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Family Legacies: Constructing Individual And Family Identity Through Intergenerational Storytelling, Blair Thompson, Jody Koenig Kellas, Jordan Soliz, Jason Thompson, Amber Epp, Paul Schrodt Jan 2009

Family Legacies: Constructing Individual And Family Identity Through Intergenerational Storytelling, Blair Thompson, Jody Koenig Kellas, Jordan Soliz, Jason Thompson, Amber Epp, Paul Schrodt

Department of Communication Studies: Faculty Publications

The current study focused on discovering the ways in which the intergenerational transmission of family legacy stories both enables and constrains individual family members’ sense of their own identities. Using semistructured interviews, 17 third-generation family members identified a multitude of both positive and negative family legacies. Both positive and negative legacies were influenced by the storytelling context. Positive legacies portrayed families as hardworking, caring, and cohesive while negative legacies were more idiosyncratic. Individual family members typically responded to their family legacies by embracing the positive and rejecting the negative. However, individuals’ responses also pointed to additional complexities in accepting or …


Communicative And Relational Dimensions Of Shared Family Identity And Relational Intentions In Mother-In-Law/Daughter-In-Law Relationships: Developing A Conceptual Model For Mother-In-Law/Daughter-In-Law Research, Christine Rittenour, Jordan Soliz Jan 2009

Communicative And Relational Dimensions Of Shared Family Identity And Relational Intentions In Mother-In-Law/Daughter-In-Law Relationships: Developing A Conceptual Model For Mother-In-Law/Daughter-In-Law Research, Christine Rittenour, Jordan Soliz

Department of Communication Studies: Faculty Publications

From the perspective of daughters-in-law (N = 190), this study examined communicative and relational factors associated with positive and negative mother-in-law/daughter-in-law relationships. A structural model tested perceptions of shared family identity as a mediator between communicative factors (supportive communication, nonaccommodation, self-disclosure), family-of-origin factors, and daughter-in-law intentions regarding caregiving and future contact with the mother-in-law. Further, open-ended responses were content analyzed to identify additional relational aspects associated with satisfying mother-in-law relationships. Results from both analyses were integrated into a conceptual model to guide future research on this relationship.


If We Seek, Do We Learn?: Predicting Knowledge Of Global Warming, Leeann Kahlor, Sonny Rosenthal Jan 2009

If We Seek, Do We Learn?: Predicting Knowledge Of Global Warming, Leeann Kahlor, Sonny Rosenthal

Research Collection College of Integrative Studies

Derived from the risk information seeking and processing model (RISP), this study sought to isolate predictors of the public's knowledge of global warming. Using a national sample ( N = 805), multiple regression yielded a number of significant relationships among 13 moderators. Notably, the number of media sources used for information about global warming, information seeking effort, and general education were relatively strong predictors of knowledge. Counter to expectations, informational subjective norms were inversely related to knowledge.


The Rise Of Private Equity Media Ownership In The United States: A Public Interest Perspective, Matthew Crain Jan 2009

The Rise Of Private Equity Media Ownership In The United States: A Public Interest Perspective, Matthew Crain

Publications and Research

This article examines the logic, scope, and implications of the influx of private equity takeovers in the United States media sector in the last decade. The strategies and aims of private equity firms are explained in the context of the financial landscape that has allowed them to flourish; their aggressive expansion into media ownership is outlined in detail. Particular attention is paid to the public interest concerns raised by private equity media ownership relating to the frenzied nature of the buyout market, profit maximization strategies, and the heavy debt burdens imposed on acquired firms. The article concludes with discussion of …


Mcmansions: Re-Presenting A Divided, Subdivided And Uncanny Suburban Landscape, Mike Gray Jan 2009

Mcmansions: Re-Presenting A Divided, Subdivided And Uncanny Suburban Landscape, Mike Gray

Theses : Honours

This exegesis speculates on the rise and spread of 'McMansions' by exploring possible reactions to this architecture and the contextual dimensions of my photographic response. The exegesis aligns aspects of the 'Uncanny' (Freud, 1919) to new trends in domestic architecture and topographical photography. By pictorially offering a counter-narrative to more conventional representations of the 'dream home', it ironically demonstrates that some houses can be viewed as unhomely. The exegesis explains how cultural anxieties can be experienced when viewing contemporary trends in domestic architecture within new suburban developments. It does this by aligning the increased use of featurism (Boyd, 1980) in …


A Postmodern Look At Modernism: A Review Article Of Books By Pera And López On Modernista Writers In Hispanic Literature, Richard A. Cardwell Dec 2008

A Postmodern Look At Modernism: A Review Article Of Books By Pera And López On Modernista Writers In Hispanic Literature, Richard A. Cardwell

CLCWeb: Comparative Literature and Culture

No abstract provided.


Communication, Crisis, And Identity: Dialectical Tensions In Family Narratives About Hurricane Katrina, Laura Poole Rogers Dec 2008

Communication, Crisis, And Identity: Dialectical Tensions In Family Narratives About Hurricane Katrina, Laura Poole Rogers

Dissertations

In this study victims of Hurricane Katrina ordered their experiences with the crisis into meaningful themes which expressed their values, actions, inactions, occupations, needs and losses, and feelings. In interviews participants explained what happened, when it happened, how they responded, how they thought they should have responded, and how they handled situations surrounding the storm. Narratives about situations after the storm revealed descriptions of their and others' relationships in interactions with representatives of larger social units. The dialectical analysis revealed dialectical tensions that emphasized participants' dynamic and changing relationships and identities. Dialectical analysis of narratives about those relationships revealed dialectical …


"George Bush Doesn't Care About Black People": Hip Hop, Public Discourse And Black Politics In The Early 21st Century, Hazel Bell James Cole Dec 2008

"George Bush Doesn't Care About Black People": Hip Hop, Public Discourse And Black Politics In The Early 21st Century, Hazel Bell James Cole

Dissertations

Recently, more scholars are examining hip hop as a powerful cultural, communicative force, yet hip hop's political orientation goes unnoticed. This study highlights the politics found in hip hop culture and in rap music since 2000 by exploring hip hop as a social movement. This study utilizes a critical, cultural approach by applying ideological case study and textual analyses methods. Song lyrics, activist efforts and black politics prove the political orientation of hip hop culture, which revealed that rap music in general is limited by capitalistic, hegemonic restraints juxtaposed to rappers serving as the legitimate voice of the marginalized and …


Why Fantasy Matters Too Much, Jack Zipes Dec 2008

Why Fantasy Matters Too Much, Jack Zipes

CLCWeb: Comparative Literature and Culture

In his article "Why Fantasy Matters Too Much" Jack Zipes proposes that fantasy in contemporary culture functions as a celebrity and money-making machine. Fantasy mobilizes and instrumentalizes the fantastic to form and celebrates spectacles as illusions of social relations based on power. Thus, spectacles violate and drain our imagination by glorifying social relations of power made spectacular and involve the magic of fetishism. Generally, the results bring about delusion and acclamation of particular sets of social relations that are commodified, sold, and consumed. We acclaim commodities that we do not know and products not of our own making we consume …


The Posthuman Ethos In Cyberpunk Science Fiction, María Goicoechea Dec 2008

The Posthuman Ethos In Cyberpunk Science Fiction, María Goicoechea

CLCWeb: Comparative Literature and Culture

In her article "The Posthuman Ethos in Cyberpunk Science Fiction" María Goicoechea explores the posthuman tendencies of Anglo-American popular culture as they are manifested in the representations of the cyborgs, clones, and artificial intelligences that populate cyberpunk science fiction. Choosing the figure of the cyborg as the central myth of cyberculture, Goicoechea exposes the underlying tensions and contradictions present in cyberpunk prescient visions of humanity's evolution. Goicoechea reviews the variety of contradictory meanings that have been sedimented over this hybrid creature, using as ideological framework the digital narratives of "Technoromanticism" and "Cybergothic," respectively the dominant and the countercultural trend inside …


Fantasy Literature And The Misanthrope: A Review Article Of New Work By Cottom And Zipes, Terri Ochiagha Dec 2008

Fantasy Literature And The Misanthrope: A Review Article Of New Work By Cottom And Zipes, Terri Ochiagha

CLCWeb: Comparative Literature and Culture

No abstract provided.


The Literary Fantastic In African And English Literature, Terri Ochiagha Dec 2008

The Literary Fantastic In African And English Literature, Terri Ochiagha

CLCWeb: Comparative Literature and Culture

In her article "The Literary Fantastic in African and English Literature," Terri Ochiagha begins with pointing out that in his Introduction á la literature fantastique, Tzvetan Todorov proposed the theoretical frameworks he believed should be the basis of the identification and analysis of a literary work as fantastic. While Todorov's text is only one of the many treatises on the fantastic in literary scholarship, in most of these African prose is seldom a subject of exemplification or analysis. In the rare instances in which such texts are mentioned, they are often and hastily classified as magic realism. Ochiagha posits whether …


Introduction To New Studies On The Fantastic In Literature, Asunción López-Varela Dec 2008

Introduction To New Studies On The Fantastic In Literature, Asunción López-Varela

CLCWeb: Comparative Literature and Culture

No abstract provided.


Cultural Scenarios Of The Fantastic, Asunción López-Varela Dec 2008

Cultural Scenarios Of The Fantastic, Asunción López-Varela

CLCWeb: Comparative Literature and Culture

In her article, "Cultural Scenarios of the Fantastic," Asunción López-Varela Azcárate explores the relationship between technological development, the materiality of objects, the concept of ontological presence, and the emergence of abstract and fantastic models. López-Varela Azcárate argues that since the early twentieth century there has been a return to the fantastic in literature and that this is related to neo-baroque attitudes whose foundations are a systemic way of knowing that unveils a world understandable from an epistemology of complexity and ambiguity. In postmodern neo-baroque aesthetics, with its focus on technological re-mediating, that is, transferring information across different media, originality is …


Death And Love In Poe's And Schwob's Readings Of The Classics, Ana González-Rivas Fernández, Francisco García Jurado Dec 2008

Death And Love In Poe's And Schwob's Readings Of The Classics, Ana González-Rivas Fernández, Francisco García Jurado

CLCWeb: Comparative Literature and Culture

In their article "Death and Love in Poe's and Schwob's Readings of the Classics," Ana González-Rivas Fernández and Francisco García Jurado propose that although Gothic literature usually relegates the theme of love to the background, devoting most of its attention to the supernatural and to darkness, there are also literary texts in which love is mixed with life beyond the grave. This is the case, for example, of Théophile Gautier's La Morte amoureuse (1836), the story of a vampire who comes back to life in her "undead" condition in order to seduce a priest. The theme of love and death …


Entropy And The Fantastic In Pynchon's Narratives, María Rosa Burillo Gadea Dec 2008

Entropy And The Fantastic In Pynchon's Narratives, María Rosa Burillo Gadea

CLCWeb: Comparative Literature and Culture

In her article "Entropy and the Fantastic in Pynchon's Narratives" María Rosa Burillo Gadea postulates that dealing with Pynchon's fiction one is not sure if paranoia is presented as an alternative way of grasping other possible spheres, a more comprehensive vision of the world, or merely a joke. Pynchon's stories try to reproduce reality in different fictional grounds. He uses the notion of entropy, the level of molecular disorder of a thermodynamic system when heated as a metaphor for a disorderly and chaotic universe, necessary, however, in order to avoid the fatality of system exhaustion or death. A kind of …


Metamorphosing Worlds In The Cinema Of The Fantastic, Juan González Etxeberria Dec 2008

Metamorphosing Worlds In The Cinema Of The Fantastic, Juan González Etxeberria

CLCWeb: Comparative Literature and Culture

In his article "Metamorphosing Worlds in the Cinema of the Fantastic" Juan González Etxeberria reads fantastic films as appealing products of both unconscious psychological and institutionalized sociological anxieties. A result of the binary opposition of rhetorical strategies that shaped modern culture, the genre is an open door to other worlds where to dream of uncertainties and to indulge in our traumas. Its transgressive indeterminacy against the Cartesian system is traced from the origin of creative filmic language to postmodern disturbing fantasies about the unknown, having social control and individual free will as the only limits of its imaginary trips across …


Cinema's Doubles, Their Meaning, And Literary Intertexts, Pilar Andrade Dec 2008

Cinema's Doubles, Their Meaning, And Literary Intertexts, Pilar Andrade

CLCWeb: Comparative Literature and Culture

In his paper "Cinema's Doubles, Their Meaning, and Literary Intertexts" Pilar Andrade analyzes the figure of the double as an element of cinema. Andrade does not take under consideration films in which the double is considered merely as a clinical case with no mystery (for example as in David Fincher's Fight Club or Brad Anderson's The Machinist) or in which it is used as a useful piece to make the plot without referring to the fantasy world (as in Joel Schumacher's Bad Company); instead, Andrade focuses on films that make a clear connection between the alter ego and fantasy, including …


Selected Bibliography Of Studies On The Fantastic In Literature, Terri Ochiagha Dec 2008

Selected Bibliography Of Studies On The Fantastic In Literature, Terri Ochiagha

CLCWeb: Comparative Literature and Culture

No abstract provided.


Fostering Critical Thinking And Intercultural Understanding: Canada’S Contribution To Media Literacy, Brian O'Neill Oct 2008

Fostering Critical Thinking And Intercultural Understanding: Canada’S Contribution To Media Literacy, Brian O'Neill

Other resources

No abstract provided.


Cinematic Jujitsu: Resisting White Hegemony Through The American Dream In Spike Lee’S Malcolm X, Kristen Hoerl Oct 2008

Cinematic Jujitsu: Resisting White Hegemony Through The American Dream In Spike Lee’S Malcolm X, Kristen Hoerl

Department of Communication Studies: Faculty Publications

Spike Lee’s film Malcolm X (1992) presented Malcolm X’s life story using the narrative framework of the American Dream myth central to liberal ideology. Working from Gramsci’s notion of common sense in the process of hegemony, I explain how Lee appealed to this mythic structure underlying American popular culture to give a platform to Malcolm X’s controversial ideas. By adopting a common sense narrative to tell Malcolm X’s life story, this movie functioned as a form of cinematic jujitsu that invited critical consciousness about the contradictions between liberal ideology and the life experiences of racially excluded groups. Other formal devices …


Hiv/Aids: An Opportunistic Infection Of Globalization?, David H. Lee Oct 2008

Hiv/Aids: An Opportunistic Infection Of Globalization?, David H. Lee

Publications and Research

No abstract provided.


“I Hope You Never See Another Day Like This”: Pedagogy & Allegory In “Post 9/11” Video Games, Marc A. Ouellette Sep 2008

“I Hope You Never See Another Day Like This”: Pedagogy & Allegory In “Post 9/11” Video Games, Marc A. Ouellette

English Faculty Publications

Although critics and scholars have considered the extent to which the terror attacks of 11 Sept. 2001 influenced subsequent media productions, video games comprise a largely unexamined form. This oversight also applies to related forms of media production and among those who study video games is in part attributable to the ongoing debate regarding the relationship(s) between narrative and play. Even so, as early as 1997, JC Herz was investigating the role of video games in the military-entertainment complex. That said, the focus of this paper will not be the obvious games which draw settings and plots directly from the …


Transnational Book Markets And Literary Reception In The Americas, Molly Metherd Sep 2008

Transnational Book Markets And Literary Reception In The Americas, Molly Metherd

CLCWeb: Comparative Literature and Culture

In her paper "Transnational Book Markets and Literary Reception in the Americas," Molly Metherd argues that the most diffuse products of transnational cultural production in the Americas come from mass media productions packaged for transnational audiences -- i.e., Hollywood films, television shows, popular magazines, product advertisements -- and that tend to homogenize messages, promote stereotypes, and simplify complex issues. However, another effort to make sense of shifting relationships in the Americas is coming from a group of US-American and Spanish American literary figures. In their fiction, criticism, journalistic work, and public statements, such authors have been responding to the covalence …


Towards A History Of Intertextuality In Literary And Culture Studies, Marko Juvan Sep 2008

Towards A History Of Intertextuality In Literary And Culture Studies, Marko Juvan

CLCWeb: Comparative Literature and Culture

In his paper "Towards a History of Intertextuality in Literary and Culture Studies" Marko Juvan argues that the theory of intertextuality reshaped fundamentally the understanding of influence in literature. It showed that supposedly primary sources are themselves but intertextual transformations dependent on cultural "encyclopedia." Intertextuality as a framework offers a refined terminology of forms and functions of both domestic and foreign literatures' creative reception while respecting specific linguistic and cultural spaces, traditions, and literary systems. It deconstructed the postulates of influence; for example, the concepts of author, the logic of cause and effect, and boundaries between texts. It revealed the …


Towards A Cultural Framework Of Audience Response And Television Violence, Lajos Császi Sep 2008

Towards A Cultural Framework Of Audience Response And Television Violence, Lajos Császi

CLCWeb: Comparative Literature and Culture

In his paper "Towards a Cultural Framework of Audience Response and Television Violence" Lajos Császi argues that media violence is not a reification of social violence; rather, a popular ritual allowing contemporary societies to sublimate, to substitute, and to discuss aggression in the public sphere. Császi reviews the central questions of contemporary debates about television violence including Stuart Hall's thought on this topic and introduces the ideas of Elias, Geertz, Turner, Bettelheim, Benjamin, Girard, and others in order to locate the representation of violence in an interdisciplinary context. Using the genre of the horror film as an example, Császi suggests …


A Moral Reading Of Mahfouz's Fountain And Tomb (Hekayat Haretna), Amal Al-Leithy Sep 2008

A Moral Reading Of Mahfouz's Fountain And Tomb (Hekayat Haretna), Amal Al-Leithy

CLCWeb: Comparative Literature and Culture

In her article "A Moral Reading of Mahfouz's Fountain and Tomb (Hekayat Haretna)," Amal Al-Leithy analyses Naguib Mahfouz's Fountain and Tomb. In Al-Leithy's reading, Mahfouz delineates a gloomy picture of modern humanity still living in a struggle against destitution, ignorance, squalor, and the power of superstition. Society is portrayed as seeped in hopelessness as Mahfouz stresses the physical and moral degradation of his protagonists. He draws a dismal picture of life as swinging between two poles: the fountain of life and the tomb of death. In a symbolic alley in 1920s Cairo, Mahfouz describes humanity's predicament swaying between meaningfulness and …


Patriarchy In Post-1989 Poland And Tokarczuk's Dom Dzienny, Dom Nocny (The Day House, The Night House), Justyna Sempruch Sep 2008

Patriarchy In Post-1989 Poland And Tokarczuk's Dom Dzienny, Dom Nocny (The Day House, The Night House), Justyna Sempruch

CLCWeb: Comparative Literature and Culture

In her paper "Patriarchy in Post-1989 Poland and Tokarczuk's Dom Dzienny, Dom Nocny (The Day House, the Night House)" Justyna Sempruch analyzes Tokarczuk's 1998 narrative in the context of the post-communist revival of patriarchy in Poland as well as the parallel Western feminist impact on women's writing in Poland. These two distinct socio-cultural developments, as reflected in Tokarczuk's novel, expand the concept of a subversive household into a transnational dis/order that abolishes borders between domestic (national) and foreign structures: an increasing masculinization of the power structures (political arena and "scientific" practices) impacts the management of the social and the most …


Audience, Sentimental Postmodernism, And Kiss Of The Spider Woman, Kimberly Chabot Davis Sep 2008

Audience, Sentimental Postmodernism, And Kiss Of The Spider Woman, Kimberly Chabot Davis

CLCWeb: Comparative Literature and Culture

In her article "Audience, Sentimental Postmodernism, and Kiss of the Spider Woman" Kimberly Chabot Davis analyzes the three media forms of Kiss of the Spider Woman -- novel, film, and musical -- and their reception by gay, bisexual, and heterosexual fans: Davis reads Kiss as a key example of a hybrid contemporary genre she designates as "sentimental postmodernism." Chabot Davis positions the text's dialogic negotiation between the popular and the postmodern in relation to the critical discourse of camp, as a form of sentimentality-cum-irony. Manuel Puig's novel offers a powerful rebuttal to the Frankfurt School's dismissal of sentimental mass culture …


Geographies Of Nation And Region In Modern European And American Fiction, Thomas O. Beebee Sep 2008

Geographies Of Nation And Region In Modern European And American Fiction, Thomas O. Beebee

CLCWeb: Comparative Literature and Culture

In his article "Geographies of Nation and Region in Modern European and American Fiction" Thomas O. Beebee proposes that beyond using character, plot, and style, modern fiction also has entertained its readers with mental maps of heterotopias. A mental map is an imaginative representation of place derived from experience or story. Following Michel Foucault, heterotopia is defined as an "other space" both familiar as and different from the real. The "imagined communities" (Anderson) of nation and region are themselves heterotopias that receive confirmation and/or contestation through the discursive territoriality of literary prose. The mental maps of literature participate in the …