Digital Commons Network^™

The White Album As Neo-Victorian Fiction Of Loss, Lucas Kwong

Publications and Research

Although much has been written about the Beatles' celebration of Victorian culture on the album Sgt. Pepper's Lonely Hearts Club Band, little scholarship, if any, has focused on the White Album’s relationship to the late Victorian period. This paper examines the White Album through the lens of what Victorian studies scholar Stephen Arata has called “fictions of loss,” a body of late Victorian texts depicting intertwined processes of “national, biological, [and] aesthetic” decline. Through examining songs like "Helter Skelter" and "Revolution Number 9," I argue that the White Album deserves consideration alongside Dracula and She as a “fiction of loss,” …

Gower As Data: Exploring The Application Of Machine Learning To Gower’S Middle English Corpus, Kara L. Mcshane, Alvin Grissom Ii

Accessus

Distant reading, a digital humanities method in wide use, involves processing and analyzing a large amount of text through computer programs. In treating texts as data, these methods can highlight trends in diction, themes, and linguistic patterns that individual readers may miss or critical traditions may obscure. Though several scholars have undertaken projects using topic models and text mining on Middle English texts, the nonstandard orthography of Middle English makes this process more challenging than for our counterparts in later literature.

This collaborative project uses Gower’s Confessio Amantis as a small, fixed corpus for analysis. We employ natural language processing …

Standing In The Dark: Sloth And Stability, Paralysis And Perseverance In Book Iv Of The Confessio Amantis, Andrea Schutz

Accessus

In Book IV of the Confessio, things happen in the dark – the dark of night, of dreams, of despair, of secrecy, of treachery, of death. The medieval sin of accidia sets the pace for this beautifully constructed book, whose tales link and cross, as in a dance. Dido, Phyllis, the bad, the forgetful, and the obsessive lovers swing like slowing pendulums back to their starting points, and stop still. On the whole, their dance with Amans is a slow and stately pavane of the dead and desperate. This is Gower’s darkest book, though not the most bloody: Sloth is …

Narcissus In Queer Time, Lacey M. Wolfer

Accessus

Queer temporality has been studied in relation to the Middle Ages as a means of questioning the prevailing historiography for other modes of connection to the past, such as embodied or affective. Conversely, the other branch of queer temporality has been primarily interested in how queer lifestyles today disrupt the heteronormative plan laid out by society. Joining these modes, Gower’s revision of Narcissus questions our notions of historiography through showing us an example of a queer, transgender character and his struggles with heteronormative expectations—demonstrating that the medieval is not so disconnected from the modern.

One Voice, Ancient And Resigned, Will Rogers

Accessus

While we know, or at least can imagine, what Gower looked like in his old age, it is hard to imagine or hear his voice. And yet, given what we know about his old age and visual impairments, his voice necessarily was important to his old age and continuing revisions of his texts. In this article, I attempt to reconstruct from some of his later poetry what that voice might have sounded like, at least in-text, and piece together how later authors heard that voice of old age.

Dark Money: Gower, Echo, And 'Blinde Avarice', Craig E. Bertolet

Accessus

Gower’s poetic works show a consistent concern with the darkness and deceit associated with Avarice, the sin mostly associated with commercial transactions. In the Confessio, he calls Avarice blind. This blindness seems to work both ways. Avarice blinds humans to their humanity because it causes them to cheat and steal from others. Avarice also blinds the victims of the greedy since the greedy resort to deception in order to gain what they want. In the Confessio, Genius tells the tale of Echo as an example of the practices that he calls usury but who works as an amalgam …

The Friendly Monster And The Complacent Queer: Assimilationist Approaches To Modern Adaptations Of Frankenstein's Creature, Cassandra Karn

Women's and Gender Studies: Student Scholarship & Creative Works

Monsters have been representations of othered communities since before the creation of the novel, so the Creature in Mary Shelley's Frankenstein should be no exception. The Creature defies binaries and rages against social injustice, making him a queer figure of resistance. However, modern adaptations of the Creature attempt to assimilate the Creature into the larger culture, removing both its queerness and its resistance. This unqueering brings into question how othered populations become accepted, and the cost paid for such acceptance.

Who Owns The Bard?: P. T. Barnum, Charles Dickens, And The Shakespeare Birthplace Showdown Of 1847, Abigail Clayton

Undergraduate Honors Theses

In the twenty-first century age of globalization, debates over global versus national ownership of cultural heritage remain at the forefront of public consciousness. The cultural ownership of William Shakespeare, who is idealized as both a distinctly British icon and a global literary influence, has become contested ground; but, in fact, as I argue, this tension first boiled to the surface in 1847. In the spring of that year, newspapers advertised that Shakespeare’s birthplace in Stratford-upon-Avon would soon go up for public auction. Rumors immediately began circulating that the American showman P. T. Barnum, who had recently barnstormed through England with …

The Music Of Character Development And Point Of View, Rebecca Padgett

English Creative Writing Theses

For my thesis, I have written a novel and (accompanying analysis essay) that examines Nashville’s country music scene from Broadway to Music Row. Through the use of a third person narrator and multiple points of view, I delve into the lives of Broadway musicians, songwriters and touring artists.

Metafiction As Anti-Genre Across Narrative Mediums, Jesse Matlock

Student Theses and Dissertations

This thesis examines the various functions of self-conscious and self-reflexive narrative such as authorial control over meaning, mutability of history, and ontological exploration/experimentation such as the relationship between fiction and reality. It examines texts from multiple narrative genres and media (novels, comic books/graphic novels, film, and theater) as well as established critical work on metafiction, such as Patricia Waugh’s Metafiction: The Theory and Practice of Self-Conscious Fiction, Robert Alter’s Partial Magic: The Novel as a Self-Conscious Genre, and Linda Hutcheon’s “Historiographic Metafiction” to establish the prototypical characteristics of metafiction. It also discusses the specific ways in which these metafictional practices …

Adaptations: The Graphic Novel And Shakespeare's Hamlet, Candice Boren

Undergraduate Honors Theses

This thesis covers three main ideas. First, there is a discussion of how an adaptation should be studied, using the film adaptations of The Lord of the Rings in comparison to the books written by J. R. Tolkien. This establishes what relationship an adaptation has to its original text and the capability of achieving fidelity. The second section focuses on graphic novels and the unique characteristics they possess, looking specifically at two graphic novels, Persepolis by Marjane Satrapi and March by John Lewis. This section ends with an analysis of how the graphic novel could prove to be beneficial to …

Bruess Reenvisions Msa

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2020 Oklahoma Research Day Full Program, Southwestern Oklahoma State University

Oklahoma Research Day Abstracts

No abstract provided.

2020 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2020 IGGAD Conference: Without Borders: Tracing the Cultural, Archival, and Political African Diaspora.

The Ethics And Politics Of Breastfeeding: Power, Pleasure, Poetics By Robyn Lee And Wild Child: Intensive Parenting And Posthumanist Ethics By Naomi Morgenstern, Gina M. Granter

The Goose

Book Review of:

The Ethics and Politics of Breastfeeding: Power, Pleasure, Poeticsby ROBYN LEE

and

Wild Child: Intensive Parenting and Posthumanist Ethicsby NAOMI MORGENSTERN

Creating And Using Open Educational Resources (Oer) In Reading And Writing Classes, Christine E. Hutchins

Publications and Research

Creating her own assignments using openly licensed course materials allows this professor and her students to be more creative and to take greater advantage of digital resources.

Free Battered Texas Women: Survivor-Advocates Organizing At The Crossroads Of Gendered Violence, Disability, And Incarceration, Cathy Marston Phd

Verbum Incarnatum: An Academic Journal of Social Justice

This article recaps my symposium presentation, where I argue that feminist organizing strategies are central to healing our society and creating restorative justice from my perspective as a survivor of occupational injury, battering, and criminalization for self-defense. This includes the creation of Free Battered Texas Women. We prefer to think of ourselves as survivor-advocates who use a variety of tactics to empower ourselves, incarcerated battered women, and citizens. These strategies include pedagogy; poetry and other written forms; art; and legislative advocacy. I blend this grassroots activism with feminist disability theory, radical feminist theory, feminist ethnography, and feminist criminology.

River Woman By Katherena Vermette, Jessica I. Ruzek

The Goose

Review of Katherena Vermette's river woman

Disrupting Mythological Foundations Of Identity: Hugh O'Neill, Making History, And The Troubles, Elizabeth Ricketts

Critical Inquiries Into Irish Studies

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Massey Speaks On Change In Msa

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The George Eliot Archive: Current Reception & Comparison Of Dh Projects, Mackenzie Burch

Honors Program: Senior Projects (Public)

As the field of Digital Humanities continues to grow, the projects also continue to develop their own identities with unique goals. The interdisciplinary nature of multimedia projects has allowed DH to develop in a number of different directions. As a research assistant for the George Eliot Archive digital project launched in early 2019 at the University of Nebraska-Lincoln, it is essential for us to stay current this development in the field of DH.

Through exploring twenty digital projects and archives at various stages of development or establishment, I have gained a cohesive and current snapshot of Digital Humanities projects, and …

Voice, Choice, And ( Material ) Agency: The Sexualized Feminine Body In Young Adult Literature, Tharini Viswanath

Theses and Dissertations

My study unites two disparate strands of feminist theory: the linguistic, which emphasizes the relationship between language and power, and the material, which argues that the human body has its own agency. I raise three main points. First, I contend that the sexualized feminine body is the site of neither the linguistic nor the material independent of one another, but both the linguistic and the material existing in a state of fluidity and interdependency, which combine to grant the young female character agency. Second, I contend that feminist novels should not only have strong female characters, but that they should …

Criminal Justice Bias: Fact Or Fiction, Hiba Mobarak

Quest

Objective Analysis

Research in progress for CRIJ 1301: Introduction to Criminal Justice

Faculty Mentor: Stefanie LeMaire

The following paper represents work produced by a student in an Introduction to Criminal Justice course at Collin College. The paper is an objective analysis of prominent research regarding potential police biases and how officers’ decisions may be influenced by a suspect’s race. The topic of racial bias within policing is quite controversial, as evidenced by the community protests, media coverage, and destruction that has ensued after officer-involved shootings. This assignment asks students to objectively review scholarly research on police bias and constructively criticize …

Father Ciferni Takes The Chair

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The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought, Fryderyk Kwiatkowski

CLCWeb: Comparative Literature and Culture

The article offers a Valentinian interpretation of the Hollywood film The Others (2001). A particular attention is paid to the ways in which cinematic motifs and narrative elements of the film draw on myths, ideas and symbolic imagery present in Valentinian works, especially in the Gospel of Truth (NHC I, 3) and the Gospel of Philip (NHC II, 3). In the course of the heuristic analysis, the paper argues that although the film employs Valentinian ideas, it depicts different understanding of the world. This issue is addressed in the last part of the article by situating the film within broader …

Dyed In Mummy: The Stratford Festival’S Modern Orientalist Approach To Shakespeare’S Othello, Daisy E. Lupa

Conspectus Borealis

No abstract provided.

Missing Time: Remembrances Of History’S Return, Marissa Brostoff

Dissertations, Theses, and Capstone Projects

This dissertation chronicles a profound recent shift within the US political left from an essentially backward-looking orientation to one marked by an unfamiliar sense of timeliness. Presented chronologically, the essays included here approach the vertiginous American political landscape since 2016 through readings of cultural phenomena from Bernie Sanders’s short-lived career as an experimental writer to Caitlyn Jenner’s reality show. They make up a Trump-era diary haunted by the ghosts of twentieth-century social movements and an intellectual coming-of-age story about growing up at the end of the end of history.

Postcolonial Urban Vernacular Narratives In Contemporary Britain, Kathryn N. Moss

Dissertations, Theses, and Capstone Projects

This dissertation explores the ways in which three postcolonial writers in Britain (Samuel Selvon, James Kelman, and Suhayl Saadi) have used the vernacular as a medium for third person narrative fiction. In doing so, they have emphasized the legitimacy, beauty, and utility of languages sometimes considered debased and ugly even by their own speakers. I argue that this shift from the margins to the center of dialect or minority language in fiction is a radical—and relatively recent—one, beginning in the mid-twentieth century. By utilizing the vernacular as a medium for third person narratives, these authors are bringing non-prestige vernacular voices …

Failures Of Grace: Limits Of Tragedy In The Late Nineteenth-Century Novel, Anick S. Rolland

Dissertations, Theses, and Capstone Projects

Failures of Grace argues that nineteenth-century novelists challenge the hegemonies of literary form and the value of personal suffering through what I call the trans-genre tragic novel. This new form is emblematic of a period in which values hang in the balance and places traditional values at odds with themselves by combining the low form of the novel with the highest mimetic mode in the Western tradition: tragedy. It simultaneously proposes the most vulnerable members of society as tragic heroes in contrast to the noble figures who previously were presumed to define the genre.

Through close readings of works by …

Awful Nearness: Rape And The English Novel, 1740–1900, Erin A. Spampinato

Dissertations, Theses, and Capstone Projects

“Awful Nearness: Rape and the History of the English Novel, 1740-1900,” argues that representations of rape and sexual violence have played an unrecognized role in the history of the novel, indeed that such plots epitomize the most important epistemological questions with which the eighteenth- and nineteenth-century novel grappled. This project is both literary historical and presentist; while it describes a new genealogy of the British novel, it also traces how representations of rape have substantively shaped our contemporary understanding and rhetoric of sexual violence.

Drawing on the work of a wide array of feminist thinkers, I argue that novelistic rape …