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Fashioning Mobility: Navigating Space In Victorian Fiction, Mary C. Jones

Theses and Dissertations--English

My dissertation examines how heroines in nineteenth-century British Literature manipulate conventional objects of feminine culture in ways which depart from uses associated with Victorian marriage plots. Rather than use fashionable objects to gain male attention or secure positions as wives or mothers, female characters deploy self-fashioning tactics to travel under the guise of unthreatening femininity, while skirting past thresholds of domestic space. Whereas recent Victorian literary and cultural criticism identifies female pleasure in the form of consumption and homosocial/erotic desire, my readings of Victorian fiction, from doll stories to the novels of Charlotte Brontë, Wilkie Collins, and Marie Corelli, consider …

Of Wilderness, Forest, And Garden: An Eco-Theory Of Genre In Middle English Literature, Barbara L. Bolt

Theses and Dissertations

“Of Wilderness, Forest, and Garden: An Eco-Theory of Genre in Middle English Literature” proposes a new theory of genre that considers the material elements of the natural environment in Middle English literature composed between 1300-1450 CE. Instead of treating the setting as just a backdrop for human activity, I posit that the components of the environment play a role in the deployment of the narrative by shaping the characters and influencing the action. More than an acknowledgement of the particular natural features, this study explores the role that these components play and how they give us a deeper understanding of …

Historical Violence And Modernist Form In Zoe Wicomb's David's Story, Kaelie Rianne Giffel

Theses and Dissertations

The essay brings together Zoe Wicomb’s David’s Story with Walter Benjamin’s “Theses on the Philosophy of History” and (less centrally) Julia Kristeva’s work on “Women’s Time.” I argue that, while Derek Attridge claims that the novel’s modernism emerges from its interrogation of historical crisis, David’s Story is modernist because of its experimentation with nonlinear narrative and an engagement with modern intertexts such as Heart of Darkness and Ulysses. Benjamin’s “Theses on the Philosophy of History” illuminates the structure of Wicomb’s novel, which creates what Benjamin calls a “constellation” of stories that are non-causally yet historically related to each other. …

"Nobody Else Knows Me, But The Street Knows Me" - Jean Rhys's Urban Flaneuses: Mapping "Good Morning, Midnight", Emily Duffy

English and Creative Writing Independent Study Projects

My project explores the urban geography of Paris, as depicted by Rhys, through theories of space articulated by Walter Benjamin, Michel de Certeau, and Gaston Bachelard. I will provide some theoretical context to show how approaching this novel from a spatial perspective can help us understand Sasha’s experience. Additionally, I explore how Sasha’s gendered body moves through these spaces, how place and space affect her identity, and how mapping this novel can enrich the experience of the reader, especially a reader who is unfamiliar with interwar Paris.

Dark Journeys: Robert Frost's Dantean Inspiration, Elena Segarra

CMC Senior Theses

This paper examines the way in which Robert Frost incorporates Dantean ideas and imagery into his poetry, particularly in relation to the pursuit of reason and truth. Similarly to Dante, Frost portrays human reason as limited. Both authors nevertheless present truth as a desire that often drives people’s journey through life. Frost differs from Dante by dwelling in apparent contradictions rather than appealing to a clarifying divine light. The paper considers themes of loss, human labor, suffering, and justice, and it also analyzes Scriptural and Platonic inspirations. It focuses on the image of the journey used by both Frost and …

A Public Duty: Medicine And Commerce In Nineteenth-Century American Literature And Culture, Heather E. Chacon

Theses and Dissertations--English

Using recent criticism on speculation and disability in addition to archival materials, “A Public Duty: Medicine and Commerce in Nineteenth-Century American Literature and Culture” demonstrates that reform-minded nineteenth-century authors drew upon the representational power of public health to express excitement and anxiety about the United States’ emerging economic and political prominence. Breaking with a critical tradition holding that the professionalization of medicine and authorship served primarily to support and define an ascending middle class, I argue that the authors such as Robert Montgomery Bird, Fanny Fern, George Washington Cable, and Pauline Hopkins fuse the rhetoric of economic policy and public …

Reanimating Ghost Editions, Reorienting The Early American Novel, Karen A. Weyler, Michelle Burnham

English

What are the origins of the American novel? Does it begin with the imagination, when Europeans first began dreaming of life in the New World?1 Does it begin with Daniel Defoe’s adventurers, Robinson Crusoe and Moll Flanders, and their literary progeny? Or does the novel need a material presence in the soil of the New World? Does it begin in 1789, with William Hill Brown’s The Power of Sympathy?—which Isaiah Thomas, with shrewd prescience, marketed as the “first American novel.” Or does it begin even earlier, in 1742, with Benjamin Franklin’s first American edition of Samuel Richardson’s sentimental novel Pamela, …

Postsouthern Melancholia: Revising The Region In The Twenty-First Century, Matthew Dischinger

LSU Doctoral Dissertations

Postsouthern Melancholia offers a new way of conceptualizing the elusive concept of melancholia through contemporary fiction, particularly fiction of or about the American South. Critics have long discussed national literature through the lens of melancholia: an unceasing attachment to a lost object or ideal that a subject or culture internalizes. My project positions melancholia as a literary strategy—one that contemporary southern fiction frequently contests and critiques. I read fiction that has been called “postsouthern,” a term applied to texts that reassess the bedrock concepts of southern literature such as community, storytelling, and sense of place. While much scholarship has focused …

The Early Modern Space: (Cartographic) Literature And The Author In Place, Michael C. Myers

HIM 1990-2015

In geography, maps are a tool of placement which locate both the cartographer and the territory made cartographic. In order to place objects in space, the cartographer inserts his own judgment into the scheme of his design. During the Early Modern period, maps were no longer suspicious icons as they were in the Middle Ages and not yet products of science, but subjects of discourse and works of art. The image of a cartographer’s territory depended on his vision—both the nature and placement of his gaze—and the product reflected that author’s judgment. This is not a study of maps as …

"Dollars Damn Me": Editorial Politics And Herman Melville's Periodical Fiction, Timothy R. Morris

Theses and Dissertations

To illustrate Melville’s navigation of editorial politics in the periodical marketplace, this study analyzes two stories Melville published in Putnam’s in order to reconstruct the particular historical, editorial, social, and political contexts of these writings. The first text examined in this study is “Bartleby,” published in Putnam’s in November and December of 1853. This reading recovers overtures of sociability and indexes formal appropriations of established popular genres in order to develop an interpretive framework. Throughout this analysis, an examination of the narrator’s ideological bearings in relation to the unsystematic implementation of these ideologies in American public life sets forth a …

Bluegrass, Bildung, And Blueprints: The Little Shepherd Of Kingdom Come As An Appalachian Bildungsroman, Leona Shoemaker

Electronic Theses and Dissertations

The Little Shepherd of Kingdom Come takes as its backdrop the American Civil War, as the author, John Fox, Jr., champions Kentucky's social development during the Progressive Era. Although often criticized for capitalizing on his propagation of regional stereotypes, I argue that the structure of The Little Shepherd of Kingdom Come is much more problematic than that. Recognizing the Bildungsroman as a vehicle for cultural and social critique in late-nineteenth and early-twentieth century writing, this project offers an in-depth literary analysis of John Fox, Jr.'s novel, The Little Shepherd of Kingdom Come, in which I contend the story itself is, …

Public Relations: Diaspora, Media, And The State(S) Of American Literature, Nathan Allen Jung

Dissertations

Like any good public relations campaign, this dissertation aims to offer a persuasive interpretation of certain key facts. The facts, as I see them, are as follows: first, a great number of contemporary novels and poems explore the personal and social consequences of diasporic migration. Second, these texts, along with their print and electronic paratexts, share a pervasive interest in media. And third, these works are rarely read in conversation with one another, despite their mutual concern for migration and media. Owing to this last point in particular, scholarship has failed to fully address the broader media theories developed in …

White Woods And Blue Jasmine: Woody Allen Rewrites A Streetcar Named Desire, Verna Foster

English: Faculty Publications and Other Works

The film's reviewers almost invariably commented on the parallels with Streetcar, many noting, too, that Cate Blanchett, who plays the title character, Jasmine, had also successfully played Blanche Dubois in Liv Ullmann's 2009 production of the play at the Brooklyn Academy of Music.2 But for all the similarities in character types and plot structure and for all the allusions to specific lines in Streetcar, the themes of Blue Jasmine are very different from those of Williams's play because the story that Allen tells also channels the fall of Bernie Madoff and his wife, Ruth. The flashbacks are a filmic equivalent …

The Editorial Double Vision Of Maxwell Perkins: How The Editor Of Fitzgerald, Hemingway, And Wolfe Plied His Craft, Rachel F. Van Hart

Theses and Dissertations

Scholars and literary enthusiasts have struggled for decades to account for editor Maxwell Perkins’s unparalleled success in facilitating the careers of many of the early twentieth century’s most enduring and profitable writers, among them F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe. This study seeks to penetrate that mystery by dissecting Perkins’s editorial practice and examining how he navigated the competing tensions between commercial success and aesthetic integrity in various circumstances. At play in the construction of his literary legacy are prevailing perceptions of authorship, complex interpersonal relationships, and the inherent battle between art and commerce. Focusing on his day-to-day …

The Odds And The Ends: What To Do With Some Letters Of Catharine Macaulay, Olivera Jokic

Publications and Research

Biographers of Catharine Macaulay (1731–91), much like her contemporaries, often agreed that the woman’s reputation was shaped by the peculiar company she kept: prominent, intellectual, political, radical, revolutionary, and occasion- ally “foolish.”3 This essay examines why it matters what company a writer keeps, especially when that writer is a woman and her reputation is tied to the status of her letters and her correspondents.

The Erotics Of Race Suicide: The Making Of Whiteness And The Death Drive In The Progressive Era, 1880-1920, Madoka Kishi

LSU Doctoral Dissertations

"The Erotics of Race Suicide" examines the frequent representation of suicide in Progressive Era American literature in light of a widely proclaimed socio-political concept of the time: “race suicide.” Coined by the sociologist Edward Ross, the term “race suicide” nominates a nativist fear over the racial enervation of indigenous white Americans. Ross and other commentators on race suicide, most notably Theodore Roosevelt, proclaimed that the diminution of the indigenous white Americans was caused by their unwillingness to breed, signaling the self-destructive, “suicidal” tendency of the race. Consequently, through such means as the enactment of immigration restrictions, the reinforcement of anti-miscegenation …

Consumer Mutations: Mediated Subjectivities Of The Incipient Digital Age, Aaron Duplantier

LSU Doctoral Dissertations

In this dissertation, I argue that out of postmodernity, subjectivity has seen distinct mutations inflected by consumer technology. As postmodern mediators of ordinary people, reality TV, Facebook, and YouTube are steeped in concerns about authenticity. Reality TV, for example, cannot escape its authenticity problem because of the conventional hierarchy of production it maintains, a hierarchy that prompts consumer skepticism regarding its truth value. However, seemingly democratic Internet platforms, such as Facebook and YouTube, promise consumer engagement in which users can break down those hierarchical barriers preventing authentic expression. Under the guise of presumed mediational accuracy, the resulting feedback loop between …

Faces And Figures Of Fortune: Astrological Physiognomy In Tamburlaine Part 1., Vanessa I. Corredera

Faculty Publications

When articulating the relationship between man and the world around him (or her), George Peele imagines man as a canvas, a 'picture' of the universe, a microcosm whose makeup carries the 'face' or the viewable surface of the macrocosm. Peele's statement perfectly encapsulates the early modern belief in signatures and correspondences, in which 'Individual objects on earth...contain the signature of the heavenly bodies to which they supposedly correspond'. By envisioning man as a 'picture', Peele conceives of the universe as readily legible upon the human body. In his discussion of the history of signatures and correspondences in The Order of …

The American Dime Museum: Bodily Spectacle And Social Midways In Turn-Of-The-Century American Literature And Culture, James C. Fairfield

Theses and Dissertations--English

The freak played a significant role in late-nineteenth- and early-twentieth-century entertainment, but its significance extended beyond such venues as sideshows and minstrel shows. This dissertation examines the freak as an avatar emblematic of several issues, such as class and race, traditionally focused on in studies of Turn-of-the Century American literature and culture.

Disability and freakishness are explored as central to late-nineteenth- and early twentieth- century Americans’ identity. Freakishness is applied to a series of ways in which Americans in this period constructed their identity, including race, gender, and socioeconomic class, showing the dual role that the freak played for many …

Living On The Moon: Women, Home Making, And The House After World War Ii In Shirley Jackson’S We Have Always Lived In The Castle, Leslie Dennis

Theses and Dissertations

In my thesis, I concentrate on Shirley Jackson, her novel We Have Always Lived in the Castle, and women’s place in post-World War II American society. To start, I introduce Jackson and her role in literary history, the housewife writer in the 1950s and 60s, and magazine culture. Then I move to a historical perspective of the 1950s and propaganda during the atomic war era. I focus my attention on how government literature worked to contain women in the home and control sexuality and gender roles. Following my discussion of domesticity, I concentrate on the history of the Gothic novel …

Gothic Literature And The Politics Of Indistinction, Nicholas Everett Miller

Arts & Sciences Graduate Student Theses and Dissertations

I recover the Gothic as a literature of political possibility. While scholars have long associated the Gothic tradition with political fear, I argue that Gothic novels challenge liberal ideas of the self to produce a sometimes radically egalitarian politics of freedom in the late-eighteenth and early-nineteenth centuries. Edmund Burke made much of the fearfulness of an egalitarian politics in the 1790s, and literary historians have relied on his influence to argue that Gothic fiction is primarily an expression of the fear that comes with the collapse of familial, social, and political distinctions. But fear is not all that accompanies such …

Voys Lessons: Whirling Words In Chaucer’S “House Of Rumour", Nicola Blake

Publications and Research

“Voys Lessons: Whirling Words in Chaucer’s ‘House of Rumour’” examines the lability of sound and its use in the dissemination, transposition, and authorship of stories within The House of Fame, a text exemplifying the mobility and flexibility of misused or unhinged words, as expressed through sound as opposed to text. By engaging the use and interpretation of sound in contrast to words, this new reading concentrates on the idea of narrative as material artifact with limited stasis. Geffrey’s pseudo-authorship, through his voyeuristic stance, engages the textuality of sounds and shows the related subtlety, elasticity, and democratic sociohistorical aspect of …

The Urgency Of Ecocriticism And European Scholarship, Simon C. Estok

CLCWeb: Comparative Literature and Culture

In his article "The Urgency of Ecocriticism and European Scholarship" Simon C. Estok argues that there continues to be unduly disproportionate attention within ecocriticism on US-based scholarship and proportionally less on ecocriticism from other parts of the world. Estok focuses on European ecocritical work written in English and published by Rodopi in recent years and argues that this work attests both to the urgency and resolve of European ecocritics. Estok looks at some of the primary contributions of twelve books published within the past ten years by Rodopi in order to show the importance of bending our ecocritical ears, to …

"We Can't Reclaim What We Don't Understand": Teachers' Perceptions Of Advocacy And Voice In A Rural Institute Of The National Writing Project, James Anthony Anderson

Graduate Theses and Dissertations

This study examines teachers' perceptions of advocacy and voice in a summer institute of the National Writing Project. The Rural Advocacy Institute, a first-time initiative through the Northwest Arkansas Writing Project, offered three weeks of professional development centered on rural education and teaching English language arts in rural public schools. The study is a grounded theory study; grounded theory forces the researcher to stay "close to the data," compare data sets, and use reflective writing to identify conceptual categories in the data. Data collection in the study included semi-structured interviews with six K-12 teachers participating in the Institute and twenty-seven …

When Words Defile Things: Homoerotic Desire And Extreme Depictions Of Masculinity In Shakespeare’S Coriolanus And, Aaron Hubbard

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Radost Rangelova, Assistant Professor Of Spanish, Musselman Library, Radost A. Rangelova

Next Page

In our newest Next Page column, featured reader Radost Rangelova, Assistant Professor of Spanish, shares with us what she reads for fun and the course it inspired (she had to warn the students NOT to read ahead!); one of the influential works that solidified her passion for the study of gender and the cultural construction of space; and her recommendation of a contemporary Colombian author to read next – perhaps something to add to your holiday wish list?

Prelims, Preface To Ssl 40, Patrick G. Scott, Anthony Jarrells

Studies in Scottish Literature

No abstract provided.

Books Noted And Received, Patrick G. Scott, John T. Knox

Studies in Scottish Literature

Brief reviews of twenty-four recent books in Scottish literary and cultural studies.

In The Midst Of Our Human Civil War: Hamish Henderson’S War Poetry And Soldier’S Songs, Corey Gibson

Studies in Scottish Literature

Surveys the war poetry of the Scottish poet, folklorist, and folk-singer Hamish Henderson (1919-2002), including his service with the 51st Highland Division in the Western Desert and Sicily, drawing a contrast between his long modernist poem Elegies for the Dead in Cyrenaica (1948) and the songs in his collection Ballads of World War II (Glasgow: Lili Marleen Club, 1947), in light of Henderson's developing political ideas and engagement with the Italian cultural theorist Antonio Gramsci.

An Argument For The Great Divorce In The Public School Ninth Grade English Classroom, Taylor Isom

Senior Honors Theses

C. S. Lewis’s The Great Divorce (1946) can provide a useful supplement for ninth grade English instruction because of its quality as a literary work, the ideas it represents, its commentary on enduring human questions, and its connections to its historical context. At its core, the book reflects on recurring philosophical and religious ideas in a way that simultaneously links to and transcends its time. It also exhibits hallmarks of literary excellence, such as formal consistency and a comprehensive view of its themes. The Great Divorce’s skillful use of literary elements suits it for instruction, adapting form to purpose. …