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A Matrixial Museum: Education In Almost-Impossible Spaces, Valerie Oved Giovanini

Artizein: Arts and Teaching Journal

This paper is meant to scaffold an imaginary space for what is currently an almost impossible museum. It would reside on a border between Gaza and Israel. Artists and participants would be able to enter from both sides of the border into a circular and cavernous space to make, share and experience art together. In artwork that values its relational capacity to affect another, the move from aesthetics to ethics recalls our mutual place of origin understood in Bracha L. Ettinger’s Matrixial Theory (EMT) as “the matrixial womb.” Griselda Pollock’s Virtual Feminist Museum, Gur-Ze’ev’s counter-education, feminist pedagogy, and Art-care activism …

She-Hero: A Memoir Of The Divine Feminine Within A Creation-Centred Paradigm, Darlene St.Georges

Artizein: Arts and Teaching Journal

She-Hero: A Memoir of the Divine Feminine within a Creation-Centred Paradigm explores Ettinger’s matrixial borderspaces through an inter-woven theoretical | artistic | poetic métissage. An example of creation-centred research, this memoir is likened to Ettinger’s concept of metramorphosis—an active restoration of matrixial knowledge(s) and knowing. Embodying a creation-centred curriculum and pedagogy, She-Hero privileges non-dominant epistemologies to attend to the disruption of historical patterns of the hero—inviting readers to submerge and emerge in co-poesis within an intimate and aesthetic kaleidoscopic space of feminine affect and agency.

Traces Of Communal Touch: Matrixial Encounters With Pre-Service Art Educators Across Two States, Kate L. Wurtzel, Laura L. Mccartney

Artizein: Arts and Teaching Journal

The matrixial sphere, as put forth by artist and psychoanalyst Bracha L. Ettinger, is a shared and transsubjective space that is beneath the conscious, under the touchable and perceptible; it is a space where we encounter ourselves and one another in shared trauma, healing, art making, and the lived experience overall. This co-authored essay explores how a shared matrixial space and the matrixial gaze, which is not always visual, have been experienced through the square boxes of ZOOM as part of a collaborative, long-distance art exchange project. The project, focused on Spontaneous Creation-Making (SCM) sessions, as outlined in Barbara Bickel …

The Launch: A Senior Cabaret, Otterbein Theatre And Dance Department

2024-2025 Season Productions

No abstract provided.

Dancetag: Using Sensors To Improve Feedback Given To Dance Students, Yanelly Mego, Franceli L. Cibrian

Student Scholar Symposium Abstracts and Posters

The structure of dance classrooms has remained largely unchanged for years, with minimal integration of technology to enhance teaching. This has motivated our research project, which aims to capture dance movements using wearable sensors and translate the information into meaningful visualizations to help dancers improve their skills. As the first step in addressing the research question—can data from commercial wearables differentiate between the movements of dancers and non-dancers?—we developed DANCETAG (Data Analytics and Notation with Captured Event Tagging), a platform designed for data collection and movement annotation. We utilized Sony’s Mocopi sensors, a motion capture system with six sensors attached …

Is Dance A Universal Language? - Global Contemporary Dance, Mandy Fang

Student Scholar Symposium Abstracts and Posters

From its origins, a core value of contemporary dance is rebellion. The definition of contemporary dance has evolved throughout the decades as dancers continue to discover innovative movements that almost contradict their predecessors, inspiring its ever-evolving aesthetic. Unlike other technical styles like ballet, there is no strict codified “right” or “wrong,” nor is there a set vocabulary, meaning contemporary dance can look like a lot of things. A common conception when it comes to dance in general is how it transcends nationalities as a universal language of sorts. However, given the individualistic nature of contemporary dance and global varieties of …

Head To Toe: What Do We Think About Heels Dance?, Peyton Winsett

Student Scholar Symposium Abstracts and Posters

Through both observation as a dance consumer and personal experience as a dance student, heels dance has noticeably risen in prominence within the commercial dance industry in recent years. This style has primarily been showcased through professional dance classes and in commercial and concept video projects. This study seeks to understand the reasons behind this sudden growth in appeal, the potential social implications of this increasing popularity, and the varying perspectives on this style across generations. It synthesizes past research and analyzes a survey conducted with current students in Chapman University's dance department. This presentation will investigate the motivations driving …

Predictors Of Mystical Experiences In The Electronic Dance Music Scene, Cody Edward Lesniak

All-Inclusive List of Electronic Theses and Dissertations

The present study examined the nature and frequency of reported mystical experiences within the Electronic Dance Music (EDM) scene and the roles psychedelic and psychedelic-like substances, set, and setting play in facilitating these experiences. Participants were recruited using posts on a variety of EDM-related Facebook groups (EDM, EDM Universal, EDM Festivals and Raves, etc.) and Reddit threads (bonaroo, electricdaisycarnival, RavesAndRavers, etc.). Participants completed a self-report survey consisting of questions pertaining to their involvement in the EDM scene, motives for attendance at EDM events, motives for drug use, importance of the values of peace, love, unity, and respect (PLUR), the proportion …

Exploring The Impact Of Using Mirrors Versus Not Using Mirrors In An Intermediate High School Dance Class, Melanie Monnich

Master's Theses

The purpose of the study was to understand the use of mirrors vs. not using mirrors in the high school classroom. This thesis also expanded on research done in the last twenty years regarding students' relationship to the mirror and how educators could better use or not use the mirror in the classroom. The researcher asked five essential questions that guided this thesis:

Q1 How does using mirrors vs. not using mirrors affect a student's body image in a high school dance class?

Q2 Is it necessary to always use mirrors in the classroom as a learning tool for students? …

Fostering Creative Bravery: Exploring Innovation Among Future Female Pioneers In Dance Through Historical Composition Studies, Marlo Daron Harris

Master's Theses

The purpose of this study was to evaluate if learning from the innovative methods of past female choreographers could enhance the creative abilities of today’s young high school female dancers and dance-makers. This thesis aimed to teach young dancers about past dance pioneers and build confidence in young women when creating dances. Women have paved the way for dance choreography and innovative techniques throughout dance history. However, today’s generation of young choreographers rely on imitating movements they witness at dance competitions and on social media such as Instagram, YouTube, and TikTok instead of becoming originators.

This thesis aimed to answer …

Building Foundations For Success: A Study On Aligning Expectations And Realities In College Dance Programs, Ashley Walker Anderson

Master's Theses

The purpose of this research study was to take the information gathered from surveys and interviews with the participants and analyze the impact of the gaps between their expectations and realities, and the gap between the overall effectiveness and success of college dance programs in preparing students for their post-graduation goals. The goal of the researcher was to answer the following questions.

Q1 What factors determine where dancers attend college?

Q2 Are high schoolers making their college wish list based on prestige, faculty, performance opportunities, tuition cost, course requirements, career goals, or perhaps a combination of multiple factors?

Q3 Are …

Crafting Affective Engagement: The Impact Of Choreography And Design Choices On Audience's Emotional Experience In Dance Performances, Amy Morton

Master's Theses

This thesis explored how the engagement level of dance spectators influenced the lasting impressions they retain from a performance and whether these impressions can expand and sustain audience interest in dance. The purpose of the study was to identify the most engaging elements of an aerial dance concert. The study emphasized the significance of creating choreography that evokes emotional responses to advocate for dance education, community engagement, and the preservation of the art form. By examining a site-specific aerial dance concert, this research identified the elements that captivated audiences, particularly the contrast between aerial and ground-based performances.

The research addressed …

Body As Instrument: Crafting A Spatial Representational Language For The Dancer's Body, Avery Boland

Architecture Undergraduate Honors Theses

This project explored the intersection of dance and architecture using choreography, photography, and architectural principles through the development and application of a graphic notation system. Focused on the works of modern dance pioneer Martha Graham and photographer Barbara Morgan, the study tested the representation of the body in space through the use of Graham's choreography as captured by Morgan.

The results of the study demonstrated the effectiveness of the representational language in capturing the spatial dynamics of the human body in Martha Graham's choreography through the notation of “frame” and “plane”. Through a comparative analysis of the selected dances, the …

Social Justice In Dance: The Exploration Of Dance As A Tool For Promoting, Recognizing And Influencing Change, Michelle O'Konis Linnehan

Master's Theses

The purpose of this study was to prove that dance could be used as a platform for representation and to foster change within the community and beyond. This purpose aligned with the goal, which was to measure the impact of a structured choreographic curriculum on student engagement with social justice topics. The goal of this study was to answer the following research questions:

Q1 Can dance be a tool in promoting social justice?

Q2 How will students in the classroom respond to an integrated social justice theme through dance and production components?

Q3 How will these topics be interpreted to …

Exploring The Therapeutic Benefits Of Dance In The Academic Schedule: The Effects On Stress Among High School Students, Amanda Polanowski

Master's Theses

The purpose of this study was to gain insight into the minds of dance students about the stress they experienced as a result of their academic schedules and extracurriculars. The following research questions informed this study:

Q1 Does incorporating dance into the academic schedule lower stress in high school students?

Q2 In what mental state are students before and after taking dance class?

Q3 Does dance provide mental health benefits for high school students?

Student stress was evaluated before the study using a questionnaire as well as before and after each dance class through surveys. Eighteen students participated in a …

Exploring Audience Perceptions Of Elementary School Dance Curriculum: Utilizing Informance To Investigate Beliefs Regarding The Presentation Of Student Learning In Dance, Michaela Summers

Master's Theses

The goal of this thesis was to gain insight into the perceptions and expectations of audiences in relation to elementary school dance education curriculum and its representation through showcases or displays, particularly within the context of viewing an informance. The researcher developed three research questions to guide the study:

Q1 What are audience perceptions of elementary school dance education pedagogy and curriculum?

Q2 What methods do audiences expect to be implemented in an elementary school dance performance?

Q3 Can utilizing informances affect audience perceptions of elementary school dance education, thus changing their expectations for dance performance methods?

Thirty-eight audience members …

Psychological Impacts Of Competitive Dance: Understanding Mental Health And Team Dynamics Among Young Dancers, Gloria E. Brunner

Master's Theses

The purpose of the research was to investigate deeply into the psychological aspects of competitive dance and its influence on the mental well-being of young dancers. Competitive dance has grown significantly in popularity, fueled by reality television shows and social media platforms, creating a high-pressure environment for participants. This research investigated the unique stressors faced by young dancers including performance anxiety, body image concerns, and burnout, while also identifying coping strategies and the positive personal development fostered through dance.

To uncover more information about the positive and negative effects of competition dance, the researcher focused the study on the following …

Exploring The Impact Of Dance Arts Integration On General Education Teaching Practices: Insights Into Classroom Environment, Planning, Instruction, And Assessment, Sara Kessler-Kennon

Master's Theses

The purpose of this research study was to explore the impact of dance arts integration facilitation on teaching practices by emphasizing classroom environment, planning, instruction, and assessment. The researcher created the following four essential questions to guide the study:

Q1 How does incorporating movement-based arts integration alter classroom environment, student behavior, student engagement, and inclusivity of students with various abilities and diverse backgrounds?

Q2 How does incorporating movement-based arts integration impact the general educators' planning time, process, style, and understanding? Does the general educator feel as though they can effectively incorporate movement-based arts integration without collaborating with a dance educator? …

Analyzing The Influence Of Faculty Diversity On Dance Education In Texas High Schools: A Case Study Of Representation In Dance Programs, Aransas Lazo

Master's Theses

The purpose of the study was to explore the relationship between cultural diversity among high school dance instructors and its subsequent impact on students' experiences in high school dance education. The researcher used two types of instrumentation to collect the data: semi-structured interview questions and an online survey. The semi-structured interview questions were researcher-developed and open-ended, allowing the eight participants to provide detailed responses regarding their experiences as a dance instructor, cultural diversity, Texas Education Association (TEA) standards, and the requirements for their dance program. The survey questions asked Yes/No/Unsure questions that involved such questions related to faculty diversity, cultural …

Body Positivity Via Costuming Performances In Grades Nine Through Twelve Dance, Kacey Valentine O'Keeffe

Master's Theses

This thesis explored the impact of body image and self-esteem on high school dancers and the pivotal role of dance educators in fostering a positive environment during concert preparations. The purpose of this research study was to determine if there was a correlation between promotion of health and wellness from dance educators and body positivity among high school dancers. The following research questions were addressed in this study:

Q1 What positively contributes to a dancers’ self-esteem and body image?

Q2 What is an effective solution for costume fitting methods to be used by dance educators while keeping their dancers’ safety …

The Sacred Duty Of The Christian Storyteller: The Rediscovery Of Divine Creative Heritage And Its Function In The Public Square, Trinity Wood

Senior Honors Theses

This thesis assesses the specific value of the storytelling medium and evaluates how one’s artistic duty coexists with their spiritual responsibility as a Bible-believing Christian. Storytelling has a proven power to evoke change within society and within the hearts of its members, and creativity is an innate characteristic we share with the original Divine Creator. Creativity is our birthright and our inheritance from God the Father, as beings made in His Image. The secular entertainment industry often appears as foreign enemy territory to the Christian creative – in most recent years, faith-based content has garnered a poor reputation for itself …

Fall Dance Concert (November 21-23, 2024), Lindenwood University

Student Dance Programs & Brochures

Event program for Fall Dance Concert (November 21-23, 2024), Lindenwood University.

Blackfriars Dance Concert Fall 2024 Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert Fall 2024

Friday, November 15, 2024 @7:30pm

Saturday, November 16, 2024 @2:00PM

Choreographers: Heather Ahern, Laura Bennett, Nina Kossler, Jessica Pearson, Michaela Pendola, Brooklyn Toli, Arlynn Zachary

Blackfriars Dance Concert Fall 2024 Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert Fall 2024

Friday, November 15, 2024 @7:30pm

Saturday, November 16, 2024 @2:00PM

Choreographers: Heather Ahern, Laura Bennett, Nina Kossler, Jessica Pearson, Michaela Pendola, Brooklyn Toli, Arlynn Zachary, Carla Maxwell, Robert Battle, Elizabeth Graney, Olivia Krupa, Julianna Martin, Grace McEvoy, & Allison Renaud

Dancers: Jade Bocciarelli, Helena Gillin, Gabriella Girard, Penelope Kearns, Julia Mele, Caroline Puccini, Noel Rose DeRosa, Taylor Gifford, Caroline Guanci, Grace McEvoy, Emma Preston, Allison Renaud, Simone Chabot, Lauren Gerew, Heidy Guzman, Olivia Krupa, Julianna Martin, Rayni Collins, Amanda Kleinman, Grace Sittig, Alyssa Dalto, …

The Madwoman Of Chaillot, Jean Giraudaux, Maurice Valency

Taylor Theatre Playbills

The playbill for Taylor University's performance of The Madwoman of Chaillot by Jean Giraudoux and adapted by Maurice Valency.

Performed on November 8-9, 2024 at 7:30pm and November 10, 2024 at 2:00pm in the Mitchell Theatre at Taylor University.

Jean Giraudoux's The Madwoman of Chaillot, adapted by Maurice Valency, is a poetic and satirical fable that critiques capitalism and greed. The play is set in Paris, where a group of greedy businessmen plans to tear up the city to drill for oil. Their plans are discovered by Countess Aurelia, the titular Madwoman, a wonderfully eccentric and idealistic woman who …

Natasha, Pierre, & The Great Comet Of 1812, Otterbein Theatre And Dance Department

2024-2025 Season Productions

No abstract provided.

Artists On Creative Administration, Tonya Lockyer

University of Akron Press Publications

Brilliant artists share stories on artistic life and business, full of lessons we can all learn about living a creative life. Featuring the voices of thirty artists and arts workers, Artists on Creative Administration: A Workbook from the National Center for Choreography provides first-hand accounts of creative administration in action. The book pairs big topics with actionable tactics, addressing themes like equity, activism, design thinking, leadership, collaboration, family, ethics, and care. Provocative, candid essays and interviews expand our view of what creativity and leadership can be, as each chapter closes with experiments for the reader to try and adapt to …

Will We Ever Be Well?, Ris Bland

Taylor Theatre Playbills

The playbill for Taylor University's performance of Will We Ever Be Well? by Ris Bland in collaboration with Tracy Manning.

Performed September 12, 2024 in the Butz-Caruth Recital Hall at Taylor University.

Will We Ever Be Well? is a play based on the true crime stories of Dr. Helene Knabe, Alice Martin, Mollie Starbuck and the twins who were possibly born to Mr. & Mrs. Frank McNally.

Masters At Chapman: La Connections

Dance Programs

No abstract provided.

Beehive: The '60s Musical, Otterbein Theatre And Dance Department

2024 Summer Theatre

No abstract provided.