Digital Commons Network^™

A Twilight World Of Unspeakable Horror: Lesbian Camp And The Vampire Lovers (1970), Mirielle Lemay

University Honors Theses

From the late 1960s through the early 1970s, a wave of lesbian vampire themed exploitation films proliferated through UK, US, and Western European cinemas. In critical literature on this subgenre, camp reading is often dismissed, unacknowledged, or understood as circumscribed by authorial intent and/or intended audience. With this alternating lack of attention to and dismissal of camp, the interpretive agency of the queer spectator is constrained, their spectatorship implicitly subordinated to that of the "conventional" horror audience—the voyeuristic-sadistic male spectator. Through a reading of The Vampire Lovers, a 1970 British production from Hammer Studios, I seek to explore how …

Corazones Urbanos: Literary Cartographies And Southwest Cities In The Mexican American Spatial Imaginary, Jorge A. Hernández Jr.

Spanish and Portuguese ETDs

Corazones Urbanos: Literary Cartographies and Southwest Cities in the Mexican American Spatial Imaginary examines how Mexican American writers from Tucson, San Antonio, and Albuquerque narrate, critique, and reimagine urban space across the U.S. Southwest in the twentieth century. Integrating literary studies, cultural geography, urban history, and critical regionalism, the project analyzes responses to racialized development, urban renewal, and gentrification that have displaced Mexican American communities from historic downtowns. Moving beyond borderlands and transnational models, it advances a critically regional approach attentive to local histories, municipal policies, and community pressures shaping urban life. Through close readings of creative and nonfiction texts …

Inherited By “Merit”: What Caste Carries Across The Indian American Diaspora, Aarushi V. Jaiswal

English Undergraduate Distinction Projects

This project traces the rhetorical formation termed “meritocratic nationalism,” a political vocabulary that makes national belonging conditional on moralized merit, converting structural advantage into the language of individual character. Meritocratic nationalism is traced across three political figures whose rhetoric represents successive moments in a single ideological trajectory. Reading Narendra Modi’s 2014 and 2018 Independence Day addresses and his 2014 Madison Square Garden speech to the Indian American diaspora as the formation’s originating texts, this project argues that Modi’s recurring moral tetrad of conduct, values, traditions, and ability translated the structurally concentrated advantages of India’s upper-caste professional class into a universalist …

Project Wildest Dreams, Faith Bernier

Honors College Theses

“Project Wildest Dreams” is a hybrid psychological correlational study and short fiction collection based on anecdotes of vivid, frightening, or bizarre dreams. This collaboration of art and science explores the nature of dreaming, a phenomenon that has intrigued and perplexed both the humanities and the STEM fields for many years. The goal of this thesis was twofold: primarily, it was intended to utilize the outlandish, surreal, and unique feelings and images that dreams elicit in order to procure an anthology of surrealist and absurdist short stories across primarily the genres of horror, comedy, and fantasy. In addition to this, the …

Nathaniel Hawthorne And The Limits Of Half-Feminism, Jessica Mckenzie

Seton Hall University Dissertations and Theses (ETDs)

This project argues that while Nathaniel Hawthorne creates intellectually complex and emotionally resilient female heroines in The Scarlet Letter and The Blithedale Romance, he ultimately reinforces the patriarchal structures he appears to critique. Through the figures of Hester Prynne and Zenobia, Hawthorne demonstrates a deep awareness of women’s societal oppression and the limitations imposed upon them within nineteenth-century America. However, despite moments of resistance and autonomy, these women are never permitted full liberation, agency, or lasting fulfillment. Their narratives ultimately become constrained by the patriarchal power that denies them independence and sustaining love. Thus, Hawthorne’s work coincides with the …

Satire And Sentiment: Dickensian Characterization In Hard Times, Helen R. Ball

The Confluence

Readers of Charles Dickens both celebrate and criticize his characters, who are paramount among the quintessential aspects of his writing. His industrial novel Hard Times bears particularly the weight of such criticism in its portrayal of Stephen Blackpool, one of the Coketown factory Hands. Scholars have complained that Blackpool exemplifies, in too boring or didactic a manner, the typical virtues of the Victorian era, such as saintliness, humility, and long-suffering (Spector 365), and that his character lacks the necessary traits to compel and inspire readers.

Such a critique has prompted the following research and analysis. Using formalist observation of diction …

Volume 31

Articulāte

No abstract provided.

‘Queer Intentions’: The Effect Of Fan Culture On Rewriting Queer Representations In Media, Ava King

Articulāte

No abstract provided.

The House Of Pages: Longing, Confinement, And Women’S Imaginative Architecture, Ashtyn E. Hedlund

Undergraduate Research Journal

This article examines how women’s longing and imaginative agency are shaped, constrained, and reconstituted within domestic and psychological interiors in women’s literature. Drawing on Kate Chopin’s The Awakening, Edith Wharton’s The House of Mirth, Ann Petry’s The Street, Carmen Maria Machado’s In the Dream House, and Kelly Barnhill’s When Women Were Dragons, the essay employs bibliomancy as both method and metaphor, allowing chance, intuition, and textual resonance to guide critical inquiry. Through a symbolic “house” composed of five rooms, the article traces how each narrative transforms confinement into imaginative depth. These spaces reveal longing not …

Women In Literature And Their Ephemeral Bodies, Madeline Zafon-Whalen

English Honors Theses

This thesis is a comparative analysis of women writers from the twentieth to twenty-first century. Works by authors such as Virginia Woolf, Margaret Atwood, and Otessa Moshfegh, contain an emerging pattern and relationship linked through an ephemeral bodied aesthetic which depicts women's bodies as deconstructed, intangible, and undefined.

The first chapter analyzes works by Woolf, including To the Lighthouse and A Room of One's Own. Starting in the modernist age we see the body coming into question, becoming denaturalized while the institution of the "novel" is renewed through women's contributions to the literary canon. Women’s productivity, and the potential to …

Fighting Like A Girl: The Trauma, Power, And Resistance Of Heroines In Young Adult Fantasy, Sara L. Chappell

ATU Theses and Dissertations 2021 - Present

This thesis examines the evolution of female rage in young adult fantasy literature, focusing primarily on Sarah J. Maas’s Throne of Glass series while drawing comparisons to other contemporary heroines. It argues that female rage is not a sign of instability but a politically meaningful response to trauma and systemic oppression. Using trauma theory, affect theory, and narrative identity theory, this project traces how Aelin Ashryver Galathynius’s rage develops from a physiological survival response into protective care, political resistance, and ultimately reclaimed agency. Early in the series, her anger emerges as dissociation and emotional shutdown shaped by trauma and institutional …

Through The Lens Of “Kigo”: Understanding Japanese American Wwii Poetry, Grace C. Shields

Honors College Theses

In 1957, nearly ten years after the closing of Tule Lake Segregation Center in Newell, California, the last of the ten War Relocation Authority (WRA) concentration camps to close, author Keiho Soga writes on a piece of paper:

“Untitled”

By: Keiho Soga

Beyond the forbidding fence 

Of doubled barbed wire 

The mountain, 

Aglow with purple,

Sends us its greetings.

In this brief moment of reflection, Soga recounts his time in Sand Island Internment Camp, another of the Japanese American internment camps established during World War II by the United States government after the attack on Pearl Harbor in December 1941. …

Narrating Injustice: Race, Law, And American Literature, Taylor A. Levine

Honors Scholar Theses

This project examines the relationship between race and law as it is portrayed by works of American literature. It argues that the gap between the legal system’s claims of neutrality and the lived experiences of Black individuals exposes systemic injustice that may be concealed in traditional legal discourse. Texts examined include Twelve Years a Slave by Solomon Northup, To Kill A Mockingbird by Harper Lee, and The Hate U Give by Angie Thomas. Additionally, Prison Noir, an anthology of narratives written by incarcerated individuals edited by Joyce Carol Oates, is examined to emphasize how modern mass incarceration works to …

"Pee Wee" Gaskins And The Subjectivity Of History, Henry Capps

Caravel Undergraduate Research Journal

No abstract provided.

Mouth, Sex, And Hungry Heart: Anatomy Of The Short-Form Fairy Tale Retelling, Emma M. Murray

English Honors Projects

This project traces the past fifty years of short-form fairy tale retellings authored by women, identifying formal and thematic continuities that define the mode. Building on Adrienne Rich’s concept of “revisioning,” it argues that the political work of these intertextual tales has evolved alongside feminist and queer theory, the emergence of fairy tale studies, and the cultural dominance of children’s fairy tale media. It delineates the short-form retelling as a distinct genre, highlighting its subversive feminist tendencies, and draws on affect, aesthetic, and queer theory, and genre studies to show how these texts reshape narrative expectations and cultural norms.

Beyond Duality: The Doppelganger And The Multiplicity Of Identity In Oscar Wilde's The Picture Of Dorian Gray, Alyssa Roberts

Theses, Dissertations and Culminating Projects

This paper argues that Oscar Wilde uses The Picture of Dorian Gray to transform the Gothic doppelganger from a symbol of moral duality into a site of multiplicity that exposes the instability of identity. Earlier iterations of the double–ranging from mythic traditions to nineteenth-century texts—such as The Strange Case of Dr. Jekyll and Mr. Hyde—tend to structure the self through binary opposition. Wilde, however, reconfigures the double as an accumulative and dynamic process. This paper analyzes how Wilde disrupts the rigidity of Victorian binaries and society’s investment in duality through the portrait’s accumulation of the consequences of Dorian’s actions as …

The Outsider And The Enemy: Colin Wilson On Wyndham Lewis, Luke Gilfedder

The Journal of Wyndham Lewis Studies

No abstract provided.

Volume 12, 2024/2025, Full Issue

The Journal of Wyndham Lewis Studies

No abstract provided.

Time And The Small Man: Lewis's Early Democratic Tendencies, Alexander Alfred Scott

The Journal of Wyndham Lewis Studies

No abstract provided.

Dis/Remembrance: Expressions Of Intergenerational Memory And Where Legacy Lingers: American Warfare, 50 Years From Saigon, Eli(Se) Davidson

Undergraduate Honors Thesis Collection

Over fifty years from the Fall of Saigon, the United States continues to question its participation in unjust warfare, both as a nation and as a people. This study examines the transmission of war stories amongst families: specifically, what becomes negotiated in the thresholds of memory and narrative, and what might become of those spaces across past, present, and future. While prior discourse has centered on the authority and authenticity of war memory through political discourse, historical narrative, and public memorialization, the role of storytelling within families remains underexplored. This research addresses that gap through interdisciplinary inquiry and qualitative ethnography …

"Some Women Make It Look So Easy": An Analysis Of Jenny Offill's Fragmentary Novels And Their Critique Of Postfeminist Sensibility, Kimberly Crooks

Theses, Dissertations and Culminating Projects

Jenny Offill’s novels Dept. of Speculation and Weather are each narrated by a woman who exists in a postfeminist era that insists upon the achievability of a happy work-life balance. Despite the lofty career aspirations now afforded to women, the protagonists find themselves burdened by the gendered responsibilities that disproportionately hold them responsible for domestic duties, childcare, and emotional labor. Both protagonists use a fragmented narrative style to convey their consciousness, and the texts are composed of hundreds of short fragments that include memories, self-reflections, philosophical musings, lines of poetry, fun facts, questions, and more. While the narratives do not …

"I Exist In Triple": Parisian Influence, And The Three-Way Split In James Baldwin's Giovanni's Room (1956), Paloma Lupino

Theses, Dissertations and Culminating Projects

James Baldwin's novel Giovanni's Room was received as a rebellion against his cohort of ex-patriate Black writers due to its entirely white cast. This thesis investigates how the Parisian influence of the Black writers in Paris served as inspiration for the creation of Baldwin’s second publication. The use of racial frameworks progresses the discussion of a different topic: queerness. Giovanni’s Room will be explored in the following ways: Paris as the internal environment of the novel and Baldwin's backdrop in the novel's creation, the conversation of ex-patriate Black writers, feminism, intersectionality, hygiene as queerness, and a three-way split of consciousness. …

An Invasion Of The Intimate Sphere: The Manipulation Of Libido Under Totalitarian Regimes, Elyssa Lucero

Theses, Dissertations and Culminating Projects

This paper examines the temporal nature of libidinal control in the totalitarian systems represented in George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World. Arguing that the most enduring forms of domination operate through the reorganization of desire, the essay explores how regimes intervene in familial, romantic, and social attachments to redirect affective energy towards the state. Orwell depicts a primitive, reactive phase of control in which attachments are violently ruptured, whereas Huxley imagines an advanced system that operates through preemption, never allowing attachments to form. Drawing on Freud’s theory of redirected libido, Berlant’s theory of Cruel Optimism, Marxist …

The Rise Of Romantasy: Female Desire, Monstrous Feminists, Fairy Tale Ideology, And Societal Panic, Rachel Stucki

English (MA) Theses

This thesis argues that the contemporary rise of Romantasy is not merely a publishing trend but a significant literary and cultural development through which female desire, agency, and subjectivity are being renegotiated. Tracing a historical continuum across Gothic horror, fairy tale discourse, and contemporary fantasy romance, I contend that patriarchal ideology has long constructed women according to a restrictive binary: either silent and compliant, or monstrous and punishable. Drawing on theorists including Jack Zipes, Barbara Creed, Cristina Santos, Maria Tatar, Louis Althusser, and Jeffrey Andrew Weinstock, this project examines how literary forms have both reflected and reinforced cultural anxieties surrounding …

"Obsessive Myth:" Disturbing The Grammar Of The Lyric And Epic In Theresa Hak Kyung Cha's "Dictee", Noelle (Nell) Kriegel

All Theses

The archival text Dictée by Theresa Hak Kyung Cha spans many genres, making it a highly hybrid text. Cha uses personal letters, official government documents, images, prose, dictation exercises, translations, and poetry to create a composite identity of women neglected through history. Dictée’s hybrid form allows it to experiment with the lyric and epic traditions, challenging their forms to adequately reflect the lived experience of oppressed women. Dictée’s hybridity is but one aspect of its interrogation of literary form and language; the text also plays with grammar, specifically pronouns, to depict a genealogy of female voices as they relate to …

Investigating The "Party Consciousness": Gender Normativity & Affect In Woolf’S Party Scenes In “To The Lighthouse” & “Mrs. Dalloway”, Chelsea Goodman

English

In 1925, Virginia Woolf wrote in her diary, “…I should like to investigate the party consciousness…where people secrete an envelope which connects them and protects them from others, like myself, who am outside the envelope” (DIII 13). Woolf’s metaphor of the “envelope” reflects how parties have the potential to be places of community and, conversely, of alienation. In literary criticism, Woolf’s parties are often simplified and read as sites of communion. I argue that instead of a suspension of normativity across all characters, which one might expect in a party scene, Woolf’s domestic party scenes solidify, reflect, and enforce …

Reigniting Identity: Rediscovering My Teaching, Lifelong Learning, And Myself, Rachel Griffith

Master of Arts in English Plan II Graduate Projects

A culmination of two years of work and self-discovery represented through three different types of writing, two academic and one creative. The academic works explore communication and autism in the English classroom, as well as teaching technical writing in practice ways. The creative work is a poetry portfolio that is one of the author's proudest works from their degree track, covering a variety of topics from love to nostalgia to inner turmoil. Together, they narrate three reasons why the author writes, teaches, and lives.

Cartoons From Dickinson Poetry, Abby B. Tarr

Theses/Capstones/Creative Projects

This zine interprets poems by Emily Dickinson through cartoons. The drawings do not replace the poems. They offer a different way to understand them, translating abstract language into clear, visual moments. This approach shows how meaning can shift when it moves between forms, from text to image. The zine invites readers to engage with Dickinson’s work in a different format while still preserving the original work and context.

“Before Your Honour?”: Divine Morality And Women Reclaiming Power In Ben Jonson’S Volpone And William Shakespeare’S Measure For Measure, Delilah G. Fleming

Theses and Dissertations

This thesis explores how the female protagonists in Shakespeare’s Measure for Measure and Jonson’s Volpone navigate and combat corrupting patriarchal forces through moral religious speech. In both plays, the male characters have allowed false gods and hypocrisy to dictate and justify their corrupt behavior. By engaging with the historical significance of early modern female rhetoric this thesis examines Jonson’s Celia and Shakespeare’s Isabella, and how they operate in the interest of godly virtue rather than blind obedience to patriarchal figure heads.  Volpone’s Celia is a character largely neglected in the canon, and whose speech emphasizes the relationship between female agency …

The Process Of Othering: Grief And Shame In Kanafānī’S “The Land Of Sad Oranges”, Eman M. Ahmad

Theses and Dissertations

This thesis examines how “othering” shapes Palestinian experience through Ghassan Kanafani’s fiction and Frantz Fanon’s theory. It argues that othering produces grief, survival, and resistance rather than assimilation, and proposes a model centered on power, dehumanization, and identity to explain how domination is sustained and challenged.