Digital Commons Network^™

A Moroccan Gazeat The Rest Of The World, Mohammed Dekhissi

SOROUD: The journal of Literacy Criticism

The accounts of Moroccan embassies, particularly those of the 17th and 18th centuries, reveal a complex and inextricable discourse. They remain imbued with religious, intellectual and social references and clearly express an experience of univocal otherness, but do not hide the traveler’s amazement - or his fear – about the achievement of the other, at the scientific and technological levels. We will try to explore succinctly what Ibn’Utmân’s description of some Spanish cultural institutions was like. It should be remembered, however, that this is a protocol visit. We will limit ourselves to two examples, that of the theatre and that …

Can An Ai System Be Creative? A Critical Perspective From Art And Engineering, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

This paper examines the question of whether artificial intelligence (AI) systems can be creative, approached from the dual perspective of a researcher trained in electrical engineering, pattern recognition, machine learning, and neural networks, who has also spent most of his life engaged in the arts as actor, stage and film director, writer, composer, and visual artist, and in philosophy. Drawing on Margaret Boden’s foundational framework — both her three properties of creativity (novelty, surprise, and value) and her three types of creative processes (combinatorial, exploratory, and transformational) — the paper argues that AI systems are structurally incapable of creativity in …

Together//Apart Explorations In Choreorobotic Performance Ontologies, Kate Sicchio, Patrick J. Martin

Computer Science Faculty Publications

This chapter presents a practice-as-research approach to developing an improvisational choreorobotic performance. Our performance process motivated the creation of new human–robot interaction and live choreography technologies. These technologies were tested during the performance and evaluated by the audience through feedback on their perceptions about the coexistence of humans and machines in a shared space. Examining these results through both autonomous robotics and performance studies ontologies, we formulated a new analytical process in which choreographic practice informs design and robots inform performance.

(Un)Easily Writing The Future, Stuart Moulthrop, Judith Pintar, John G. Mcdaid

ELO (un)supervised 2026

General Abstract: This panel brings together three experienced digital writers who have recently begun to explore Language Models and transformers in creative and academic practice.  Each of us will comment on recent experience and projects, reflecting on how these technologies alter the way we think of ourselves as writers and teachers.

[1] Judith Pintar, "The Non-applicability of Wishing due to Lack of Capacity".

Pintar will discuss her experience of facilitating Gemini AI in a Rogerian therapy session with an Eliza bot written in the Inform programming language. The session is occasionally interrupted with a meta-conversation with Gemini regarding its responses. …

Singulars: Performing The Reverse Turing Test, Halim Madi

ELO (un)supervised 2026

Singulars is an ongoing series of performance systems in which I co-create poetry with a language model trained on an anthology of English poetry alongside my own writing. Across three works—carnation.exe, versus.exe, and reinforcement.exe—I stage live reinforcement loops in which my poems and the model’s responses compete for audience votes. The audience functions as an embodied feedback mechanism, shaping the evolution of both the machine and the human poet in real time.

This paper examines what happens when a poet becomes both author and training data. Drawing from creativity research, metacognition, and social cognition, I reflect …

A Graduate Recital In Voice, Morgan Horning-Griffin

Dissertations and Theses @ UNI

Artists have long been captivated by the myth of Ariadne. Her story is depicted in a multitude of musical settings, and in a range of genres dating back to the early seventeenth century. In addition, there are many dramatic works and visual art this legendary female has inspired. This leads one to question: what is it that creators and audiences alike continue to find so compelling about Ariadne? To understand this question, it is necessary to revisit the Ariadne myth. The story begins with the grotesque Minotaur, a monster trapped within a labyrinthine prison and appeased by offerings of Athenian …

Review Of "The Mud And The Mirth: Marine Cartoonists In World War I" By Cord Scott, "They Were Chosin: U.S. Marine Cartoonists In The Korean War" By Cord Scott And "The First Black Marines: An Oral History, A Graphic History" By Trevor R. Getz, Robert Willis, Joseph H. Geeter Iii And Liz Clarke, Matthew Barrett

Canadian Military History

Review of The Mud and the Mirth: Marine Cartoonists in World War I by Cord Scott, They Were Chosin: U.S. Marine Cartoonists in the Korean War by Cord Scott and The First Black Marines: An Oral History, A Graphic History by Trevor R. Getz, Robert Willis, Joseph H. Geeter III and Liz Clarke

The Bonga Collection And The Carleton And York Regiment Veterans Of The Liberation Of The Netherlands, Mackenzie Smith

Canadian Military History

The Dr. Agatha Bonga Memorial Collection contains over one thousand questionnaires completed by Canadian Second World War veterans surrounding the liberation of the Netherlands and is currently held in The Gregg Centre for the Study of War and Society at the University of New Brunswick. Focusing on the narratives of three veteran respondents, James Agnew, Donald Smith and R.O. Steeves, this article shows how veterans’ answers to the questionnaires creates a historical record of the attitudes, emotions and experiences of those who served in the Netherlands and survived the Second World War. When these narratives are examined with the eighteen …

Buccaneers In Battledress: Building The Canadian War Museum’S Second World War Collection, May-November 1945, Drew Lowerison Carter, Jeff Noakes, Tim Cook

Canadian Military History

Artifacts in the Canadian War Museum’s collections trace their origins to a wide range of people, organisations, locations and events. This article is a preliminary exploration of the part played by the 1st Canadian War Museum Collection Team, led by Farley Mowat, in locating, gathering, documenting and arranging for the transportation of a vast collection of Second World War weapons and materials from Northwest Europe to Canada in 1945. In addition to helping to shed more light on the complexities of the collection’s acquisition, it also provides insights into the challenges that the museum and other institutions faced, and which …

“The Best Co I’Ve Ever Served Under”: Lieutenant-Colonel Bert Kennedy And Removal From Battalion Command In The Second World War, Matthew Barrett, Norma Graham

Canadian Military History

Lieutenant-Colonel Albert A. Kennedy’s war service could be lifted from the pages of a suspense novel, an action-adventure story and a courtroom drama. He bravely served as commanding officer of the Hastings and Prince Edward Regiment in Italy, where he led from the front, earned the Distinguished Service Order and for a time was even held as a prisoner of war. His command of the Queen’s Own Cameron Highlanders of Canada in North West Europe, by contrast, ended in a confidential report and charges of alleged conduct prejudicial to good order and discipline. We examine Kennedy’s Second World War experiences …

"The Canadian Army In Afghanistan" And The Decline Of Official Military History In Canada, Peter Kasurak

Canadian Military History

This article examines Sean Maloney’s The Canadian Army in Afghanistan in the context of the Canadian Armed Forces’ longstanding official history program. The development of official military history in Canada is briefly described with emphasis on its high levels of access and independence, its links to military operations and its ability to capture and preserve participant accounts and official records. The Canadian Army in Afghanistan was commissioned by the Canadian Army outside the official history program. It suffered publication delays due to a lack of independence, was limited in scope due to its unofficial nature and the fate of its …

Defending Canada’S Arctic, Greg Taylor

Canadian Military History

Editor's note: Forty years ago, Canadian Armed Forces (CAF) personnel planned and executed Exercise LIGHTNING STRIKE 86, which explored the possibility of a Soviet threat in the Canadian Arctic. In the dying days of the Cold War, the exercise seemed irrelevant. No longer. Lieutenant Colonel Taylor’s account draws upon his long experience and memories of the operation. It reminds us of the immense operational challenges the CAF face in Canada’s North; the important role of the Canadian Rangers; and the need for a “historical memory” of operations that were once thought unimportant. It is also a reminder of how quickly …

Notes De Méthodologie Pour Une Théologie Depuis La Méditerranée

Horizons et Conjonctures

Le Manifeste pour une théologie depuis la Méditerranée offrait l’opportunité d’exprimer publiquement l’appel pressant que nous, théologiens, ressentions : celui de développer, à partir de ce « lieu », une théologie contextuelle. Ce texte a ouvert des perspectives inattendues pour le partage d’intuitions, de convictions et de choix face aux défis futurs. Il nous semble important que le Manifeste soit désormais accompagné d’un texte méthodologique qui illustre le caractère d’une pratique théologique méditerranéenne.
[...]

Proceedings: Nownet Arts Conference 2019, Sarah Rose Weaver, Chris Chafe, Scott Oshiro, Margaret Schedel

Journal of Network Music and Arts

Proceedings of the 2nd Annual NowNet Arts Conference 2019 “Social Purpose in Contemporary Network Arts.” The conference was held November 7–10, 2019. The primary in-person site was the Institute for Advanced Computational Science (IACS), Stony Brook University. Satellite in-person sites included Center for Computer Research in Music and Acoustics at Stanford University, Edinburgh Napier University, Orpheus Institute in Belgium, and Electronic Studios at the Technical University, Berlin. More locations participated remotely via the internet.

Proceedings: Nownet Arts Conference 2018, Sarah Rose Weaver, Chris Chafe, Margaret Schedel, Min Xiao-Fen

Journal of Network Music and Arts

Proceedings of the NowNet Arts Conference 2018, “Network Music: Artistic and Technological Strategies for Public and Private Networks.” This was the first of the NowNet Arts Conferences, which have been held annually from 2018 to the present. The conference took place from April 19–22, 2018, at the Institute for Advanced Computational Science (IACS), Stony Brook University, and at multiple remote locations connected via the internet.

“Anything Can Have Life”: An Interview With Everett Quinton About Charles Ludlam’S Ridiculous Puppetry, Jungmin Song, John Bell, Everett Quinton

Ballard Institute Publications

This Ballard Institute and Museum of Puppetry conversation, via Zoom, with

Everett Quinton, Dr. John Bell, and Dr. Jungmin Song was recorded March 21,

2021, and edited by Tom Tuke and John Bell. Everett Quinton (1952-2023) was an

actor, director, and—after the death of his partner Charles Ludlam (1943-1987)—

the leader of the Ridiculous Theatrical Company, the landmark ensemble which

helped define queer theater in the late 20th century. While mostly known for his

acting, playwriting, and directing, Charles Ludlam was also an active puppeteer

and ventriloquist. Many of his puppets are now part of the Ballard Institute and

Museum …

"Then Daddy Began A Story": Storytelling In Tolkien’S Home And Our Own, Josh Renaud

Journal of Tolkien Research

"Then Daddy began a story, and this is what he said." That's how J.R.R. Tolkien began the first manuscript version of "Farmer Giles of Ham," one of a few moments of fatherly storytelling to be found in his fiction. Tolkien is remembered today as a great author and artist, but in his home he was a loving parent who regaled his children with tales — a "story-telling presence," as his daughter Priscilla Tolkien put. In this presentation, I reflect on Tolkien as a "daddy" and oral storyteller, drawing on examples from Tolkien's life and writing. I also consider what storytelling …

Perkembangan Visual Motif Waru Pada Batik Tulis Namiroh Sidoarjo, Muhammad Habib Rafi Asyhari, Sumarwahyudi Sumarwahyudi

Journal of Language, Literature, and Arts

This study aims to examine the visual development of the Waru motif in Batik Tulis Namiroh Sidoarjo over time, identify the factors influencing these changes, and analyze the visual elements of batik that indicate such development. The visual development of the motif was analyzed chronologically based on different time periods by examining changes in form, color, and composition from the perspective of visual aesthetics. This research employed a descriptive qualitative method with an art and cultural approach. Data were collected through interviews, observations, and documentation and analyzed using the stages of data reduction, data presentation, and conclusion drawing. The findings …

“His Huge Opponent Became Helpless”: Jiu-Jitsu In The American Press, 1900-1906, Jeff Shaw, Betsy O’Donovan

Journal of 20th Century Media History

Jiu-jitsu came to America at the turn of the 20th century, just as the Russo-Japanese war was focusing  world interest on Japanese culture and martial training. An analysis of more than 2,400 articles and  illustrations about the art from American newspapers during jiu-jitsu’s first years in the United States demonstrates the ways media framed jiu-jitsu in militaristic, political, racial, and gendered terms for an enthusiastic and curious public.

Colonial Futures: Ngaio Marsh, War, And The End Of Empire, Heather M. Robinson

Publications and Research

Between the years of 1941 and 1945, Ngaio Marsh published three New Zealand-focused whodunnits; all three of these stories explore the impacts of the Second World War to some degree. What is curious is not that Marsh wrote about the war, but her sustained focus on New Zealand and New Zealanders, given that Marsh’s fiction usually took place in London or its surrounding counties. It marks the impact on Marsh of the global conflict that was changing the world, and shaking the foundations of colonialism and modernity as they had been known before 1939. In this essay, I explore how …

“Retalhos De Mim Costurados Por Nós” (A Patchwork Of Me, Stitched Together By Us), Marjorye Graves

MFA in Dance Theses

This document represents the culmination of my thesis project "Retalhos de Mim Costurados por Nós" (A Patchwork of Me, Stitched Together by Us), a choreographic project integrating scholarly perspectives from Dance and Social Justice, Phenomenology, and Somatics courses. Employing both dance film and solo live performance, the research interrogates the complexities of identity within the overlapping contexts of immigration, domestic violence, and motherhood. Through an embodied praxis, the project addresses the intersection of adversity and resilience, highlighting the transformative potential of community, cultural inheritance, and spirituality in my healing process.

Spirals Of Light: A Healing Journey Through Somatics, Dance, And Pedagogy, Jessica Batha

MFA in Dance Theses

This thesis investigates dance as an embodied practice of healing, attunement, and belonging through phenomenology, somatics, and environmental engagement. Grounded in Sondra Fraleigh’s eco-phenomenological framework, the research weaves personal narrative, artistic inquiry, and interdisciplinary scholarship to examine how thresholds of birth, injury, and recovery shape sensory orientation across the lifespan. Drawing from lived experiences as a dancer, mother, educator, and researcher, the study explores tone, breath, light, and movement as formative forces in identity and resilience. Central to the inquiry is a knee injury and subsequent surgical recovery, which catalyzed a somatic practice aligned with circadian rhythms, sunrise ritual, and …

Machine (Un/Re) Learning, Jordan Shadley

MFA in Dance Theses

This thesis document is an exploration of the interaction between live performance art and digital content creation such as Generative A.I. In this work, I draw from several courses I completed during my time in Saint Mary’s College of California MFA in Dance and Creative Practice program, including Dance and Social Justice, Phenomenology, Somatic Movement Seminar and Dance and Performance Studies. Each offers a throughline of my scholarly explorations and embodied research into the spheres of adapting and challenging how concert dance spaces respond to digital information and creation. I utilized live movement collaboration and distorted videography through Generative A.I. …

D-Entangled, Macy Yu

MFA in Dance Theses

This thesis investigates the choreographic, somatic, and cultural significance hair holds in dance through identity and belonging. Hair is more than merely a visual or aesthetic marker, it is a lived, identity-bearing, and sensory archive of the body. To say that hair is merely just for aesthetics in lifestyles and in dance is not acknowledging its full impact. Hair functions as both a cultural and sensory archive as well as embodied resistance and a site of identity. I identify as a multi-ethnic woman, dancer, educator, and choreographer. This paper analyzes hair through the examination of four different methodologies including a …

Kinesthesis: A Choreographic Study Of The Somatic Effect Of Fascial Intervention, Mira Larsen

MFA in Dance Theses

This master’s thesis was a choreographic study that experimented with the somatic effects of fascial intervention practices, culminating in a final performance in June of 2026 at the LeFevre Theatre at Saint Mary’s College of California. Each chapter of this document investigates the topic of fascial awareness supported through somatic practice and its effect on creating impactful emotional and physical connections in ballet choreography and pedagogy. This document offers the conceptual framework for the choreographic process of the thesis project, titled Kinesthesis. Through the lenses of phenomenology, somatics, social justice, and performance studies, the research goal involved the utilization of …

Colonization To Commodification To Codification: The Salimpour Method, Suhaila Salimpour

MFA in Dance Theses

This thesis examines how colonization and commodification have shaped the codification of belly dance though the Salimpour Method. Codification here refers to the process of naming, categorizing, and organizing of movement into a teachable system. While codification inevitably transforms tradition, it also serves as a method of preservation. As the inheritor of the Salimpour lineage, I trace how my mother, Jamila Salimpour, first codified belly dance and how I built on her work to create a comprehensive pedagogical system that situates belly dance within artistic and academic contexts. This study argues that the Salimpour Method is a strategy of preserving, …

“A Beautiful Mess: Rebirthing Through Earth, Dance, And The Divine”, Mikayla Douglas

MFA in Dance Theses

A Beautiful Mess: Rebirthing Through Earth, Dance, and the Divine by Mikayla Douglas is a culmination of research, creative practice, and lived experience that was developed during her time at Saint Mary’s College of California in the MFA Dance Program. This thesis investigates the shared dialogue between eco-somatics, eco-phenomenology, motherhood, nature, and the BIPOC birthing body. Through the use of outdoor somatic practices, personal reflection and stories, Mikayla Douglas explores how nature can serve as a site of healing, embodiment, and reclamation for Black and Brown birthing bodies. The research of this thesis work is grounded heavily in both scholarly …

Under Open Skies: Black, Queer, And Ascending, Skyler Zakaar

MFA in Dance Theses

This thesis explores personal healing and community building through dance, rooted in my lived experience as a Black Queer man in America. Stemming from research in Phenomenology, Critical Dance Pedagogy, and Dance & Social Justice, I interrogate the impact of white supremacy and systemic racism both within and beyond the queer community. My choreographic process centers intersectionality and collective agency, seeking to resist the fragmentation of identity and to affirm the wholeness of self. Through performance and comprehensive study, my intentions are to foster empathy, connection, and belonging, while advocating for equity and transformation within dance and broader cultural discourse. …

Embodying The Art: Reflections On Process And Performance Through The Mfa Acting Program At The University Of South Carolina, Olan James Domer

Theses and Dissertations

This thesis contains a collection of reflections on each role performed as a student enrolled in the Master of Fine Arts in Acting program at The University of South Carolina. The shows, The Visit, A Raisin in the Sun, Antigone, Twelfth Night, and The Importance of Being Earnest included a combination of undergraduate and graduate actors. Each chapter outlines the processes of an actor in preparation, practice, and performance of a theatrical role. In-depth discussions of audition material choice, faculty feedback, vocal and physical technique, challenges, successes, and points of personal growth are included for each performance. These reflections reveal …

Fugue State: The Body Politic Of Identity Theatre, Sean Patrick Ryan

Graduate Theses and Dissertations

This paper will cover my approach as an actor and a creator in two separate productions during my time at the University of Arkansas. The first is a solo theatre piece that I devised under the tutelage of Michael Landman. This work, Half Brother, is a piece of theatre that takes an abstract approach to exploring the familial and psychological ripples that can occur in the life of a queer person when a parental unit takes on a political and religious identity that is oppositional to the LGBTQ community. It exposes the effect this transformation has on the child, their …