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Articles 61 - 90 of 1280
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What Are The Games For?: The Hunger Games And Reality Tv, Audrey Perez
What Are The Games For?: The Hunger Games And Reality Tv, Audrey Perez
Senior Honors Theses
In Suzanne Collins’ series, The Hunger Games, a dystopian Capitol holds an annual televised gladiator-style competition in which child participants fight to the death. These Games function as a psychological tool of propaganda that influence both viewers and participants to sustain an oppressive government. Collins prominently explored the Games’ medium as a reality television show through the way it reinforces an ideology of oppression and control through visual messaging and emotional complicity to create division between classes of people. Real world reality TV also has ideological underpinnings that can negatively influence both viewers and participants through its depiction of a …
Volume 33 Issue 1
NEBO: A Literary Journal
This issue of Nebo: A Literary Journal, published in Fall 2019, presents a diverse selection of poetry and fiction, focusing on identity, artistic expression, and the transformative power of storytelling. The issue, archived as Volume 33, Issue 1, corresponds to the print edition labeled Volume 38, Issue 1. Due to necessary metadata adjustments in the digital archiving process, some volume and issue numbers in the online collection may not match those printed in the original journals.
Editor Sydney Austin, in her editorial preface, reflects on the idea of literature as art rather …
Volume 26 Issue 2
NEBO: A Literary Journal
This issue of Nebo: A Literary Journal, published in Spring 2012, features a collection of poetry that bridges the past and present, offering reflections on history, memory, and personal transformation. The issue, archived as Volume 26, Issue 2, corresponds to the print edition labeled Volume 30, Issue 2. Due to necessary metadata adjustments in the digital archiving process, some volume and issue numbers in the online collection may not match those printed in the original journals.
The editorial preface by James Ritchie emphasizes the importance of historical consciousness in literature, aligning with T.S. …
Volume 11 Issue 2
NEBO: A Literary Journal
This issue of Nebo: A Literary Journal, titled "Welcoming in the Millennium," explores the cultural, philosophical, and personal reflections surrounding the approaching year 2000. Originally archived as Volume 11, Issue 2, this issue is actually Volume 16, Issue 1, covering Fall 1997. Due to necessary metadata adjustments in the digital archiving process, some volume and issue numbers in the online collection may not match those printed in the original journals.
This issue is an introspective and creative response to the millennial transition, featuring poetry, fiction, and essays that grapple with the future, nostalgia, historical reflections, …
Nebo: Volume 2, Issue 1
NEBO: A Literary Journal
Nebo, Arkansas Tech University’s literary journal, continues its tradition of showcasing innovative and thought-provoking creative writing in its Spring 1984 issue. This volume brings together poetry, fiction, and essays from a diverse range of voices, reflecting the evolving landscape of contemporary literature. Featuring work from both emerging and established writers, this issue delves into themes of memory, transformation, and the human condition. Readers will discover a collection rich with narrative depth, poetic experimentation, and critical literary discourse. As Nebo enters its second volume, it reaffirms its role as a space for artistic expression and literary excellence.
The Metaphysics Of Frank Herbert's Dune And God Emperor Of Dune: On Time And Language, Garrett J. Busshart
The Metaphysics Of Frank Herbert's Dune And God Emperor Of Dune: On Time And Language, Garrett J. Busshart
LSU Doctoral Dissertations
This dissertation studies the metaphysics of time and rhetoric in the science fiction novels Dune (1963) and God Emperor of Dune (1981) by Frank Herbert. The first chapter critiques the protagonist’s sense of temporality, an ideology in which the future consists of multiple possible choices while each decision of one forecloses a still larger set. Jean-Pierre Dupuy calls this a “supermarket” model of temporality, as if the future were a contingent-free menu of possibilities a subject is free to pick between. My assertion is that this sense of temporality—the Western norm—matches the protagonist’s, Paul Atreides’s, rhetoric. In disclosing Paul’s sense …
“Where War Is God And God Is War:” Women’S Religious Great War Poetry And Homefront Lines, Faith Ellington
“Where War Is God And God Is War:” Women’S Religious Great War Poetry And Homefront Lines, Faith Ellington
LSU Doctoral Dissertations
This project seeks to redefine war’s poetic landscape. Through a focus on women’s Great War poetry, I argue against a dichotomous home front | front line poetic barrier and instead explore the intermingling of wartime spaces. Women’s WWI poetry, I argue, exists within a space I call the homefront lines, a space in which women produce writing from their full experiences of war regardless of combatant status. The homefront lines must be included in World War I literary canons in order to fully recognize the humanity of women during wartime and to fully grasp the war’s impact on poetry …
The Eschatological Vision Of The Abolition Of Man, Joshua J. Paladino
The Eschatological Vision Of The Abolition Of Man, Joshua J. Paladino
Sehnsucht: The C. S. Lewis Journal
C. S. Lewis’s The Abolition of Man is ultimately an eschatological work, a vision of the end of history, a warning about the fully conditioned society, an insight into the nature of the universal and homogeneous state, and even a prophecy of Hell on Earth. The end-times significance of the Abolition is perhaps overlooked because it lacks an apocalyptic framing. Lewis presented, rather, a “snug” eschatology.1 There is none of the apocalyptic drama that Lewis crafted in The Last Battle. We do not hear the Lion roar, “Now it is time,” before watching Father Time squeeze the sun in his …
The Songs Of The Spheres: Lewis, Tolkien And The Overlapping Realms Of Their Imaginations (2024), Edited By Łukasz Neubauer And Guglielmo Spirito, G. Connor Salter
The Songs Of The Spheres: Lewis, Tolkien And The Overlapping Realms Of Their Imaginations (2024), Edited By Łukasz Neubauer And Guglielmo Spirito, G. Connor Salter
Journal of Tolkien Research
Book review, by G. Connor Salter, of The Songs of the Spheres: Lewis, Tolkien and the Overlapping Realms of their Imaginations (2024), edited by Łukasz Neubauer and Guglielmo Spirito
Muriel Rukeyser In Analysis: Body Of Waking, Elisabeth Däumer
Muriel Rukeyser In Analysis: Body Of Waking, Elisabeth Däumer
Essays & Other Scholarship
In 1953, after the death of her mother Myra, Rukeyser began an analysis with Jungian analyst Frances G. Wickes and engaged in intentional, rigorous “work on the self” that culminated in the publication of Body of Waking, her first book of poems after a 10-year silence. Rukeyser captured parts of her work on the self in a detailed account of her analysis, included in The Inner World of Choice, Wickes’s third book (1963), which Rukeyser researched and anonymously co-wrote. Entitled “The X in the Calculation,” the chapter follows the case of an unnamed woman who suffered from debilitating …
Cather, Silko, Hunt: Rethinking Prosperity Twentieth-Century Explorations Of Interiority, Materiality, And Transcendence, Aileen Montoya
Cather, Silko, Hunt: Rethinking Prosperity Twentieth-Century Explorations Of Interiority, Materiality, And Transcendence, Aileen Montoya
Dissertations and Theses
- Interiority
- Materiality
- Transcendence
- Prosperity
- Modernism
- Subjectivity
- Narrative Identity
- Spiritual Landscapes
Eros And The Sublime: Tools For Reaching Toward An Altered Ecological Consciousness, Aineka Carlson
Eros And The Sublime: Tools For Reaching Toward An Altered Ecological Consciousness, Aineka Carlson
Graduate Student Theses, Dissertations, & Professional Papers
This thesis explores connections between the Kantian sublime and Anne Carson’s ideas regarding “eros.” Since Kant’s Critique of Judgement was published in 1790, the Kantian sublime has grown in popularity and been utilized by theorists and creative writers alike. While the Kantian sublime is often associated with nature in popular culture, there are certain egocentric and phallocentric elements of this mode of thinking that might inhibit a biocentric mindset. Through a character study of Oryx from Margaret Atwood’s novel Oryx and Crake, this thesis draws relations between the subjugation of women, nature, and the ways in which the popularized …
“The Old Lie”: The Effect Of Classical Heroism On The Wwi Soldier, Sage Fikse
“The Old Lie”: The Effect Of Classical Heroism On The Wwi Soldier, Sage Fikse
SPARK Symposium Presentations
Before the outbreak of World War I, poet Wilfred Owen studied Greek and Roman literature, which presented him with idealized notions of patriotism, glory, and sacrifice. Influenced by classical texts such as The Iliad and the writings of Horace, these ideals of heroism left him unprepared for the brutal realities of anonymous warfare and for what it meant to be a “hero” in the twentieth century. In his poem “Dulce et Decorum Est,” Owen draws on his classical education to challenge the romanticized ideals of heroic sacrifice and glory. However, through the poetic nature of his death, dying exactly one …
Feeling And Experience In American Women's Writing From The First World War, Anika Jensen
Feeling And Experience In American Women's Writing From The First World War, Anika Jensen
Theses and Dissertations--English
This dissertation analyzes the political capacity of feeling in American women’s autobiographical and semi-autobiographical writing from and about their work during the First World War. Women produced emotionally complex accounts that resist easy categorization, and I argue that attending to feeling clarifies not only their emotional experiences with war work but their social and political projects. This dissertation closely examines portrayals and rhetorics of feeling, considering the intersections of gender, class, race, and labor in impacting how feelings are depicted, negotiated, and conveyed. While British women were more compelled to perform and convey feeling according to a rigid class system, …
In The Kingdom Of The Thunder Dragon: Happiness, History, And Environment In A Changing Bhutan, Betsy Bolton
In The Kingdom Of The Thunder Dragon: Happiness, History, And Environment In A Changing Bhutan, Betsy Bolton
English Literature Faculty Works
Landlocked, mountainous, and surrounded by global giants India and China, Bhutan has provided remarkable leadership on both climate action and human happiness, despite its pre-2023 status as a least-developed nation. Bhutan was the first country to be internationally recognized as carbon neutral; it is also the birthplace of “Gross National Happiness” (GNH), a pointed alternative to Gross Domestic Product (GDP) as a means of measuring the success of national policies in promoting citizens’ wellbeing. Yet Bhutan has also been a site of ethnic conflict, with roughly tens of thousands people displaced into refugee camps in the 1990s and eventually resettled …
The Great Wizarding Duel: Tolkien’S Possible Influence On Rowling, Anna Jarrell
The Great Wizarding Duel: Tolkien’S Possible Influence On Rowling, Anna Jarrell
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Robert Frost And The Myth Of Adam And Eve, Theo Johnson
Robert Frost And The Myth Of Adam And Eve, Theo Johnson
CMC Senior Theses
What exactly it is about the story of Adam and Eve that fascinated Robert Frost is hard to say. Of course, he is not the first to engage with it in writing – for much of recorded human history, the Genesis account of man’s creation has held a place of unparalleled importance in our understanding of what it is to be human, provoking innumerable exegetic responses. In popular literature, too, it has served as inspiration for some of the most celebrated English and American poems. From the “bloodless myth” of Geoffrey Hill’s “Genesis” to the great theodicy of John Milton’s …
Textual Sediments: Genre And The Planetary Novel, William Bowden
Textual Sediments: Genre And The Planetary Novel, William Bowden
Open Access Dissertations
This dissertation investigates how twenty-first-century prose fiction navigates the ecological and temporal dimensions of planetary crisis. In response to accelerating pressures - climate change, ecological collapse, and the intensification of capitalist modernity - literary studies has turned increasingly to the planetary as a conceptual frame. Yet this shift has often outpaced the development of adequate critical vocabularies and narrative methodologies. By drawing on ecocriticism, narrative theory, phenomenology, and related fields, Textual Sediments proposes a new framework for reading what it terms the planetary novel: a sedimentary genre characterized by temporal layering, formal hybridity, and a recursive engagement with scale. Through …
‘Fiery The Angels Rose’: The Romantic Prometheanism Of Tolkien’S Diabolical Characters, Robert T. Tally Jr.
‘Fiery The Angels Rose’: The Romantic Prometheanism Of Tolkien’S Diabolical Characters, Robert T. Tally Jr.
Journal of Tolkien Research
Milton’s Satan in the seventeenth century was hardly viewed as heroic, yet in his resistance to supreme authority and bold transvaluation of values (“Evil, be thou my Good”) he emerges as a sort of tragic hero for many Romantics such as William Blake or later Herman Melville. Like Prometheus, the subject of Percy Bysshe Shelley great poetic drama, Satan is a figure of noble rebellion against omnipotent force. Tolkien’s more ‘satanic” characters, such as Melkor, Sauron, and perhaps even Saruman, do not often strike readers as heroes, yet there is a sort of Prometheanism in each of them. Viewed from …
Wilderness Myth And Reality: Human Views And Uses Of Nature, Evan Hardern
Wilderness Myth And Reality: Human Views And Uses Of Nature, Evan Hardern
Runkle Woods Symposia
In his essay and presentation, Wright State English major Evan Harder critically examines modern conceptions of wilderness and challenges the Romantic ideal that moral purity and personal virtue are inherently tied to time spent in nature. Drawing on writers such as Wordsworth, Emerson, and Thoreau, Harder interrogates the cultural myth of wilderness as a pristine, untouched realm separate from civilization. He argues that our understanding of nature is a constructed concept—born from the development of cities and agriculture—and often overlooks the long histories of human habitation in places now designated as “natural” or “wild.” Through examples like Cuyahoga Valley National …
Vol. 38, No. 9 - Whole No. 234, Eleanor M. Farrell
Vol. 38, No. 9 - Whole No. 234, Eleanor M. Farrell
Mythprint
Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.
Vol. 35, No. 10 - Whole No. 199, Eleanor M. Farrell
Vol. 35, No. 10 - Whole No. 199, Eleanor M. Farrell
Mythprint
Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.
Vol. 61, No. 3 - Whole No. 410, Megan Abrahamson
Vol. 61, No. 3 - Whole No. 410, Megan Abrahamson
Mythprint
Mythprint is the quarterly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local discussion groups.
Tolkien's 'Beloved' _Pearl_, Jane Beal Phd
Tolkien's 'Beloved' _Pearl_, Jane Beal Phd
Journal of Tolkien Research
Abstract: This essay explores Tolkien’s life-long engagement with the fourteenth-century, Middle English, dream vision poem called Pearl. It examines the inspiration he took from the poem through reading, reciting, copying, editing, translating, and teaching it to undergraduate students at the University of Leeds and Merton College, Oxford University. Milestones in Tolkien’s work on Pearl include his edition of it, produced with E.V. Gordon and Ida Gordon for Oxford University Press (1953), and a metrical translation of it that he worked on from 1920s onwards, which was published with Allen & Unwin in London and Random House in New York …
Stories Of The Re-Awakening, Joseph Cecil Broadbent
Stories Of The Re-Awakening, Joseph Cecil Broadbent
Masters Theses
The Present piece takes a look at the realms of the fantastical and vital elements that help to create a best seller. The creative piece is a brief look into a hopefully soon to be published Fantasy/Science Fiction Young Adult Teenage series. Brief insights are followed by a prologue and four book beginnings to welcome the reader into its world.
The Hag O’ The Hills: Terry Pratchett’S Tiffany Aching As Sovereignty Goddess, Eileen Donaldson
The Hag O’ The Hills: Terry Pratchett’S Tiffany Aching As Sovereignty Goddess, Eileen Donaldson
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
The Hag o’ the Hills: Terry Pratchett’s Tiffany Aching as Sovereignty Goddess
In her book Folklore of the Disc Jacqueline Simpson argues persuasively that “Whatever is folklore on Earth finds its mirror in the reality of the disc” (14). Following her, I propose that a study of recurring images, motifs and allusions in the Tiffany books suggests that Tiffany might be considered the Discworld’s reflection of Earth’s Celtic Sovereignty Goddess. For anyone who has read the Witches books, even a superficial consideration of this statement rings true, given that the Celtic Sovereignty Goddesses were bound to the land and were …
Friar Jack, The Science-Fiction Apologist: Exploring “The Friar Of Oxford” By William Lindsay Gresham, G. Connor Salter, Sørina Higgins
Friar Jack, The Science-Fiction Apologist: Exploring “The Friar Of Oxford” By William Lindsay Gresham, G. Connor Salter, Sørina Higgins
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
Few Inklings scholars have explored William Lindsay Gresham’s life outside of the fact that he was married to Joy Davidman. His poem “The Friar of Oxford,” published here for the first time, shows a surprising level of engagement with C.S. Lewis’s ideas, combining war imagery with references to the Ransom Cycle and a “mushroom cloud” reference that may show he explored one of Lewis’s literary influences. The poem’s contents add to existing Gresham-Inklings scholarship, and show Gresham accomplishing the same goals that the Inklings and their associates like Dorothy L. Sayers accomplished in their “escapist” or mythopoeic works.
Vol. 28, No. 1 - Whole No. 127, David Bratman
Vol. 28, No. 1 - Whole No. 127, David Bratman
Mythprint
Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.
On Province And Empire In My Ántonia And One Of Ours: Cather’S 1922 The Waste Land, Paul A. Olson
On Province And Empire In My Ántonia And One Of Ours: Cather’S 1922 The Waste Land, Paul A. Olson
Department of English: Faculty Publications
Willa Cather profoundly alters her attitude towards the American experiment, World War I, and the prospect of cultural pluralism in America between her 1918 My Antonia and her 1922 One of Ours. In doing so, she addresses the issue of what kind of culture America should have: a monistic one such as Theodore Roosevelt and Woodrow Wilson advocated or a pluralistic one. In My Antonia, set during the period of Great Plains settlement but extending up into World War I, she presents an intact American cultural pluralism: non-English speaking European cultures continuing their positive practices absent the monarchic repression …
Fallen Kingdoms And Ancient Monoliths: The Influence Of Atlantis And Egypt In Tolkien’S Númenor, Charlotte J. Brockway
Fallen Kingdoms And Ancient Monoliths: The Influence Of Atlantis And Egypt In Tolkien’S Númenor, Charlotte J. Brockway
Journal of Tolkien Research
In light of the recent publication of The Fall of Númenor, my essay aims to focus on Tolkien’s, somewhat underappreciated, influences on Gondor; particularly Ancient Egypt. This essay looks at Plato's Timaeus and Critias, Ignatius Donnelly's theories, and examines the Atlantean and Egyptian motifs in Tolkien’s version of Westernesse, in particular, the remnants of Atlantean civilization survived by Egyptian colonists which mirror the Realms of Exile (Gondor and Arnor).