Digital Commons Network^™

Darkness Leaping Out Of Light: Anti-Metaphysics And The Paradoxical Negative Affix In Moby-Dick, Bryce N. Wallace

International Journal of Undergraduate Research and Creative Activities

This paper argues that the varied philosophical beliefs that are present in the discourse of Moby-Dick’s characters are met with discursive resistance at the level of the novel’s form. Though a range of metaphysical arguments are posited by the characters as they explore the unknown, Melville’s use of negative linguistic constructions refutes the entire range of metaphysical beliefs by displaying the paradoxical and impossible nature of the primary subject that metaphysicians ponder—the unknown. I propose that in trying to comprehend “the unknown” humans unavoidably create something out of nothing then deem it unknowable and therefore fail to grant it …

Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You

CLCWeb: Comparative Literature and Culture

As an emerging literary subgenre in the twenty-first century, Children’s Gothic challenges and blends the norms of both children’s literature and Gothic literature, featuring child characters’ self-empowerment in the face of fears and dark impulses. The foreignness and strangeness that pertain to the genre haunt the border of its translatability. Daniel Handler’s A Series of Unfortunate Events (1999­–2006), written under the pseudonym Lemony Snicket, poses a chain of translational challenges due to its linguistic creativity, paratextual art, and mixed style of horror and dark humor intended for a child readership. To investigate the interplay between Children’s Gothic and its (un)translatability …

Marginalized Students Need To Write About Their Lives: Meaningful Assignments For Analysis And Affirmation, Nancy G. Mack

English Language and Literatures Faculty Publications

Abstract: The bias against personal experience manifests in writing courses as privileging the citation of scholars, fearing emotional writing, and equating argumentation with democratic ideals. To value the lives and knowledges of marginalized students, the curricular goals, assignments, and activities for writing courses needs to be reconsidered. Culturally sustaining pedagogy explores, extends, and examines the experiences of students. Meaningful, experience-based, narrative writing assignments are suggested: memoir essays, ethnographic research reports, and multigenre interview projects. Analysis activities challenge students to examine a chosen experience through several scholarly lenses. By adding complex analysis to their writing, students gain a challenging new experience …

I Was Crazy Once: An Examination Of Elizabethan Insanity In Shakespeare’S Work, Hope L. Kobus

[Archive] Belmont University Research Symposium (BURS)

William Shakespeare wrote numerous works, diving into the common motifs of love, revenge, power, but most importantly, madness. While Elizabethan audiences were more accustomed to seeing madness as a ploy for comedy, Shakespeare changed the appeal through shows such as King Lear, Hamlet, and Macbeth. He presents the power and ambition of women, as well as the failings of the upper-class, but he disguised them through the idea of insanity. At a time when the public had little understanding of mental health, it was easy to blame madness on gender, social status, and even the supernatural. Through …

'Poor Unfortunate Souls': Acculturation And Reception Of Womanhood In Fairy Tales, Dalton C. Whitby

Fall Showcase for Research and Creative Inquiry

This essay examines traditional fairy tales, symbolized by Perrault’s “Blue Beard,” and contemporary ones, illustrated by Disney’s animated film Brave (2012), with the implementation of ideas from theorists Marcia Lieberman and Hans Robert Jauss, to demonstrate that dated conceptions of womanhood prevail in these stories and continue to be received and acculturate children today. Although it is reasonable to assume social changes brought on by feminism would echo in twenty-first-century fairy tales, an investigation of Disney's animated fairy tale films, the modern storyteller aimed at acculturating children, reveals that these stories subversively persist in presenting traditional ideas of womanhood, depicting …

Her Precious White Body/Her Tender Black Flesh: The Gothic Link To Black Women's (Mis)Treatment In Real Life And On The Page, Madisty R. Thomas

English Theses & Dissertations

As a work in progress, this thesis explores the interplay between historical and contemporary devaluation of and violence against Black women, materially and discursively, including visual mediums and written text. Specifically, I focus on the gothic novel to illuminate the impact race-based inventions such as chattel slavery and human exhibitions, as well as the generic tropes of the Gothic, have had on Black women’s representation and lived experience via a wide-ranging introduction and close examination of Richard Marsh’s The Beetle. Additionally, the conclusion attempts to suggest how Black women and girls might survive in this antiblack world, thus escape …

Jane Eyre, The Invisible Bisexual: Bisexual Erasure In Historical Literature, Christine L. Roland

PANDION: The Osprey Journal of Research and Ideas

The purpose of this article is to reveal Charlotte Brontë’s canonized heterosexual character Jane Eyre as bisexual and explain why critics unintentionally erase bisexuality in historical literature. Homosexuality emerged as a species in the 1800s, but the heterosexual-versus-homosexual binary scale overlooked bisexuality. Yet, bisexuality existed—and Victorian society encouraged it between women. Lesbianism and female “friendships” were promoted within female boarding schools and between women in heterosexual marriages; the precise relationships exemplified in Jane Eyre. Though Jane marries a man, her heterosexual “familial” marriage emerges only out of her bisexual nature, for she does not marry Rochester until he becomes effeminate. …

The Zone Of Proximal Development And Content Area Instruction For Middle School English Language Learner Students: A Phenomenological Study, Amy Lundgren

Doctoral Dissertations and Projects

The purpose of this phenomenological study was to describe the lived experiences of middle school content area instructors (CAIs) who teach English language learners (ELLs) in public schools in ELL-heavy districts. The theory guiding this study was Vygotsky’s theory of the zone of proximal development (ZPD), as research studies indicate the ability of ELLs to access content area instruction when teachers effectively scaffold them in their ZPD to use discipline specific literacy strategies. Data were collected using one-on-one interviews with 10 content area teachers in six ELL-heavy public-school districts to participate in the study. Further data collection was completed using …

Narrating Egyptian Women’S Prison Experiences - El Saadawi And Bakr, Nour El Captan

The Undergraduate Research Journal

The research attempts to discover what Egyptian women prisoners’ experience was like in the 1980s and 90s through studying two major texts which fall under the genre of prison literature: Twelve Women in a Cell by Nawal El Saadawi and The Golden Chariot by Salwa Bakr. Through a thorough reading and analysis of the works, similar tropes and different attitudes can be found in the texts. Both works discussed class, comradery, and the patriarchy but differences exist when it comes to their different portrayals of prison.

Transhuman Bodies: A Survey Of Three Avenues Of Societal Critique From Literature With Cyborg, Android, And Clone Subjects, Wesley Sanders

Student Theses and Dissertations

This thesis seeks to explore three different avenues of societal critique using works in Science Fiction which have as their subjects cyborgs, androids, or clones. In the thesis, I begin by addressing the unique way SF literature comments on gender politics through the use of objectified cyborgs and androids, typically with male creators and would be male masters. Following this, I explore the concept of a semiotic liminality surrounding cyborgs and androids and illustrate how that liminality complicates conceptions of what constitutes a living creature. Finally, the thesis shifts to the commodification of the cyborg where I attempt to illustrate …

Does Shakespeare Believe In Sudden Conversions For His Villains?, Robert B. Pierce

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Nostalgia's Complicated Role In Contemporary Pop Culture, Ethan Clawsie

Pop Culture Intersections

Over the past several decades, there has been a growing trend of nostalgia in popular culture, with the number of remakes, reboots, and revivals of classic films, television shows, and music at an all-time high. Dozens of old TV shows have also been rebooted in the past few years, old movies are being remade, much of the music that’s been released lately has been engineered to sound like it came from the past, and a subset of recent video games either build upon old games (like Pokémon GO), or are made to look and feel like old games (like Flappy …

Emi (English-Medium Instruction) In South Korean Elite Universities, Kingsley Bolton, Hyejeong Ahn, Werner Botha, John Bacon-Shone

English Faculty Publications

This article provides an extensive review of previous research on English-medium instruction (EMI) in South Korean higher education. It then goes on to discuss the findings of a 2017 survey at four elite universities in South Korea, which were Seoul National University, Korea University, Yonsei University, and Korea Advanced Institute of Science and Technology (KAIST). While some of the results could be regarded as predictable, there were a number of findings which extended previous research. Despite the extensive complaint tradition about English in South Korea, many of the students in our sample rated their proficiency rather highly. Notwithstanding the extensive …

You Don’T Even Need The Ghosts: A Writer’S Look At The Turn Of The Screw, Andrea M. Schenkel

Dissertations, Theses, and Capstone Projects

The novella Turn of the Screw by Henry James was first published in 1898 as a serialized novel in Collier's Magazine. The short novel is characterized by its concise language. James chooses words carefully and consciously. The linguistic compression forces the reader to deal intensively with the main protagonists of the novel: the Governess, the children, Miles and Flora, and Mrs. Grose. Nothing is as it seems. James aims to challenge the reader by forcing them to constantly question what they read.

Countless essays have been written about the text since the novel was published. The figures, especially those …

Reflections On The Digital Memory Of Trans-Atlantic Slavery, Vinh T. Pham

Dissertations, Theses, and Capstone Projects

Within the scope of digital humanities scholarship, this thesis interrogates ‘memory’ as a conceptual frame for remembering Black life, both past and present, in the face of missing historical data and in the afterlife of trans-Atlantic slavery. Such a concept—increasingly taken up as method in the humanities, along with related allusions to the ephemeral, spectral, or haunted—is sought to refuse historiographical and techno-scientific claims to empirical certainty or transparency, and instead affirm its gaps and absences as themselves productive sites for self-reflexive speculation on the complexities of lived experience. Applied to the digital study of trans-Atlantic chattel slavery, memory comes …

The Confounding Body: Female Corporeality, Androgyny, And Disgust In The Work Of Virginia Woolf And Zinaida Gippius, Yelizaveta Shapiro

Dissertations, Theses, and Capstone Projects

The Confounding Body: Female Corporeality, Androgyny, and Disgust in the Work of Virginia Woolf and Zinaida Gippius examines how the discourses of degeneration, eugenics, and sexology shaped representations of women’s bodies in British and Russian modernist literature. Focusing on the writing of Zinaida Gippius (1869-1945) and Virginia Woolf (1882-1941), I challenge the longstanding argument that both authors attempted to escape the material body by resorting to androgynous tropes. I argue that the material female body takes center stage in both Gippius’s and Woolf’s work and functions as a powerfully paradoxical entity: one that generates disgust and enables oppression while housing …

Marriage Stories: Legal Reform And The Novel In France And Britain, 1780–1860, Tatiana Nunez-Bright

Dissertations, Theses, and Capstone Projects

“Marriage Stories” analyzes connections between novelistic form, marriage law reform, and portrayals of virtue in texts by, among others, Stéphanie de Genlis, Mary Wollstonecraft, Sophie Cottin, Claire de Duras, Jane Austen, Honoré de Balzac, Sophie Doin, George Sand, Anne Brontë, and Gustave Flaubert. I argue that the novel was less concerned with abolishing or even critiquing marriage than it was with delineating “good” from “bad” unions, which in turn reflects contemporary discussions about marriage’s role in response to burgeoning social movements. My first chapter considers the epistolary novel in relation to the idea of spouses existing as “one body” culturally …

A Feminist Icon Or A Homicidal Coward: Medea’S Revenge On Patriarchy, Beyza Ertugrul

Criterion: A Journal of Literary Criticism

Medea, the alleged epitome of sophistication, does not deserve her title of the flawless feminist icon as she is praised to be. For context, Euripides’ Medea, first performed in 431 BC, portrays a young sorceress whose abusive husband abandons her for another woman and who takes revenge by murdering her own children to spite him. Throughout the tragedy, Medea speaks out on gender inequality, and by definition, such uncommon and advanced statements can be described by the modern term of feminism as the “belief in and advocacy of the political, economic, and social equality of the sexes” (Merriam-Webster). Especially …

The Rise Of The Machine: The Annihilation Of Human Connection In "The Rainbow", Elizabeth Miller

Criterion: A Journal of Literary Criticism

This essay analyzes the growth of industrialization in England at the turn of the century by examining D. H. Lawrence’s 1915 novel, The Rainbow. More specifically, this essay will focus on the role of machine culture and how the growing presence of industry acted as a catalyst for societal destruction. I argue that Lawrence defines machine culture as the worship of the machine, roboticism, the erasure of memory, and misogyny. These social constructs are exposed through the male characters in the novel to express Lawrence’s attitude toward the destructiveness of industrialization. He uses these characteristics to represent the type of …

Exploring The Matriarchal Past To Forge A Modern Identity: Maternal Origins In Woolf And Ihimaera, Kirsten W. Burningham

Criterion: A Journal of Literary Criticism

Though the writings of Virginia Woolf and Witi Ihimaera are “incommensurable” in many ways, I find “commesurablilities”––the kind of commensurabilities the Susan Stanford Friedman seeks out across the planetary landscape of modernism––in the way they negotiate a new creative identity in a modern environment with the bang clash of history and present ringing in their ears. I see this commensurability in at least three key features: 1) Woolf and Ihimaera each gave birth to new literary movements: Woolf was mother to high British Modernism with experimental techniques such as free indirect discourse and the relegation of plot to the background; …

Fantasy Escapism: Using Role-Playing Games To Explore Mental Health And Gender Identity, Aidan Cipolla

English and Creative Writing Summer Fellows

This project analyzes how escapism through the use of role-playing games can be used as a coping mechanism for those struggling with a variety of topics, including gender dysphoria and mental health issues. The project takes an ethnographic approach to data gathering, consisting of interviews with a small group of Dungeons and Dragons / video game players, and personal anecdotes regarding the author’s experience with escapism.

Warnings Against The Exploitation Of Children In Young Adult Dystopian Literature, James Henry Lambert

English Theses, Dissertations, and Student Creative Activity

The works of Suzanne Collins, Koushun Takami, and Neal Shusterman present a unique subset of young adult literature in which young adults are forced to kill one another. My thesis argues that the presentation of child gladiators in these stories is a form of weaponization conducted by the fictional governments as deterrent weapons against the parents of these fictional dystopias. This weaponization is accomplished through the creation of spectacular events that are meant to draw the attention to the power of the government, also as a form of deterrence against rebellion. Next, my thesis demonstrates how the human body is …

Hellish Landscapes In J.R.R. Tolkien’S Legendarium, Willow Dipasquale

Online Midwinter Seminar (OMS)

J.R.R. Tolkien’s Legendarium is rich with magical and mythological elements—enchanted rings, powerful wizards, stories told long ago—and near-Biblical struggles of good over evil, power over life and death, and the inexorable passage of time. The Halls of Mandos in Valinor even have echoes of the “afterlife,” serving as a liminal place for the spirits of Elves to await their next destination. Interestingly, though, a “hell” in the classic sense (that is, a spiritual region of eternal torment and suffering) does not seem to truly exist in Tolkien’s imagined worlds. However, Tolkien does fill those worlds with hellish landscapes: Utumno and …

Persephone Bites: Consumption In The Underworld, Erin Sledd

Online Midwinter Seminar (OMS)

If you know one thing about Persephone, it is that she was abducted by Hades, held captive, and ate pomegranate seeds in the Underworld. Although Demeter rescued her daughter, she had to return for several months each year as a consequence of consuming the “Fruit of the Underworld.” But tasting those succulent ruby red seeds was not the first time she succumbed to desire—according to the Homeric Hymn to Demeter II, the first thing Persephone “bites” is a lure. Hades sets a trap: a flower with “one hundred stems of fragrant blossoms.” When Persephone grasps a stalk of this …

Only In Dying Life: The Production Of Hope And Peace, Taylor Johnson Guinan

Online Midwinter Seminar (OMS)

Unlike fantasy authors of previous generations like C.S. Lewis and J.R.R. Tolkien who wrote depictions of an afterlife that mirrored their personal faiths, modern children’s fantasy authors of the last thirty years, such as Neil Gaiman, Ursula K. Le Guin, Phillip Pullman, Rick Riordan, J.K. Rowling, Jonathan Stroud, and Garth Nix, often merely use religious concepts as a way to depict the land of the dead. In their depictions, the land of the dead is a dark, terrible, and uninviting place. However, rather than ending on that dark point, these authors transition from fear to a sense of peace, acceptance, …

Through Sauron’S Eye: Hell, Arda Unmarred, Arda Marred, And Arda Healed According To The Maia Formerly Known As Mairon, Cameron Bourquein

Online Midwinter Seminar (OMS)

From the beginning of Tolkien scholarship Mordor has been analyzed in light of its Hellish iconography; from the perspective of the narrative voice, what constitutes “Hell” in Middle-earth may seem clear. But what is Hell to Mordor’s chief inhabitant? What is Hell in Sauron’s Eye? The Rings of Power has brought Sauron into the spotlight by interpreting him not as depersonalized evil but as a character in his own right. Actor Charlie Vickers has shared how he developed this character for the screen, adapting characteristics taken directly from Tolkien’s own writings: Sauron’s love of order and his desire to “heal” …

The Lord Of The Rings & Dante’S Inferno: The Pilgrim’S Path—A Descent Into Hell, Hayden Bilbrey

Online Midwinter Seminar (OMS)

This project explores the parallels between the journeys of Dante’s Pilgrim in Inferno and Frodo Baggins in The Lord of the Rings. It asserts that these two examples are a variant of the hero’s journey, more akin to a divine pilgrimage. Through this analysis, each author’s use and repurposing of mythology and monsters to fit within a Christian narrative will be closely examined. Following the Pilgrim and Frodo, this project charts their voyages through hell (or hellish landscape) and the effects that has on each of them psychologically and spiritually. In essence, this project seeks to chart both external …

Hell Is School—And Other People—And Myself (But Mostly Other People): From Inferno To The Paradiso In The Scholomance Series By Naomi Novik, Nicole Duplessis

Online Midwinter Seminar (OMS)

In her novels A Deadly Education, The Last Graduate, and The Golden Enclaves, Naomi Novik constructs a world in which school is Hell and the outside world is Heaven—or so it seems from the inside. From the competition and internal hierarchies that exist between the students, to the monsters, or “mals” that stalk students and devour them for their “mana,” to the brutal lessons, harsh punishments, and presumed Darwinism of the school itself, the inside of the Scholomance seems the embodiment of Hell to the novel’s protagonist and central consciousness “El,” short for Galadriel, even as she …

From Fiery Pit Of Divine Fire To The Watery Caves Of Primordial Chaos: The Realm Of The Dead, A New Hell Of A Place, Gaëlle Abaléa

Online Midwinter Seminar (OMS)

Representations of hell used to have an educational purpose, they conveyed edifying messages: be good or you will suffer for all eternity. Since the rise of psychology, the representations of Hell have evolved, losing their religious content yet, paradoxically, enduring. If they lost their religious purpose, they kept an ancient mythological architecture. Garth Nix’s Old Kingdom series’ depiction of Hell is at the same time Greek, with the river running as an entry point to the realm of the dead, adding a Bachelardian influence to the picture with the omnipresence of water. Besides, travelling through hell is a journey through …

A Nostalgic Understanding Of Bureaucracy As Hell, Mayank Kejriwal

Online Midwinter Seminar (OMS)

There is a wide body of visual and literary cultural media on interpreting the over-bureaucratization in modern society as modern hell. I argue that more recent post-modern depictions of bureaucracy, especially in visual media, have been less disquieting. Apple’s Severance tapped into deep uncertainties that modern workers face on issues like work-life balance and self-actualization, but if bureaucracy is present, it is well concealed under the gloss and efficiency of modern office buildings and technology. Hell is not the first word that comes to mind even when faced with such disquiet. Gone is the visceral fear associated with hell, or …