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Articles 6121 - 6150 of 6594
Full-Text Articles in Entire DC Network
Modern Arabic Film : A Study Of Selected Works Of New Arab Expressionist Filmmakers, Mohamed Masoud Elmasmari
Modern Arabic Film : A Study Of Selected Works Of New Arab Expressionist Filmmakers, Mohamed Masoud Elmasmari
Student Works (2000-2009)
Film reached the major cities of the Arab world within a matter of months of the first film showing in Paris, London, and New York, so the history of film exhibition and to some extent film production in virtually as long in the Arab world as in the West. The experience of the last thirty years has shown situation to be of enormous creative potential for an artist. In this study, attention is paid to the achievements of just a handful of notable filmmakers of the New Arab Cinema, even this choice is limited but not random, for all the …
What Do We Do When We Do Law And Popular Culture, Jessica Silbey
What Do We Do When We Do Law And Popular Culture, Jessica Silbey
Faculty Scholarship
"What We Do When We Do Law and Popular Culture" establishes a theoretical framework for analyzing legal popular culture, taking as its point of departure Richard Sherwin's book "When Law Goes Pop." The article stresses what Professor Silbey considers to be three major stumbling blocks in the growing interdiscipline of law and popular culture. She argues that if we are to advance our understanding of the relationship between law and popular culture, we must follow at least three simple charges: (1) demarcate our beginning concepts, such as law or culture, so that amidst the vast phenomena that may be called …
Establishing Understandings: Teaching About Culture In Introductory Television Courses, Barbara R. Burke, Julie Rae Patterson-Pratt
Establishing Understandings: Teaching About Culture In Introductory Television Courses, Barbara R. Burke, Julie Rae Patterson-Pratt
Communication, Media, and Rhetoric Publications
In teaching introductory courses using television equipment, we find that cultural studies interests can be meshed with basic skills-oriented production classes in useful ways. Utilizing an on-going discussion strategy emphasizing that students are evaluating, criticizing, and interpreting, as well as producing cultural products, the activities we describe articulate the reflexive nature of media and culture. Furthermore, in asking students to investigate and explore ways media both construct and reflect their understanding of culture, students are guided to begin a life-long process of critical thinking.
From Impartial Objectivity To Responsible Affectivity: Some Ethical Implications Of The 9/11 Attacks On America And The War On Terror, Lelia Rosalind Green, Steven Maras
From Impartial Objectivity To Responsible Affectivity: Some Ethical Implications Of The 9/11 Attacks On America And The War On Terror, Lelia Rosalind Green, Steven Maras
Research outputs pre 2011
In this paper we trace same of the ways a responsibility to affect might be thought of in the wake of the events of 9/11, and examine what it might mean to shift the orientation of journalistic ethics away from an ethics based on objectivity to an ethics of affectivity.
Autotopography: Graffiti, Landscapes, & Selves, Deirdre Heddon
Autotopography: Graffiti, Landscapes, & Selves, Deirdre Heddon
Reconstruction: Studies in Contemporary Culture
[First paragraph]
For some time now I have been interested in autobiographical performance -- some form of the theatrical, in which performers explicitly use personal material in their work. Within this general field of autobiography and performance, one area of research concerns performances that are dependent on being located in personalised space -- what could be called, then, site-specific autobiographical performance. A recent example of this would be the performance Bubbling Tom (2000), by the UK based performer Mike Pearson, which saw Pearson return to the village of his childhood, to reflect upon and re-enact certain memories, events and persons …
The Mind Museum: Rudolf Schwarzkogler And The Vienna Actionists, Philip Barnes
The Mind Museum: Rudolf Schwarzkogler And The Vienna Actionists, Philip Barnes
Reconstruction: Studies in Contemporary Culture
[Sixth paragraph]
In the following essay I discuss the Austrian artist Rudolf Schwarzkogler. I have enjoyed the process of ferreting out articles and references to him, although these are seemingly as scarce as his own artistic output. Schwarzkogler spent just 2 years staging performance-actions in his apartment in the 1960s. These methodically photographed scenes involved sliced fish, bandages, light bulbs, razor blades, foodstuffs and surgical apparatus, all manipulated by anonymous figures. The photographs, works of art in their own right, have since toured internationally. Schwarzkogler was the least outgoing of a group called the Viennese Actionists, whose orgiastic, bloody Happenings …
Being-There And Being-From-Elsewhere: An Existential-Analytic Of Exile, Farhang Erfani
Being-There And Being-From-Elsewhere: An Existential-Analytic Of Exile, Farhang Erfani
Reconstruction: Studies in Contemporary Culture
[First paragrap]
I find myself in an unsettling position, as I do not know where to begin to talk about a philosophically neglected topic: exile. I cannot hide behind the famous names of the tradition; I cannot speak through them about exile in order to make my inquiry sound more legitimate since most of them did not address the topic. Isn't it interesting though that my inability to know where to start and the lack of legitimacy that I feel are in themselves two typical symptoms of the exiled? In all fairness, exile has become a buzzword and is fashionable …
Remembering Dehlie: A Chrono-Topo-Graphy Of Imagination, Subhash Jaireth
Remembering Dehlie: A Chrono-Topo-Graphy Of Imagination, Subhash Jaireth
Reconstruction: Studies in Contemporary Culture
[First paragraph]
In a few weeks I shall be going to India to see my daughter. This will be our first meeting after she went back to India with her mother five years ago. She is fifteen now, and, in a way, a complete stranger to me. You don't know me, she tells me often on the phone, Neither do I know you. The little girl whom you carried on your shoulders and played hopscotch with, is nothing but a shadow. Come and see what has become of me. I have made up my mind to go but I know …
The Cyborgian Self: Toward A Critical Social Theory Of Cyberspace, Michael Ian Borer
The Cyborgian Self: Toward A Critical Social Theory Of Cyberspace, Michael Ian Borer
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Contemporary social theory currently remains at a virtual standstill, quivering over the decision to radically leave the past behind or to continue within the historical narrative of the Enlightenment. Postmodern social theorists, advocating the position that we have, in fact, entered a new historical epoch, pose serious challenges to our perception of modernity and cultural identity. As an influential strategy that has infiltrated both the humanities and the social sciences for more than thirty years, postmodernism can no longer be dismissed as merely a fad or trend. In a world where the use of complex, and often mobile, …
Solaris, America, Disneyworld And Cyberspace: Salman Rushdie's Fairy-Tale Utopianism In Fury, Justyna Deszcz
Solaris, America, Disneyworld And Cyberspace: Salman Rushdie's Fairy-Tale Utopianism In Fury, Justyna Deszcz
Reconstruction: Studies in Contemporary Culture
[First paragraph]
In this paper, I discuss the figure of professor Malik Solanka, the protagonist of Salman Rushdie's latest novel, Fury (2001), and his attempts at constructing a fairy tale utopia as a means of establishing his identity. I try to elucidate this problem referring to the concepts of the fairy tale utopian as formulated by J. R. R. Tolkien, Ernst Bloch, and Jack Zipes, as their propositions can be regarded as the most effective exponents of the utopian imagination and seem very applicable to Rushdie's utopian attempts. On the basis of such a reading, I also reflect on the …
Rich Earth Below The Sand' And The Origins Of The Thames Embankments, Stuart Oliver
Rich Earth Below The Sand' And The Origins Of The Thames Embankments, Stuart Oliver
Reconstruction: Studies in Contemporary Culture
[First paragraph]
This essay explores the designing of the Thames embankments that were built between 1866 and 1874 for the Metropolitan Board of Works. In particular it concentrates on the origins of what might be called the production of the conditions of production of the embankments. By looking at the motivation of those advocating embanking as a means of exerting literal and figurative control over the river, and the ways in which society influenced such advocacy and determined its effectiveness, the essay explores modernity's construction of a regulated natural in the context of an analysis that is sensitive to the …
Supposing A Space: The Detecting Subject In Paul Auster’S City Of Glass, Richard Swope
Supposing A Space: The Detecting Subject In Paul Auster’S City Of Glass, Richard Swope
Reconstruction: Studies in Contemporary Culture
No abstract provided.
Rorty's Complicit American Neo-Pragmatism, Haidar Eid
Rorty's Complicit American Neo-Pragmatism, Haidar Eid
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Despite the obvious French origin of poststructuralism, its paradigmatic resonance can be found in the American philosophical scene, an essential part of which is Richard Rorty's neo-pragmatism -- the theoretical basis of American (post)modernism. However, different from poststructuralism's apparent antagonism to the authoritarian establishments, Rorty adopts the Derridean poststructuralist motifs of the decentering of the subject, and the disappearance of meaning and truth in order to defend the establishment -- or rather, the status quo.
On Guillermo Gomez-Peña's El Mexterminator And Cyber Vato, Michael Benton
On Guillermo Gomez-Peña's El Mexterminator And Cyber Vato, Michael Benton
Reconstruction: Studies in Contemporary Culture
[First paragraph]
While attending Bowling Green State University in 1997 I had an experience that changed my worldview. I was a teaching assistant in the Popular Culture department and part of my responsibilities included teaching Introduction to Popular Culture (POPC 100) and Introduction to Mass Media (POPC 165). I had been struggling to engage my students in examining the way in which social reality is represented to them through popular entertainments [2]. The majority of my students were white, middle class students from the surrounding Northern regions of Ohio. My students were well-versed in the ongoing controversy over whether or …
Review Of Up, By Peter Gabriel, Matthew Wolf-Meyer
Review Of Up, By Peter Gabriel, Matthew Wolf-Meyer
Reconstruction: Studies in Contemporary Culture
No abstract provided.
Passaic Boys Are Hell: Robert Smithson's Tag As Temporal And Spatial Marker Of The Geographical Self, Felicity Colman
Passaic Boys Are Hell: Robert Smithson's Tag As Temporal And Spatial Marker Of The Geographical Self, Felicity Colman
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Robert Smithson seductively created stories about his activities as an artist with attention to his duration; his time of existence. Born in 1938 in the New Jersey suburb of Passaic, Smithson lived in the New Jersey suburbs of Rutherford and Clifton with his family until 1957 when he moved to live in downtown Manhattan, New York (Hobbs 1981, 231-232; Tsai 1991, 6). Smithson's adult life was undeniably shaped by his Pascalian/Sopranos awareness of engaging the circumference by which to navigate the centre of everyday life. In 1972 Smithson described New Jersey as: a kind of destroyed California, …
The Ruse Of The Social: Human Waste And The Gated Community, Liam Mcnamara
The Ruse Of The Social: Human Waste And The Gated Community, Liam Mcnamara
Reconstruction: Studies in Contemporary Culture
[First paragraph]
One of the central problems of contemporary society is that of “the social”: how it is defined, constituted, conjured into existence, and supported. Jean Baudrillard has employed the term “the social” in his work, but it is never explicitly defined; it is best understood as a form of simulation that has sprung into existence in the absence of symbolic social relations. The social is constituted of all the phenomena that are generally studied by sociology, so is therefore ideologically conceived of as an organic structure that is waiting for analysis. The “social” is society, both as it stands …
On Steven Duncombe's Cultural Resistance Reader (2002), Adam Reed
On Steven Duncombe's Cultural Resistance Reader (2002), Adam Reed
Reconstruction: Studies in Contemporary Culture
[First paragraph]
While the debates over the dis/connections between theory and practice have become essentially metaphysical, it is still useful to distinguish between micro, grassroots struggles and macro, ideological political agendas. In a world in which one of the Left's (old, new and contemporary) main achievements has been to merge the micro and macro in the popular imaginary, this distinction helps one appreciate the myriad of forces affecting social change that are condensed in primarily ideological narratives. A similar perspective is called for when one turns to cultural forms of resistance, which are usually erased by political narratives or mystified …
On Bell Hooks' Feminism Is For Everybody, David Alan Sapp
On Bell Hooks' Feminism Is For Everybody, David Alan Sapp
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Taking a decidedly radical feminist position, bell hooks, the writing voice of Gloria Watkins, promotes the learning of feminist theory and history as essential parts of the process of self-actualization and the practice of freedom. In Feminism is for Everybody: Passionate Politics, hooks provides an overview targeted to readers new to interdisciplinary feminism. Importantly, hooks argues in strong opposition to the anti-feminist public voice in contemporary culture. In particular, she speaks to young female readers who know little about feminism, many of whom falsely assume that sexism is no longer a problem or is no longer relevant since …
A Review Of Dr. Holmberg's Work, Gary Hoppenstand
A Review Of Dr. Holmberg's Work, Gary Hoppenstand
Reconstruction: Studies in Contemporary Culture
[Editor's Introduction]
Dr. Carl Holmberg, a beloved member of Bowling Green State University's department of Popular Culture and father of two daughters, Lily and Erin, passed away September 29, 2002 at his home in Bowling Green, Ohio. In addition to what you will find highlighted below, Dr. Holmberg was in the process of extensive research into Japanese popular culture and was loved by the students he taught at the graduate and undergraduate level. Below, we have decided to publish a review of Carl's work by friend and colleague Dr. Gary Hoppenstand, so that the members of our community might realize …
Terra Incognita, Leslie Hill
Terra Incognita, Leslie Hill
Reconstruction: Studies in Contemporary Culture
No abstract provided.
To Blend In The Place You're In, But With A Mind To Do Something: The Practice Of Merging In James Dickey's To The White Sea, Casey Clabough
To Blend In The Place You're In, But With A Mind To Do Something: The Practice Of Merging In James Dickey's To The White Sea, Casey Clabough
Reconstruction: Studies in Contemporary Culture
[First paragraph]
In a final sortie the day before the great fire-bombing raid on Tokyo in the last months of World War II, Muldrow (his first name is purposefully never given), an American tail gunner, parachutes from his burning B-29 into the city. Protected at first by the smoke-blackened anarchy on the ground, he journeys north, away from the chaos and ruin of Tokyo, instinctively drawn toward Japan's sparsely-populated northern island of Hokkaido, a frozen, desolate sanctuary he is certain will assure his survival. With little more than a knife and a small map of Japan he makes his way …
Becoming Native, Patricia Monaghan
Becoming Native, Patricia Monaghan
Reconstruction: Studies in Contemporary Culture
[First paragraph]
With relentless beaks, a squad of crows attacked a winter field. It was a fine fair Irish field, sweeping upwards in the pale sunlight towards a dark bulwark of rhododendrons surrounding a single gnarled oak, beneath which three ruddy cattle grazed. Welcoming this peaceable scene as an excuse to slow my journey, I parked on the verge and walked to the field's iron gate.
Writing Identity Into Space: The Relationship Between Ethnography, Autobiography, And Space In Bronislaw Malinowski's A Diary In The Strict Sense Of The Term And Claude Lévi-Strauss's Tristes Tropiques, Lawrence Phillips
Reconstruction: Studies in Contemporary Culture
[First paragraph]
From a number of disciplinary perspectives autobiography has always presented a challenge to more or less discrete modes of reading and evaluating the text. To read autobiography as a literary text is to suppress its close relationship to the writer, however fictionalised and evasive the writing subject might be about a textual identity so closely related to his or her public persona. On the other hand, to read it as history or a documentary presentation of a life is to fail to acknowledge the heavy use of literary techniques and imbedded subjectivity that makes autobiography what it is. …
See Me, Touch Me, Feel Me':(Im)Proving The Bodily Sense Of Masculinity, Marc Ouellette
See Me, Touch Me, Feel Me':(Im)Proving The Bodily Sense Of Masculinity, Marc Ouellette
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Ultimately, this paper stems from two cultural strands which intersect in one cultural form, self-improvement advertising aimed at men. The first of these is the figure of the new man, which appeared in the mid-1980s. The novelty lies in the positioning of masculine bodies precisely for the purpose of being seen. The available criticism was not equipped to account for these positionings. The second cultural strand, the proliferation of technologies which alter the body itself, as opposed to its coverings, makes the gap in the criticism more apparent. The two cultural trends intersect most noticeably in the advertisements …
Ideology And Public Sphere: A Preliminary Bibliography, Giorgio Bertellini, C. Paul Sellors
Ideology And Public Sphere: A Preliminary Bibliography, Giorgio Bertellini, C. Paul Sellors
Reconstruction: Studies in Contemporary Culture
Bibliography accompanies Bertellini & Sellors article Breaking the Mimetic Contract: Notes on Ideology, Intersubjectivity, and Film Theory
Navigating The Starless Night: Strategies For Understanding Autobiogeography, Matthew Wolf-Meyer, Davin Heckman
Navigating The Starless Night: Strategies For Understanding Autobiogeography, Matthew Wolf-Meyer, Davin Heckman
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Ancient mapmakers relied upon the presence of celestial bodies for their conceptualization of the world, for their external knowledge-making tools, as if a far-off body could help to make sense of our terrestrial life/as if it couldn't. Cosmology, as a practice, relied on the construction of an external body of knowledge that the local meaning-maker could situate him- or herself into, and more broadly, their entire society and culture -- the interior is determined by its relationship to the exterior (or the exteriorized). For the ancient Greeks then, the font of Western culture, this cosmology works at once …
Autobiography And Geography: A Self-Arranging Question, Frédéric Regard
Autobiography And Geography: A Self-Arranging Question, Frédéric Regard
Reconstruction: Studies in Contemporary Culture
[First paragraph]
The border between fiction and truth in autobiography has been the subject of numerous investigations, yet the question of what we might call the assignations to residence of the author remains largely ignored. Critics have written abundantly about autobiography in its relation to the origin of the author as living personality with his own story, but never truly treated the idea of the spatial modalities, the layout, of the author's writing self. In his relatively unknown 1967 article On Other Places, Michel Foucault, then on assignment in Tunis, saw in this thematic situation the stage of a …
Processes Of Embodiment And Spatialization In The Writings Of Paul Auster, Markus Rheindorf
Processes Of Embodiment And Spatialization In The Writings Of Paul Auster, Markus Rheindorf
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Processes of embodiment and the spatialization of interior categories such as thought and memory are defining characteristics of Paul Auster's novels, essays, and poetry, and a brief survey of these aspects can offer a new perspective on Auster's oeuvre as an organic whole. It is the underlying assumption of this paper that the transformation of interior into exterior constitutes a specific instance of the transpositional processes discussed therein. Within the theoretical framework of cultural studies -- as opposed to the more narrowly defined literary studies -- such transformations can be regarded as processes of embodiment, that is to …
D/Deafness And The Basic Course: A Case Study Of Universal Instructional Design And Students Who Are D/Deaf In The (Aural) Communication Classroom, Julia R. Johnson, Susan M. Pliner, Tom Burkhart
D/Deafness And The Basic Course: A Case Study Of Universal Instructional Design And Students Who Are D/Deaf In The (Aural) Communication Classroom, Julia R. Johnson, Susan M. Pliner, Tom Burkhart
Basic Communication Course Annual
The primary purpose of this essay is to suggest ways to create a universally inclusive curriculum, which, by definition, addresses the learning needs of all students, including students with disabilities or, in this case, students who are deaf or hard-of-hearing. Presented with the opportunity of having a d/Deaf students in a public speaking class, we reflect on the accommodations made, the assumptions inherent in an inclusive classroom, and the ideology of ableism. Because d/Deafness is as much a cultural identity as an auditory condition, we also address how to create safe learning environments for diverse student populations through the use …