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Nation, Heritage, And Hospitality In Britain After Thatcher, Ryan S. Trimm Jun 2005

Nation, Heritage, And Hospitality In Britain After Thatcher, Ryan S. Trimm

CLCWeb: Comparative Literature and Culture

In his paper, "Nation, Heritage, and Hospitality in Britain after Thatcher," Ryan S. Trimm examines the trope of cultural inheritance in postimperial Britain. "Heritage," an ubiquitous term in 1980s Britain, circulates largely as a conservative concept, an imagined bequest that works to exclude groups such as minorities who are disinherited putatively by not being part of the past and conceived as handing down some legacy. Such seems to be precisely the way heritage functioned under Margaret Thatcher's heritage politics, a collection of policies that associated icons such as the country house with the nation itself. However, although appeals to heritage …

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Selected Bibliography Of Scholarship In (Comparative) Cultural Studies And Popular Culture, Steven Tötösy De Zepetnek, Yilin Liao Jun 2005

Selected Bibliography Of Scholarship In (Comparative) Cultural Studies And Popular Culture, Steven Tötösy De Zepetnek, Yilin Liao

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Domesticating Translation Can Make A Difference : A Case Study Of Foreign Film-Title Translation In Hong Kong And Taiwan, Ka Ian, Justina Cheang Mar 2005

Domesticating Translation Can Make A Difference : A Case Study Of Foreign Film-Title Translation In Hong Kong And Taiwan, Ka Ian, Justina Cheang

Lingnan Theses

This thesis seeks to examine the translation of selected foreign film-titles in Hong Kong and Taiwan from 1990 to 2002. Lawrence Venuti’s theory on “domesticating translation” and “foreignizing translation” will be taken as the conceptual framework for the study. Building on Friedrich Schleiermacher’s perspective on translation and on his observations about the Anglo-American publishing industry, Venuti asserts that “foreignizing translation”, being a strategy to bring the target-text audience toward the original text, should be preferred over “domesticating translation” as the former would guarantee difference by introducing foreign elements to the text recipients. By doing so, people will have more chances …

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An Introduction To The Work Of Elfriede Jelinek, Nobel Laureate In Literature 2004, Andrea Bandhauer Mar 2005

An Introduction To The Work Of Elfriede Jelinek, Nobel Laureate In Literature 2004, Andrea Bandhauer

CLCWeb: Comparative Literature and Culture

In her paper, "An Introduction to the Work of Elfriede Jelinek, Nobel Laureate in Literature 2004," Andrea Bandhauer explores reactions of the press to the Austrian writer Elfriede Jelinek after she received the 2004 Nobel Prize in Literature. Bandhauer discusses how the extreme irritation following this announcement was frequently directed at the author's public persona rather than at her work. Against this background, Bandhauer explores the ambivalent relationship of the public towards a politically and socially engaged and outspoken public figure who in her literary work produces highly hermetical texts. As a writer, Jelinek is preoccupied with language and form …

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The Arachne Myth In Oral And Written Literature, José Manuel Pedrosa Mar 2005

The Arachne Myth In Oral And Written Literature, José Manuel Pedrosa

CLCWeb: Comparative Literature and Culture

In his paper, "The Arachne Myth in Oral and Written Literature," José Manuel Pedrosa explores the folktale about a person who prides himself being the most intelligent individual and whom the gods punish with a metamorphosis into spider. Pedrosa discusses similar myths in existence in modern oral traditions and in literary works such as the Bible, Ovid's Metamorphoses, the Quran, and García Márquez's masterpiece Cien años de soledad. The universality of the myth is underlined by the existence of a folktale registered among the Bubi people of Equatorial Guinea. Not known about it until the twentieth century, the oral transmission …

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Modernism And The Issue Of Periodization, Leonard Orr Mar 2005

Modernism And The Issue Of Periodization, Leonard Orr

CLCWeb: Comparative Literature and Culture

In his paper, "Modernism and the Issue of Periodization," Leonard Orr describes how literary theorists, historians, and anthology editors have put forward many conflicting models for literary periodization, while simultaneously expressing their doubts about the categories they have created. They are caught between intellectual despair and pragmatic necessity, scholarly journals and presses and academic departments imagine they are working at the cutting edge of thinking about their subjects but period concepts remain in place, even while every article focused on the subject expresses strong objections to the terms. Orr traces in his paper these problems and issues through the twentieth …

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Generic Identity And Intertextuality, Marko Juvan Mar 2005

Generic Identity And Intertextuality, Marko Juvan

CLCWeb: Comparative Literature and Culture

In his paper, "Generic Identity and Intertextuality," Marko Juvan proposes that an anti-essentialist drive -- a characteristic of recent genology -- has led postmodern scholars to the conviction that genre is but a system of differences and that its matrix cannot be deduced from a particular set of apparently similar texts. Juvan argues that the concept of intertextuality may prove advantageous to explain genre identity in a different way: genres exist and function as far as they are embedded in social practices that frame intertextual and meta-textual links/references to prototypical texts or textual series. In Juvan's view, genres are cognitive …

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Sor Juana Inés De La Cruz In Seventeenth-Century New Spain And Finding A Room Of One's Own, Deborah Weagel Mar 2005

Sor Juana Inés De La Cruz In Seventeenth-Century New Spain And Finding A Room Of One's Own, Deborah Weagel

CLCWeb: Comparative Literature and Culture

In her paper, "Sor Juana Inés de la Cruz in Seventeenth-Century New Spain and Finding a Room of One's Own," Deborah Weagel examines the life of the seventeenth-century nun and compares her life with the ideals Virginia Woolf portrays in A Room of One's Own. Woolf asserts that in order for a woman to develop innate gifts, she needs a certain degree of financial freedom and private space in which to create. The concept of having one's own room, or space, that can be segregated from the activities of home and public life can be considered both literally and metaphorically. …

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Exilic Perspectives On "Alien Nations", Sophia A. Mcclennen Mar 2005

Exilic Perspectives On "Alien Nations", Sophia A. Mcclennen

CLCWeb: Comparative Literature and Culture

Sophia A. McClennen's paper, "Exilic Perspectives on 'Alien Nations'," is an excerpt from her book, The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures (Purdue UP , 2004). In the paper, McClennen summarizes her theory that exile writing is inherently dialectical. Focusing on writers working in the latter part of the twentieth century who were exiled during a historical moment of increasing globalization, transnational economics, and the theoretical shifts of postmodernism, McClennen proposes that exile literature is best understood as a series of dialectic tensions about cultural identity. Through a comparative analysis of Juan Goytisolo (Spain), Ariel …

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Editor's Foreword, Michelle Yeh Jan 2005

Editor's Foreword, Michelle Yeh

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

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Sheila Cornelius. New Chinese Cinema : Challenging Representations; And Tani E. Barlow And Jing Wang Eds. Cinema And Desire : Feminist Marxism And Cultural Politics In The Work Of Dai Jinhua, Stephanie Deboer Jan 2005

Sheila Cornelius. New Chinese Cinema : Challenging Representations; And Tani E. Barlow And Jing Wang Eds. Cinema And Desire : Feminist Marxism And Cultural Politics In The Work Of Dai Jinhua, Stephanie Deboer

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

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Liu Kang. Aesthetics And Marxism : Chinese Aesthetic Marxists And Their Western Contemporaries, Lan Feng Jan 2005

Liu Kang. Aesthetics And Marxism : Chinese Aesthetic Marxists And Their Western Contemporaries, Lan Feng

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

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History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek Jan 2005

History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

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Exile As Severance, Alexandru Boldor Jan 2005

Exile As Severance, Alexandru Boldor

LSU Doctoral Dissertations

Exile is a phenomenon probably as ancient as humanity itself, and one of the oldest topics in universal literature. The great majority of its variants (political, economical, social,) are founded on the idea of "forced displacement." Consequently, most often exile is reflected in literary creations in discourses dominated by a sentiment of loss. However, in some cases exile is not seen as a tragic event, but rather as an opportunity for intellectual growth - as attested by a number of authors who have chosen voluntarily to exile themselves. The rationale behind this occurrence is a mental process I called "severance." …

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Separatist Nationalism In Gilbert Imlay's The Emigrants, Karsten H. Piep Dec 2004

Separatist Nationalism In Gilbert Imlay's The Emigrants, Karsten H. Piep

CLCWeb: Comparative Literature and Culture

Karsten H. Piep, in his paper "Separatist Nationalism in Gilbert Imlay's The Emigrants," argues that only recently rediscovered among American scholars and still awaiting much critical work, Gilbert Imlay's The Emigrants offers an intriguing case study in the complex relationship between fictional representation and late eighteenth-century nation formation. Tracing briefly the novel's reception history, Piep locates The Emigrants within the socio-political context of eighteenth-century discourses on revolution, emancipation, and independence. Taking Benedict Anderson's study on the rise of nationalism as a point of reference, Piep argues that Imlay's novel offers an example of a perhaps uniquely American separatist nationalism that …

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Literary Cosmotopia And Nationalism In Ariel, Camilla Fojas Dec 2004

Literary Cosmotopia And Nationalism In Ariel, Camilla Fojas

CLCWeb: Comparative Literature and Culture

Camilla Fojas, in her paper "Literary Cosmotopia and Nationalism in Ariel," argues that turn-of-the-century cosmopolitan literary texts encoded political interests and that they were concerned with the proper way of being cosmopolitan and national at the same time, of forging literary and diplomatic parity between national and international interests. Unfortunately, this search for balance was beset by rhetorical and ideological prejudices manifest in phobic language about the corrupting forces of cosmopolitan effeminacy on national character. The conflict of cosmopolitanism with nationalism was played out as a kind of war between the sexes, as a gendered battle for dominance. This tension …

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Hellenism, Hebraism, And The Eugenics Of Culture In E.M. Forster's Howards End, Seth Jacobowitz Dec 2004

Hellenism, Hebraism, And The Eugenics Of Culture In E.M. Forster's Howards End, Seth Jacobowitz

CLCWeb: Comparative Literature and Culture

Seth Jacobowitz, in his paper "Hellenism, Hebraism, and the Eugenics of Culture in E.M. Forster's Howards End," explores how the culturalist principles of Hellenism and Hebraism theorized by Matthew Arnold as the basis of Englishness in Culture and Anarchy (1869) were incorporated into the text of E.M. Forster's Howards End (1910) to show the close institutional and conceptual linkages Forster shared with Arnold. Further, Jacobowitz seeks to bring Howards End into dialog with Forster's only major work of science fiction, The Machine Stops (1928), to address their mutual themes of eugenics, the racialization of class difference, and concerns over the …

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Czech Literature, The King With The Horse's Ears, And Its Translations By Karel Havlícek Borovský And Milan Uhde, Michelle Woods Dec 2004

Czech Literature, The King With The Horse's Ears, And Its Translations By Karel Havlícek Borovský And Milan Uhde, Michelle Woods

CLCWeb: Comparative Literature and Culture

Michelle Woods, in her paper "Czech Literature, The King with the Horse's Ears, and Its Translations by Karel Havlícek Borovský and Milan Uhde," analyses the adaptation and "translation" of the Irish legend into the Czech language in Karel Havlícek Borovský's 1854 epic poem Král Lávra and in Milan Uhde's 1964 play Král Vávra. The translation of Irish language myths and legends into English functioned as way of constructing and disseminating the notion of a great literary and heroic past within the language of the colonizer but also in dissent to the constructions imposed by that language. Woods focuses on how …

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The New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng Dec 2004

The New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng

CLCWeb: Comparative Literature and Culture

Jin Feng, in her paper "The New Woman in Early Twentieth-Century Chinese Fiction," proposes that the representation of the "new woman" in Chinese fiction was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals. Previous scholarship on fiction of the period probed occasionally the thematic implications of female characters in specific works but has not engaged in systematic study of the "new woman" as a figure through a discussion of the politics of the narrative form. Feng addresses aspects of audience in early-twentieth-century Chinese …

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Introduction To Comparative Cultural Studies And Michael Ondaatje's Writing, Steven Tötösy De Zepetnek Sep 2004

Introduction To Comparative Cultural Studies And Michael Ondaatje's Writing, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Representations Of Buddhism In Ondaatje's Anil's Ghost, Marlene Goldman Sep 2004

Representations Of Buddhism In Ondaatje's Anil's Ghost, Marlene Goldman

CLCWeb: Comparative Literature and Culture

Marlene Goldman suggests in her paper "Representations of Buddhism in Ondaatje's Anil's Ghost" that at first glance Ondaatje appears to promote the idea of a Sri Lankan Buddhist faith as transcending history. Ondaatje introduces the subject of Buddhism early on in the novel, emphasizing initially the devastation wrought by imperial and colonial forces. Goldman, however, argues that subsequent references to Buddhism undermine the initial portrayal of a religion besieged by external imperialist forces. For example, at one point, the character Palipana refers to the assassination of his brother, Narada, a Buddhist monk. Narada was possibly the victim of a "political …

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Calling Back The Gods: Recovering Spiritual And Religious Experience Through Folklore And Ritual Studies, Michael J. Tori Sep 2004

Calling Back The Gods: Recovering Spiritual And Religious Experience Through Folklore And Ritual Studies, Michael J. Tori

Providence: Studies in Western Civilization

No abstract provided.

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Exploring Transnational Identities In Ondaatje's Anil's Ghost, Victoria Cook Sep 2004

Exploring Transnational Identities In Ondaatje's Anil's Ghost, Victoria Cook

CLCWeb: Comparative Literature and Culture

Victoria Cook, in "Exploring Transnational Identities in Ondaatje's Anil's Ghost," addresses issues of identity raised in the narrative of Michael Ondaatje's novel Anil's Ghost. Cook's paper is a close analysis of Ondaatje's novel, paying particular attention to the way in which Ondaatje examines identity as both a "construct" and a "process." The approach used is one that draws on postcolonial theory and takes a "transnational" perspective. Cook argues that Ondaatje's text moves beyond the concept of a postcolonial literature of "resistance" into an area that requires a theory of process rather than product. Transnationalism is shown here to be just …

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Ondaatje's The English Patient And Altered States Of Narrative, Beverley Curran Sep 2004

Ondaatje's The English Patient And Altered States Of Narrative, Beverley Curran

CLCWeb: Comparative Literature and Culture

Beverley Curran argues in her paper "Ondaatje's The English Patient and Altered States of Narrative" that Ondaatje reconfigures in his novel the "romantic" figure of the father/artist as a clandestine lover, a drug addict, or an eccentric translator, all figures with dependencies. In The English Patient, the father or artist's sense of source, continuity, or authority are translated into a narrative which rejects the perverse captivity demanded of the lover and the translator by fidelity or by the tenets of realistic representation. Using sex, drugs, and translation, Ondaatje deranges both time and space to reconfigure the role of the artist …

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Post-Nationalism And The Cinematic Apparatus In Minghella's Adaptation Of Ondaatje's The English Patient, Hsuan Hsu Sep 2004

Post-Nationalism And The Cinematic Apparatus In Minghella's Adaptation Of Ondaatje's The English Patient, Hsuan Hsu

CLCWeb: Comparative Literature and Culture

Hsuan Hsu, in his paper "Post-Nationalism and the Cinematic Apparatus in Minghella's Adaptation of Ondaatje's The English Patient," discusses Anthony Minghella's cinematic version of Ondaatje's novel. In Hsu's view, Minghella and Ondaatje (Ondaatje collaborated on the film script) emphasize in the film the visual and social implications of mapmaking in order to align imperialism with the cinematic apparatus. While the film explores the workings of visual power, it also explores their adulteration by unmapped forces of desire: Almásy's and Katherine's adulterous relationship transgresses marital and national constraints, but also reinscribes them when Almásy desires to possess her body and Katherine …

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The Motif Of The Collector And History In Ondaatje's Work, Jon Saklofske Sep 2004

The Motif Of The Collector And History In Ondaatje's Work, Jon Saklofske

CLCWeb: Comparative Literature and Culture

Jon Saklofske, in his paper "The Motif of the Collector and History in Ondaatje's Work" recognizes that Ondaatje rescues Buddy Bolden from historical obscurity by elevating and complicating the musician's largely forgotten history with a self-conscious and largely fictional synthesis of memory and imagination. The liberties Ondaatje takes in Coming Through Slaughter with his subject to achieve this re-presentation and the ownership of the portrait that results exposes this type of authorial activity as a problematic appropriation. Saklofske suggests that to understand the implications of Ondaatje's activity it is useful to compare his efforts with Walter Benjamin's "collector" figure, who …

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Touching The Language Of Citizenship In Ondaatje's Anil's Ghost, Sandeep Sanghera Sep 2004

Touching The Language Of Citizenship In Ondaatje's Anil's Ghost, Sandeep Sanghera

CLCWeb: Comparative Literature and Culture

Sandeep Sanghera, in her paper "Touching the Language of Citizenship in Ondaatje's Anil's Ghost" discusses questions which make Ondaatje's novel a text about postmodern identity: who is this woman Anil who lives mostly in the West, travels on a British passport, works for an international organization, and no longer has any real ties to her first home? In the paper, these questions are examined via the languages Anil adopts and abandons in the novel. Sanghera elaborates on the question of foreign-ness represented by the protagonist of the novel; however, this foreign-ness is examined in the particular context concerning the substance …

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Oral History And The Writing Of The Other In Ondaatje's In The Skin Of A Lion, Winfried Siemerling Sep 2004

Oral History And The Writing Of The Other In Ondaatje's In The Skin Of A Lion, Winfried Siemerling

CLCWeb: Comparative Literature and Culture

Winfried Siemerling argues in his paper "Oral History and the Writing of the Other in Ondaatje's In the Skin of a Lion" that the simulation of oral narratives in the novel imagines the conveyance of oral histories of immigrant experiences obscured by historiography. The narrative device of simulated orality -- the written text casts itself as the outcome of serial story-telling -- serves here to introduce erstwhile anonymous societal actors as makers of history, and emphasizes the collective production of story and history. Oral narratives emerge dreamlike like light out of darkness in this text; yet light, like writing, creates …

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Reading Ondaatje's Poetry, Eluned Summers-Bremner Sep 2004

Reading Ondaatje's Poetry, Eluned Summers-Bremner

CLCWeb: Comparative Literature and Culture

Eluned Summers-Bremner pursues in her paper "Reading Ondaatje's Poetry" a psychoanalytic reading of Ondaatje's poetry based on Lacan's thought, highlighting occasions where nature and culture meet. Focusing on the volumes Secular Love and The Man with Seven Toes, Summers-Bremner explores how nature's troubled regions are navigated through the structural estrangement of looking for a name. In Lacanian terms, a proper name signals the contradiction of one's belonging to a biological or other kind of family, whence one's name often arises, and being a user or respondent of language, which produces meaning through its infringement or exceeding of its users' intentions, …

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Selected Bibliography Of Michael Ondaatje's Texts And Studies About Michael Ondaatje's Texts, Steven Tötösy De Zepetnek Sep 2004

Selected Bibliography Of Michael Ondaatje's Texts And Studies About Michael Ondaatje's Texts, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

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