type exhibiting epic, dramatic, and choral elements; but within the type there is as great variation as within other lyric types. The ballad style is hardly more" essentially the same" than the song style in general, or the sonnet style, or the ode style. There is no …

The Isaqueena - 1920, March, Martha Peace

Isaqueena

Contributors include: Kathleen Childress, Mary Seyle, Annie Bristow, Amelia Elizabeth Boor, Mary Smythe, Eleanor Keese, Mary Singleton, Lois Ballenger, M. Askins

The Orion, Volume 4, Issue 4, The Orion Editorial Staff

Ivy Leaves

The March 1920 edition of the Anderson College journal of literature, The Orion.

The names of the known editors for the Estherian Literary Society's issue of The Orion were Ruth Brownlee, Clarice Townsend, Myra Anderson, Edith Hubbard, Bernice Shields, Lucy Primrose Whyte, and Carolyn Parnell.

Index Pro-Memoria Of Preserved Old Large Notebooks, Vernon Lee (Violet Paget)

Vernon Lee: Manuscripts, Published Works, and Typescripts

No abstract provided.

Ua94/6/1 English & Grammar Notebook, Ruth Whitlow

Student Organizations

Grammar and English notebook used by Ruth Whitlow, includes diagrammed sentences and some math problems on the back page.

Ua94/6/1 English & Grammar Notebook, Ruth Whitlow

Student/Alumni Personal Papers

Grammar and English notebook used by Ruth Whitlow, includes diagrammed sentences and some math problems on the back page.

The English Ballads And The Church, Louise Pound

Department of English: Faculty Publications

Many origins have been suggested for the type of narrative song appearing in the English and Scottish traditional ballads: minstrel genesis, origin in the dance, improvisations of media3val peasant communes, or descent from the dance songs of primitive peoples. The hypothesis of minstrel origin was that first to be advanced and it has always retained supporters. There remains a possibility not yet brought forward which deserves to be presented for what it is worth, since the problem, though it may be insoluble, has its attraction for critic and student. We have but meager knowledge of the ballad melodies of pre-Elizabethan …