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Displacement, Allison Whittenberg Aug 2026

Displacement, Allison Whittenberg

The Sucarnochee Review

No abstract provided.


What I Didn’T Tell You, Grace Larson Aug 2026

What I Didn’T Tell You, Grace Larson

The Sucarnochee Review

No abstract provided.


The Girl Who Escaped From Hell, Svetlana Rostova Aug 2026

The Girl Who Escaped From Hell, Svetlana Rostova

The Sucarnochee Review

No abstract provided.


Education Through The Ages, Paul Ilechko Aug 2026

Education Through The Ages, Paul Ilechko

The Sucarnochee Review

No abstract provided.


Boats Return, Paul Ilechko Aug 2026

Boats Return, Paul Ilechko

The Sucarnochee Review

No abstract provided.


Black Walnut Tree, Tara Menon Aug 2026

Black Walnut Tree, Tara Menon

The Sucarnochee Review

No abstract provided.


Viewing Tsuchinshan-Atlas, Tara Menon Aug 2026

Viewing Tsuchinshan-Atlas, Tara Menon

The Sucarnochee Review

No abstract provided.


The Minuteman Bikeway, Tara Menon Aug 2026

The Minuteman Bikeway, Tara Menon

The Sucarnochee Review

No abstract provided.


A Presence That Surrounds, Tara Menon Aug 2026

A Presence That Surrounds, Tara Menon

The Sucarnochee Review

No abstract provided.


The Stone Battery, Kevin Brown Aug 2026

The Stone Battery, Kevin Brown

The Sucarnochee Review

No abstract provided.


The Call, Charis Polycarpou Aug 2026

The Call, Charis Polycarpou

The Sucarnochee Review

No abstract provided.


Looking For Mr. Ghost, Juned Subhan Aug 2026

Looking For Mr. Ghost, Juned Subhan

The Sucarnochee Review

No abstract provided.


Chronoscope 172: Crepuscule, John Walser Aug 2026

Chronoscope 172: Crepuscule, John Walser

The Sucarnochee Review

No abstract provided.


Porpoises, Hannah Defeo Aug 2026

Porpoises, Hannah Defeo

The Sucarnochee Review

No abstract provided.


Outrun The Sun, Hannah Defeo Aug 2026

Outrun The Sun, Hannah Defeo

The Sucarnochee Review

No abstract provided.


Same Plant, Different Garden, Hannah Defeo Aug 2026

Same Plant, Different Garden, Hannah Defeo

The Sucarnochee Review

No abstract provided.


Azaleas, Daniel Picker Aug 2026

Azaleas, Daniel Picker

The Sucarnochee Review

No abstract provided.


Eyewear, Marc Swan Aug 2026

Eyewear, Marc Swan

The Sucarnochee Review

No abstract provided.


A Natural Path, Marc Swan Aug 2026

A Natural Path, Marc Swan

The Sucarnochee Review

No abstract provided.


Half-Life, Dennis Vannatta Aug 2026

Half-Life, Dennis Vannatta

The Sucarnochee Review

No abstract provided.


On Making The Most, Esther Sadoff Aug 2026

On Making The Most, Esther Sadoff

The Sucarnochee Review

No abstract provided.


Growing Up I Wanted A Locket More Than Anything, Esther Sadoff Aug 2026

Growing Up I Wanted A Locket More Than Anything, Esther Sadoff

The Sucarnochee Review

No abstract provided.


Emily As Hélène Fourment As Aphrodite By Rubens, Darren Demaree Aug 2026

Emily As Hélène Fourment As Aphrodite By Rubens, Darren Demaree

The Sucarnochee Review

No abstract provided.


Emily As Lady Lilith By Dante Gabriel Rossetti, Darren Demaree Aug 2026

Emily As Lady Lilith By Dante Gabriel Rossetti, Darren Demaree

The Sucarnochee Review

No abstract provided.


Brooming The Graveyard, Yuan Changming Aug 2026

Brooming The Graveyard, Yuan Changming

The Sucarnochee Review

No abstract provided.


Encounters Xx: A Simple Walk, Susan Johnson Aug 2026

Encounters Xx: A Simple Walk, Susan Johnson

The Sucarnochee Review

No abstract provided.


Dark Hemlock, Michael Washburn Aug 2026

Dark Hemlock, Michael Washburn

The Sucarnochee Review

No abstract provided.


Speaking Back Through Stories: Storytelling And The Politics Of Resistance, Korka Sall Aug 2026

Speaking Back Through Stories: Storytelling And The Politics Of Resistance, Korka Sall

Wagadu: A Journal of Transnational Women's & Gender Studies

Black women have long served as storytellers, knowledge producers, and custodians of collective memory across Africa and its diaspora. Through oral traditions, literature, and film, they have created networks for the circulation of knowledge while fostering Pan-African consciousness, preserving cultural heritage, and educating communities about identity, justice, and self-determination. Their narratives challenge systems of colonialism, patriarchy, and historical erasure by centering Black women's voices and lived experiences within transnational conversations about history, culture, and belonging. This paper examines Aminata Sow Fall's Le Revenant (1976), Bessie Head's short story "Life" (1977), and Diabou Bessane's documentary Les Mamans de l'Indépendance …


Motherhood And The Illusion Of Delayed Gratification In Gerotti Kyomuhendo’S Waiting And Secrets No More, Mopelola R. Olayiwola Aug 2026

Motherhood And The Illusion Of Delayed Gratification In Gerotti Kyomuhendo’S Waiting And Secrets No More, Mopelola R. Olayiwola

Wagadu: A Journal of Transnational Women's & Gender Studies

The birth of a girl child in most African societies automatically signals the arrival of another procreator. Her role is assigned long before birth: she is to be a woman, a wife, and a mother whose nurturance continues until death. Motherhood demands nurturing children alongside the husband, and most myths tie a woman’s relevance to this single role. To ensure undivided attention to this occupation, societies empower the virtue of patience. As a result, many African narratives corroborate the ideology of delayed gratification, encouraging women to give excessively toward a distant future when children may return the favour. Little attention …


Reclaiming The Silenced: West African Women, Anticolonial Activism, And Storytelling As Historical Resistance, Tahsina Nasir Aug 2026

Reclaiming The Silenced: West African Women, Anticolonial Activism, And Storytelling As Historical Resistance, Tahsina Nasir

Wagadu: A Journal of Transnational Women's & Gender Studies

This paper examines the systematic erasure of West African women from dominant historical narratives of anticolonial liberation, focusing on decolonization and post-independence nation building in Ghana, Guinea-Bissau, and Nigeria. Although women played central roles in organizing, mobilizing, and educating during nationalist movements, their contributions were increasingly sidelined once state power was achieved. Drawing on feminist historiography, Black feminist thought, and archival and literary sources, this study analyzes how state actors dismantled autonomous women’s organizations, including the Federation of Ghana Women, and confined women to symbolic roles within party-controlled structures. Figures such as Hannah Kudjoe, once central to political mobilization, were …