Digital Commons Network^™

The Eugene O'Neill Newsletter, Vol.6, No.3, 1982, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html

The Eugene O'Neill Newsletter, Vol.6, No.1, 1982, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html

Catalog Of The Peal Exhibition: Other Romantics And Their Contemporaries, John Spalding Gatton

The Kentucky Review

No abstract provided.

Catalog Of The Peal Exhibition: English Literature Before 1800, John Spalding Gatton

The Kentucky Review

No abstract provided.

Catalog Of The Peal Exhibition: Victorians I, John Spalding Gatton

The Kentucky Review

No abstract provided.

Catalog Of The Peal Exhibition: Victorians Ii, And After, John Spalding Gatton

The Kentucky Review

No abstract provided.

Catalog Of The Peal Exhibition: American Literature, John Spalding Gatton

The Kentucky Review

No abstract provided.

Catalog Of The Peal Exhibition: Charles And Mary Lamb, John Spalding Gatton

The Kentucky Review

No abstract provided.

Interpretive Levels And Connections In Margaret Drabble’S The Middle Ground, Earlene Hamel Hawley

Dissertations and Theses @ UNI

This thesis focuses on contemporary British writer Margaret Drabble's ninth and most recent novel, The Middle Ground, as novel and as metaphor. "The middle ground" is a metaphor for the British middle class, about whom Drabble mostly writes; for middle age, which she herself is entering, along with Kate Armstrong, protagonist of the novel; and for the style and stage of Drabble's own career. But, the "middle ground" is an equally apt, if less obvious, metaphor for the narrative which provides the nearly plotless story of The Middle Ground, the area of human relationships, mostly circling Kate. The middle ground …

Robert Colvill's Savannah, Richard C. Cole

Studies in Scottish Literature

No abstract provided.

John Ford's Theatre Of Ceremony: A Formal Study Of His Five Major Plays, Chikako D. Kumamoto

Dissertations

No abstract provided.

Systematic Philosophy And Theology In An English Novelist: The Survival Of The Franciscan Tradition In Charles Williams, Arthur Livingston

Dissertations

No abstract provided.

The Family In Modern Northern Irish Drama, Ray Wallace

Masters Theses

The purpose of this thesis is to show the plight of the family in Northern Ireland. The four plays which are the subject of this study--Within Two Shadows by Wilson John Haire, The Flats By John Boyd, Nightfall to Belfast by Patrick Galvin, and The Death of Humpty Dumpty by J. Graham Reid--deal with this innocent faction and highlight three principal effects of the troubles on their family lives. First, the families suffer internal division. They are alienated by religious/political differences which are as inseparable in these dramas as they are in Northern Irish life. Socialist doctrine opposes Christian …

Infinite Intellectual Leap-Frog: Tracing Three Character Voices Through Four Of Tom Stoppard's Works--Lord Malquist And Mr. Moon, Albert's Bridge, Jumpers, And Dirty Linen, Judy Laurene Donaldson

Masters Theses

Tom Stoppard (1937- ), British playwright, creates in his Absurd novel Lord Malquist and Mr. Moon (1966) three character voices that begin a debate on man's reason for existence. Instead of resolving the debate at the end of his novel, Stoppard, using the same character voices in various combinations, continues the debate in three of his later works: the plays Albert's Bridge (1968), Jumpers (1972), and Dirty Linen (1976). The three character voices include the realist's, who ties to make some sense out of the disorder of the world and to find his place in it; the manipulator's, who ignores …

"Fish Everyday:" A Play, Bartlett Sher

College Honors Program

No abstract provided.

Sister Carrie And An American Tragedy: The Publishers' Judgements, Barbara A. Martin

Morehead State Theses and Dissertations

A thesis presented to the Graduate Faculty School of Humanities at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Arts in English by Barbara A. Martin in May of 1981.

The Eugene O'Neill Newsletter, Vol.5, No.3, 1981, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html

The Eugene O'Neill Newsletter, Vol.5, No.2, 1981, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html

The Eugene O'Neill Newsletter, Vol. 5, No.1, 1981, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html

Of Publishing, Polkas, And Prudery: A Restored Letter By Thomas Hood, John Spalding Gatton

The Kentucky Review

No abstract provided.

Some Inferences About Literary History From The John Milton Collection In The Margaret I. King Library, John T. Shawcross

The Kentucky Review

No abstract provided.

The Interweaving Of Poetry And Dance In Ben Jonson's Masques, Ted Gradman

Honors Papers

The masked noblemen prepare to preform one of their intricate dances for King James I and his court; they aim to make the complex floor patterns and body movements appear ordered, adroit, and effortless. Their dances are just one element of the highly elaborate Stuart court masque with integrates dance, poetry, scenic design, costume design and music into a three-hour dramatic spectacle. All that remains today of the lavish event is a text of twelve pages, some short descriptions of the choreography, a handful of sketches, and several short pieces of music. Although we can never fully reconstruct Pleasure Reconciled …

Boswell's Account Of Bonnie Prince Charlie And The Journal Of A Tour To The Hebrides, Mary E. Housum

Studies in Scottish Literature

No abstract provided.

Book Reviews

Studies in Scottish Literature

No abstract provided.

Marlowe's Doctor Faustus Finds Reality: In The Comic Mask, Eva Marie Enis

Masters Theses

Scholars have considered the protagonist of Christopher Marlowe's The Tragical History of the Life and Death of Doctor Faustus from nearly every perspective, but, at the same time, they have been hesitant to recognize the humorous incidents, particularly the so-called clownish scenes, as having a legitimate place even though much comic incident appears in Marlowe's source. Though scholars have acknowledged Marlowe's play to be a morality, they have not viewed Faustus as a morality character whose comic mask is his reality.

An examination of the morality tradition, with Marlowe's debt to the morality in mind, justifies the inclusion of much …

Character Motivation And Definition Through Dialog In The Memory Plays Of Harold Pinter, Douglas E. Grohne

Masters Theses

Several critics have suggested that the plays of Harold Pinter are incomprehensible because the characters do not explicitly explain their actions and motivations. These comments come because the critics and audiences are conditioned to expect a playwright to in some way explain the motivations and personalities of his characters with a standard explanation given through explicit dialog, copious stage directions, or other means. But Pinter believes that it is dangerous for a playwright to design a play with one overall purpose in mind because the chances are that the purpose will be mistaken.

Pinter prefers to write in a realistic …

Structures Of Ritual Sacrifice In Abraham And Isaac And Afore Night Come, Misty Baumann

Honors Papers

In part, this study is a response to a frightening reality-- humans acting to take human life. It is an attempt to understand better how, why and when that act is deemed holy. It is an examination of ritual sacrifice, its symbolic structure, its use and its perversions in two very different dramatic works, the Brome version of the medieval Abraham and Isaac and David Rudkin's modern, British Afore Night. In respect for the eldest, I begin with the former.

The Angry Prince, James Dietrichson

Mythril

Once there was a prince who was so fair nothing ever made him angry in his life, except one thing. His face always shone with a smile tinged with sadness,

Mythril #8, Laura Ruskin

Mythril

As you know, subscriptions to Mythril have been $2.50 for four issues. Inflation has compelled us to discontinue Mythril as a subscription magazine. There will, however, be a new fiction 'zine under new editorship published annually beginning in June of 1981. New editor Gary Myers has tentatively titled it Terra Incognita. He is actively looking for material. ...(redacted address).... This issue, therefore, is Mythril the Last.

Narrator Reliability In The Creative Autobiography: An Approach For The Solo Interpreter, Diane Schwalm

Masters Theses & Specialist Projects

This study develops an approach to narrator reliability in the creative autobiography for the solo interpreter. The relationships between narrator reliability and firstperson point of view are given, and the need for an understanding of reliability to develop a performance stance is also stated. The defining characteristics of the creative autobiography are also included.

The analytical approach to narrator reliability is three-fold. The reliability of the narrator is examined in terms of mental locus, spatial locus, and temporal locus. The mental locus of the narrator is determined through his relationships with himself, the characters, the action, and the reader. The …