Digital Commons Network^™

Harry Potter And The Goblet Of Gethsemane: Christian Art And Tradition In The Passion Of Albus Dumbledore, John Anthony Dunne

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This essay contends that Professor Dumbledore drinking a potion from a goblet administered by Harry Potter in the cave from Harry Potter and the Half-Blood Prince evokes Jesus’s prayer in Gethsemane from the Gospels and his request that "the cup" be removed from him. Even though the Gospels portray Jesus all alone, and Dumbledore has Harry with him, I argue that Harry Potter evokes the expanded Lukan account of Gethsemane, which contains a textually uncertain passage about an angel ministering to him (Luke 22.43–44). I argue further that this Lukan text informs Harry Potter specifically as mediated through visual representations …

The Romantic Imagination Of Gustavo Adolfo Bécquer And J.R.R. Tolkien, Mariana Rios Maldonado, Andoni Cossio

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Studies on the presence of Romantic elements in J.R.R. Tolkien’s literary production have steadily risen to prominence, especially since the publication of Julian Eilmann’s landmark monograph J.R.R. Tolkien: Romanticist and Poet (2017) and, more recently, the edited collection The Romantic Spirit in the Works of J.R.R Tolkien (2024). Our paper seeks to contribute to this scholarly upsurge by presenting a comparative analysis of Tolkien’s works and those penned by one of the most noteworthy authors of Spanish Romanticism, Gustavo Adolfo Bécquer (1836–1870). Akin to the Kunstmärchenof German Romanticism and Tolkien’s Fairy-stories, Bécquer’s Leyendas—e. g. “El monte de las …

The Soldier’S Stigmata, Part Ii: Figura, The Four Senses Of Interpretation, And Other Matters In Lois Mcmaster Bujold’S “The Borders Of Infinity”, Andrew Hallam

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

THIS IS A TWO-PART ARTICLE. IN ORDER TO READ OR DOWNLOAD THE OTHER PART, FOLLOW THE LINK AT THE END OF THIS ABSTRACT.

This article will explore the connection between Lois McMaster Bujold’s novella “The Borders of Infinity,” the Aristotelian theory of habitus as developed further in the letters of the Apostle Paul and by the sociologist Pierre Bourdieu, and the four senses of interpretation of scripture first conceived in antiquity and later refined by medieval philosophers. Habitus as a durable disposition, state, or condition (Aristotle) is a structured and structuring social practice or set of social practices (Bourdieu) that …

What Are C.S. Lewis's Eldila And Why Do They Matter?, Joseph Weigel

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This article explores the eldila from C.S. Lewis’s Ransom Trilogy. Many of the eldila in the trilogy are angelic beings. However, Lewis uses the nine orders of angels in the trilogy and different eldils correspond to different types of angels within the hierarchy. Additionally, eldila, on occasion, can refer to the entirety of the supernatural realm, including the mysterious longaevi. Through the trilogy, Lewis is portraying the rich supernatural worldview presented in the Scriptures that is so often ignored, even by Christians. For Lewis, angels, devils, and the whole realm of spirits, was a reality of the cosmos, …

Pier’S Barn And Aslan’S Stable: Satire And Sublimity In Langland’S Piers Plowman And Lewis’S The Last Battle, Tiffany E. Schubert

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The stable in The Last Battle is rather mysterious. It seems a random bit of architecture plopped in Narnia, whose primary structures are cozy caves or castles by the sea. Of course, the stable is an important Christian symbol, the humble birthplace of Christ himself. Nevertheless, Lewis’s stable does not function in any straightforward way as the Narnian version of “Away in a Manger.” Rather, it is a place of deception and violence, housing the false Aslan and serving as the focal point of an apocalyptic battle that ends with the destruction of all Narnia. There is medieval precedent for …

Editorial, Janet Croft

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

I do keep saying that this is the biggest Mythlore issue ever, then topping it an issue or two later. With Mythlore #148, I’m afraid I’ve done it again.

We switch up our usual order a bit this time and start with C.S. Lewis. Tiffany E. Schubert explores the parallels between the medieval poem Piers Plowman and The Last Battle, and shows how Lewis used this source. Joseph Weigel systematically examines the angelology of the Space Trilogy, attempting to pin down exactly how we should conceive of the eldils.

“As Though You Could Never Sink”: Gender Euphoria Through Aquatic Embodiment In The Sun Also Rises, Devan Edwards

Honors Theses

Recent scholarship in disability studies and queer theory (2007-2024) reveals that Jake Barnes's war wound in Hemingway's The Sun Also Rises functions as something more complex than tragic loss. This paper argues that Jake's swimming and fishing scenes constitute moments of gender euphoria, a term borrowed from contemporary transgender studies, enabled specifically by aquatic embodiment. In these scenes, water functions as the physical and symbolic medium through which Jake's war-wounded body transcends the performative demands of 1920s heteronormative masculinity. Building on Michael Anesko's provocative reading of Jake as "accidentally transgendered" (Literature and Medicine, 2015) and Martina Kübler's argument that impotence …

The Power Of A Woman’S Charm: Analyzing The Presence Of Onahal In Oroonoko, Kristyn Haney

Steeplechase: An ORCA Student Journal

Aphra Behn’s Oroonoko is a story that places great emphasis on the importance of the power of beauty, but it isn’t perhaps the strongest force at work in the novel. Onahal is a minor character in the story who contrasts the idea that beauty is the only way to obtain power. As a former wife of the King, it is noted that while she once possessed beauty, she is now older and has therefore lost her beauty to the passage of time. Though her beauty is diminished, she still has her charm, which grants her power within her space. In …

The Alembic - International Literary Journal, Sara Mackinnon, Finn Heller, Sarah Debian, Kate Blackwell

English Student Scholarship

No abstract provided.

On The Sunny Side Of The Street: An Original Novel, Alyssa Caneira

English Student Scholarship

No abstract provided.

“The Left Leg Is Not Well”: Identity, Economy, And Ability In Early Modern Drama, Emma D. Whaley

Department of English: Dissertations, Theses, and Student Research

The human reality of the disabled experience often goes overlooked by scholars analyzing early modern literature. Most scholarship seems to interpret disability as metaphorical without examining the human who experiences it. In this paper, I will be examining disability in three early modern texts as literal and inquire into the realities of the disabled experience for the characters. A Larum for London, The Shoemaker’s Holiday, and The Fair Maid of the Exchange all prominently feature a disabled character—Stump, Ralph, and Cripple respectively. These characters offer a depth of personhood rarely examined in early modern literary scholarship, even in …

Editors, The Alembic

The Alembic

No abstract provided.

Volume 104, Number 1 - Spring 2026, The Alembic

The Alembic

Cover "The Stars are Screaming in the Field Outside my Apartment" by Hale Mueller

Table Of Contents, The Alembic

The Alembic

No abstract provided.

Editor's Note, The Alembic

The Alembic

No abstract provided.

Alembic Cover 2026, Hale Mueller

The Alembic

No abstract provided.

It Used To Be I Would Write In Echoes, Haley Metzger

The Alembic

No abstract provided.

Wednesday Night Baptism, Haley Metzger

The Alembic

No abstract provided.

Dare To Dream, Amelia C. Westfall

The Alembic

No abstract provided.

December Songbird, Hanna Boudreau

The Alembic

No abstract provided.

The Snake, Jacqueline Lombardo

The Alembic

No abstract provided.

Stopped In, George Thompson

The Alembic

No abstract provided.

College, Jacqueline Lombardo

The Alembic

No abstract provided.

Crow Chorus, Hanna Boudreau

The Alembic

No abstract provided.

For Jay-, Sophia Caneira

The Alembic

No abstract provided.

Watchers Of The Sun, Alyssa Caneira

The Alembic

No abstract provided.

The City (After Mary Oliver’S “The Loon”), Alyssa Caneira

The Alembic

No abstract provided.

The Truth, Owen R. Kruger

The Alembic

No abstract provided.

Turbulence, Sophia Caneira

The Alembic

No abstract provided.

For The Sins Of The Father, Mary Kate Seiberlich

The Alembic

No abstract provided.