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2022 Greenleaf Review-- The Gen Z Survival Guide (No. 35), Sigma Tau Delta

The Greenleaf Review

No abstract provided.

V.1 Spring 2022, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2022 issue contains writings divided into five categories: ecosystems, homes, archaeologies, explorations, and new constructions. Writings touch on urban ecology, wilderness, physical and mental health, identity, and other topics. Visual work is also present in this issue.

Revolutionary Reenactment: Militant Futures Past In Rania And Raed Rafei’S “74 (The Reconstitution Of A Struggle)”, Judith Naeff

Regards

This article analyses how innovative narrative techniques operate in the movie 74 (The Reconstitution of a Struggle) by Rania and Raed Rafei (2012). The film is a reenactment of an historical event: the student occupation of the American University of Beirut one year before the start of the Lebanese civil war. The use of improvised reenactment, testimonials and the voiceover all strengthen the film’s approach to the event as an embodied transformative experience, even as it descends into its defeat. While a cynical spectator might argue that the focus on “revolutionary becoming” reduces collective action to individual experience, the article …

Le Cinéma Politique Et Engagé Turc, Mehmet Ozturk

Regards

This article is about Turkish political cinema. The cinema, which began with the authorization of the state during the fall of the Ottoman Empire, did not have an important political role during the construction of the Kemalist Republic. In the 1950s, it entered its golden age in pro-American Turkey. At the end of the 1960s, especially in the lead years (1970), political cinema was used on several occasions as part of the ideology of the far right and the revolutionary left. After the violence of the military coup of 1980, it remained rather cynical and disengaged. Political interpretations represented the …

Introduction – Le Cinéma Militant Dans Le Monde Arabe (Des Années 1960 À Nos Jours), Joseph Korkmaz

Regards

Le cinéma militant dans le monde arabe, des années soixante du siècle dernier à maintenant, est tributaire d’un contexte historique marqué par le conflit israélo-palestinien et, par induction, israélo-arabe. Ce contexte s’inscrit à son tour dans la Guerre froide et le bras de fer entre le bloc communiste, mené par l’URSS, et le bloc occidental, parrainé par les États-Unis...

Usages Du Ciné-Tract Dans Le Film « Demande À Ton Ombre », Camille Leprince

Regards

Lamine Ammar-Khodja's first feature film, produced in 2012, Demande à ton ombre (Ask your shadow) is part of the so-called "creation" documentary. A diary and political chronicle, this film which runs from January to March 2011 plunges us into the news of the Arab uprisings seen from Algeria. While distinguishing itself in several respects from a militant cinema, Demande à ton ombre does not deny certain processes of the tradition of cine-tracts. In order to measure this distant, even distanced, proximity to the resources of militant and engaged cinema, it is proposed here to analyze their function and …

From Classroom To Gallery Floor: A Processual Exploration Of Rene Saheb’S (Meta)Physical Engagements With Clay, Kasper Tromp

Regards

This article presents a case study detailing the creative process of Iranian artist Rene Saheb. It analyzes the various stages, developments, and challenges Saheb went through while she explored the medium of clay, which was new to her artistic repertoire. Rather than focusing on outward properties of ceramics such as style or technique, the artist’s inward experiences of her medium and creative process are foregrounded by means of interviews.
As Saheb frequently turns to Islamic mysticism and poetry as conceptual anchorage throughout her creative process, her engagements with the ceramic medium will be discussed in light of relevant Islamic discourses …

Liberating “Khatt” From Calligraphy: Samir Sayegh On Art, Religion And Spiritualit, Kristen Scheid, Hala Shoucair, Saleh Barakat

Regards

The eminent Samir Sayegh has contributed substantially to Arab modernism as a critic, historian, and artist himself.¹ His writings in Arabic are well known, through numerous journal articles, interviews, and most notably his 1988 book, Islamic Art: A Speculative Reading of Its Philosophy and Aesthetic Particularities.²
Further, his thinking impacted scores of students and colleagues in architecture or graphic design from the American University of Beirut, where he lectured from 2003 to 2007.
However, his voice has not been heard loudly in English. This transcript amalgamates multiple sittings with Sayegh, between 2009 and 2022. He kindly allowed us to …

History Or Project? The Double Life Of Islamic Art Since The 1970s, Hamed Yousefi

Regards

This article argues that since the 1970s a duality divides the concept of Islamic Art. On the one hand, we have Islamic Art as the subject matter of a modern mode of historical inquiry, invented and developed in the colonial period in Europe but then taken up by scholars from around the world, including Muslim academics. This is the Islamic Art of Islamic Art History as a field of secular scholarship.
But then, in the decolonization period, and more pronouncedly since the 1970s, we witness the birth of another concept of Islamic Art that is not focused on the past. …

The Nonidentical Identical; Or, Notes On Violence And Escape In Basel Abbas And Ruanne Abou-Rahme’S "Oh Shining Star Testify", Ruslana Lichtzier

Regards

A review of Basel Abbas and Ruanne Abou-Rahme’s installation Oh shining star testify at the 12th Berlin Biennale (2022), where the artists present Palestinian lives and deaths by disrupting the progressive chronologies of Palestine’s ongoing obliteration.
The essay considers the representation of racist epistemologies through recourse to the work of Saidiya Hartman and Fred Moten, while also situating the installation within a lineage of cultural productions that respond to the histories of genocide.

"All Is Not Glitter" Review Of “Beirut And The Golden Sixties: A Manifesto Of Fragility” Berlin, Gropius-Bau, 25 March – 12 June 2022 Lyon, 14 September – 31 December 2022, Nadia Von Maltzahn

Regards

The exhibition Beirut and the Golden Sixties: A Manifesto of Fragility highlights what the curators argue is the fragility of the narrative surrounding Beirut’s “Golden Age” – the period leading up to Lebanon’s civil war.
This review traces the genesis of the exhibition and presents its displays at Berlin’s Gropius Bau and the MAC Lyon. Several works are showcased to demonstrate how the curators constructed the exhibition’s five sections, which focus on place, body, form, politics, and the Civil War.
The review offers contextualization for an exhibition rich in diverse artworks and archival materials that contain a multitude of narratives.

Challenging Conventional Approaches To Teaching Creative Writing In Italy, Elena Traina

Journal of Creative Writing Studies

This is an overview of how creative writing is currently taught in Italy and of the reasons why this discipline is struggling to establish itself in public universities. After investigating the relationship between Italian academia and creative arts, I will look at the private nature of these courses in relation to issues of inclusion and diversity; and will highlight some of the pedagogical concerns deriving from having imported the anglophone model. Looking at the wider cultural sector, I will present some reflections on the Italian book industry as a system which prioritises personal connections over literary value, a process often …

An Adopted Husband [Sono Omokage], Futabatei Shimei, Buhachiro Mitsui, Gregg M. Sinclair

Zea E-Books Collection

This novel by Futabatei Shimei (1864–1909) falls squarely within the traditions of Naturalism in literature. Reminiscent of Theordore Dreiser’s Sister Carrie or Edith Wharton’s Ethan Frome, it presents characters in the grip of forces they cannot resist or control. Tetsuya is a Professor of Economics and Finance who has accepted an adoption-marriage to pay the costs of his education. Now he finds himself miserable with his neglectful wife Toki-ko, and attracted to her illegitimate half-sister Sayo-ko, who cannot help herself from returning his affections. Enmeshed by their emotions, hemmed in by convention, tormented by guilt and remorse, the lovers careen …

Untitled (Artwork), Chris Schulze

Exile

No abstract provided.

Pages Of A Story, Peter Porteous

Exile

No abstract provided.

Eating The Earth: The Poetic ‘Coming Out’ Journey Of One Middle School Teacher, Clint D. Whitten

Virginia English Journal

No abstract provided.

Monologue. Polylogue. Mollylogue. (Or: A Musing Of A Young Writer As A Poor Man. Hee Hee Hee.), Chris Brougham

Exile

No abstract provided.

Buffalo Mountain, Sharon S. Mccartney

Exile

No abstract provided.

Outage: An Adventure In Situ, Learning To Fear Storms In A More Funadmental Way Than Before, W. D. Wetherell

Appalachia

Writer W.D. Wetherell lives in west central New Hampshire and has noticed that hundred-year storms have become more frequent. This story tells of a wretched night in the house experiencing climate change’s tempests.

Routine, Lauren Williams

Exile

No abstract provided.

Frying Fritters, Liz Bolyard

Exile

No abstract provided.

For Katherine, Carl Boon

Exile

No abstract provided.

This Effeminate Stranger: Dionysus' Gender In Translation And Performance, August Guszkowski

Independent Student Projects and Publications

This Effeminate Stranger: Dionysus’ Gender in Translation and Performance explores the possible interpretation of the character of Dionysus in Euripides’ Bacchae as genderqueer, specifically nonbinary. The project consists of a translation of the Bacchae from Ancient Greek into English which pays special attention to instances where Dionysus’ character is treated as somewhere between or outside of the traditional male-female gender binary, including placing emphasis on the god’s “effeminate” appearance and ability to influence other people to act across gendered lines. The groundbreaking translation refers to Dionysus with they/them pronouns rather than the traditional he/him and embraces this surprisingly well-evidenced reading …

Janet Malcolm And Me: The Biographer Enters Her Book: Some Post-Modern Reflections On The Personal Of The Critical In Recent Biographies Of Women Writers, Joanne E. Gates

Presentations, Proceedings & Performances

Largely because publishers resist the expenses of precise and plentiful documentation, contemporary biography is a slippery, sometimes stale, but sometimes electrifying discipline. If any recent biographical project deserves further attention and analysis, it is Janet Malcolm's three-part biography of Sylvia Plath, first appearing in the August 23 and 30, 1993 double issue of the New Yorker and now published in book form as The Silent Woman: Sylvia Plath and Ted Hughes (Knopf, 1994). With the perspective of an autobiographer examining (yet never mentioning) the incendiary implications of her own "missing tapes" incident which led to the New Yorker's defense of …

The Mozart Conversation Or The Aria Of Nannerl Mozart: Drama In Three Acts And Two Tableaux, Emmanuel M. Dubois

Emmanuel Dubois Compositions

1 play (v + 66 pages) ; includes Synopsis, Cast of characters, Setting, Costumes, Props

The full-length historic drama examines the impact of emerging feminism in the Mozart family during the Enlightenment era.

As social changes cause the rejection of sexism, Nannerl, Mozart's sister disrupts male ordained traditions as she affirms her genius as a musician. The new social trends disrupt the affectionate relationship with her brother Wolfgang, who is psychologically exhausted by the stress to perform. The parents, Leopold and Anna Maria, invoke the respect of old traditions to exploit financially the genius of their son and to minimize …

The City Becomes Her: Poetry Collection, Sara Anne Hook

Graduate Scholarship and Professional Work

No abstract provided.

Birmingham Poetry Review 49 (End Matter), Birmingham Poetry Review Staff

Birmingham Poetry Review

pp. 185-201

The Museum Of Love, Sara Will

Allusions

No abstract provided.

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …