Digital Commons Network^™

Literary Geography And Comparative Literature, César Domínguez

CLCWeb: Comparative Literature and Culture

In his article "Literary Geography and Comparative Literature" César Domínguez analyzes the relevance of political and linguistic frameworks for comparative literary historiography in the context of the European Union. Domínguez's discussion is based on the notion of geoculture whose theorization from Immanuel Wallerstein's perspective presents paradigms of interest to comparative literature. The idea of literary geography is conceived as a unit for analyzing diverse stages of the interliterary process. Thus, within the framework of the current renaissance of Goethe's concept of Weltliteratur, the phenomena of the literatures of (im)migration, exile, and literary diglossia represent challenges for the contextualization and …

About Literary Systems And National Literatures, Elias J. Torres Feijó

CLCWeb: Comparative Literature and Culture

In his article "About Literary Systems and National Literatures," Elias Torres J. Feijó offers a polysystemic analysis with examples from the Iberian Peninsula. He argues that a community's literature can be understood as a) the gathering of so-called literary activities, which take place in a social space or b) something that identifies certain characteristics of a part or the whole of the members in a given social space. For his analysis, Torres Feijó employs Itamar Even-Zohar's notion of polysystem because it allows us to interpret each system generated by members of a given community and its delimitation, differentiation, and integration …

The Spatial Turn In Literary Historiography, Fernando Cabo Aseguinolaza

CLCWeb: Comparative Literature and Culture

In his article "The Spatial Turn in Literary Historiography," Fernando Cabo Aseguinolaza examines the spatialization of literary history in recent years. He evaluates the resurgence of interest in literary geography and argues that the geographic dimension is not the only aspect of the predominant spatiality in new literary histories. Further, Cabo Aseguinolaza postulates that although the emphasis on spatiality marks many current literary histories, all literary histories imply spatial elements of different character and scope and that these options constitute an essential part of the performative capacity of history writing. In particular, Cabo Aseguinolaza discusses categories proposed by Henri Lefebvre …

About Metapoetry And Performativity, Arturo Casas

CLCWeb: Comparative Literature and Culture

In his article "About Metapoetry and Performativity" Arturo Casas argues that with regard to metapoetic practices a change of perspective would be necessary. Casas postulates that the new perspective would centre more on the enunciative and performative aspects of metapoetry and that it would focus on the theoretical and poetological contribution of the metapoem, its criticism of language and text, and its convergence with those theoretical-critical practices based on the refutation of the traditional critical pact. Following Jenaro Talens's work, Casas argues that in poetry disorder orients itself in practice to unmask power and its inscriptions in language and that …

Landscape In Irish And Iberian Galician Poetry By Women Authors, Manuela Palacios González

CLCWeb: Comparative Literature and Culture

In her article "Landscape in Irish and Iberian Galician Poetry by Women Authors" Manuela Palacios González reflects on the similarities between Irish and Galician women poets with regard to their treatment of landscape. Although Ireland and Galicia have been construed as green, fertile Arcadias, contemporary Irish and Galician women poets have engaged in a radical revision of this anachronistic stereotype. Women poets of these two communities suggest in their works that there is more than a chronological coincidence between a growing ecological awareness and the increased presence of women writers in the last thirty years. Both ecocriticism and ecofeminist literary …

Galician Portuguese Medieval Poetry And The Iberian Interliterary System, Santiago Gutiérrez García

CLCWeb: Comparative Literature and Culture

In his article "Galician Portuguese Medieval Poetry and the Iberian Interliterary System" Santiago Gutiérrez García explores the notion that the possibility of carrying out a comparative study of Iberian literatures is determined by its interliterary system. Gutiérrez García postulates that the said interliterary system comprises a series of peripheral literatures which seek their self-affirmation through opposition to the hegemonic center, namely Castilian literature. He uses the example of Galician Portuguese medieval poetry and illustrates the problematic nature of his approach elaborating that despite the fact that this medieval poetic tradition is shared by both Galician and Portuguese literatures, as literary …

National Theaters On The Iberian Peninsula, Anxo Abuín González

CLCWeb: Comparative Literature and Culture

In his article "National Theaters on the Iberian Peninsula," Anxo Abuín González discusses the rise of national theaters understood as processes of national planning, starting with certain common systemic parameters developed and implemented in the nineteenth and twentieth centuries. While the context Abuín González's analysis is located in is Spain's centralized literary system, his focus is on the interliterary and systemic relationship between Galician and Portuguese theater, with some references to Catalan theater.

The Ophelia Motif In The Work Of Iberian Galician Writers, María Do Cebreiro Rábade Villar

CLCWeb: Comparative Literature and Culture

In her article "About the Ophelia Motif in the Work of Iberian Galician Writers" María do Cebreiro Rábade Villar attempts to arrive at an idea of character through a comparative analysis of various artistic versions of William Shakespeare's Ophelia. Rábade Villar employs Gilles Deleuze and Félix Guattari's notions of transversality and devices of analytical enunciation in order to understand the feminine literary character. Rábade Villar's corpus of the Ophelia motif include Iberian Galician authors's work such as by Álvaro Cunqueiro, Xohana Torres, Chus Pato, and Marta Dacosta.

Advertising And Autobiographical Discourse, María Ángeles Rodríguez Fontela

CLCWeb: Comparative Literature and Culture

In her article "Advertising and Autobiographical Discourse" María Ángeles Rodríguez Fontela sketches a poetics of advertising in autobiographic discourse working from a selection of narrative and autobiographical spots. Emphasized in her narratological study is the contraction of retrospective temporality, the domination of the proleptic construction of the "I," the ellipsis in the outcome, the iterative and archetypical character of the narrated episodes, the confidential tone of the narrative voice, and the mythical projection of the narrated story. Rodríguez Fontela analyzes in selected television advertisements the ironic, comic, and parodic effects which show the hybridization of genres and the rhetorical function …

Catalan And Galician Literatures In Iberian And European Contexts, Olivia Rodríguez González

CLCWeb: Comparative Literature and Culture

In her article "Catalan and Galician Literatures in Iberian and European Contexts" Olivia Rodríguez González investigates the problematics of canon formation and proposes an approach within which the formation of a multi-system canon is possible. Reflections on the constitution of a European canon that would be the result of a proportional or market-driven combination of national literary canons leads to the conclusion that, with respect to the multicultural Spanish state, what will succeed in getting into the European canon will do so as a consequence of one of two processes. The first depends on what each literary system does to …

Comics And The Graphic Novel In Spain And Iberian Galicia, Antonio J. Gil González

CLCWeb: Comparative Literature and Culture

In his article, "Comics and the Graphic Novel in Spain and Iberian Galicia," Antonio J. Gil González develops a comparative and interart analysis of graphic novels by examining the evolution of the genre on the Spanish peninsula in general and in Galicia in particular. Gil González builds his analysis on Roman Ingarden's concept of literature as not only traditional fiction, but also theater and cinema. Gil González presents his argumentation by identifying the peculiarities of the comic as a medium, starting with its historical beginnings, and discussing its principal formats and generic and thematic variants. Further, he discusses the principal …

Commodity And Waste As National Allegory In Recent South African And Post-Soviet Fiction, Alla Ivanchikova

CLCWeb: Comparative Literature and Culture

In her article "Commodity and Waste as National Allegory in Recent South African and Post-Soviet Fiction" Alla Ivanchikova analyzes the issue of commodity in its relation to identity. The article contains a reading of two novels: The Quiet Violence of Dreams by K. Sello Duiker and Dukhless. Povest o nenastoiaschem cheloveke (Douh-Less: The Tale of an Unreal Person) by Sergey Minaev. Rapid political changes, both in South Africa and the former Soviet Bloc were accompanied both by rapid changes in the practices of consumption and also by often inconsistent cultural efforts to establish the meaning of these practices. Ivanchikova …

Notes On Contributors = 作者簡介

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Inanimate Speech From Lovecraft To Žižek, Apple Z. Igrek

CLCWeb: Comparative Literature and Culture

In his article "Inanimate Speech from Lovecraft to Žižek" Apple Z. Igrek explores an influential line of reasoning associated with our contemporary loss of the Real. The argument describes how the contingencies and nuances of social life have been reduced to an operational, friction-free, and homogeneous realm of signs. Slavoj Žižek contends that our inherently traumatic relationship with the Other is being foreclosed and replaced by an omnipresent technological screen of virtual communication. The danger of this shift, identified as the "digital break," is that it facilitates an extraordinary form of divine violence which strikes back at the social system …

Eliot's The Waste Land And Surging Nationalisms, Pouneh Saeedi

CLCWeb: Comparative Literature and Culture

In her article "Eliot's The Waste Land and Surging Nationalisms" Pouneh Saeedi analyzes T.S. Eliot's poem in the context of the impact of World War I and the emergence of nationalisms. In the midst of the ruins of both his personal life and Europe, Eliot expresses the loss of a universal understanding delineated in the fragmentation of language and a disassociation of sensibility. In The Waste Land, the West and the East — represented in their respective canonical texts — commingle and cohere to present an image of oneness that goes beyond oppositional binaries and leads the egotistical self …

Comparative Literature In Chinese, Xiaolu Wang, Yan Liu

CLCWeb: Comparative Literature and Culture

In their article "Comparative Literature in Chinese" Xiaolu Wang and Yan Liu describe the development of comparative poetics in Chinese by sketching major publications and the general institutional situation of the discipline. Wang and Liu suggest that comparative work remains impulsive while at the same time dynamic. Like other fields in the humanities, the study of poetics — comparative or other — in Chinese is no longer traditional in terms of discursive form but copied from the West. Although the scholarly achievements in the field within the past thirty years are considerable, problems remain including the issue of translation of …

Comparative Literature In Chinese And An Interview With Yue, Hui Zhang, Daiyun Yue

CLCWeb: Comparative Literature and Culture

In their article "Comparative Literature in Chinese and an Interview with Daiyun Yue" Hui Zhang and Daiyun Yue present a review of the discipline of comparative literature based on an interview with Yue (2010). Because Yue's work with comparative literature is intertwined with her personal journey, the interview sheds light on other Chinese scholars and their work who would not be known audiences outside China. The interview also touches on the academic and political reasons why the joint dualisms of "ancient/modern" and "Chinese/foreign" continue to be major structuring principles of the discipline in China, as well as how the development …

Academic Discourse And Literacy Narratives As "Equipment For Living", Kris Rutten

CLCWeb: Comparative Literature and Culture

In his article "Academic Discourse and Narratives of Literacy as 'Equipment for Living'" Kris Rutten discusses practices of academic discourse and argues that students entering higher education have to become part of a specific community of institutional discourse. Rutten claims that narratives of and about literacy — narratives that revolve around issues dealing with language and the acquisition of literacy — "dramatize" the tension of moving from one discourse community to another. By charting situations of "type," fictional literacy narratives can be used by students as "equipment for living" in order to reflect on confrontations and difficulties they experience in …

The Writing And Reading Of Fan Fiction And Transformation Theory, Veerle Van Steenhuyse

CLCWeb: Comparative Literature and Culture

In her article "The Writing and Reading of Fan Fiction and Transformation Theory" Veerle Van Steenhuyse discusses the experience of immersive reading fan fiction offers to fans based on her analysis of fan fiction about the television series House, M.D. (2004-). Van Steenhuyse postulates that a text is immersive when it evokes a mental construct with the presence of a text-independent reality. In the case of fan fiction, this reality is a "transformed universe" that builds on and deviates from particular primary texts. Following the work of Marie-Laure Ryan and Mihály Csíkszentmihályi, Van Steenhuyse argues that readers feel immersed when …

A Case Study In Discourse Analysis Of "Community Arts" In Cultural Policy And The Press, An De Bisschop, Kris Rutten, Ronald Soetaert

CLCWeb: Comparative Literature and Culture

In their article "A Case Study in Discourse Analysis of 'Community Arts' in Cultural Policy and the Press" An De bisschop, Kris Rutten, and Ronald Soetaert explore theoretical and applied aspects of the phenomenon of community arts. Community arts in Flanders have developed into a professional practice during the past few years and have received increased recognition from policy makers, scholars, and critics. This attention has caused a growing need to define the nature of a practice diverse in form, goal, and process. De bisschop, Rutten, and Soetaert discuss the problematics of community arts projects in comparative discourse analysis in …

Latino Identity In Allende's Historical Novels, Olga Ries

CLCWeb: Comparative Literature and Culture

In her article "Latino Identity in Allende's Historical Novels" Olga Ries analyzes the concept of individual and group identity found in five historical novels by Isabel Allende. Ries argues that while Allende's protagonists come from different backgrounds and different epochs, they share a process of psychological transformation and that affects their identity formation. The result is the formation of a transnational "Hispanic" identity, group as well as individual. In Ries's reading of Allende's texts, transnational Hispanic identity is based simultaneously on the Mexican/Hispanic concept of mestizaje and on the US-American concepts of the "melting pot" and the "American Dream."

About The Human Condition In The Works Of Dickens And Marx, Ami E. Stearns, Thomas J. Burns

CLCWeb: Comparative Literature and Culture

In their article "About the Human Condition in the Works of Dickens and Marx" Ami E. Stearns and Thomas J. Burns contribute to the study of Charles Dickens's Industrial Revolution-era fiction by examining his novels in relation to Karl Marx's social philosophy. Stearns and Burns postulate that Dickens relies on Marxist concepts of class consciousness, sacrifice, revolution, social antitheses, and social injustice to weave his narratives and compare and discuss six of Dickens' novels: A Tale of Two Cities, A Christmas Carol, David Copperfield, Oliver Twist, and Great Expectations with three works of Marx: Grundrisse, The Communist Manifesto, …

Autoethnography And Garcia's Dreaming In Cuban, Samantha L. Mcauliffe

CLCWeb: Comparative Literature and Culture

In her article "Authoethnography and Garcia's Dreaming in Cuban" Samantha L. McAuliffe positions Cristina Garcia's novel as a text of self-discovery and cultural reconciliation. McAuliffe examines multilingualism and hybridity in Dreaming in Cuban and postulates that the novel represents what Marie Louise Pratt calls the "contact zone" where cultures meet and clash. As autoethnography, Dreaming in Cuban allows an insider view of what being Cuban American really means. The reader is able to experience the conflict those with a hybrid identity experience through the eyes of one in the midst of that conflict. Further, McAuliffe suggests in her analysis …

Fernández And Cinematic Propaganda In The U.S. And Mexico, Renae L. Mitchell

CLCWeb: Comparative Literature and Culture

In her article "Fernández and Cinematic Propaganda in the U.S. and Mexico" Renae L. Mitchell discusses the competing ideologies on both sides of the U.S.-Mexican border. As one of the foremost filmmakers of the Mexican Golden Age of cinema, Emilio Fernández established what would is recognized as "Mexicanness" by means of Indigenous characters in his films, most apparent in the film María Candelaria. RKO (Radio-Keith-Orpheum) Pictures, as the principal purveyor of US-American propagandist cinema, led Hollywood into the cinematic market of Mexico revealing its intentions by means of the RKO film The Falcon in Mexico. Fernández sought to …

Dante's Linguistic Detail In Shelley's Triumph Of Life, Anita O'Connell

CLCWeb: Comparative Literature and Culture

In her article "Dante's Linguistic Detail in Shelley's Triumph of Life" Anita O'Connell analyzes Shelley's attention to detail in Dante's poetic style and presents a close textual analysis of the ways Shelley draws on the beauty of Dante's texts. When Dante's Divine Comedy re-emerged into the public sphere in Britain through Henry Cary's 1814 translation, his reputation was as a stern, dark, Medieval poet and readers and writers alike shared a love of the perceived gothicism particularly of The Inferno. Shelley, however, differed from this general view of Dante: despite the grotesque descriptions in his Triumph of Life …

The Tartu School And Catalan Scholarship: A Book Review Article Of New Work In Reception And Communication Studie, Christopher Larkosh

CLCWeb: Comparative Literature and Culture

No abstract provided.

About Society: A Book Review Article Of Work On Roth And Kundera By Shostak And Ivanova, Gustavo Sánchez-Canales

CLCWeb: Comparative Literature and Culture

Psychology, Science, Feminisms, And Cultural Studies: A Book Review Article Of New Books By Bell And Hardin, Adolfo Campoy-Cubillo

CLCWeb: Comparative Literature and Culture

No abstract provided.

Intermediality And Aesthetic Theory In Shklovsky's And Adorno's Thought, Oleg Gelikman

CLCWeb: Comparative Literature and Culture

In his article "Intermediality and Aesthetic Theory in Shklovsky's and Adorno's Thought" Oleg Gelikman places the concept of intermediality in the context of the unresolved conflict between philosophical aesthetics and aesthetic theory. The conflict originated in the response of an influential generation of thinkers to the crisis of the neo-Kantian schools and the emergence of modernism in the 1910s. Despite superficial similarities, aesthetic theory is neither a revamped aesthetics of the subject nor a theoretical vindication of modernism. By severing the connection between subject-object epistemology and theory of artworks, the practitioners of aesthetic theory such as Victor Shklovsky and Theodor …

Intermediality, Translation, Comparative Literature, And World Literature, Erin Schlumpf

CLCWeb: Comparative Literature and Culture

In her article "Intermediality, Translation, Comparative Literature, and World Literature" Erin Schlumpf postulates that the study of literature today is best performed in a framework of comparative literature and world literature including intermediality particularly in the case of translated texts. Schlumpf contends that working in comparative and world literature today demands a reexamination of translation and the teaching of works in translation. Following her theoretical postulates, Schlumpf analyzes two films, Jean-Luc Godard's La Chinoise (1966) and Xiaolu Guo's She, a Chinese (Zhongguo guniang) (2009).