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Articles 361 - 390 of 2643
Full-Text Articles in Entire DC Network
Rhetorical New Materialism, Queers, And Cringe, Katherine Anne Schell
Rhetorical New Materialism, Queers, And Cringe, Katherine Anne Schell
Theses and Dissertations
Cringe, the negative reflexive reaction we experience when we witness something embarrassing or awkward, has a bad reputation in the queer community. In online and physical queer spaces, there is a pervading belief that “cringe culture” must be antithetical to queerness, that no queer community could possibly achieve liberation until it has eradicated the threat of cringe. This thesis revises that cringe vs. queer positioning by reimagining cringe as its own rhythm of queerness and examining the productive aspects of cringe through engagement with thinkers like Karen Barad and Eve Kosofsky Sedgwick. The thesis, formatted as a response to a …
Terry Pratchett’S Witches Novels And The Consensus Fantasy Universe: A Feminist Perspective, Clair J. Hutchings-Budd Ms
Terry Pratchett’S Witches Novels And The Consensus Fantasy Universe: A Feminist Perspective, Clair J. Hutchings-Budd Ms
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
Abstract
Between 1987 and 2015, Terry Pratchett published eleven novels and one short story within his Discworld universe that came to be known as his “Witches” sub-series. In these texts he engaged with the narrative imperatives, preoccupations, and tropes which together make up the consensus fantasy universe, and those deeper mythologies and legendarium with which the author necessarily has an intertextual relationship. This paper focuses upon one aspect of that consensus universe, which is the difference between male and female magical practitioners—witches and wizards—in the fantasy canon, and how Pratchett sought to challenge and subvert the stereotypes of the genre …
Mythopoesis In Tennyson's Idylls Of The King, Rebecca A. Umland
Mythopoesis In Tennyson's Idylls Of The King, Rebecca A. Umland
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
This essay examines mythopoesis in Tennyson’s Idylls of the King. This epic Arthurian poem includes features of the futuristic and fantasy genres and confounds linear time. The poet creates an imaginary geography—one steeped in history and myth—for the arrival and departure of his remarkable hero, Arthur. Moreover, through the mythopoesis of his epic poem, Tennyson’s King is more than human, differing in both degree and kind from his knights. The bookend poems that open and close the combined Idylls represent two of Tennyson’s boldest departures from the received legend that emerged out of the Middle Ages.
A Pen, A Pencil, Or A Keyboard: Writing Center Tutors’ Perceptions, Mirta Ramirez-Espinola
A Pen, A Pencil, Or A Keyboard: Writing Center Tutors’ Perceptions, Mirta Ramirez-Espinola
Teaching/Writing: The Journal of Writing Teacher Education
A Pen, A Pencil, or a Keyboard: Online Writing Center Tutors’ Perceptions
Author, Adjunct Faculty, Grand Canyon University
Abstract
Writing can be challenging for some students, even those who have graduated high school and are moving forward to higher learning. Thus, an idea about students and writing support led to a study about writing centers and the individuals responsible for supporting struggling writers. This qualitative case study explored the tutors’ perceptions of online writing tutoring and investigated how tutors perceive their work using both asynchronous and synchronous online tutoring modes at a 4-year university. Though the writing center participating in …
Vol. 42, No. 2 - Whole No. 275, Eleanor M. Farrell
Vol. 42, No. 2 - Whole No. 275, Eleanor M. Farrell
Mythprint
Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.
Vol. 41, No. 8 - Whole No. 269, Eleanor M. Farrell
Vol. 41, No. 8 - Whole No. 269, Eleanor M. Farrell
Mythprint
Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.
Chromatic Dissensus: An Otherwise Archive Of Natural Dyes, 1700–1856, Luke Church
Chromatic Dissensus: An Otherwise Archive Of Natural Dyes, 1700–1856, Luke Church
Dissertations, Theses, and Capstone Projects
Chromatic Dissensus: An Otherwise Archive of Natural Dyes, 1750-1856 works from the premise that the absences regarding subaltern life structuring the colonial archive are an epistemological problem—that is, navigating the colonial archive requires an interrogation of the parameters and practices of knowledge formation. Building from recent scholarship in early American studies which details how eighteenth-century colonial knowledge developed out of an epistemic entanglement between British colonists, diasporic Africans, and indigenous Americans, my dissertation queries the overdetermination of colonial knowledge and subsequent occlusion of alternative parameters for knowing. Enlisting aesthetics, in its broad definition as the theorization of sense making, my …
Personal Touches: Translation Poetics In Chinese Translations Of Shakespeare Plays, Gabriella Smith
Personal Touches: Translation Poetics In Chinese Translations Of Shakespeare Plays, Gabriella Smith
Masters Theses
Translation, rather than a process of equivalency, requires linguistic and cultural mediation on behalf of the translator. Thought of in this way, the translation process becomes a process of rewriting to fit the sociolinguistic context, and the translator becomes the most important factor in determining how well a translation can fill in gaps present in the knowledge of the target audience. To provide a better understanding of how those with no training in translation seek to fit a translation to the linguistic audience they are provided, I conducted a study of two native bilingual Chinese students on the Wadsworth version …
Second Age, Middle Age, Norbert Schürer
Second Age, Middle Age, Norbert Schürer
Journal of Tolkien Research
The recent releases of the volume The Fall of Númenor and the series The Lord of the Rings: The Rings of Power raise the question: What is the significance of the Second Age of Tolkien’s legendarium? This article suggests that Tolkien conceived of the Second Age as parallel to the Middle Ages in our world, which were the focus of his academic career in his studies of Old and Middle English language and literature. As various frameworks and overviews for the legendarium demonstrate, Tolkien thought of the Second Age, like the Middle Ages, as uniquely looking backwards and forwards …
Belonging To Harlem: Reading Zora Neale Hurston’S Story In Slang, Rumi Coller-Takahashi
Belonging To Harlem: Reading Zora Neale Hurston’S Story In Slang, Rumi Coller-Takahashi
Living in Languages
This essay examines Zora Neale Hurston’s “Story in Harlem Slang” (1942) to analyze how the reading experience of the story captures relational dynamics in the community of Harlem. Written in the “Harlemese,” a distinctive lexicon developed in the 1920s, the story seemingly serves as a dictionary with an attached glossary and illustrations of the vernacular words. Reading the story, however, not so much allows the readers to join the linguistic community as requires them to be conscious of the border-crossing movements. Such a structure is intertwined with the character’s theatrical life as a male prostitute, whose way of belonging to …
Orts 78, 2023, The George Macdonald Society
Orts 78, 2023, The George Macdonald Society
Orts: The George MacDonald Society Newsletter
The main purpose of this edition of Orts is to give our George MacDonald Society members and friends early notice that registration for our 2024 George MacDonald Conference at Wheaton College has now gone live. You can see the current line up of Keynote Speakers on the registration page, and more speakers and participants will be added over the coming weeks. We have some exciting plans that we truly hope will make this a celebration worthy of George for everyone. We anticipate this event will prove popular and spaces are limited, so we would encourage you to take full advantage …
Environmental Aesthetics And Environmental Justice In Jonathan Edwards’S Personal Narrative And John Woolman’S Journal, Jay David Miller
Environmental Aesthetics And Environmental Justice In Jonathan Edwards’S Personal Narrative And John Woolman’S Journal, Jay David Miller
Faculty Publications - Department of English
This essay examines the relationship between Christian theology, environmental aesthetics, and environmental justice in colonial America. As opposed to the work of secular writers from the early republic like J. Hector St. John de Crèvecoeur and Thomas Jefferson, the Christian environmental aesthetics of Jonathan Edwards and John Woolman have potential to address questions of environmental justice in American literary history, such as tenant exploitation, African enslavement, and Indigenous displacement. Edwards, however, worked in a pastoral literary tradition, which limited his ability to imagine environmental justice due to his commitment to the doctrine of election. Woolman, on the other hand, worked …
The Widow Of Malabar: A Digital Edition, Mariana Starke
The Widow Of Malabar: A Digital Edition, Mariana Starke
OER Student Projects
Mariana Starke’s The Widow of Malabar (1791) is a tragedy set on India’s Malabar Coast. The play depicts a widow reluctantly preparing to commit sati (the practice of a widow immolating herself on her husband’s funeral pyre). She becomes the point of contention in a conflict between a Hindu Brahmin and her former lover, the general leading an invading British force. Throughout the play, the Brahmins are portrayed as vicious barbarians, the British as noble harbingers of a more civilized way of life. The Widow of Malabar thus provides a valuable look into British views of India (and of its …
Hermes Unbound: The Art Of Ricardo Pau-Llosa, Enrico Mario Santi
Hermes Unbound: The Art Of Ricardo Pau-Llosa, Enrico Mario Santi
Birmingham Poetry Review
pp. 6-17
"No, Not There": The Literary Precarity And Profundity Of Queer Spatiality, Samuel James Aftel
"No, Not There": The Literary Precarity And Profundity Of Queer Spatiality, Samuel James Aftel
Theses and Dissertations--English
Love, broadly defined, needs space to grow. For love to materialize and sustain itself (in both literature and society), it must find hospitable geosocial, institutional, and psychic terrain. This is especially true for queer intimacies beyond heteronormative relationality, for the prospect of love’s radical––or reactionary––possibilities is contingent upon the more general sociality in which it develops. Yet love is often a worldmaking and, sometimes, historic mechanism unto itself. Love and its concomitant sexualities must therefore be understood within and without normative structures of hegemony; the workings of (neo)colonialism and capitalism––as well as patriarchy, white supremacy, and heterosexism––dictate to love, and …
Reflections On The Victorian(Ist) Impulse To Totalize Africa, Adrian S. Wisnicki
Reflections On The Victorian(Ist) Impulse To Totalize Africa, Adrian S. Wisnicki
Department of English: Faculty Publications
IN this essay, I offer some reflections on how Victorianists might understand nineteenth- and early twentieth-century discursive practices for mapping Africa. In doing this, I respond to what Sukanya Banerjee, our panel organizer, asked us to do in determining the focus for our essays—namely, that we direct “attention to topics in Victorian studies that [we] feel might otherwise be overlooked or viewed differently.” In what follows I introduce and problematize a series of Victorian-era maps or, more specifically, problematize what such maps represent conceptually, then offer some alternate means by which Victorianists might critically engage with cultural and social reality …
Planets, Gerry Canavan
Planets, Gerry Canavan
English Faculty Research and Publications
This chapter considers the contested place of “the planet” in literary history, focusing on post-Copernican visions of the planets as spaces of possible human habitation. Fantasies about human colonization of outer space have an important place in the politics of the twentieth and twenty-first centuries, a time when it becomes simultaneously understood both as a major spending priority of the US military-industrial complex and as the quasi-theological “destiny” of the human race. The conclusion of the chapter takes up a different sort of planetarity: the global cosmopolitan vision of the contemporary ecological movement, which seeks to understand the Earth as …
Old Invisible Presence: Nonhuman Intelligence And Artificial Nature In A Coast Of Trees By A. R. Ammons And S*Perm**K*T By Harryette Mullen, Miles Jochem
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
From Jane Austen To Meghan Markle: The Persistence Of British Imperialism In White Popular Feminism, Kathryn M. Kohls
From Jane Austen To Meghan Markle: The Persistence Of British Imperialism In White Popular Feminism, Kathryn M. Kohls
Theses and Dissertations--English
This dissertation traces the persistent threads and values of white womanhood from the nineteenth-century British Empire to modern American popular culture. The figure of the white woman was significant to upholding colonialism and empire in the literary mass media and culture of the nineteenth century, and I argue that this figure continues to be used in popular media and online content today to surreptitiously uphold white supremacy and obscure race and gender inequalities. This dissertation will explore the overlaps between nostalgia, historical revisionism, white womanhood, white supremacy, and white feminism in modern American popular culture. The connections between, and the …
Myth, Mockery, & Misery: An Evolution Of Disillusion In Modern-War Expression, Richard W. Halkyard
Myth, Mockery, & Misery: An Evolution Of Disillusion In Modern-War Expression, Richard W. Halkyard
Theses and Dissertations--English
Industrialization in 19th-Century America yielded a regrettable by-product: the modernization of warfare. Mass armies, technological innovation, and unprecedented rates of industrial productivity prompted the creation of machines designed to inspire fear, increase destructive capability, and inflict mass-death. The modernization of warfare altered forever the way war was experienced and represented literarily. Authors who attempted to represent the Civil and Spanish-American Wars, as well as World War I, articulated modernized warfare with a disillusionment which stems from the tragically dehumanizing effects of mechanical violence on an industrial scale. Myth, Mockery, & Misery argues that as far back as 1862, romantic idealization …
Representations Of Military Women In Contemporary War Stories, Deborah Daley
Representations Of Military Women In Contemporary War Stories, Deborah Daley
Theses and Dissertations--English
Representations of Military Women in Contemporary War Stories seeks to understand how war stories influence our perception of who belongs in military service. With the canon of western war writing dominated by the memoirs and stories of white men, what happens when service women enter into and author war stories, and how does their appearance destabilize questions of who is fit for military service? War literature provides an important lens through which to observe how military service is scripted by culturally and socially constructed expectations of one’s gender, race, and occupation. In male-dominated workplaces, women must not only perform in …
“The Weird And The Occult” In Carmilla And “The Portrait Of Roísín Dhu”, Eliza Lehman
“The Weird And The Occult” In Carmilla And “The Portrait Of Roísín Dhu”, Eliza Lehman
Senior Honors and Award-Winning Theses
This thesis brings together two Irish Gothic texts that contemplate queer intimacy and reveal similar logics of imagined Irish Catholicism. By reading Sheridan Le Fanu’s 1872 novella Carmilla and Dorothy Macardle’s 1924 short story “The Portrait of Roísín Dhu” alongside Heather Love’s Feeling Backward: Loss and the Politics of Queer History (2007), this thesis examines the literary treatment of Irish Catholicism and queerness as “backward.” In both texts, the embedded narrative undermines the frame, allowing more subversive and complex themes to haunt the hopeful, nationalist frame of “The Portrait of Roísín Dhu” and the patriarchal, imperial frame of Carmilla.
Birmingham Poetry Review 50 (Complete Issue), Birmingham Poetry Review Staff
Birmingham Poetry Review 50 (Complete Issue), Birmingham Poetry Review Staff
Birmingham Poetry Review
No abstract provided.
Engl 157: Great Works Of Global Literature, Scott R. Kapuscinski
Engl 157: Great Works Of Global Literature, Scott R. Kapuscinski
Open Educational Resources
Syllabus for a general education course bringing together celebrated texts by Joseph Conrad, Chinua Achebe, Bessie Head, and Marjane Satrapi. Survey of perspectives beginning during the "scramble for Africa" via Conrad, through postcolonial writers Achebe and Head, and finally making a connection via dehumanization to Orientalism and undoing monocultural presumptions in the near East through Satrapi's Persepolis.
Carceral Form And Social Critique In Zadie Smith's Nw, Wesley Hackman
Carceral Form And Social Critique In Zadie Smith's Nw, Wesley Hackman
Dissertations and Theses
No abstract provided.
Monstrous Oil: Theorizing Petromodernity's Monsters, Madalynn Lee Madigar
Monstrous Oil: Theorizing Petromodernity's Monsters, Madalynn Lee Madigar
Graduate Student Theses, Dissertations, & Professional Papers
Petroleum, a primary global energy resource, serves as a foundation of our contemporary society. However, the pervasive influence of oil as substance, commodity, and industry in our petromodern lives often goes unrecognized. In the present moment of biogeocultural crisis surrounding fossil fuels, recognizing and understanding our multifaceted engagements with petroleum is critical. This thesis contributes to the growing field of Petrocultural Studies by considering the conceptualization of petroleum through the associated tropes and figure of the monster. Through the petromonstrous, a term that encapsulates the massive scale, haunting effects, and human-other entanglements of petroleum, cultural attitudes and anxieties about oil …
Princes, Princesses, And Socialites: Feminism And Class Transgression In Hollywood Romantic Comedies, Justina Marie Clayburn
Princes, Princesses, And Socialites: Feminism And Class Transgression In Hollywood Romantic Comedies, Justina Marie Clayburn
Graduate Research Theses & Dissertations
This dissertation explored how characters in romantic comedies negotiate and transgress class boundaries as the films conform to and challenge genre and social expectations, focusing primarily through a feminist lens. Specifically, it addresses the different ways the films negotiate ideas about American identity and economic systems, simultaneously trying to acknowledge problematic elements while upholding social and nationalistic ideals. Feminism has a complicated relationship with Hollywood romantic comedies. While the genre often focuses on issues of interest to women and forefronts female characters and their professional and personal experiences, the denouement generally reinforces heteronormative monogamous relationships above others and the traditional …
Rural Black Masculinity And The Blues In Not Without Laughter, Andy Oler
Rural Black Masculinity And The Blues In Not Without Laughter, Andy Oler
Publications
In the 1930 novel Not without Laughter, Langston Hughes represents a wide range of Black experience in the Midwest – the “picturesque” alongside the horrific, the old-fashioned, as well as the modern.Hughes uses the novel’s setting, the small town of Stanton, Kansas, to determine some of the limits placed on protagonist Sandy Rodgers and his family, and their attempts to work through them.
Reporting At The Border: Translation In Periodicals At The Texas-Tamaulipas Border During The 19th Century, Gabriel Gonzalez Nunez
Reporting At The Border: Translation In Periodicals At The Texas-Tamaulipas Border During The 19th Century, Gabriel Gonzalez Nunez
Writing and Language Studies Faculty Publications
This paper addresses the historical relationship between journalism and translation. It approaches translation history by considering journalistic translation as found in newspapers published in the Lower Rio Grande Valley (the southernmost, easternmost stretch of the Mexico-US border) during the 19th century. Specifically, the paper will ask whether translation was a tool employed in journalistic activity in the region and, if so, what the role was of translation in such activity. It will review the presence of translation in available border periodicals from the 1840s to the end of the century. This review will show that regarding certain aspects, historical news …
Trading Spaces: Space As Metaphor For Contingency In Writing Centers, Genie N. Giaimo
Trading Spaces: Space As Metaphor For Contingency In Writing Centers, Genie N. Giaimo
The Writing Center Journal
This article offers a critical reading of writing center workplace space. Weaving together counterstorying with semiotic, geographic, and rhetorical analysis of space, the author provides an alternative way of understanding the connections between our physical and metaphorical workspaces. Precarity and contingency, the article posits, are made more palpable through connection to physical space because writing center labor (and workers) are often identified mostly through their space and availability. Ultimately, this article argues for a new way forward that decouples writing center workers and labor from inhabited workplace space. Arguing that these spaces are gendered, classed, and raced (among other things), …