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Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Clarissa's Treasonable Correspondence: Gender, Epistolary Politics, And The Public Sphere, Rachel Carnell

English Faculty Publications

No abstract provided.

Narrative Voicings In The Novels Of Roddy Doyle, Larry Poe

Theses, Dissertations and Capstones

Scholars have generally ignored Irish novelist and playwright Roddy Doyle. Little attention has been paid to his narrative techniques or to his development as a novelist. In the American academy, thus far, only one dissertation concerning Doyle’s novels has appeared, written in 1996, by Caramine White, at the University of North Carolina at Greensboro. White notes that her dissertation is the first on Doyle and “its basic purpose will be to introduce the novels to the reading public and to convince the reading public that Doyle, although a very popular artist, is also a gifted writer who should be taken …

Parnassus 1998

Parnassus

The 1998 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Patriarchal Mediations Of Carrie: The Book, The Movie, And The Musical, Douglas Keesey

English

No abstract provided.

Rhetoric And The Aids Virus Hunt, Carol Reeves

Scholarship and Professional Work - LAS

By comparing the papers produced by the laboratory teams of Robert Gallo and Jean Luc Montagnier during the AIDS virus hunt, we have an opportunity to discern the fine line between a bold, explicit rhetoric that may convince as well as offend and a bald, reserved rhetoric that may actually conceal important implications. Going too far in either direction may create misunderstandings and ethical dilemmas as will be demonstrated in a textual analysis deepened by an exploration of historical context and interviews with key participants. Since a public health crisis calls upon communication that thwarts misunderstandings, scientists should understand the …

Did We Both Read The Same Story? Interpreting Cultural Contexts From Oral Discourses Within The American Short Story, Hilary Siebert

Short Story

No abstract provided.

'Hardy And Eliot': A Response, Toru Sasaki

The George Eliot Review Online, ISSN: 2831-5375

In the last issue of the Review, Nicola Harris, in her Fellowship Prize Essay, discussed the different attitudes of Hardy and George Eliot to 'moral perception'.' In the course of her argument she refers to an article of mine, published several years ago, where I dealt with the same passages that she considers. Having read her piece with great interest, I should like to make the following observations.

The reference to what I said occurs where Harris is comparing the description of Boldwood looking fixedly at the Valentine that Bathsheba has sent him (,Here the bachelor's gaze was continually fastening …

Mormon Culture Meets Popular Fiction: Susa Young Gates And The Cultural Work Of Home Literature, Lisa Olsen Tait

Theses and Dissertations

The few studies of Mormon home literature that have been published to date dismiss it as inferior artistry, an embarrassing if necessary step in the progression towards true Mormon literature. These studies are inadequate, however, because they divorce the texts from their context, holding them up to standards that did not exist for their original audience. Jane Tompkins' theory of texts as cultural work provides a more satisfactory way of looking at these narratives.

Home literature is thoroughly enmeshed in the cultural discourse of its day. Beneath the surface, these didactic stories about young Mormons finding love with their foreordained …

Speaking Of The Raj: Kipling, Forster, And Scott On The English Language In British India, Victoria K. Tatko

Masters Theses

In my thesis I examine how language, particularly the English language, participated in the Raj, as depicted thematically in Rudyard Kipling's Kim (1901), E. M. Forster's A Passage to India (1924), and Paul Scott'sThe Raj Quartet (1966-1975): The Jewel in the Crown (1966), The Day of the Scorpion (1968), The Towers of Silence (1971), and A Division of the Spoils (1975). I show that all three authors portray language as central to British colonialism in India; the connection between the English language and the Empire grows increasingly problematic as the linguistic situation becomes a metaphor for the state of …

Body Oddities: Hypothetical (Com)Positions From The Physically Extreme, Mark Mcbeth

The Journal of the Assembly for Expanded Perspectives on Learning

Relying on the anomalous physicalities of the bearded woman, the hermaphrodite, and conjoined twins, this essay explores the links between the body and its constituent performances of composing.

Reviews, Katie Kane, Sheryl Mylan, Jerome Bump

The Journal of the Assembly for Expanded Perspectives on Learning

Reviews

Katie Kane. Women Writing Culture. (Gary A. Olson and Elizabeth Hirsh, Eds., 1995). Women/ Writing/ Teaching. (Jan Zlotnik Schmidt, Ed., 1998).

Sheryl Mylan. ARTiculating: Teaching Writing in a Visual World. (Pamela B. Childers, Eric Hobson, and Joan A. Mullin, 1998).

Jerome Bump. Emotional Intelligence. (Daniel Goleman, 1995).

Introduction [To Comparative Romanticisms: Power, Gender, Subjectivity Larry H. Peer And Diane Hoeveler, Eds.], Diane Hoeveler

English Faculty Research and Publications

No abstract provided.

Review Of "The Oxford Shakespeare: The Winter's Tale" Edited By S. Orgel, Nora Johnson

English Literature Faculty Works

No abstract provided.

"A Tolerable Straight Line" : Non-Linear Narrative In Tristram Shandy, Daniel L. Hocutt

Master's Theses

The non-linear narrative of Laurence Sterne's Tri st ram Shandy demands attentive readers. Written under the influence of John Locke's Essay Concerning Human Understanding, the novel satirizes Lockean "associationism" and illustrates language's inability to express ideas accurately. In the novel, words seldom convey characters' intended meanings, yet Tristram uses language effectively to narrate "self" to his readers. Rather than having his mind's workings conform to the linear nature of traditional discourse, Tristram communicates associatively to intelligent, involved readers without imposing linearity. In this study I examine scholars' work to determine Tristram 's position on Locke's ideas and use Seymour Chatman …

Which Vernacular Revival? Burns And The Makars, R.D.S. Jack

Studies in Scottish Literature

No abstract provided.

Burns And Watson's Choice Collection, Harriet Harvey Wood

Studies in Scottish Literature

No abstract provided.

Poetic Genre And National Identity: Ramsay, Fergusson And Burns, Kenneth Simpson

Studies in Scottish Literature

No abstract provided.

Some Reflections On Burns's Command Of English, Dietrich Strauss

Studies in Scottish Literature

No abstract provided.

Robert Burns And The Tradition Of The Makars, Robert L. Kindrick

Studies in Scottish Literature

No abstract provided.

Dr. Currie, C'Est Moi, Jeffrey Skoblow

Studies in Scottish Literature

No abstract provided.

Robert Burns And William Wordsworth: Positioning Of A Romantic Artist In The Literary Marketplace, Jeff Ritchie

Studies in Scottish Literature

No abstract provided.

Scots Wha Hae And A' That, A. M. Kinghorn

Studies in Scottish Literature

No abstract provided.

Hamish Henderson And The Modem Folksong Revival, Alec Finlay

Studies in Scottish Literature

No abstract provided.

The Yellowman Tapes, Barre Toelken

English Faculty Publications

This article considers the final disposal of field-recorded tapes that are believed by the informant's family to embody certain dangers to researchers, to the natural world, and to themselves. Motives for keeping or destroying the tapes are discussed in the light of modern concerns such as the Native American Graves Protection and Repatriation Act, Navajo worldview, scholarly interests, fieldwork ethics, and personal responsibilities of the fieldworker. I espouse the view that folklorists stand to learn more and do better work when scholarly decisions are guided by the culture we study, even when taking this course causes disruption in our academic …

Professionalizing Gender: The Female Gothic, Beating Fantasies And The Civilizing Process, Diane L. Hoeveler

English Faculty Research and Publications

No abstract provided.

Burns, Macdiarmid And Beyond: Transformations Of The Love Lyric And Its National Context, Margery Palmer Mcculloch

Studies in Scottish Literature

No abstract provided.

Misery And Madness?: The Irish Face In Modern Irish Drama, Rob Mawyer '98

Honors Projects

The primary point of this paper is to examine the Irish face as it is seen in these dramas, analyzing how it functions as a symbol of the identity of Irish manhood. On one level, the Irish face reflects the traditional stereotype of the Irish hero: pathetic, drunken, crazy. It incorporates everything that is detestable about being Irish. However, it is also a shield, representing a strength that is not initially apparent. The Irish face establishes a distance from the misery and emptiness of life, a distance that underscores both the isolation of the character and the inner strength that …

A C.S. Lewis Related Cumulative Index Of Mythlore, Issues 1-84, Glen Goodknight

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Author and subject index to articles, reviews, and letters in Mythlore 1–84.

Reflection/Reflected The Construction Of Female Subjectivity In Elizabeth Bowen's The Last September And The Death Of The Heart, Laura Bartlett

Masters Theses & Specialist Projects

As I read Elizabeth Bowen's The Last September and The Death of the Heart, questions arose, persisted, and remained unanswered until I undertook the project of applying poststructuralist theories to these novels. Reading The Last September, I puzzled over the female protagonist's relationship to an ancillary character, which Bowen repeatedly represents in terms of the father-daughter relationship. Reading both The Last September and The Death of the Heart, I was struck by the fact that although Bowen is typically categorized as a "classical realist," she embarks upon the quest of depicting the identity construction of two female adolescents but abandons …