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Parody And The Pen: Pippi Longstocking, Harriet M. Welsch, And Flavia De Luce As Disrupters Of Space, Language, And The Male Gaze, Kelsey Mclendon Jan 2016

Parody And The Pen: Pippi Longstocking, Harriet M. Welsch, And Flavia De Luce As Disrupters Of Space, Language, And The Male Gaze, Kelsey Mclendon

Master's Theses and Doctoral Dissertations

In opposition to a literary tradition of damsel-in-distress female characters, Astrid Lindgren’s Pippi Longstocking, Louise Fitzhugh’s Harriet the Spy, and Alan Bradley’s The Sweetness at the Bottom of the Pie provide examples of empowered, intelligent, and capable young girls living in a mid-20th century environment and successfully subverting patriarchal norms. Drawing on Laura Mulvey’s theory on women as spectacle, Hélène Cixous’s concept of l’ecriture feminine, and New Historicist influences, I explore the common threads within these post-World War II era texts. Pippi’s strength and humor, Harriet’s spying and writing, and Flavia’s scientific expertise and detectival work illustrate their …


Dijon, Burgundy, Elizaveta Strakhov, Jean-Pascal Pouzet Jan 2016

Dijon, Burgundy, Elizaveta Strakhov, Jean-Pascal Pouzet

English Faculty Research and Publications

No abstract provided.


Education Through Violence In Modern American Literature, Adam Griffey Jan 2016

Education Through Violence In Modern American Literature, Adam Griffey

Theses and Dissertations

“Education through Violence in Modern American Literature” examines how violence is employed as a pedagogical tool in overseeing the transition of young people into adulthood in twentieth and twenty-first century American literature. Examining texts by Robert Cormier, John Knowles, Suzanne Collins, Orson Scott Card, Flannery O’Connor, James Baldwin, and Cormac McCarthy, this study demonstrates that a pedagogy of violence may be used as a coercive method to further the goals of the powerful, but it is equally interested in the ways that young people are able to rebel against structural systems of power that demand conformity and adherence to social, …


“Let Joy Size At God Knows When To God Knows What”: Gerard Manley Hopkins’S Struggle For Comfort, And The Illuminating Nature Of Unwarranted Suffering, Joel Kirk Jan 2016

“Let Joy Size At God Knows When To God Knows What”: Gerard Manley Hopkins’S Struggle For Comfort, And The Illuminating Nature Of Unwarranted Suffering, Joel Kirk

CMC Senior Theses

Gerard Manley Hopkins suffered deeply. His “Terrible Sonnets” are confessional poetry that demonstrate his struggle with his God and with himself. This work analyses the Hebrew Bible and the New Testament, starting Noah and ending with Jesus’s promise of a Paraclete, to analyze how both God and Man approach earthly and heavenly comfort. The work will then turn to Hopkins’s poetry to show that Hopkins’s unshakable faith and deep understanding of the Bible is both the cause and the cure of his suffering. This essay concludes that it is only through suffering that Hopkins, like Job, Jesus, and King Lear, …


The Representation Of The Iraqi War, Middle Eastern Culture, And Women In Benjamin Buchholz's One Hundred And One Nights, Entidhar Hamzah Abbas Al-Rashid Jan 2016

The Representation Of The Iraqi War, Middle Eastern Culture, And Women In Benjamin Buchholz's One Hundred And One Nights, Entidhar Hamzah Abbas Al-Rashid

Graduate Theses/Dissertations

The Iraqi war not only affected Iraqi culture but also had a significant impact on a historically marginalized member of Iraqi society, namely, women. The American novelist Benjamin Buchholz explored the life of Iraqis from a unique perspective after his 2003 deployment. Instead of writing from the perspective of an American soldier, he gave an Iraqi perspective on the effect of the US-led invasion on Iraqi culture through the eyes of his two main protagonists, Abu Saheeh and Layla. In his novel, One Hundred and One Nights, Buchholz addresses the effect of war on Iraqi culture generally and Middle Eastern …


Science Fiction, Gerry Canavan Jan 2016

Science Fiction, Gerry Canavan

English Faculty Research and Publications

Science fiction (SF) emerges as a distinct literary and cultural genre out of a familiar set of world-famous texts ranging from Mary Shelley’s Frankenstein (1818) to Gene Roddenberry’s Star Trek (1966–) to the Marvel Cinematic Universe (2008–) that have, in aggregate, generated a colossal, communal archive of alternate worlds and possible future histories. SF’s dialectical interplay between utopian optimism and apocalyptic pessimism can be felt across the genre’s now centuries-long history, only intensifying in the 20th century as the clash between humankind’s growing technological capabilities and its ability to use those powers safely or wisely has reached existential-threat propositions, not …


The Filial Dagger: The Case Of Hal And Henry Iv In 1 & 2 Henry Iv And The Famovs Victories, Kristin M.S. Bezio Jan 2016

The Filial Dagger: The Case Of Hal And Henry Iv In 1 & 2 Henry Iv And The Famovs Victories, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

English culture and politics in the last decade of the sixteenth century were both patriarchal and patrilineal, in spite of— or, perhaps, in part, because of—the so-called bastard queen sitting on the throne. The prevailing political questions of the day concerned Elizabeth’s successor and the fate of the nation that, so many believed, hung precariously in the balance. Questions of legality, legitimacy, and fitness formed the crux of these debates, but almost all claimants attempted to justify their right by tracing their bloodlines back to either Henry VII or Edward III, the respective patriarchs of the Tudor dynasty and the …


Genesis B From Ms Junius 11 And Paradise Lost: Possible Connections, Alicia D. Arnold Jan 2016

Genesis B From Ms Junius 11 And Paradise Lost: Possible Connections, Alicia D. Arnold

Masters Theses

This thesis looks at the ongoing debate concerning John Milton's potential use of Genesis B from MS Junius II when creating Paradise Lost. Much of the thesis looks at the probability of John Milton's ability to access or know Genesis B. Included is an annotated translation of "Satan in Hell" from Genesis B. The last chapter looks at the given translation and Paradise Lost to see if there are similarities in dialect, theme, and word-choices, or if Paradise Lost has Old English markers. The conclusion is that the debate must continue as there is currently not enough evidence to prove …


After The Clinic: Gendered Pathology In Modernist Literature, Alisa Allkins Jan 2016

After The Clinic: Gendered Pathology In Modernist Literature, Alisa Allkins

Wayne State University Dissertations

ABSTRACT

AFTER THE CLINIC: GENDERED PATHOLOGY IN MODERNIST LITERATURE

By

ALISA ALLKINS

December 2016

Advisor: Dr. Barrett Watten

Major: English (Literature)

Degree: Doctor of Philosophy

After the Clinic: Gendered Pathology in Modernist Literature demonstrates the ways in which formal innovations of modernism construct a relationship between sexual pathology and modernity. I read a selection of canonical and lesser known modernist works through their investments in overturning hierarchical relationships constructed through the clinical institution, focusing on their depiction of clinical types such as the traumatized male veteran, the hysterical woman, and the often-patriarchal figure of the doctor. Modernist prose and hybrid …


Strange Compositions: Chemistry And Its Occult History In Victorian Speculative Fiction, Susan Hroncek Jan 2016

Strange Compositions: Chemistry And Its Occult History In Victorian Speculative Fiction, Susan Hroncek

Theses and Dissertations (Comprehensive)

This dissertation examines how depictions of chemistry in Victorian literature are influenced by concerns regarding the history of chemistry and its relationship to the occult. Among these depictions, I consider non-fiction writings of the period, such as histories of science and articles from periodicals, but I focus on novels that prominently feature chemistry, including Edward Bulwer-Lytton’s A Strange Story (1862), Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde (1886), George Griffith’s Olga Romanoff (1894), T. Mullet Ellis’s Zalma (1895), and Richard Marsh’s The Beetle (1897). These texts link chemistry with its origins in alchemy, the occult, and …


The Darkest Nation: American Melancholia In Modernist Narratives Of The First World War, Michael Von Cannon Jan 2016

The Darkest Nation: American Melancholia In Modernist Narratives Of The First World War, Michael Von Cannon

LSU Doctoral Dissertations

My dissertation, entitled The Darkest Nation: American Melancholia in Modernist Narratives of the First World War, re-conceptualizes U.S. modernism by attending to how the historical event of WWI inaugurated melancholia, or sustained grief, as the cornerstone of a new form of nationalism. Scholars have focused either on how consolatory mourning bolstered patriotism or how melancholia led to the demise of such an imagined community and to the growth of cosmopolitanism. I consider, however, an American modernist commitment to the nation of loss expressed, surprisingly enough, in narratives about noncombatants. For a country that entered the military conflict near its end, …


Rædende Iudithðe: The Heroic, Mythological And Christian Elements In The Old English Poem Judith, Judith Caywood Dec 2015

Rædende Iudithðe: The Heroic, Mythological And Christian Elements In The Old English Poem Judith, Judith Caywood

Undergraduate Honors Theses

This project, devoted to the Old English epic fragment Judith, argues that the title character arises from the complex multicultural forces that shaped Anglo-Saxon society, positing that she exists between the mythological, the heroic and the Christian. Simultaneously Christian saint, Germanic warrior and pagan demi-goddess or supernatural figure, Judith arbitrates amongst the seemingly incompatible forces that shaped the poet’s world, allowing the poem to serve as an important site for the making of a new Anglo-Saxon mythos, one which incorporates these disparate yet co-existing elements. Judith becomes a single figure who is able to reconcile these opposing forces within …


John Milton: Not War, Not Peace, Not Exactly Grotian, William T. Abbott Dec 2015

John Milton: Not War, Not Peace, Not Exactly Grotian, William T. Abbott

LSU New Orleans Theses and Dissertations

Foreword

This paper will be of value in answering continuing questions regarding John Milton's position on war and peace. The questions continue and are valid because Milton's works, as considered in the paper, offer support for both pro-war and pro-peace interpretations. The paper also addresses a middle-ground interpretation-that Milton's position can best be understood in light of the legal theories of Hugo Grotius, the seventeenth-century Dutch scholar who is generally accepted as the father of modern international law.

The works considered include, among others, the Nativity Ode, the sonnets, Paradise Lost, Paradise Regained, Samson Agonistes (including post 9/11 controversy involving …


Science And Nature In The Medieval Ecological Imagination, Jessica Rezunyk Dec 2015

Science And Nature In The Medieval Ecological Imagination, Jessica Rezunyk

Arts & Sciences Graduate Student Theses and Dissertations

This dissertation explores the intersections between nature and culture in medieval literature and art with particular focus on Geoffrey Chaucer’s House of Fame, the thirteenth-century French Bible Moralisée (Vienna, Österreichische Nationalbibliothek Codex Vindobonensis 2554), and William Langland’s Piers Plowman. Current academic paradigms tend to place the study of nature firmly within the sciences and the study of culture firmly within the humanities, creating a gap between the fields that effectively isolates their respective methodologies and vocabularies from one another. This dissertation seeks to bridge that gap between the sciences and the humanities by approaching medieval literature through the lens of …


Staging Sex Or Fighting Foreignness? Marlowe's Edward Ii As Xenophobic Drama, James D. Baker Dec 2015

Staging Sex Or Fighting Foreignness? Marlowe's Edward Ii As Xenophobic Drama, James D. Baker

Master's Theses

Christopher Marlowe’s drama Edward II has long been known for its representation of a close male, arguably homosexual, friendship between King Edward II and his favorite, the French Piers Gaveston, as well as their union’s negative effects on the court. Indeed much criticism exists on the common belief that the characters’ relationship is problematic in early modern England both because the two characters are male and because there is an obvious class divide. However, critics have seemed to overlook Gaveston’s being French, even in light of the massive immigration to England during the late sixteenth and early seventeenth centuries. This …


Writing Trauma In Iraq: Literary Representations Of War And Oppression In The Fiction Of Sinan Antoon, Zahraa Qasim Habeeb Dec 2015

Writing Trauma In Iraq: Literary Representations Of War And Oppression In The Fiction Of Sinan Antoon, Zahraa Qasim Habeeb

Graduate Theses/Dissertations

The Iraqi war narrative reflects the traumatizing situation that omnipresence of war and three decades of oppression have caused to Iraqis' views of life. Writing about their traumatic experience is an essential way of giving voice to their wounds. The Iraqi American novelist Sinan Antoon is a "wounded storyteller" who is able to give words to the wounds of his homeland. His two novels, I'jaam: An Iraqi Rhapsody and The Corpse Washer, address the physical and psychological trauma of wars and prolonged years of oppression in Iraq. Academic research and literary production about the effect of trauma presented in the …


“Inhumanly Beautiful”: The Aesthetics Of The Nineteenth-Century Deathbed Scene, Margo Masur Nov 2015

“Inhumanly Beautiful”: The Aesthetics Of The Nineteenth-Century Deathbed Scene, Margo Masur

English Theses

Death today is hidden from our everyday lives so it cannot intermingle with the general public. So when a family member dies, their body becomes an object in need of disposal; no longer can they be recognized as the familiar person they once were. To witness death is to force individuals to confront the truths of human existence, and for most of us seeing such a sight would fill us with an emotion of disgust. Yet during the nineteenth century, the burden of care towards the sick or dying was shared by a community of family, neighbors, and friends; the …


"Terror As Theater": Unraveling Spectacle In Post 9/11 Literatures, Elise Christine Silva Nov 2015

"Terror As Theater": Unraveling Spectacle In Post 9/11 Literatures, Elise Christine Silva

Faculty Publications

For the purposes of this paper, I will discuss two post 9/11 novels—both of which utilize the terror-as-theatre metaphor in order to work through the 9/11 spectacle. Both Don DeLillo’s Falling Man (2007), and Jonathan Safran Foer’s Extremely Loud and Incredibly Close (2005) explore avenues of communication and meaning making in the face of an event that many critics suggested defied language, description, and expression. Through their thematic use of performance, these texts reject a closed and inert polarized interpretation of 9/11 and invite a pastiche of interpretations and interactions. Through this communicative connection, authors, texts, and readers convene to …


Metafiction As Genre Fiction, Jeremy A. Levine Oct 2015

Metafiction As Genre Fiction, Jeremy A. Levine

Scholarly Undergraduate Research Journal at Clark (SURJ)

Realism, the genre in which literature is expected to reflect reality, tends to act as the default setting for establish- ing the worth of a given piece. This paper contends that metafiction, a post-modern genre characterized by a work’s awareness of its own fictional nature, has been damaged by realism’s standards. Using a case study of two metafic- tional works, John Barth’s “Life-Story” and David Foster Wallace’s Westward the Course of Empire Takes Its Way against a historical and theoretical backdrop, the paper both isolates metafiction from realism while describing its deliberate artistic mission. This identity is based on open …


The Anti-War Adoption Of Lord Of The Rings, Kayla Spencer Oct 2015

The Anti-War Adoption Of Lord Of The Rings, Kayla Spencer

4610 English: Individual Authors: J.R.R. Tolkien

Ten years after Tolkien’s Lord of the Rings trilogy was first published in 1954, an unexpected party discovered Middle-earth. America’s counterculture adopted the series, despite its largely conservative, patriarchal, and militant ideologies. Tolkien himself was not fond of the hippie movement, calling them his “deplorable cultus” (Helms 7). Although always adamant that his books were not allegory, the hippies found it anyway and applied his art to their own agendas. Second-wave feminists understood Eowyn’s refusal to let her romantic interest and her father determine her fate, as well as her fear of being kept in a cage and unable to …


Spaces, Alleys, And Other Lacunae: Emma Hardy's Late Writings Restored, Jon Singleton Oct 2015

Spaces, Alleys, And Other Lacunae: Emma Hardy's Late Writings Restored, Jon Singleton

Faculty Research and Publications

No abstract provided.


A Man To Preserve Or Reform The Nation: Masculinity As Political Rhetoric In English Novels During The Revolution Controversy, Janne Burger Gillespie Sep 2015

A Man To Preserve Or Reform The Nation: Masculinity As Political Rhetoric In English Novels During The Revolution Controversy, Janne Burger Gillespie

Dissertations, Theses, and Capstone Projects

The English literary responses to the French Revolution have been given thorough critical attention as has the Revolution's impact on women writers and femininity. However, the Revolution's impact on and engagement with standards of manliness have been left relatively unexplored. This dissertation examines how a critique of masculinity is positioned in the space of contemporary political considerations in the quarter-century following the French Revolution. Thus, this dissertation argues that there is a dialectical engagement between masculinity and political views in late eighteenth-century and early nineteenth-century English novels such as Maria Edgeworth's Belinda and Leonora, Charlotte Smith's Emmeline and Desmond …


Antitheatricalism And The Movement Of Sexual Difference, Andrew Bozio Sep 2015

Antitheatricalism And The Movement Of Sexual Difference, Andrew Bozio

Kaleidoscope

No abstract provided.


Eng 5006-001: Studies In 20th Century British Lit, John Moore Aug 2015

Eng 5006-001: Studies In 20th Century British Lit, John Moore

Fall 2015

No abstract provided.


Crafty Sailors, Unruly Seas: Margaret Cohen’S Oceanic History Of The Novel, Colin D. Dewey Jul 2015

Crafty Sailors, Unruly Seas: Margaret Cohen’S Oceanic History Of The Novel, Colin D. Dewey

Criticism

The Novel and the Sea by Margaret Cohen. Translation/Transnation, edited by Emily Apter. Princeton, NJ: University of Princeton Press, 2010. Pp. xiii + 306, 30 illustrations. $39.50 cloth.


Fields Of Splendor, Sabrina Barreto Jul 2015

Fields Of Splendor, Sabrina Barreto

Canterbury Scholars

No abstract provided.


The Prayer Of Holy Willie: A Canting, Hypocritical, Kirk Elder, Patrick G. Scott Jul 2015

The Prayer Of Holy Willie: A Canting, Hypocritical, Kirk Elder, Patrick G. Scott

Faculty Publications

Robert Burns wrote this famous satire on religious hypocrisy in 1785, but he did not include it in his first book Poems, Chiefly in the Scottish Dialect (1786) or in any edition published in his life-time. This edition makes accessible for the first time the locally-produced chapbook in which the poem was first printed, in 1789. The introduction discusses why the poem was written, the controversial background to the poem's first printed version, and the reasons for thinking the 1789 chapbook version was printed by John Wilson of Kilmarnock, who had printed Burns's first book three years before. An appendix …


You've Gotta Read This: Summer Reading At Musselman Library (2015), Musselman Library Jul 2015

You've Gotta Read This: Summer Reading At Musselman Library (2015), Musselman Library

You’ve Gotta Read This: Summer Reading at Musselman Library

Each year Musselman Library asks Gettysburg College faculty, staff, and administrators to help create a suggested summer reading list to inspire students and the rest of our campus community to take time in the summer to sit back, relax, and read. These summer reading picks are guaranteed to offer much adventure, drama, and fun!

With the 2015 collection, we again bring together recommendations from across the Gettysburg College campus—the books, movies, TV shows, graphic novels and even podcasts that have meant something special to us over the past year. Ninety faculty, administrators and staff offer up a list of 175 …


The Orientalism Of Edgar Allan Poe: The Allure Of The Middle East In Al-Aaraaf, Sohaib Kamal Al-Kamal Jul 2015

The Orientalism Of Edgar Allan Poe: The Allure Of The Middle East In Al-Aaraaf, Sohaib Kamal Al-Kamal

Graduate Theses/Dissertations

This thesis explores the Orientalist discourse in four of Edgar Allan Poe's poems and two of his prose essays. The major aspects of Orientalism examined in Poe's works rely on the theoretical ideas of Edward Said's Orientalism and other ideas developed by important Arab writers. Said and other Arab writers agree that Islam is the locus of any study of Orientalism. This thesis focuses on the major role of Oriental imagery that it plays in Poe's early poems. It also examines two of his prose essays to help understand central aspects of Poe's orientalia which are also reflected in his …


British Fascism In The 1930s In Life And Literature, Jennifer M. Janes Jun 2015

British Fascism In The 1930s In Life And Literature, Jennifer M. Janes

Electronic Theses and Dissertations

Political and economic turmoil in 1930s Britain gave rise to a home-grown fascist movement led by the controversial Oswald Mosley. Literature of this period by Joseph O’Neill and Rex Warner mirrored the internal nature of the British fascist movement by depicting fascist-like societies embedded under or entrenched within the English countryside. Their metaphors of fascism rising as a solution to fear and disorder conjure the threat of fascism that was rising in Europe in that period. The metaphors are made more particularly relevant by the fact that the forces of Italian, German, and British fascism were not invasions from without, …