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Conference Chair's Introduction, Glen Goodknight

Mythopoeic Society Seminar Proceedings

Introduction by conference chair Glen GoodKnight.

This work is licensed under CC BY-NC-ND 4.0

Sanitized For Public Viewing: Review Of William Shakespeare’S The Tempest, Allison Meyer

Best Integrated Writing

This review analyzes the Stratford Festival’s 2026 production of Shakespeare’s The Tempest, directed by Antoni Cimolino, and argues that the production minimizes the play’s political and colonial themes. The article examines how specific production choices, including Caliban’s costume design, the comic treatment of Stephano and Trinculo, and Prospero’s final interaction with Ariel, obscure questions of power and colonization. Through detailed analysis of staging, characterization, and directorial decisions, the review evaluates the consequences of presenting Shakespeare’s play as a story of personal forgiveness rather than political conflict. It interrogates this erasure of colonial power struggles within the framework of the Stratford …

Best Integrated Writing Fall 2026 - Complete Edition, Wright State University School Of Humanities And Cultural Studies, Kristie Mckiernan

Best Integrated Writing

Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University.

From Linguistic Domination To Counter-Power: The Weaponisation And Reappropriation Of Language In Shakespeare's Drama, Md. Abu Bakkar

Journal of Language, Literature, and Arts

Studies of language and power in Shakespeare usually treat colonial, psychological, political, and familial domination as separate problems belonging to separate plays. This article asks what happens when the target of linguistic domination takes up, repeats, or withholds the discourse through which domination is exercised. It proposes linguistic counter-power as a comparative analytical concept: a change in who can define, command, or be believed within the dramatic world that outlasts and exceeds the speaker’s own act of resistance. The concept is distinguished from discursive resistance, linguistic agency, counter-discourse, and resignification, and is operationalised through three tests: uptake, durability, and structural …

Meet Phoenix, Feng Jiang

Persimmon Creek

One act play

“Shall I Always Keep Below Stairs?”: The Waiting-Gentlewoman On The Margin Of Much Ado About Nothing, Daniel F. Gates

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Introduction, Emily Isaacson

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Progress, Poetry, And Peace: Romantic Ideals And The Present Day, Kristen Dawn Morgan Hess

Masters Theses

In the busy, technologized, and mechanized life that most people live today, it can be difficult to find true rest, comfort, and peace because the very technology and machinery that is marketed as providing these 21st-century amenities often fall short in their delivery. Taking a look backward at the Romantic era ideals presented in the poetry of William Wordsworth can offer people today the chance to gradually improve their mental, physical, and emotional health by slowing down, minimalizing, and moderating their lifestyles. This thesis talks about the historical background of three of Wordsworth’s poems— “Lines Written in Early Spring,” “The …

C. S. Lewis, The Expert Communicator, Steven A. Beebe

Sehnsucht: The C. S. Lewis Journal

"What evidence supports the claim that Lewis is an expert communicator? He remains a popular author, one of the most read authors of all time. He was a professional communicator; he earned his living communicating: teaching, writing, and speaking. And, as this essay has documented, he was a professor of communication. He made insightful observations about the role, nature, and function of communication throughout the corpus of his work. Although his planned book with J. R. R. Tolkien, “Language and Human Nature,” was never published, his initial ideas found in the draft of the partial opening chapter, coupled with a …

"Expressing The Great Myths": Hugo Dyson And Shakespeare In C. S. Lewis's Conversion Narrative, Sarah R. A. Waters

Sehnsucht: The C. S. Lewis Journal

"The conversations that took place on the night of 19 September 1931 in Addison’s Walk might, as David Downing has put it, “be considered the defining moment in Jack’s life.” And Lewis’s letters to Greeves are recognized to be a key source in this narrative, with Alister McGrath noting, for instance that these letters “explain the events of the night and their significance for his reflections on religious faith.” Often ignored in accounts of these conversations, however, is the importance of Dyson in the story, and often ignored in these letters are Lewis’s reflections on his current reading matter, including …

Unsex Me Here: Gendered Psychology In Shakespeare's Major Tragedies And Comedy, Md. Abu Bakkar

Journal of Language, Literature, and Arts

This study examines how gender shapes psychological experience across five of Shakespeare’s major plays: Macbeth, Hamlet, Othello, King Lear, and Twelfth Night. Existing scholarship treats Shakespeare’s tragic women, tragic men, and comic heroines as separate problems; this article asks whether one framework connects them. Its starting point is the reversal in psychological positions between Macbeth and Lady Macbeth: he resists killing on moral grounds and then grows recklessly violent, while she plans the murder with cold resolve and is later overwhelmed by guilt. The study asks whether this pattern recurs more broadly, and why. Drawing …

The Insights Of Literacy, Yasmim Alves Da Silva

Undercurrents: A Journal of Undergraduate Student Composition

No abstract provided.

Land And Language At St. Joseph’S Indian Industrial School And Beyond, Ciera R. Tucker

All NMU Master's Theses

This thesis analyzes the impacts of the Indian boarding school era on Menominee people through using St. Joseph’s Indian Industrial School in Keshena, Wisconsin, as a focal point of study. Through analyzing the social and political contexts of the school, oral texts from St. Joseph’s survivors, and contemporary popular culture texts, this thesis examines the intergenerational impacts of the boarding school era on Menominee people and Indigenous people in general. I employ Indigenous methodologies from Leanne Betasamosake Simpson (Anishinaabe), Kathleen Absolon (Anishinaabe), and Shawn Wilson (Cree) to ground my approach to research and engagement with survivor testimonies. Further, I draw …

What Is Left After Memory: Love, The Body, And The Unconscious In Little Fish, Paul Longley Arthur, Isabel Smith

Research outputs 2022 to 2026

Chad Hartigan’s science fiction romantic drama Little Fish was released in 2020, soon after the start of the COVID-19 pandemic. However, the disease plaguing communities in Little Fish is not affecting people’s bodies but their minds—those who have contracted Neuroinflammatory Affliction (NIA) are losing their memories. The story centres upon the experiences of one young couple as they anxiously witness the disease take hold of their community, loved ones, and eventually one another. The film explores relationships between memory and identity, and poses questions about the ways these processes interact with those of love and loss. Who are we once …

"Then Daddy Began A Story": Storytelling In Tolkien’S Home And Our Own, Josh Renaud

Journal of Tolkien Research

"Then Daddy began a story, and this is what he said." That's how J.R.R. Tolkien began the first manuscript version of "Farmer Giles of Ham," one of a few moments of fatherly storytelling to be found in his fiction. Tolkien is remembered today as a great author and artist, but in his home he was a loving parent who regaled his children with tales — a "story-telling presence," as his daughter Priscilla Tolkien put. In this presentation, I reflect on Tolkien as a "daddy" and oral storyteller, drawing on examples from Tolkien's life and writing. I also consider what storytelling …

Colonial Futures: Ngaio Marsh, War, And The End Of Empire, Heather M. Robinson

Publications and Research

Between the years of 1941 and 1945, Ngaio Marsh published three New Zealand-focused whodunnits; all three of these stories explore the impacts of the Second World War to some degree. What is curious is not that Marsh wrote about the war, but her sustained focus on New Zealand and New Zealanders, given that Marsh’s fiction usually took place in London or its surrounding counties. It marks the impact on Marsh of the global conflict that was changing the world, and shaking the foundations of colonialism and modernity as they had been known before 1939. In this essay, I explore how …

Fifteen Years Of Open-Access, Feminist Editing And Beyond: Laura L. Runge Transitions From Editor-In-Chief To Co-Director Of Abo Editorial Board As Of Abo Vol. 16, No. 1, Kelly Plante

ABO: Interactive Journal for Women in the Arts, 1640–1830

This is an editor's note thanking Laura L. Runge for her more than 15 years service as the founding editor of ABO. The current editors thank Laura for her foundational work and we commit to carry on her editorial vision.

Retrospective: The Burney Centre, Mcgill University, 1945-2024, Peter Sabor

ABO: Interactive Journal for Women in the Arts, 1640–1830

The origins of McGill University’s Burney Centre go back to 1945, when Joyce Hemlow was appointed to McGill’s Department of English. After publishing a major biography of Frances Burney in 1958, Hemlow initiated what she termed the Burney Project: a research centre devoted to producing scholarly editions of the journals and letters of Burney and her father, the music historian Charles Burney. The Frances Burney edition was completed, in 25 volumes, in 2019; five volumes of the Charles Burney edition have appeared to date, with a sixth and final volume to follow. Joyce Hemlow was succeeded as Director of the …

A Review Of The South Central Society For Eighteenth-Century Studies (Scsecs) Annual Conference (Pinehurst, Nc 19-21 February 2026), Laura Runge-Gordon

ABO: Interactive Journal for Women in the Arts, 1640–1830

A conference review for the South-Central Society for Eighteenth-Century Studies conference held in Pinehurst, North Carolina February 19-21, 2026.  The conference was organized by SCECS President Catherine Parisian and featured the keynote speaker Peter Radford.

A Review Of Willow White's Feminist Comedy: Women Playwrights Of London (University Of Delaware Press, 2024), Mattie Burkert

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Willow White's Feminist Comedy: Women Playwrights of London by Mattie Burkert.

A Review Of Karen Bloom Gevirtz 'S The Apothecary's Wife (University Of California Press, 2024), Annika Mann

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Karen Bloom Gevirtz's The Apothecary's Wife by Annika Mann.

Teaching Evelina With Digital Humanities, Hilary Havens

ABO: Interactive Journal for Women in the Arts, 1640–1830

Digital humanities, an interdisciplinary field that applies digital methodologies and technologies to the humanities, is an excellent lens through which to approach the eighteenth century.  I integrate digital humanities tools and workshops alongside primary source readings in all of my eighteenth-century British literature classes to help students better understand those texts and the world in which they were created.  In my upper-level undergraduate class on late eighteenth-century literature, I teach four digital humanities tools to students, two of them (StoryMapJS and Voyant) in connection with Frances Burney’s Evelina (1778). These tools train students how to uncover historical and geographic contexts …

Teaching Frances Burney's Evelina With Netflix’S Bridgerton, Willow White

ABO: Interactive Journal for Women in the Arts, 1640–1830

This pedagogical essay explores strategies for teaching Frances Burney's first novel Evelina (1778) through comparison with Netflix's popular series Bridgerton. The essay demonstrates how Bridgerton's widespread popularity has renewed interest in Georgian literature and provides an engaging and accessible entry point for undergraduate students to explore Evelina's themes of social anxiety, gender, and coming of age.

Teaching A Stand-Alone Course On Burney, Lorna J. Clark

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay outlines a stand-alone course on Frances Burney, suggesting that she offers a good entry point into eighteenth-century studies. Given that she wrote in so many genres—novels, plays, journals, and letters—such a course avoids the narrowness which often marks a single author course. In twelve weeks, the course studied ten works: four novels, five plays (three comedies and two tragedies) and a selection of journals and letters. The latter describes well-known figures in Burney’s social and literary networks in eighteenth-century London and leads to discussion of techniques of the epistolary, of diary-writing and of women’s life-writing. Burney’s novels are …

Lifelong Learning: Approaches To Teaching Frances Burney’S The Wanderer To Adults, Miriam Al Jamil

ABO: Interactive Journal for Women in the Arts, 1640–1830

The construction of a course for adult learners who are not studying for a qualification or credits but rather for enjoyment and engagement with learning for its own sake, requires an approach centered on needs which may not be entirely academic. Drawing on students’ individual life experiences while avoiding assumptions based on familiarity with the material shapes the course and offers many benefits. The essay is based on teaching Workers Education Association (WEA) courses and proposes the structure of a literature course on Frances Burney’s 1814 novel The Wanderer. It selects thematic content which resonates with older learners, such …

Introduction: Concise Collection On Teaching The Works Of Frances Burney, Dana Gliserman Kopans

ABO: Interactive Journal for Women in the Arts, 1640–1830

This short essay introduces a Concise Collection special issue on teaching Frances Burney. The collection brings together a range of texts and approaches to them and demonstrates that Burney can be successfully taught to students outside of the graduate context.

Ztc Eng 2400: Composition Ii Syllabus, Ann Marie Dorr

Open Educational Resources

Asynchronous continuation of writing studies in Composition II considering the lens of the role of the cultural critic using New York Times access as the key resource via the CUNY Library system to consider writing research based essays including personal narrative, academic research papers, and reviews.

Irish Identity: Symbols Of Nationalism In W.B. Yeats's Cathleen Plays, Emma Mady

University Honors Theses

William Butler Yeats was one of the leading figures of the Irish Literary Renaissance. Two of his plays, The Countess Kathleen (1892) and Cathleen ni Houlihan (1902) portrayed themes of nationalism and revivalism in strikingly different ways. Each play uses figures from folklore and mythology to establish a sense of national identity: the tale of "The Countess Kathleen O'Shea" inspired The Countess Kathleen, and the Irish Sovereignty goddess inspired the figure of legendary Cathleen ni Houlihan. The Countess Kathleen was met with harsh criticism and accusations of blasphemy, while Cathleen ni Houlihan is still widely regarded as Yeats's …

Reclaiming Narrative Authority: Gendered Violence And Feminist Reauthorship In Sharon Pollock's Saucy Jack, Jennifer Jones Cavenaugh

Theatre and Dance Faculty Publications

This article examines Sharon Pollock’s Saucy Jack (1994) as a feminist intervention into the narrative structures that have sustained the cultural authority of Jack the Ripper mythology. Drawing on feminist historiography, particularly Judith Walkowitz’s analysis of male violence as narrative structure and Hallie Rubenhold’s reclamation of the murdered women’s lived histories, the essay argues that Ripper narratives depend on three interlocking conventions: killer-centered focalization, the erasure of women’s lives, and the aestheticization of death as spectacle. Through close performance analysis, the article shows how Pollock dismantles these conventions by centering Kate, a music hall actress whose reenactments transform performance into …

A Twilight World Of Unspeakable Horror: Lesbian Camp And The Vampire Lovers (1970), Mirielle Lemay

University Honors Theses

From the late 1960s through the early 1970s, a wave of lesbian vampire themed exploitation films proliferated through UK, US, and Western European cinemas. In critical literature on this subgenre, camp reading is often dismissed, unacknowledged, or understood as circumscribed by authorial intent and/or intended audience. With this alternating lack of attention to and dismissal of camp, the interpretive agency of the queer spectator is constrained, their spectatorship implicitly subordinated to that of the "conventional" horror audience—the voyeuristic-sadistic male spectator. Through a reading of The Vampire Lovers, a 1970 British production from Hammer Studios, I seek to explore how …