Digital Commons Network^™

Re-Imagining Digital Things: Sustainable Data In Medieval Manuscript Studies, Michelle R. Warren, Neil Weijer

Dartmouth Scholarship

The Middle English prose Brut chronicle survives in nearly two hundred manuscripts. This corpus has been the subject of extensive study for more than a hundred years. The most recent research, however, has turned out to be the most fragile. In 2017, the multiyear digital humanities project “Imaging History: Perspectives on Late Medieval Vernacular Historiography” disappeared from the live Internet, only a decade after its publication. We describe the website’s lifecycle as well as our progress so far in creating a new dataset for the Brut corpus, “Re-Imagining History,” part of the ongoing project “Remix the Manuscript: A Chronicle of …

Une Femme D’Égypte Du Papier À L’Écran : Adapter « Les Années De Zeth » Après La Révolution, Thomas Richard

Regards

By adapting Sonallah Ibrahim’s Zaat, the eponymous TV show deeply transforms the original novel, unfolding new meanings for the viewer in the context of post-revolutionary Egypt.
Through a comparative analysis of the novel and the TV show, this study intends to understand how the show offers a portrait of Egyptian society and a portrait of a woman that are inscribed within the renewal of the political gaze Egyptian society develops on herself.
Simultaneously, this gaze questions how gender relations are brought to the screen, and how they are linked to social and national issues.

Résumé

En adaptant le roman …

Nationalist Allegories In The Post-Human Era, Siqi Zhang

CLCWeb: Comparative Literature and Culture

As China’s expansion of influence now takes up the spotlight of the world stage, Chinese science fiction, a relatively little known genre, reaches a global audience. In 2015, Liu Cixin received the Hugo Award for Best Novel for his trilogy The Three-Body Problem, as the first Asian science fiction writer to receive the Hugo Award. A year later, Hao Jingfang’s Folding Beijing was awarded the 2016 Hugo Award for Best Novelette. The recent world-wide recognition of Chinese science fiction begins with English translation, U.S. publication and promotion. The New York Times cited The Three-Body Problem as having helped popularize Chinese …

Trans-Atlantic Interrogation: Fabienne Pasquet’S La Deuxième Mort De Toussaint Louverture, Mariana F. Past

CLCWeb: Comparative Literature and Culture

In “Trans-Atlantic Interrogation: Fabienne Pasquet’s La deuxième mort de Toussaint Louverture,” Mariana Past situates the Haitian-Swiss novelist’s understudied narrative within the context of Caribbean letters and the Haitian literary tradition, then discusses the broader, intertextual implications of Toussaint Louverture’s “second” death for Haiti and the trans-Atlantic world. To what end does Pasquet deploy the aged ghost of a Haitian revolutionary icon being invoked by German Romantic writer Heinrich von Kleist in the Fort de Joux castle-cum-prison within France’s remote, mountainous Jura region? What is at stake when the diasporic writer reincarnates a legendary German poet as protagonist, placing him …

From Franz Kafka To Franz Kafka Award Winner, Yan Lianke: Biopolitics And The Human Dilemma Of Shenshizhuyi In Liven And Dream Of Ding Village, Melinda Pirazzoli

CLCWeb: Comparative Literature and Culture

To date, many studies have exhaustively explained how and why Yan Lianke deals with both the intimate relationship between disease and biopolitics and the relationship between utopia and dystopia. These are certainly the most important themes in Liven (2004) and Dream of Ding Village (2006). However, biopolitical discourses cannot fully account for the complexity, depth and humanity of these novels, which in addition to exploring the complex and protean meaning of life also represent shenshizhuyi, an expression coined by Yan Lianke to describe his human dilemma in representing the complex relationship between shen 神 (soul, spirit, mind and myths) …

Speculative Epistemologies Of Resistance In Hombres De Maíz And Bandarshah, Haifa S. Alfaisal

CLCWeb: Comparative Literature and Culture

In his two-part “The literary history of world-systems” Matthew Eatough utilizes world systems theory to examine literary studies. He makes use of Baucom’s “speculative epistemologies” to explore the connection between the global economy speculative financial instruments and the rise of the novel in 18th century. But Eatough is interested in tracing the history of literary studies and world systems theory. In this paper, I use speculative epistemologies to indicate ways of knowing that are speculated in fiction. My starting point is the decolonial critique of world system theory, which I use to formulate border reading; a reading strategy that is …

Hanay Geiogamah’S Body Indian And Foghorn As “Plays With A Purpose”, Danica Čerče

CLCWeb: Comparative Literature and Culture

In her article, “Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose,’” written against the backdrop of critical whiteness studies, Danica Čerče discusses how Geiogamah’s theatrical rhetoric intervenes in the assumptions about whiteness as a static, privilege-granting category and system of dominance. By focusing on various techniques and strategies mobilized to define and affirm Native Americans’ authentic rather than imposed identities, the article shows that humor is one of the prime textual devices in Geiogamah’s plays to renegotiate what Walter Mignolo calls “the racist structure of power.”

Politics Of Evasion And Tales Of Abjection: Postmodern Demythologization In Angela Carter And Ghazaleh Alizadeh, Narges Montakhabi Bakhtvar, Hoda Niknezhad-Ferdos

CLCWeb: Comparative Literature and Culture

Angela Carter and Ghazaleh Alizadeh as the prophetesses of postmodern fairy tales in British and Persian literature re-narrativize these tales as a loophole from socio-political stagnation and cultural paralysis. Evading direct contact with the political jargons of their eras, they seek gender generativity via the fairy tale machine. Alizadeh finds refuge in modernizing Persian fairy tales. Carter chants her frustration at Thatcherism through gender subversion. Carter’s and Alizadeh’s revulsion at the politics of gender in their eras can be read via the duet between the abject and the chora in Kristeva’s thought. It is through the encounter with the external …

Strategies Of (In)Visibility And Resilience: Women Writers In A Digital Era, Miriam Borham-Puyal, Daniel Escandell-Montiel

CLCWeb: Comparative Literature and Culture

Women’s presence in literary history has been particularly conditioned by their place in society and by the limited spheres in which their production was expected to appear (e.g. the sentimental novel, romances or children’s literature). In today’s digital, open and connected society, women continue to face visibility problems in the publishing industry and in the online spaces that grant presence and agency. Their role in cultural creations is still hindered by vertical powers that operate as main censors. This circumstance takes place even in a rhizomatic and decentralized virtual space, where dissident discourses have highlighted it, although without enough discursive …

Problems With Perceptual And Cognitive Idiosyncrasies In Li Wenjun’S Translation Of The Benjy Section Of Faulkner's The Sound And The Fury, Aaron L. Moore

CLCWeb: Comparative Literature and Culture

In his article “Problems with Perceptual and Cognitive Idiosyncrasies in Li Wenjun’s Translation of the Benjy Section of Faulkner’s The Sound and the Fury,” Aaron Lee Moore conducts a close explication of a 2014 English-Chinese edition of part of The Sound and the Fury. Li Wenjun’s translation of the Benjy section of The Sound and the Fury is certainly admirable in its graceful rendering of Faulkner’s complex, idiosyncratic prose style into accessible Chinese—and particularly laudable in its meticulous tracking of the a-chronological sequence of Benjy’s stream of consciousness narrative. However, problems arise in the translation due to an …

“No Roses, White Nor Red, Glow Here”: The Motif Of The Garden In Two Proserpine Poems By A. Swinburne And D. Greenwell, Cristina Salcedo González

CLCWeb: Comparative Literature and Culture

In this article, I discuss Algernon Swinburne’s and Dora Greenwell’s engagement with the myth of Proserpine through an analysis of the motif of the garden, which takes central stage in both accounts. The examination will illustrate how the authors’ outlined images of the garden challenge the dominant representation of the motif within Western literary tradition, offering a re-interpretation of the myth as social commentary.

Deconstructing Feminine And Feminist Fantastic Through The Study Of Living Dolls, Raquel Velázquez

CLCWeb: Comparative Literature and Culture

In her "Deconstructing Feminine and Feminine Fantastic through the Study of Living Dolls," Raquel Velázquez analyzes the treatment of one idiosyncratic image within the fantastic genre, and one that also has a special impact on the configuration of the feminine: the doll. On the one hand, she examines the evolution of this fantastic motif in order to determine whether it involves a transformation of how the feminine fantastic is represented. On the other hand, she establishes some correlations between the image of the fantastic doll, and the development of processes such as the dollification of women or the humanization of …

The Inappropriate/D Fantastic: A Proposal Beyond Feminism, Teresa López-Pellisa

CLCWeb: Comparative Literature and Culture

Teresa López-Pellisa’s article “The Inappropriate/d Fantastic: A Proposal Beyond Feminism” discusses a type of narration that goes beyond the feminist fantastic. These are fantastic texts permeated not only by a feminist discourse, but by intersectionality, transfeminism, ecofeminism, cyberfeminism, post-humanism, xenofeminism and/or necropolitics as well. Borrowing the term inappropriate/d others from Donna Haraway (The Promises of Monsters), who in turn takes it from the feminist theorist Trinh Minh-ha, we can analyze those fantastic stories that call into question the categories of gender, class, race and sexuality established by Western enlightened humanism. These types of non-mimetic narrations have …

A Geocritical Perspective On The Female Fantastic: Rethinking The Domestic, Patricia García

CLCWeb: Comparative Literature and Culture

Patricia García’s article, “A Geocritical Perspective on the Female Fantastic: Rethinking the Domestic” approaches the question of the “female fantastic” from a spatial angle. Proponents of the female fantastic (for example E. Moers, S. Gilbert and S. Gubar and A. Richter) often coincide in a leitmotif that characterises this tradition: the haunted house. This leads to a great deal of studies centred on how female authors employ domestic spaces as a means to give voice to the lives of women invisibilised by patriarchy and, through the irruption of the supernatural, as a way to subvert domestic ideology. Whereas these studies …

Female Fantastic In Anthologies: Gendering The Genre And Its Discourse, Anna Boccuti

CLCWeb: Comparative Literature and Culture

In the last decades, the fantastic literature written by women has been the subject of various studies, which, from different standpoints, have tried to investigate the characteristics of the female fantastic. In this essay, after a critical review of the most prominent theories about the so-called feminine fantastic and female writing, I will focus on the narrative strategies of the female fantastic. Through the close reading of the anthologies Tra due specchi. 18 racconti di scrittrici latinoamericane, and Insólitas. Narradoras de lo fantástico en Latinoamérica y España, I’ll try to draw a cartography of the Hispanic …

Transgression, Essentialism And Literary System: An Approach To The Viability Of The Female Fantastic, Alfons Gregori

CLCWeb: Comparative Literature and Culture

The main aims of this article are firstly to find out whether the concept of “fantastic female” is a contradictory and ambiguous construct, and secondly to challenge the feasibility of applying it to literary studies. The matter of the existence of the “female fantastic” refers to the theoretical approaches made to undertake a double-edged task in the 1970s and 1980s: the conceptualization of a dual scheme establishing a female aesthetic opposed to the dominant patriarchy on the one hand, and on the other, the promotion of non-mimetic narrative modes as formulas for transgressing the patriarchal system. However, the crystallization of …

The Female Fantastic Vs. The Feminist Fantastic: Gender And The Transgression Of The Real, David Roas

CLCWeb: Comparative Literature and Culture

Since Ann Richter coined the term “fantastique féminin” in 1977, many works in different languages have postulated a “female” way of writing fantastic texts, depending on the selection of themes, language, characters, supernatural elements, and the portrayal of the uncanny and the monstrous. This claim on the existence of a "female fantastic" reflects central issues in Feminist Literary Theory: on the one hand, the will to identify an aesthetic mode opposed to the dominant patriarchal discourse (female writing, the use of specific themes, etc.); on the other hand, the argument that there are marginal genres, forms and styles voluntarily removed …

Introduction: New Perspectives On The Female Fantastic, David Roas, Patricia Garcia

CLCWeb: Comparative Literature and Culture

No abstract provided.

Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal

Dissertations, Theses, and Capstone Projects

This thesis explores liminality conveyed as displacement before death in the network narrative films of Alejandro Gonzalez Iñárritu. Due to their depiction of existential crises and possibly fatal scenarios of several characters in different countries and regions, these network narrative films are colloquially referred to as the “Death Trilogy.” Therefore, rearranging the many strands of death-related abstractions and notions in these films around liminality becomes a jumping-off point to explore deeper layers of these works. Through interdisciplinary yet markedly film studies excavations, this thesis projects the liminal spaces of Iñárritu’s films onto border spaces. With borders considered as sites of …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

The Ancient Greek Roots Of Cross-Cultural Comparison, Stavros Moutsios

Comparative Civilizations Review

The paper traces the impartial comparative gaze of the Ancient Greeks, in relation to their ontological understanding of the world, and with respect to the domains of epistêmê, politics, and paideia, all operating in the field of logos, which underpinned the life of the democratic polis. The absence of any apocalyptic truth and predefined historical pathway in the Greeks’ conception of the world, their esteem for intellectual activity and philosophical inquiry, and their questioning of their laws and institutions as part of their educational and political life are all, as the paper demonstrates, at the root of …

บทบาทของผีไทยในสังคมเมืองร่วมสมัยในนวนิยายชุด ผีมหานคร, สุวภัทร ใจคง

Chulalongkorn University Theses and Dissertations (Chula ETD)

งานวิจัย บทบาทของผีไทยในสังคมเมืองร่วมสมัยในนวนิยายชุด ผีมหานคร วัตถุประสงค์ในการวิจัยคือ เพื่อศึกษาศึกษาการปรับเปลี่ยนของผีไทยในคติความเชื่อพื้นบ้านและคติทางพระพุทธศาสนามาสู่สังคมเมืองร่วมสมัย ซึ่งในที่นี้คือกรุงเทพมหานคร และศึกษาสภาพของสังคมเมืองร่วมสมัย ตลอดจนประสบการณ์ สภาวะ อารมณ์ความรู้สึกของคนเมืองในนวนิยายออร์บันกอทิกชุด ผีมหานคร จำนวน 4 เล่ม อันประกอบไปด้วย กระสือ ของ RabbitRose กระหัง ของ ทวิวัฒน์ ปอป ของ ธุวัฒธรรพ์ และ เปรต ของ ปราปต์ จากการศึกษาพบว่า แม้สังคมจะมีการพัฒนามาเป็นสังคมเมืองร่วมสมัยด้วยอิทธิพลจากความเป็นสมัยใหม่ แต่ความเชื่อเรื่องผีที่เป็นความเชื่อดั้งเดิมก็ไม่เคยหายไปจากสังคมไทย ทั้งนี้เนื่องจากผีเป็นผลผลิตของสังคมแต่ละสมัย ดังนั้น ผีไทยทั้ง 4 ชนิดคือกระสือ กระหัง ปอป และ เปรตจึงมีการปรับเปลี่ยนเพื่อให้เข้ากับบริบทของสังคมเมืองร่วมสมัยโดยรับอิทธิพลจากการพัฒนาตามแบบสมัยใหม่และแนวคิดแบบสมัยใหม่ อาทิ ทุนนิยม บริโภคนิยม ปัจเจกนิยม ความเป็นเมือง เป็นต้น ทั้งนี้การปรับเปลี่ยนของผีแต่ละชนิดยังคงมีรากฐานมาจากคติความเชื่อพื้นบ้านและคติทางพระพุทธศาสนาจึงยังคงเห็นร่องรอยเดิมของผีแต่ละชนิด การปรากฏของผีไทยในสังคมเมืองร่วมสมัยเป็นการมาเผยให้เห็นอีกด้านหนึ่งของสังคมเมืองร่วมสมัยที่เต็มไปด้วยความผิดปกติ ความรุนแรง ความเสื่อมโทรมถดถอยที่ถูกปกปิดด้วยความเป็นปกติจากกฎเกณฑ์ของสังคมเมือง และยังนำเสนอให้เห็นประสบการณ์ อารมณ์ความรู้สึกของคนเมืองในการใช้ชีวิตภายใต้กฎเกณฑ์ของสังคมเมืองที่ไม่อาจถ่ายทอดด้วยคำพูดหรือวิธีการตามปกติได้จึงต้องอาศัยผีที่เป็นสิ่งเหนือธรรมชาติในการช่วยถ่ายทอดประสบการณ์ อารมณ์ความรู้สึกดังกล่าว

La Fantascienza Italiana Dalla Prospettiva Degli Studi Sulla Traduzione E Postcoloniali, Simone Brioni Dr.

Department of English Faculty Publications

A partire dai più recenti studi sulla fantascienza e sulla circolazione dei testi in contesti letterari diversi, l’articolo presenta un’analisi della produzione di fantascienza italiana dalla prospettiva degli studi sulla traduzione e postcoloniali. A lungo considerate come semplici imitazioni dei modelli inglesi e statunitensi, tali produzioni spesso le adattano e ripensano creativamente. Investigare le complesse relazioni intertestuali da cui emerge la fantascienza può permettere di comprendere come l’altro e l’altrove sono stati immaginati e rappresentati in Italia.

The Uselessness Of Education, Daniel Cottom

Journal X

Reading for Pleasure (Essay Review)

“India Ink”: Interstices Of Autobiography And Popular Images, Rane Arroyo

Journal X

No abstract provided.

Consuming Trauma; Or, The Pleasures Of Merely Circulating, Patricia Yaeger

Journal X

Reading for Pleasure (Essay Review)

Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller, Liyuan Zhu

CLCWeb: Comparative Literature and Culture

This paper is a response to Hillis Miller’s query on the author’s essay “Hillis Miller on the End of Literature.” The author basically agrees with Miller’s view on the shift from print culture to digital culture, explaining the special cultural context under which Chinese scholars emphasize the visual turn. Based on the rapid development of Chinese online literature, the author points out that print culture does not rival but coexists with digital culture. On the other hand, drawing on Aristotle’s Poetics and insights of several leading figures of contemporary hermeneutics, the author contends that Miller’s dichotomy of poetics (form) and …

China Question Of Us-American Imagism, Qingben Li

CLCWeb: Comparative Literature and Culture

This paper investigates first the influences of ancient Chinese culture on Ezra Pound, and then Pound’s influence on the New Culture Movement of modern China (1917). It is a kind of circular journey of literary texts and theories from ancient China to the West and then back to China. This journey, or “circle model,” involves textual appropriation, variation, transformation and misunderstanding in every stage.

Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu

CLCWeb: Comparative Literature and Culture

This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literature” and “literary criticism” in the early twentieth century, largely through Japan, laid the very foundation of historical studies of classical Chinese literary criticism as an independent subject of study. This paper argues that when adopting Western methods …

The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai

CLCWeb: Comparative Literature and Culture

This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …