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Articles 511 - 540 of 3590
Full-Text Articles in Entire DC Network
Hell's Black Intelligencers: Representing Clandestine Labor On The Early Modern Stage, Evan Alexander Hixon
Hell's Black Intelligencers: Representing Clandestine Labor On The Early Modern Stage, Evan Alexander Hixon
Dissertations - ALL
This dissertation, "Hell's Black Intelligencers: Representing Clandestine Labor on the Early Modern Stage," builds upon critical scholarship pertaining to early modern service and political theory to interrogate the imagined economic and social functions of clandestine service in the plays of Shakespeare, Jonson, and Webster. Drawing heavily on the works of András Kiséry, David Schalkwyk, Elizabeth Rivlin, and Michael Neill, I look at the exchange of service between spy and spymaster as an accumulation of social and cultural capital. Thinking through spying in this light, this dissertation explores how playwrights represent these service relationships which fall outside of systems of patronage-driven …
Cross-Cultural Performativity Of Gender Communication In Heather Raffo’S Nine Parts Of Desire, Shaimaa M. Saeed
Cross-Cultural Performativity Of Gender Communication In Heather Raffo’S Nine Parts Of Desire, Shaimaa M. Saeed
English Language and Literature
Since the mid-twentieth century, the study of gender has constituted a fundamental part of many interdisciplinary research works due to its multi-perspective nature which made it a fertile ground for analysis in diversified fields of science. Discussions over sex/gender distinction and the representation as well as perception of gender ceaselessly exist within controversially enriching, discursive frameworks. In 1990, Judith Butler (1956- ), one of the prominent feminist theorists in the field of gender studies, first coined the concept of “gender performativity,” where she challenged the conventional notions of ethnomethodologists and phenomenologists who restricted the perception and communication of gender to …
Tha 2258-001: Script Analysis, Chris Wixson
Eng 5002-600: Studies In Renaissance Literature, Julie Campbell
Eng 5002-600: Studies In Renaissance Literature, Julie Campbell
Fall 2022
No abstract provided.
Eng 5002z-600: Studies In Renaissance Literature, Julie Campbell
Eng 5002z-600: Studies In Renaissance Literature, Julie Campbell
Fall 2022
No abstract provided.
The Silmarillion By J.R.R. Tolkien And Shahnameh By Firdausi: A Sadraic Interpretation Of Free Will And Determinism, Mohsen Hanif, Masoud Tadayoni
The Silmarillion By J.R.R. Tolkien And Shahnameh By Firdausi: A Sadraic Interpretation Of Free Will And Determinism, Mohsen Hanif, Masoud Tadayoni
CLCWeb: Comparative Literature and Culture
Fate, doom, and free will have always proved to be controversial terms among philosophers. The chief problem is whether a deterministic power prescribes the destiny of creatures or they possess pure free will in shaping their destinies. Mulla Sadra, a 17th century Iranian philosopher, believes in a blending of determinism and free will which he develops in the terms of Qaza and Qadar respectively. He introduces a model of fate through which determinism and free will equally participate. Using the human soul as a model, Mulla Sadra points out that people meet their fate through several factors, one of which …
Time & Tide, Form & Fold, Benjamin Hagen, Shilo Mcgiff, Laci Mattison
Time & Tide, Form & Fold, Benjamin Hagen, Shilo Mcgiff, Laci Mattison
Virginia Woolf: Selected Papers
No abstract provided.
Shakespeare’S Legacy In Virginia Woolf: A Feminist Revision, Maria Aparecida De Oliveira
Shakespeare’S Legacy In Virginia Woolf: A Feminist Revision, Maria Aparecida De Oliveira
Virginia Woolf: Selected Papers
No abstract provided.
Fantasizing A Free Black History: Post-Black Arts Movement Novels And Plays Re-Imagining Jim Crow, Wynter Lastarria
Fantasizing A Free Black History: Post-Black Arts Movement Novels And Plays Re-Imagining Jim Crow, Wynter Lastarria
Beyond the Margins: A Journal of Graduate Literary Scholarship
“Fantasizing a Free Black History: Post-Black Arts Movement Novels and Plays Re-Imagining Jim Crow” closely reads one novel and one play written in the early twenty-first century and set in the Jim Crow period. Analyzing how Toni Morrison’s novel Love (2005) and Lynn Nottage’s drama By the Way, Meet Vera Stark (2011) take up Jim Crow era Black history together, I find that both works intentionally offer incomplete, subjective and fictive narrations of black life during Jim Crow to deny readers a sense of realism. In doing so, these authors represent a group of African American novelists and playwrights that …
The Constellation Of Shakespeare’S Juliet: A Psychoanalytic And Feminist Critique Locating The Power Of Juliet’S Resistance, Mara Andersen
The Constellation Of Shakespeare’S Juliet: A Psychoanalytic And Feminist Critique Locating The Power Of Juliet’S Resistance, Mara Andersen
English Theses, Dissertations, and Student Creative Activity
In Shakespeare’s Romeo and Juliet, Juliet is a passionate figure who expresses her “willingness to surrender the conscious self to the impersonal forces that stir within it . . . [as] a kind of ontological trust in sexual experience and the world which opens with its relinquishments” (Snow 175). Juliet’s resistance of Verona’s patriarchal system is fueled by her rebellious desire for selfhood which enmeshes erotic and physical death. She violently emerges from childhood to womanhood. My research applies Julia Kristeva’s psychoanalytic and feminist theories of abjection and “malady of ideality.” Kristeva situates the maternal figure as the site of …
"Hail To The King[S], Baby" Arthur Vs Army Of Darkness, Jeff Massey Ph.D., Tabitha Ochtera Mlis, Mba
"Hail To The King[S], Baby" Arthur Vs Army Of Darkness, Jeff Massey Ph.D., Tabitha Ochtera Mlis, Mba
English: Faculty Publications
Given the current penchant for “medieval misappropriation” among white supremacists, neo-Nazis, and political pundits, medievalists are clearly justified in directing their critical attention toward debunking the overly popular neomedieval misrepresentations portrayed in so much serious modern Arthuriana. Yet, it is worth remembering that comedy also played an essential role in medieval Arthurian storytelling, and that neomedieval comic representations of King Arthur (and his silly English kuh-nigguts) remain worthy of critical attention as well, perhaps especially so during times of modern “darkness.” Two major strains of neomedieval Arthurian comedy remain perennially present in modern media: those following Mark Twain’s time-traveling Connecticut …
'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott
'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott
LSU Doctoral Dissertations
For this project, I am interested in the study of nuanced self-representations of Black rage that appear within African American literary traditions, specifically the blues aesthetic, wherein artists narrativize a wide spectrum of intelligent and specific emotion--not just melancholy. Blues narratives in which Black people self-represent are in direct opposition to flattened narratives of certain affective modes such as anger as a useless, backwards, pathologized, and flat feeling that appear within dominant U.S. and global iconographies. What I see in the blues aesthetic is the capacity for a multichromatic approach to studying rage and Black authorship in America. By using …
Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene
Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene
MFA in Illustration & Visual Culture
This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …
Review Of The The Closet: The Eighteenth-Century Architecture Of Intimacy, By Danielle Bobker, Mary Peace
Review Of The The Closet: The Eighteenth-Century Architecture Of Intimacy, By Danielle Bobker, Mary Peace
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Review Of Relative Races: Genealogies Of Interracial Kinship In Nineteenth-Century America, By Brigitte Fielder, Shelby Johnson
Review Of Relative Races: Genealogies Of Interracial Kinship In Nineteenth-Century America, By Brigitte Fielder, Shelby Johnson
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
The Lady’S Museum Project: A Digital Critical Edition In Phase 1 Of Its Development, Now Available For Teachers And Students To Learn Collaboratively Through Charlotte Lennox’S Lady’S Museum (1761-62), Kelly Plante
ABO: Interactive Journal for Women in the Arts, 1640–1830
This announcement informs readers on how they can use, and participate in, the Lady's Museum Project (ladysmuseum.com). It discusses the work completed and the forthcoming updates planned for teachers', scholars', and students' use of this first critical edition of Charlotte Lennox's the Lady's Museum, as of spring 2022.
Arabella In The Salon: Teaching Charlotte Lennox’S Female Quixote With Madeleine De Scudéry’S “Carte De Tendre,” Clélie, And Conversations, Nicole Horejsi
Arabella In The Salon: Teaching Charlotte Lennox’S Female Quixote With Madeleine De Scudéry’S “Carte De Tendre,” Clélie, And Conversations, Nicole Horejsi
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Teaching The Lady’S Museum And Sophia: Imperialism, Early Feminism, And Beyond, Karenza Sutton-Bennett, Susan Carlile
Teaching The Lady’S Museum And Sophia: Imperialism, Early Feminism, And Beyond, Karenza Sutton-Bennett, Susan Carlile
ABO: Interactive Journal for Women in the Arts, 1640–1830
This essay argues for the value of teaching Charlotte Lennox’s periodical The Lady’s Museum (1760-61) in undergraduate literature, history, media studies, postcolonial, and gender studies classrooms. Lennox’s magazine, which includes one of the first serialized novels “Harriot and Sophia” (later published as the stand-alone novel Sophia (1762)) encouraged debate of the proto-discipline topics of history, geography, literary criticism, astronomy, botany, and zoology. This essay offers a flexible teaching module, which can be taught in one to five days, that focuses on the themes of early female education and imperialism using full or excerpted portions of essays from the eidolon, “Of …
Teaching Charlotte Lennox’S Harriot Stuart: Romance, The Eighteenth-Century Novel, And Transatlantic Fictions, Marta Kvande
Teaching Charlotte Lennox’S Harriot Stuart: Romance, The Eighteenth-Century Novel, And Transatlantic Fictions, Marta Kvande
ABO: Interactive Journal for Women in the Arts, 1640–1830
Harriot Stuart is well worth teaching because it offers rich possibilities both for discussing literary forms such as heroic romance, epistolary form, and women’s narrative voices, and for investigating topics such the transatlantic experience, colonialism, and representations of Native Americans. Whether in a course focused specifically on Charlotte Lennox’s works or in a more broadly focused course in eighteenth-century fiction, Harriot Stuart can help students learn about the possibilities for women’s empowerment and about transatlantic and racial ideas during the period.
Concise Collections: Teaching Charlotte Lennox, Tiffany Potter
Concise Collections: Teaching Charlotte Lennox, Tiffany Potter
ABO: Interactive Journal for Women in the Arts, 1640–1830
The Spring 2022 issue of ABO inaugurates our new Pedagogies feature: the Concise Collections on Teaching Eighteenth-Century Women series. Each issue of ABO will include a Concise Collection on a different female writer or artist, with three to five articles offering critically-informed and practice-based strategies for teaching in survey or theme-based courses for different student audiences. This series seeks to facilitate the innovative and effective teaching of female creatives whose excellence and insight demand inclusion in our classrooms, but who have not yet received the attention they deserve in pedagogy publications, or who might not yet have been encountered by …
Unmasking Polly: Race And Disguise In Eighteenth-Century Plantation Space, Kristen Hanley Cardozo
Unmasking Polly: Race And Disguise In Eighteenth-Century Plantation Space, Kristen Hanley Cardozo
ABO: Interactive Journal for Women in the Arts, 1640–1830
John Gay’s The Beggar’s Opera has influenced popular culture since its debut. Its 1729 sequel, Polly, has been understudied by literary critics, perhaps because of its suppression in Gay’s lifetime. However, Polly offers scholars new views on British imperialism before an active abolition movement in Britain. Gay confronts the evils of colonialism through his theatrical use of disguise. While other Caribbean plays of the period allow white characters to reinvent themselves abroad, in Polly disguise only intensifies the self, while the higher stakes of plantation space are where the characters meet the fates originally designated for them in The …
Succubus Matters, Jeremy Chow
Succubus Matters, Jeremy Chow
ABO: Interactive Journal for Women in the Arts, 1640–1830
This essay argues that the Gothic succubus pioneers new frameworks for examining female sexuality, sexual violation, and consent in the eighteenth century. M. G. Lewis’s The Monk (1796) reveals the Bleeding Nun as a demonic female ghost that is both sadistic and hypersexualized, especially in her tryst with Don Raymond. The spectrality of the succubus reimagines the displacement of the female body as something both material and ethereal, and in so doing, renders consequent displacements of consent, agency, and sexuality, which may characterize queer Gothic tropes. I interweave discussions of consent alongside representations and theories of ghosts throughout the eighteenth …
Rosalind's Masculine Self: As You Like It And Criticism Of Male Communities, Faith Langford
Rosalind's Masculine Self: As You Like It And Criticism Of Male Communities, Faith Langford
Merge
No abstract provided.
Cosmopolitanism And The Scottish Working-Class Writer: John Parkinson/Yehya-En-Nasr And Islam In Ayrshire, Kirstie Blair
Cosmopolitanism And The Scottish Working-Class Writer: John Parkinson/Yehya-En-Nasr And Islam In Ayrshire, Kirstie Blair
Studies in Scottish Literature
Explores the grassroots cosmopolitan and international literary interests of Scottish working-class writers, through the writing of the Scottish poet and convert to Islam John Parkinson or "Yehya-en-Nasr" (1874-1918), in the Ardrossan and Saltcoats Herald, in the monthly The Islamic World and the weekly newspaper The Crescent, as a journalist in Rangoon, and in book form, notably his Lays of Love and War (Ardrossan, n.d.), arguing that Parkinson's "Muslim cosmopolitanism" and his local Ayrshire identity and contexts were inextricably intertwined.
Reclamation: The Crown Of African American Identity, Lindsey Kellogg
Reclamation: The Crown Of African American Identity, Lindsey Kellogg
English MA Theses
African American voices have been the main sources of influence on society and culture. For this reason, it is important that African Americans speak up and reclaim their voices. Not only are their voices important, but the stories that lie behind the voices are what need to be amplified. With the application of postcolonial theory, this thesis takes modern stories located in North America depicting racist behavior towards African Americans from the year 1970 to present-day New York City in order to fully amplify the process of social struggle. As these narratives are passed down through generations serving as a …
Sandstorm Spring 2022, Leslie Malland
Sandstorm Spring 2022, Leslie Malland
Sandstorm: A Journal of Arts and Letters
Full Manuscript
Poem No. 127, May 2022, Huntsville Literary Association (Huntsvile, Ala.)
Poem No. 127, May 2022, Huntsville Literary Association (Huntsvile, Ala.)
POEM
The Huntsville Literary Association was founded in 1967 to provide a community for writers, readers, and artists through workshops, readings, and educational programs. One of their key contributions is the literary magazine titled POEM which showcases original writings from both established and emerging writers. This issue features poems from various writers.
"Custome Is An Idiot": How Genre Bending Opens New Meanings For Hæc Vir, Or The Womanish Man, Stephen Montgomery-Anderson
"Custome Is An Idiot": How Genre Bending Opens New Meanings For Hæc Vir, Or The Womanish Man, Stephen Montgomery-Anderson
All Theses
Hæc Vir, or the Womanish Man is often conceived of as a satirical pamphlet. Moreover, scholars such as Linda Woodbridge and Simone Chess read the pamphlet as ultimately and explicitly arguing for a normative rendering of gender. Such readings, while acknowledging the rhetorical power and feminist nature of the crossdressed female character Hic Mulier’s arguments, invariably discount them in favor of a supposed return to normalcy. I instead suggest that Hic Mulier’s arguments be read as genuine and potentially altering. I further argue that we should read Hæc Vir as a closet drama. Bending the genre of the …
Performance, Theatricality, And Identity In Shakespeare’S The Taming Of The Shrew, Nina Masin-Moyer
Performance, Theatricality, And Identity In Shakespeare’S The Taming Of The Shrew, Nina Masin-Moyer
College Honors Program
William Shakespeare’s comedy The Taming of the Shrew is a curious and often controversial play due to its depiction of spousal abuse and female subordination. But despite that charged reputation, it continues to be produced on stages around the world, with creative choices that suggest an attempt to change a supposedly un-feminist play into a feminist one. My thesis argues that this play already features notable feminist elements at the level of the text itself, stemming in particular from its thematic and structural investment in performance and theatricality and in the roles that these elements play in constructing gender and …
Enchanting Music: How English Playwrights Use Music In Renaissance Witchcraft Plays, Alyssa Anders
Enchanting Music: How English Playwrights Use Music In Renaissance Witchcraft Plays, Alyssa Anders
LSU New Orleans Theses and Dissertations
Music is an integral aspect of the Early Modern theater, but because most of this music is lost, scholars and students typically only analyze these works using literary theories. This approach does not allow for a full understanding these plays, which is especially true of witchcraft plays because witches typically utilize music for their spells. In this thesis, I am exploring the interdisciplinary connection of music and literature in the Jacobean witchcraft plays The Witch (c. 1616) by Thomas Middleton and The Tragedy of Sophonisba or The Wonder of Women (1604-1606). From my analysis of the existing music from The …