Digital Commons Network^™

Decrescendo, Dennis Saleh

Birmingham Poetry Review

p. 41

Penn, The Archivist, Michael Rosen

Birmingham Poetry Review

pp. 37-38

Trailing The Cry, R S. Carlson

Birmingham Poetry Review

p. 7

After Uncle Charley's Funeral, Anne Fowler

Birmingham Poetry Review

p. 14

Silver Streak, Susan Luther

Birmingham Poetry Review

p. 23

Pesach, Elton Glaser

Birmingham Poetry Review

p. 15

Boy With Kite, Naomi Clark

Birmingham Poetry Review

pp. 8-9

One Fable, Scott Mulrane

Birmingham Poetry Review

p. 32

Written In The Stars, Philip Miller

Birmingham Poetry Review

p. 29

Lourdes, France, James Mersmann

Birmingham Poetry Review

p. 25

Now & Then (Volume 06, Issue 03, 1989), Center Of Excellence For Appalachian Studies And Services, East Tennessee State University

Now & Then: The Appalachian Magazine

Now & Then: The Appalachian Magazine, Volume 06, Issue 03, published in 1989. The theme of this issue is Appalachian Art Folk and Fine. This issue examines artistic expression in Appalachia through studies of quilting, dance, craft traditions, music, and theater, alongside reflections on the relationship between folk and fine art. Featuring artist interviews, fiction, poetry, and reviews, it documents both community-based creative practices and formally trained artistic work as expressions of regional identity and cultural continuity.

Full Issue, No Author

The Angle

No abstract provided.

Birmingham Poetry Review 3 (End Matter), Birmingham Poetry Review Staff

Birmingham Poetry Review

pp. 40-42

Penance, Peter Wild

Birmingham Poetry Review

p. 39

Sunglasses, 1969, Les Bridges

Birmingham Poetry Review

p. 6

Twa Corbies, Robert Lewis Weeks

Birmingham Poetry Review

p. 38

Why Do Trees Look Blue, Dixie Partridge

Birmingham Poetry Review

p. 33

The One We Don't Mention, Taylor-Graham

Birmingham Poetry Review

p. 34

Birmingham Poetry Review 2 (End Matter), Birmingham Poetry Review Staff

Birmingham Poetry Review

pp. 48-50

Knuckleball, Gary Bundy

Birmingham Poetry Review

p. 9

From Lenore Near Hudson Bay, John Grey

Birmingham Poetry Review

p. 20

Tethys, R S. Carlson

Birmingham Poetry Review

p. 10

Apology For A Rainbow, Kathleen Halme

Birmingham Poetry Review

p. 16

Letter From A Surrogate Son, Jay Blumenthal

Birmingham Poetry Review

p. 4

The Lull, Philip Miller

Birmingham Poetry Review

p. 30

Birmingham Poetry Review 2 (Front Matter), Birmingham Poetry Review Staff

Birmingham Poetry Review

pp. -2

Lights And Shadows - 1989, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

The Midwest Quarterly; Vol. 30 No. 2, Robert Wexelblatt, Kenneth L. Golden, Christopher S. Durer, William Casement, Wheeler Winston Dixon, James I. Weingartner, Mark Christhilf, Tom Saya, Kathleen Johnson, Richard Tucker, Duncan Moran, Phil Stephens, Michael J. O'Brien, Elmer Suderman, Marion Schoeberlein, Sidney R. Thompson, Hugh C. Abernethy Jr., Al Ortolani, Jo Mcdougall, James D. Miley, Pamela Yenser, Twyla Hansen, Amil Quayle, Christopher Cokinos, Michael A. Carey, Angela Cooper, V. J. Emmett Jr., Charles Cagle, Gene Degruson, Midwest Quarterly Editors

The Midwest Quarterly: A Journal of Contemporary Thought

in this issue. . .

Out of nothing, something. ROBERT WEXELBLATT examines the meaning of the creative act and scrutinizes the first sentences of major works to illustrate the writer's power to fashion time and place and character in the choice, juxtaposition, and concatenation of words. Now Chairperson of the Division of Humanities at Boston University, Wexelblatt writes scholarly articles on literary subjects (recently on Fitzgerald, Lawrence, Camus, and Nietzsche), stories, and poetry, as well as essays, several of which have graced The Midwest Quarterly.

Literary critics too frequently mistake the leaves for the forest, and by failing to explore …

Learning To Forage, Daniel Von Holten

Masters Theses

Learning to Forage is a collection of poems resulting from my own progression from a rural environment, Walnut, Bureau County, Illinois, to the world outside. I illustrate this progression using a persona called Antaeus, named after the Greek demi-god who received his strength from the earth. Therefore, for the most part, Antaeus is me; as the speaker or consciousness in each poem he is aware of everything that happens in the collection.

In the first poems, Antaeus is comfortable in his farm community, but gradually he becomes aware of the death, decay and stagnation. He becomes dissatisfied with his world, …

Spectrum, 1989, Spectrum Contributors

Spectrum literary magazine

Literary journal