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Killing Bali (Part I) A Journey From God’S Paradise To Human Inferno, Pierre Fournié, Dr Pierre Fournié

International Journal of Religious Tourism and Pilgrimage

Tourism is growing and growing fast. Before the pandemic, in 2018, the number of arrivals worldwide reached 1.4 billion arrivals from less than 600 million, twenty years earlier. In many countries, especially in developing ones, tourism is perceived as a unique opportunity, a model of territorial development, possibly a national strategy. In Indonesia, after being elected in 2014, former President Joko Widodo (Jokowi) emphasised the importance of tourism, considered as a strategic sector. It had to become the largest exchange currency contributor to Indonesia’s revenue thus bypassing rubber, coal, oil and gas (Fournié & Dou, 2018).

In the collective awareness …

Student Film Fest 2026 Playbill, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre, Smith Center for the Arts

Student Film Fest 2026

April 30, 2026, 7PM

Festival Director, Ben Sweeney

Department Chair, Megan Chang

Production Manager, Anne Harrigan

Technical Director, Trevor Elliott

Assistant Technical Director, Gabriel Luxton

INTRODUCTORY REMARKS:

Rev. Kenneth Gumbert, O.P.

COMPETING FILMS

Luca DeLucia ‘28, Check, 11:29

Anthony Maldonado ‘27, The Allegory of the Cave, 9:35

Margaret Doyle ‘26, End of Beginning, 8:43

Ryan James Tobin ‘26, When One Door Closes, 9:46

Rowan Locascio - McLaughlin ‘26, The Limit, 13:27

Isabella Feher ‘26, Fearless …

Student Film Fest 2026 Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre, Smith Center for the Arts

Student Film Fest 2026

April 30, 2026, 7PM

Kesenian Baruno Pati: Proses Penciptaan, Bentuk, Dan Representasi Kolektif, Fahri Reza Muhammad

Paradigma: Jurnal Kajian Budaya

Amidst conservation challenges and a crisis in the regeneration of local arts in Pati, Barongan Baruno emerges as a new artistic creation from Pasinaon Studio in Kertomulyo Village. This research aims to uncover its creation process, form, and the embodiment of local values as a collective representation of the Kertomulyo community. Using a qualitative-descriptive approach, the study finds that Barongan Baruno is a product of conscious and participatory collective creation. Symbolically, it reflects the community's agrarian-maritime identity and Javanese-Islamic acculturation. As a collective representation, this art form serves as a medium for embodying local wisdom, such as the importance of …

The Scripted Body: A Historical Analysis Of How Vituperative Narratives Shaped Disparities In Women’S Healthcare, Eva Fava-Rodrigues

Gender, Sexuality and Women's Studies Student Scholarship

No abstract provided.

Facsimiles, Russell Soh

Student Theses

An excerpt:

Hi Everyone, I’m currently in the process of organizing and sketching out a series of prose proems based on a small multitude of notes I’ve accrued over the last six months. These notes are essentially notes towards the writing of various poems (around 8). The idea is basically to turn these notes, or these would-be poems, into a series of abstracted ‘facsimiles’, like tangible ghosts trapped in a simulacrum of the poem. I need to be reacquainted with the prose poem, or at least my idea of it.

Wellness By Design: Leadership And Learning Practices For Well-Being In Arts Management, Ashleigh Olander

Student Theses

Leading with a culture of care is the art of wellness-based design. The arts are often seen as places for healing and community connection; however, arts institutions themselves frequently function in ways that undermine well-being. The systems in place do not promote wellness, nor do they dedicate resources to maintaining the vitality of staff. Wellness initiatives in the arts are ordinarily based on programming, rather than embedded into the foundation of the organization. Although engaging with the arts as a whole elevates wellness, it is challenging to find an arts institution designed with wellness practices in mind. There is a …

Reimaging Wayang In The Digital Age; "The Sintren" Project And Cultural Commoning, Maya Purnama Sari, Nuning Yanti Damayanti, Irfansyah Irfansyah, Hafiz Aziz Ahmad

Wacana, Journal of the Humanities of Indonesia

Wayang, as a traditional performing art in Indonesia, continues to develop through various forms of experimentation. One example is the Wayang Lostang YouTube channel, developed by Samuel Indratma through the animation project Sintren, save the planet in collaboration with students from SMK Komputama Majenang. Distribution through YouTube indicates that the transformation of wayang is not merely visual but is also a collective cultural practice grounded in social relations, reflecting cultural commoning in the Indonesian context. This study aims to understand how these practices operate through production, social relations, and the formation of cultural meaning in digital circulation. The research employs …

‘Clothesure’: The End Of The Narrative Of A Pilgrim’S Clothes; And How Pilgrim’S Clothes Contribute To Narrative Identity, Stephen F. Haller

International Journal of Religious Tourism and Pilgrimage

This paper provides the story, or narrative, which explains how pilgrim’s-identity is created and endures through the clothes they wear. The closure, or preferred ending, of this story of a pilgrim’s clothes, would be a ceremonious disposal, like burning them. Pilgrims are reluctant to simply throw their clothes, boots, and gear away. This paper is a philosophical reflection on how a pilgrim’s clothes construct the identity of a pilgrim; and how inanimate objects, like clothes, might become meaningful, or even ‘sacred’ in a non-religious way. This comes about because of a decision to treat them that way. We make sense …

The Changed Woman: Analyzing Narrative Parallels In The Stories Of Biblical Women And Musical Theatre Heroines, Finleigh Klein

Honors Projects

Musical theatre has become popular with audiences around the world. Many musicals contain stories of hope and overcoming obstacles, especially in narratives concerning young women. Since the Bible also contains a wealth of stories that focus on strong women, it is interesting to consider what connections may be found between the women represented in this ancient text and the female characters in various musical theatre productions.

With these potential connections in mind, I ask the question: how is the Biblical trope of the uplifting of women represented in songs sung by female characters in musical theatre? Furthermore, how can the …

Reading The Frame: "Fortnight" And The Cabinet Of Dr. Caligari, Ira Sen

The Manuscript: Journal of Taylor Swift Studies

Taylor Swift's 2024 music video for her song "Fortnight" makes several visual references to German Expressionist cinema. This paper parses through the way in which The Cabinet of Dr. Caligari, one of the films the music video alludes to, can be used to read Swift's self-fashioning as musician, celebrity, brand, lover, madwoman, and heartbroken poet in The Tortured Poets Department. Through an analysis of cinematography, set design, character, and themes in both Caligari and "Fortnight", this paper presents the complex portrayal of Swift as both creator and character in her own work.

Copyright On Stage: Protecting The Directions Behind The Performance, Eliana Sakin

The Journal of Business, Entrepreneurship & the Law

In this comment, the author argues that theatrical stage directions should be recognized as copyrightable material under the U.S. Copyright Act, primarily by categorizing them as "choreographic works". Sakin highlights that while the 1976 Copyright Act explicitly protects choreography and pantomimes, stage directions—which serve as the "blueprints" for a production's blocking, technical cues, and artistic mood—currently exist in a legal gray area. Through an analysis of historical context and industry disputes, such as the Urinetown and The Most Happy Fella settlements, the author illustrates a growing industry recognition of a director’s staging as a protectable, original contribution, despite the lack …

Guide To The Jean Stor Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Jean Stor was the pseudonym of William Astor Morgan (1890-1961). He was a composer, conductor, multi-instrumentalist, playwright, publisher, and teacher who lived and worked primarily in New York City. The collection consists of the handwritten and reproduced manuscripts of most of Stor’s major compositions, as well as a limited number of personal papers, published scores, writings, correspondence, photographs, and recordings.

The Role Of Otto In Indecent By Paula Vogel, Ben Turchiarelli

Student Theses

Between December 5th and 9th, 2025, Brooklyn College’s Department of Theater presented Indecent by Paula Vogel, directed by MFA directing candidate Sam Plattus. It was my privilege to play the role of Otto, a member of a troupe of dead actors, tasked with presenting a nearly coextensive play-within-a-play describing the controversial Broadway production of The God of Vengeance, by Sholem Asch. Otto presents several older male characters, including real-life figures; among them author I.L. Peretz, and actor Rudolph Schildkraut. Some of these scenes are depicted in the story as a play-within-a-play-within-a-play, and there are numerous musical interludes throughout wherein Otto …

University Theatre Guild Guide, Maria Perez

Honors Theses

The WMU Theatre Guild Assistant position is one of the primary assistantships in the Arts Administration department. The Theatre Guild Assistant works alongside Emily Duguay, the Director of Arts Administration, Joan Herrington, the Director of the School of Theatre and Dance, and the WMU Theatre Guild Board to manage their daily operations and help develop donor events. The University Theatre Guild Guide explains the details and processes this position follows. This guide is broken down into four sections. The first section is the Introduction. The Introduction includes congratulations from the past Theatre Guild Assistant and a short breakdown of the …

Musical Affinities Between Ann Southam's Glass Houses And Canadian Fiddle Tunes With Performance Considerations For Glass Houses No. 5, Evangelia Nikolaidou

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Ann Southam stands as one of Canada’s foremost minimalist composers. Her fifteen-piece piano set Glass Houses, composed in 1981 and revised in 2009, reflects the joyful, dance-like energy of Canadian fiddle music that inspired it. While Glass Houses has frequently been discussed within the context of minimalist composition, less attention has been given to the ways in which the work resonates with Canadian fiddle traditions. This document draws on existing scholarship on Métis, French-Canadian, Newfoundland, Anglo-Canadian, and Scottish fiddle traditions to trace and clarify structural, rhythmic, and textural affinities between Canadian fiddle tunes and Glass Houses. Focusing on …

Reimagining Musical Improvisation Through Poetic Inspiration: A Creative Practice Investigation, Sean Foran

Imaginings: creative practice and inquiry

This article explores creative practice as research through an innovative approach to musical improvisation and recording that challenges traditional boundaries between music and literature. Working with experienced improvising musicians, this study investigates how poetic texts serve as inspiration and catalysts for new creative processes and musical outcomes. Using a practice-based research framework, the project positions poetry as both creative stimulus and constraint, resulting in a suite of short recorded works. The collaboration with a poet prompts a reconsideration of process, recording, and audience experience, with the final release presenting instrumental music alongside printed poetry, but without spoken narration. The findings …

Echoes Of Memories Erased: A Reflection On Underscoring Between The Fractures, Nat Texler

Imaginings: creative practice and inquiry

This paper covers a reflective account of creating the underscore for the 2025 production of Between the Fractures, performed at the Butterfly Club in Melbourne, Australia. While the process of creating a mise-en-scéne  for a two hander within a small theatre space involves multilayered praxis of aesthetic inferences (Pavis, 2003) this paper aims to provide an insider’s account into some of the creative processes that resulted in the original underscore. Drawing on an eclectic fusion of practice as research methodology, specifically Linda Candy’s reflection practice variants (Candy, 2021), the research provides insight into the decisions, references (musical and otherwise), …

Dying For A Clause: Arguing The Need For Creative Sources In Academic Papers, Philip Van Hout

Imaginings: creative practice and inquiry

The use of peer-reviewed texts is standard practice in academic papers. However, should a magazine written by and for practitioners be included in such articles? I argue that several factors can influence the creation of an academic paper, and that sources from various origins should be considered. Four points are explored that can affect the choice of references and from these, I posit that while robust analysis and depth are essential, there is no necessity to exclude non-peer-reviewed papers. This paper also raises the concern that the criteria for inclusion in the peer-review system may be a matter of control. …

History Of Florence State Teachers College, Susan Kirkman Vaughn

Documents

The story of the History of State Teachers College in Florence, Alabama.

Critical Edition Of El Libertador: A Symphonic Poem By Costa Rican Composer Julio Mata (1899–1969), Manuel Monge Mata

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

This project offers a critical edition of El Libertador, a symphonic poem composed by Costa Rican artist Julio Mata Oreamuno (1899–1969). The piece holds special importance in Costa Rican orchestral music and represents the symphonic poem genre in Latin American compositions. Although Mata is acknowledged as a key figure in the growth of Costa Rican musical institutions and composition during the twentieth century, much of his orchestral work remains rarely performed and not easily accessible to today’s performers.

The edition is based on manuscript sources kept in the Archivo Histórico Musical of the University of Costa Rica, consisting of …

Review: Misrecognitions: Plotting Capital In The Victorian Novel By Ben Parker, Suvij Sudershan

CLCWeb: Comparative Literature and Culture

No abstract provided.

Review: The Poetics Of Science: Marx’S Literary Style By Ludovico Silva, Thomas A. Laughlin

CLCWeb: Comparative Literature and Culture

No abstract provided.

Review: The Persistence Of Realism In Modernist Fiction By Paul Stasi, Chris Gortmaker

CLCWeb: Comparative Literature and Culture

No abstract provided.

Cultural Negotiations In Revisionist Mythmaking: Comparative Reading Of Bahram Beyzaei And Mary Zimmerman, Sepehr Karimi Mr., Bahee Hadaegh

CLCWeb: Comparative Literature and Culture

 Although more than fifty years have passed since feminist scholars pioneered revisionist mythmaking, drama remains underexplored in this field despite its unique potential for cultural and social reinterpretation. This study offers a comparative analysis of revisionist mythmaking in Iranian and American drama, specifically examining Bahram Beyzaei’s play, One Thousand and First Night alongside Mary Zimmerman’s Metamorphoses as examples. This research aims to establish general principles for revisionist mythmaking within drama, spotlighting the complexities that emerge in transnational contexts. It explores how Beyzaei and Zimmerman negotiate cultural narratives and try to reshape traditional stories and reflect contemporary issues, emphasizing gender dynamics …

Between Revolutions: The Leftist Reception Of American Literature In Iran (1905-1979), Behnam Mirzababazadeh Fomeshi

CLCWeb: Comparative Literature and Culture

This paper examines the reception of American literature in Iran during the period between the Persian Constitutional Revolution (1905–1911) and the Iranian Revolution of 1979. Divided into four distinct phases (1905–1922, 1922–1941, 1941–1953, and 1953–1979), this study explores how political and ideological dynamics shaped the interpretation and translation of American literary works. Central to this reception was its inherently political nature, driven by the dominance of leftist ideologies within Iran’s intellectual landscape. The influence of the Tūdih Party and other leftist movements profoundly impacted the ways American literature, particularly the works of Walt Whitman, was translated, interpreted, and disseminated. By …

Christian Motifs In Forough Farrokhzad’S Works: A Comparison With T.S. Eliot’S Poetry, Mona Monsefi

CLCWeb: Comparative Literature and Culture

Forough Farrokhzad’s (1934–1967) film The House is Black (1962) is a visual poem set in a leprosarium in Iran. Farrokhzad was a prominent modernist poet who merged poetry with contemporary art forms, primarily cinema. In this film, she employed a camera to express her poetic vision, highlighting her signature style that prioritizes unique imagery. This emphasis on visual and literary images is often intertwined with themes such as religion. Notably, Farrokhzad recomposed verses from the Old Testament, infusing them with her poetic language to enrich the film’s narrative. This article explores her unique, Western-influenced interpretation of Christian motifs in …

Vision And “Sur-Vision”: Intermediality And Alterity In The Frames Of Abbas Kiarostami, Marjan Mohammadi

CLCWeb: Comparative Literature and Culture

Abbas Kiarostami’s cinema, often compared to Italian neorealism, oscillates between documentation and fiction. Kiarostami’s worlds, replete with a complex network of incomplete and self-reflexive frames, create a new site for perception, reflection, and intervention. This paper studies the intermedial aspect of Kiarostami’s cinema in “The Koker Trilogy” (1987; 1992; 1994), Close-Up (1990), and “Taste of Cherry” (1997). It explores how these moving images are shaped by the specific context of Iranian cinema and how they turn to reshape it. First, it examines Kiarostami’s framing techniques, which expand Iranian cinema and its engagement with Western visual conventions. …

Memory And Identity: A Comparative Analysis Of “Iranian Cultural Identity” In Asghar Farhadi’S Adaptation Of Arthur Miller’S Death Of A Salesman, Raed Faridzadeh

CLCWeb: Comparative Literature and Culture

Recent cultural studies examine the intersection of cultural identity and memory, often viewing culture as a symbolic sign system or "culture as text." Jan Assmann defines "cultural memory" as essential to shaping societal identity. Literature and film contribute to this process by transmitting and evolving cultural meanings, not only reflecting but also constructing knowledge and reality. Iranian cinema has become a powerful medium of cultural expression, particularly post-revolution. Filmmakers like Abbas Kiarostami, Sohrab Shahid Sales, Dariush Mehrjui, and Asghar Farhadi explore the dynamic relationship between literature and film in shaping cultural memory. This article analyzes Asghar Farhadi’s adaptation of Death …

Willy Loman’S Desperate Affair Challenges The Iranian Censorship: Asghar Farhadi’S The Salesman, Adineh Khojastehpour

CLCWeb: Comparative Literature and Culture

This study examines resistance in cross-cultural adaptations, focusing on Asghar Farhadi's The Salesman (2016), an adaptation of Arthur Miller's Death of a Salesman (1949). This research investigates how Farhadi's rewriting of Miller's play within post-revolutionary Iran engages in a dialogue with the Islamic Republic and its dominant discourses. It explores how this adaptation addresses Iran's social, cultural, and ideological complexities by reframing Miller's narrative of 1950s societal change and the failure of the American Dream within the context of post-revolutionary Iran. This analysis uses Bakhtin's concept of the chronotope to reveal how The Salesman uses Miller's unique concept of a …