Digital Commons Network^™

Trespassing Physical Boundaries: Transgression, Vulnerability And Resistance In Sarah Kane’S Blasted (1995), Paula Barba Guerrero, Ana Mª Manzanas Calvo

CLCWeb: Comparative Literature and Culture

Sarah Kane’s Blasted has been analyzed from various perspectives that address the layers of destruction it exposes. From the questioning of its title and meaning, to the unravelling of the protagonists’ abusive relationship, the analyses have emphasized the depiction of vulnerability as the defining human trait that Jean Ganteau observes in contemporary British literature. However, a key aspect has been overlooked in the critical response to the play: for Kane vulnerability does not equal helplessness, but rather stands in opposition to it. Hence, this article concentrates on how Blasted formulates a new understanding of vulnerability that fits Judith Butler’s later …

Comics In Action: A Reflection Of The Dominant Narrative In World War Ii, Spencer Gutierrez

SMU Journal of Undergraduate Research

In this paper, I argue that the propagandized use of comic books during World War II promoted views among Americans which contributed to antipathy towards Americans of Japanese and German descent. More generally, the goal of the essay is to highlight the importance of comic books as a reflection of the times – they simultaneously influence and are influenced by society’s dominant ideas – and promote the further study of such material. I examine the text and art from three comic book covers dated from 1942-1943. An analysis of these selections suggests that comic books depicted Axis soldiers as savage …

An Incurable Malady? Representations Of Female Madness In Nineteenth Century-Twenty-First Century Literature, Kimberly Sooklall

Theses and Dissertations

From the mad heroines of classic Victorian literature to the depictions of female insanity in modern Western writing, women suffering from mental instability have been a common recurrence at the center of plotlines. This thesis will explore the historical context of madness as a gendered concept by examining several literary works published in different centuries.

"Mute Flesh": Women's Death-Worlds In David's Story And Waiting For The Barbarians, Kate Finley

Theses and Dissertations

This thesis expands upon Achille Mbembe's theory on necropower and death-worlds to incorporate the consideration of gender. This is done using the lens of violence against women during South African apartheid and through an examination of two novels: Zoë Wicomb's David's Story and J.M. Coetzee's Waiting for the Barbarians.

Eng 3300-001: Seminar In English Studies, Robert Martinez

Spring 2019

No abstract provided.

My Bully's Mouth, Wendy Rawlings

Nelle (literary magazine)

pp. 74-84

[Title: Undetermined], Taylor R. Thurmond

Allusions

No abstract provided.

Review Of The War That Used Up Words: American Writers And The First World War, By Hazel Hutchison, Ian A. Isherwood

Interdisciplinary Studies Faculty Publications

There is a vast array of scholarship on the literature of the First World War, much of it concerning British authors. When American war literature is considered, it is usually the so-called “Lost Generation” writers of the 1920s and 1930s. If the war had a significant effect upon American literature, it is argued, then it served as a trope for some of the great writers of the 1920s—Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner—who wrote of living in its generational shadow in the following decades of so-called peace.

Hazel Hutchison’s book is a corrective to the many assumptions about …

Shakespeare's Globe Archive: Theatres, Players & Performance, Rob Tench

Libraries Faculty & Staff Publications

No abstract provided.

The Environmental Imaginations Of Moby-Dick: Technology And Vulnerability In Human/More-Than-Human Relationships, Jensen A. Lillquist

Graduate Student Theses, Dissertations, & Professional Papers

In the twenty-first century, the relationship between the human and the more-than-human is a problem of massive proportions, as we live in an age of climate change, mass-extinction, over-population, and resource depletion. Evaluating how we have arrived where we are and re-thinking the issues at play as we move forward is crucial for future adaptation of human/more-than-human relationships; this is the primary goal of my analysis of the environmental imaginations of Moby-Dick.

I argue that the four primary environmental imaginations—the providential, the utilitarian, the Romantic, and the ecological—that have influenced United States culture since European settlement are represented by Herman …

Steven Acroyd Goes To War: Expressions Of The War Experience In “The Victim”, Sydney Squires

Modernist Short Story Project

While “the image of the ‘shell-shocked soldier’ remains one of the most enduring of the First World War” (Keown, “Statements”), it is nearly impossible to find information about women’s trauma from World War I. While women were noncombatants, they were still heavily involved in warfare: they built the machines, drove the ambulances, and tried to keep their city from being bombed. However, after the war, their psychological trauma was not taken seriously. However, these war experiences still carried significant psychological weight for those who bore them. May Sinclair is one example of this: she was on the Belgian warfront for …

Conceptual Metaphors Of Womanhood In English Literary Works By Indian Authors, Atula Ahuja

Chulalongkorn University Theses and Dissertations (Chula ETD)

The Conceptual Metaphor Theory (CMT) established the pervasiveness of metaphor in thought and language and provided evidence that metaphor is, in fact, deeply embedded in our conceptual system. Contrary to the original claim that conceptual metaphors are largely universal, in almost four decades after its inception, the CMT researchers including George Lakoff and Mark Johnson have advanced the idea of cultural influence on metaphorical conceptualisation. In recent years, the trend in metaphor research has been to study how metaphor behaves in naturally occurring discourse. It is in this context that the current study explores conceptual metaphors in India’s rich cultural …

Visionary Pastiche : Hildegard Von Bingen's Reconciliation Of Divine Experience And Representation, Rachel Lynn Gamarra

Legacy Theses & Dissertations (2009 - 2024)

Hildegard von Bingen invents a new rhetorical topos—that of prismatic refraction—which allows her to communicate her divine revelation to others through narrative, artwork, and explication. While her patristic counterparts, Augustine and Jerome, think about rendering the divine only as it relates to their understanding of Scripture, Hildegard exploits rhetoric in order to push the boundaries of human epistemology through grappling with her unique mystical experience. Though Hildegard recognizes that there is a degree of difference between her visions and her representation of them, Hildegard still finds value in language as a communicative tool. Hildegard refracts her divine experience in Scivias, …

The End Times, Gunnar Ohberg

Honors Theses

The End Times is a collection of apocalyptic short stories set within the same universe. The stories employ elements of magical realism and grit lit. It is the author's hope that each story deal with at least one external societal issue (such as digital discourse and sexual aggression) and one internal psychological issue (such as depression, obsession/compulsion, and survivor's guilt). Each story is told in the first-person in an effort to best demonstrate the various psychologies of its protagonist. In these stories, God has decided to punish humanity for their transgressions. The devices of this God are fantastic: limbs disappear, …

Bad Gurley Feminism: The Myth Of Post-War Domesticity, Erin Amann Holliday-Karre

Journal of Feminist Scholarship

According to feminist history, the 1950s constitute a lapse in feminist literature as women in the post-war era were ushered into the realm of domesticity. In this article I argue that this perceived literary “gap” was both created and perpetuated by feminist historians and scholars who insist that Betty Friedan’s The Feminine Mystique (1963) was the defining feminist text of the time. I offer an alternative discourse to that of Friedan by presenting feminist writers who challenge, rather than adopt, masculine ideology as the means to women’s empowerment. I end by encouraging feminists to allow commonly dismissed feminists from the …

Disturbing The Ecological Pastoral: An Examination Of Willa Cather's Fictional Spaces In My Ántonia And Death Comes For The Archbishop, Anne Carter Stowe

Electronic Theses and Dissertations

Willa Cather is universally lauded for her ability to render landscape into prose. Critics have observed for years that the landscape often functions as the main character in her fiction, or that her characters can easily be evaluated in terms of how deep and successful their relationships to the land are. In an attempt to evaluate Cather’s treatment of two different “Western” landscapes, I will focus first on My Ántonia, one of her most famous Nebraska novels, and second on Death Comes for the Archbishop, whose narrative unravels on the New Mexican landscape. I argue that Cather treats …

“Introduction: Theory, Practice, And Critical Agency In Andrew Marvell’S Poetry, Ben Labreche, Ryan Netzley

English & Linguistics Articles

An introduction for the special issue on theoretical approaches to Andrew Marvell.

Road Trippin': Twentieth-Century American Road Narratives From On The Road To The Road, Scott M. Obernesser

Electronic Theses and Dissertations

"Road Trippin:’ Twentieth-Century American Road Narratives and Petrocultures from On The Road to The Road" examines late-twentieth century U.S. road narratives in an effort to trace the development of American petrocultures geographically and culturally in the decades after World War II. The highway stories that gain popularity throughout the era trace not simply how Americans utilize oil, but how the postwar American oil ethos in literature, film, and music acts upon and shapes human interiority and vice versa. Roads and highways frame my critique because they are at once networks of commerce transportation and producers of a unique, romantic …

Testimony, Objectivism, And Poetic Form In Charles Reznikoff’S Holocaust, Rachel E. Trnka

Faculty Scholarship and Creative Works

This essay examines the gradual development of Charles Reznikoff’s testimony form Holocaust poetry, which ultimately rejected the traditional lyric forms of his earlier works in favor of a stark, Objectivist poetry that culminated in Holocaust (1975)—a poem based on the transcripts from the Nuremberg and Eichmann trials. The WWI poems from Reznikoff’s first volume Rhythms (1918) underscore the importance of music to his early elegies in contrast to the blunt, impersonal testimonies in Holocaust. In Rhythms, Reznikoff employs traditional conventions ironically to convey war’s unpoetic reality while the poetic speakers in Going To and Fro and Walking Up …

The Hydra Of Modern Literature, Genevieve Sharp

Dissertations and Theses

Modernist Literature

Black Hawk In Translation: Indigenous Critique And Liberal Guilt In The 1847 Dutch Edition Of Life Of Ma-Ka-Tai-Me-She-Kia-Kiak, Frank Kelderman

Faculty and Staff Scholarship

No abstract provided.

Narrating Trauma: Youth, Masculinity, And Storytelling In The Midst Of War, Rebekah Smith

Masters Theses

No abstract provided.

Our Day Will Come, Heidi Moe Graviet

Criterion: A Journal of Literary Criticism

No abstract provided.

“Racial Repercussions Of The British Imperial Curriculum:” Misperceptions Of The Natives In George Orwell’S Burmese Days, Cyi Gyi Paradis

Honors Program Theses and Projects

This study explores how English writers falsely portray the indigenous people of the British colonies in novels. During the first two decades of the twentieth century, in particular, authors of Imperialist fiction often misrepresent natives in the British colonies as deviant, detestable, deplorable beings that lack moral compasses. By researching the fields of literature, history, education, and cultural studies, I will examine how George Orwell’s novel Burmese Days distorts descriptions of the Burmese people. Previous studies on Burmese Days focus mainly on misrepresentations of the Burmese as a homogenous race; however, my research will encompass how literary distortions target multiple …

The Desire To Escape And The Inability To Follow Through In James Joyce’S Dubliners, Alyssa M. Wheatley

LSU New Orleans Theses and Dissertations

In my research, I will examine James Joyce’s Dubliners as a collection of stories that is unified by an ongoing theme; escape or the desire to escape. In the collection, the want or need to escape serves a major purpose throughout the characters and their lives. This thesis explores five stories that share this theme in particular: “The Sisters,” “Eveline,” “Araby,” “An Encounter,” and “The Dead.” Each story will be discussed in the context of how each story progresses from a want to an actual escape. In addition, the thesis also considers how these stories exhibit a progression towards isolation …

Kekuaokalani: An Historical Fiction Exploration Of The Hawaiian Iconoclasm, Alex Oldroyd

Undergraduate Honors Theses

This thesis offers an exploration of the Hawaiian Iconoclasm of 1819 through the lens of an historical fiction novella. The thesis consists of two parts: a critical introduction outlining the theoretical background and writing process and the novella itself. 1819 was a year of incredible change on Hawaiian Islands. Kamehameha, the Great Uniter and first monarch of the Kingdom of Hawaiʻi, had recently died, thousands of the indigenous population were dying, and foreign powers were arriving with increasing frequency, bringing with them change that could not be undone. With the death of Kamehameha, Hawaiʻi’s rulers faced the impossible of task …

A Staring Contest With The Self: Karl Ove Knausgaard, Linguistic Inquiry And Word Count, And Explanatory Style, Colton Tyler Royle

English Theses - Archive

Shame as an emotional response in the late 2010s has been discussed in both high and low sectors, from a high level of shame with social media use in high school classrooms, to the lack of shame by the president of the United States. My thesis addresses this question by analyzing Karl Ove Knausgaard’s two autobiographical works, My Struggle and his Seasonal Quartet. Readers, critics, and Knausgaard himself have described his work as a focus on the shameful moments of his life. Using positive psychology’s term “explanatory style,” coined by Martin E.P. Seligman, I do a structural reading of explicit …

A Critical Exploration Of Costume Design Possibilities In Tolkien’S Legendarium, M. Grace Costello

Apparel Merchandising and Product Development Undergraduate Honors Theses

Tolkien’s Legendarium has in many ways codified modern fantasy. Illustrations and film adaptations of it have had far-reaching consequences on popular culture, building an 80-year tradition of visual depictions of Tolkienesque fantasy. Particularly, Elven characters are usually depicted wearing costume inspired by Victorian notions of Western medieval costume. In this paper I seek to approach the design of original costume for the Ñoldor from a different perspective, free from the established traditions of other designers’ and illustrators’ work.

The preliminary research focuses on searching the source materials of the Silmarillion and select texts from the Histories of Middle Earth. I …

British Literature I: Middle Ages To The Eighteenth Century And Neoclassicism, Bonnie J. Robinson, Laura Getty

English Open Textbooks

The University of North Georgia Press and Affordable Learning Georgia bring you British Literature I: From the Middle Ages to Neoclassicism and the Eighteenth Century. Featuring over 50 authors and full texts of their works, this anthology follows the shift of monarchic to parliamentarian rule in Britain, and the heroic epic to the more egalitarian novel as genre.

Features:

• Original introductions to The Middle Ages; The Sixteenth Century: The Tudor Age; The Seventeenth Century: The Age of Revolution; and Neoclassicism and the Eighteenth Century
• Over 100 historical images
• Instructional Design, including Reading and Review Questions and Key Terms
• Forthcoming …

O’Casey Vs. Sheehy-Skeffington: Tragicomedy In The Plough And The Stars And The Feminist Protest, Martha Carpentier

Critical Inquiries Into Irish Studies

Martha C. Carpentier is Professor of English at Seton Hall University in New Jersey, where she teaches courses in 20^th-century British and Irish literature. Most recently, she is the editor of Joycean Legacies (Palgrave MacMillan 2015) and author of articles on James Joyce, George Orwell, and Graham Greene that have appeared in Mosaic and Joyce Studies Annual. She is a co-editor of Critical Inquiries Into Irish Studies.