Digital Commons Network^™

The Hacker And The Hawker: Networked Identity In The Science Fiction And Blogging Of Cory Doctorow, Robert P. Fletcher

English Faculty Publications

No abstract provided.

"The Future In The Instant": Posthumanism(S) In Early Modern English Drama, Farrah Lehman

Department of English: Dissertations, Theses, and Student Research

This dissertation examines prominent points of intersection between early modern English theatrical practices and posthumanist, post-cybernetic new media theory as a means of interrogating assumptions about “media narratives” (here, the development of dramatic blank verse), proto-Brechtian anti-illusionism, and sensory encounter related to the late sixteenth-and early seventeenth century stage. The arguments presented here in part rely on the work of three present-day critics: Mark B.N. Hansen, N. Katherine Hayles, and Brian Massumi, all of whom explore posthumanist theory while addressing possibilities for posthumanist practices within the humanities. Examining a wide range of texts, including plays and pro-and anti-theater tracts, initially …

On Dirty Words: An Attempt To Intimate The Conundrum Of The Sin, Yazid Basthomi

Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

This article analyzes the use of dirty words with reference to sociolinguis- tic and Saussurean conceptual frameworks. It starts with a personal-anecdotal ac- count on the difficulties in dealing with didactic issues in relation to the use of dirty words. In the guise of tackling the problem, sociolinguistic explanation is pursued, which, in the end, shows that sociolinguistic explanation is not really adequate to handle the issue. This relates to the possible notion that dirty words might be enacted as a (very) personal expression, devoid of any physical addressees. Saussu- rean linguistic concepts are also explored, and, yet, similar to …

Degrees Of Emotion: Judicial Responses To Victim Impact Statements, Mary Lay Schuster, Amy Propen

English

Emotional standards and hierarchies in the courtroom may affect judicial reactions to victim impact statements. Based on judicial conversations and courtroom observations in two judicial districts in Minnesota, we suggest that judges contrast emotion with reason in order to maintain control of their courtrooms; when faced with emotional expressions in victim impact statements, judges appreciate expressions of compassion and tolerate expressions of grief but are uncomfortable with expressions of anger. These judicial responses to emotional expression, however, must be contextualized; for example, the judges we spoke with often articulated different reactions to impact statements given by victims of sexual assault, …

Wiki-Hacking: Opening Up The Academy With Wikipedia, Adrianne Wadewitz, Anne Ellen Geller, Jon Beasley-Murray

English Faculty Publications

No abstract provided.

Global Audiences, Local Images: The Question Of Exoticization In Slumdog Millionaire, Tika Lamsal

Rhetoric and Language Faculty Publications and Research

No abstract provided.

Memories Cloaked In Magic: Memory And Identity In Tin Man, Anne Collins Smith

Faculty Publications

In Replications: A Robotic History of the Science Fiction Film [Urbana and Chicago: University of Illinois Press, 1995], J. P. Telotte argues that "through its long history, one that dates back to the very origins of film, this genre [science fiction] has focused its attention on the problematic nature of human being and the difficult task of being human." [1-2] The thesis of the book, he states, is "relatively simple—that the image of human artifice ... is the single most important one in the genre. [...] Through this image of artifice, our films have sought to reframe the human image …

Hunger, History, And The Shape Of Awkward Questions: Reading Sarah Klassen’S Simone Weil As Mennonite Text, Tanis Macdonald

English and Film Studies Faculty Publications

No abstract provided.

Real Artificial: Tissue-Cultured Meat, Genetically Modified Farm Animals, And Fictions, Susan Mchugh

English Faculty Publications

Although touted by promoters as the cutting edge of food science, meat produced in vitro (rather than from a whole animal) is emerging more directly from developments in fine art—more specifically, from the aesthetic experiments of Australian-based artists Oron Catts and Ionat Zurr, who ask: What language do we have to describe the agency of tissue-cultured life? This essay begins to answer this question by tracing a tradition whereby bioengineered meat mediates complex environmental critiques in literary fiction over the past century, including Margaret Atwood’s exemplary novel Oryx and Crake (2003), which depicts biotech industries producing three distinct kinds of …

Going Public: What Writing Programs Learn From Engagement, Shirley K. Rose, Irwin Weiser

All USU Press Publications

An important new resource for WPA preparation courses. In Going Public, Rose and Weiser moderate a discussion of the role of the writing program vis-a-vis the engagement movement, the service learning movement, and the current interest in public discourse/civic rhetoric among scholars of rhetoric and composition. While there have been a number of publications describing service-learning and community leadership programs, most of these focus on curricular elements and address administrative issues primarily from a curricular perspective. The emphasis of Going Public is on the ways that engagement-focused programs change conceptions of WPA identity. Writing programs are typically situated at points …

A Philology Of Liberation: Dr. Martin Luther King, Jr. As A Reader Of The Classics, Thomas Strunk Ph.D.

Verbum Incarnatum: An Academic Journal of Social Justice

This paper explores the intellectual relationship between Dr. Martin Luther King, Jr. and the classics, particularly the works of Plato, Sophocles, and Aeschylus. Recognizing Dr. King as a reader of the classics is significant for two reasons: the classics played a formative role in Dr. King’s development into a political activist and an intellectual of the first order; moreover, Dr. King shows us the way to read the classics. Dr. King did not read the classics in a pedantic or even academic manner, but for the purpose of liberation. Dr. King’s legacy, thus, is not merely his political accomplishments but …

Volume 42 (2010), C. V. Davis

The Broad River Review

The 2010 edition of The Broad River Review was edited by C. V. Davis. The publication contains fiction, non-fiction, art, poetry, and photography. The cover was photographed by Justin Roper. The winner of the J. Calvin Koontz Poetry Award, given annually for a portfolio of poetry to a senior English major, is Nicholas Laughridge. The Broad River Review Editor's Prizes in Fiction and Poetry are chosen among all submissions from Gardner-Webb University students. The prize in poetry was awarded to Jennifer Hart for her work titled, "In August." The prize in fiction was awarded to Sarah Steadman for her work …

Acting His Age?: The Resurrection Of The 80s Action Heroes And Their Aging Stars, Philippa Gates

English and Film Studies Faculty Publications

No abstract provided.

Is Gothic Dead?:Tthe Evolution Of The Vampire Novel, Janis Haigwood Hudson

Theses Digitization Project

Critic Fred Botting claims that the gothic genre is dead due to reader's assimilation of horror in their everyday lives. He cites violence on the news and graphic documentaries as ways in which people can be desensitized to gothic books and movies. This, according to Botting, results in a lack of expected reader/viewer reaction and is the basis of his assertion. This thesis examines three vampire novels: Dracula (1897), I Am Legend (1954), and Carrion Comfort (1984). These three novels were written over a span of one hundred years and published almost fifty years apart. When examined from a male …

Neither A Wife Nor A Whore: Deconstructing Feminine Icons In Catherine Breillat's Une Vieille Maîtresse, Douglas Keesey

English

This article undertakes a close reading of Catherine Breillat’s recent film Une vieille maîtresse (2007) to show why this, her first heritage film, is nevertheless strongly relevant to the gender politics of today. The author argues that Breillat’s cinematic deconstruction of differences between women is designed to undo the polarising effect of patriarchal representations of women as madonnas or whores — media images still prevalent even in these days of mixité and parité. Despite a tendency on the part of some reviewers to take the film’s gender images at face value, the author argues that Breillat’s interest lies not …

A Hybrid Genre Supports Hybrid Roles In Community-University Collaboration, Timothy Henningsen

English Faculty Scholarship

This chapter describes how community-university collaboration is created

by the Chicago Civic Leadership Certificate Program (CCLCP), an

undergraduate program offered at the University of Illinois at Chicago

(UIC). In CCLCP, partners from community-based, not-for-profit organizations

mentor first- and second-year students who complete writing and

research projects that their partner organizations need. In effect, then,

CCLCP’s community partners function as co-teachers, collaborating with

university instructors to direct, monitor, and evaluate student work; this

teaching relationship builds on a deeper and more interesting collaboration:

the bilateral development of students’ community-based projects.

Zephyrus, Western Kentucky University

Student Creative Writing

The fine arts magazine of Western Kentucky University at Bowling Green.

Audible Identities: Passing And Sound Technologies, Pamela L. Caughie

English: Faculty Publications and Other Works

At the March 2008 conference of the Association for Recorded Sound Collections held at Stanford University, audio historians played what they claim is the first recording of the human voice. It is a presumably female voice singing Au clair de la lune, though the distorted quality of the 10-second recording renders the words no more decipherable than the singer’s gender to an untutored ear. The recording was made in Paris in April 1860 on a ‘phonautograph’ invented by Édouard-Léon Scott de Martinville (aka Leon Scott), nearly 20 years before Thomas Edison patented the phonograph in 1877. Sound waves captured …

Rent Party Music: A Reflection Of Cultural Identity In The Blacker The Berry, Angela Lankford

Criterion: A Journal of Literary Criticism

No abstract provided.

Representation Of The "Real" In Joan Didion's Democracy, Alyse Leininger

Criterion: A Journal of Literary Criticism

No abstract provided.

Ua68/6 Much Ado About ... Quite A Lot: An English Department Newsletter, Department Of English

English Department Publications

In the areas of research, scholarship, creativity, and teaching excellence, the English faculty has enjoyed a rich and varied year. The quality of the faculty’s work is evident in the public recognition and honors they have received. We are pleased to share some of our achievements

Negotiating Cultural Identities Through Language: Academic English In Jordan, Anne-Marie Pedersen

English Faculty Articles and Research

This article discusses how a group of multilingual scholars in Jordan negotiate multiple linguistic and cultural affiliations. These writers' experiences demonstrate the varied ways English's global dominance affects individuals' lives. The scholars find both empowerment and disempowerment in English, viewing English as linked to Western hegemony in some situations and as de-nationalized and de-territorialized in others.

2010 Complete Digest, Department Of English

Gleanings: Department of English Blog Archive

No abstract provided.

Voices: On Stage And In Print, 2010, Utah State University Department Of English

Voices of USU

This collection of student writing represents the voices of over 2,000 students who enroll each academic year in Utah State University’s second-year composition course, Intermediate Writing: Research Writing in a Persuasive Mode. Voices of USU celebrates excellence in writing by providing undergraduate students of diverse backgrounds and disciplines the opportunity to have their work published.

Sources Of Fear In American Society: Representations In Short Horror Fiction, 1950s-Present, Mona Moin Syed

Theses Digitization Project

This study examines the ways in which short American horror fiction has always revolved around fundamental fears of mortality, and how these fears have shifted across the span of three specific timeframes. Using a historical lens, this study also explores what the specific nature of mortality fears, as reflected in particular instances of short horror fiction, historically reveal about contemporaneous cultural attitudes toward end of life issues, loss, doubt, and grief. This study also traces how the perceptions of mortality have dynamically changed in American society from 1950s to present times in accordance with powerful historical events, varying cultural contexts, …

True Blood: The Vampire As A Multiracial Critique On Post-Race Ideology, Nicole Rabin

Journal of Dracula Studies

No abstract provided.

The Fear Of Castration And Male Dread Of Female Sexuality: The Theme Of The “Vagina Dentata” In Dracula, Laura Linneman

Journal of Dracula Studies

Bram Stoker’s Dracula reflects the Victorian fear of reverse colonization by the “Other” or the encroachment of the outsider on the British Empire as well as the repression of sexuality in Victorian England; however, there is one facet of the text that has never been fully explored: the inherent male fear of castration and feminine sexuality as well as its relationship to the “vagina dentata” motif. Furthermore, this dread of female sexuality has not been adequately explored in light of the novel’s historical context. Written during the rise of the New Woman, Stoker crafts a response to the increasing independence …

Vampirism, And The Visual Medium: The Role Of Gender Within Pop Culture’S Latest Slew Of Vampires, Kristopher Broyles

Journal of Dracula Studies

No abstract provided.

Our Lady Of The Telegraph: Mina As Medieval Cyborg In Bram Stoker’S Dracula, Eric Brownell

Journal of Dracula Studies

No abstract provided.

Vamping Up Sex: Audience, Age, & Portrayals Of Sexuality In Vampire Narratives, Melissa Ames

Journal of Dracula Studies

No abstract provided.