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Reclaiming Narrative Authority: Gendered Violence And Feminist Reauthorship In Sharon Pollock's Saucy Jack, Jennifer Jones Cavenaugh Jun 2026

Reclaiming Narrative Authority: Gendered Violence And Feminist Reauthorship In Sharon Pollock's Saucy Jack, Jennifer Jones Cavenaugh

Theatre and Dance Faculty Publications

This article examines Sharon Pollock’s Saucy Jack (1994) as a feminist intervention into the narrative structures that have sustained the cultural authority of Jack the Ripper mythology. Drawing on feminist historiography, particularly Judith Walkowitz’s analysis of male violence as narrative structure and Hallie Rubenhold’s reclamation of the murdered women’s lived histories, the essay argues that Ripper narratives depend on three interlocking conventions: killer-centered focalization, the erasure of women’s lives, and the aestheticization of death as spectacle. Through close performance analysis, the article shows how Pollock dismantles these conventions by centering Kate, a music hall actress whose reenactments transform performance into …

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Representasi Pendidikan Karakter Dalam Film Berbahasa Jerman Ich Bin Dein Mensch, Jovita Syahyananda, Desti Nur Aini Jun 2026

Representasi Pendidikan Karakter Dalam Film Berbahasa Jerman Ich Bin Dein Mensch, Jovita Syahyananda, Desti Nur Aini

Journal of Language, Literature, and Arts

This study aims to describe the representation of character education dimensions, namely knowing the good, loving the good, and doing the good, in the German-language film Ich bin dein Mensch, as well as its implications for German language learning. This research employed a qualitative method using interpretative content analysis of dialogues and scenes in the film that represent the relationship between humans and artificial intelligence. The findings show that the dimension of knowing the good is reflected in the characters’ moral awareness in understanding the boundaries of human relationships with technology. The dimension of loving the good appears through emotional …

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Singing As Liberation: Spiritual Imagination And An Embodied Practice Of Hope Through Spirituals And Songs Of The Uhadi, Matisse Geselle Jun 2026

Singing As Liberation: Spiritual Imagination And An Embodied Practice Of Hope Through Spirituals And Songs Of The Uhadi, Matisse Geselle

University Honors Theses

An exploration of the spirituality and the sacredness of music—and especially singing—through recording my own interpretations of spirituals and songs of the uHadi. It is also a poetic inquiry into how imagery of the river is used in spirituals as a pathway to freedom and liberation, and how the singing of spirituals is hope embodied. And it is a reflection of how my experience of the uHadi and my friends of the Ibuyambo ensemble changed me. The process of working on this project also feels like I am connecting to myself—and others—more deeply through singing. And ultimately, I hope for …

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The Narrative Legacy Of Shajar Al-Durr In Arabic Literature, Mary Evelyn Quinlan Jun 2026

The Narrative Legacy Of Shajar Al-Durr In Arabic Literature, Mary Evelyn Quinlan

Theses and Dissertations

The story of the life of Shajar al-Durr (d. 1257) has been retold many times in Arabic literature in a variety of genres and mediums. In the pre-modern era, Shajar al-Durr’s biography appeared in the works of Ibn Wāṣil, Abū al-Fidāʾ, Al-Maqrīzī, and Ibn Taghrībirdī as well as the popular epic Sīrat Baybars. Many others have written about her since the 19th century, including Qadriyya Ḥusayn and Jurjī Zaydān. Writers of her biography used varying degrees of narrativization to create a story that served their needs, whether that was chronicling the history of 13th century Egypt or promoting contemporary ideological …

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Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges Jun 2026

Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges

Artizein: Arts and Teaching Journal

This article extends She-Hero through an inquiry into drawing as a creation-centred practice of continuance. Five drawings are engaged as aesthetic encounters through which relational and perceptual shifts become perceptible, allowing inner authority to emerge as a cultivated capacity to remain responsive to what is unfolding. Drawing is approached as a site of metramorphic reconfiguration where imagination, memory, and embodied sensing participate in the decolonizing of perceptual habits and the restoration of relational ways of knowing.

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Showing It! Art Matters. But Why? How?, Holly Edwards Jun 2026

Showing It! Art Matters. But Why? How?, Holly Edwards

Artizein: Arts and Teaching Journal

This article addresses the agency of art with reference to an exhibition entitled “The Nature of Spirit”.  That show appeared in the local public library, resonating strongly with notions of “heartwork”.  My first Artizein publication was written in response to 9/11, and this one maintains comparable urgency, seeking solace in art precisely when the world seems to be sliding into lunacy. The prose explores the powers of art in traumatizing times with words, while the images offer the reader insight and support energetically.

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Text/Ures, Kathy Mantas Jun 2026

Text/Ures, Kathy Mantas

Artizein: Arts and Teaching Journal

By entwining the voices of other co-creators, text and images, I share a brief site-specific photo-reverie of my life-long allure to trees—in this instance, by attending to the trees near my home. This offering is rooted in peripatetic aesthetic practices that embrace a slower creative approach and more spellbinding ways of living, learning and knowing. In essence, this is an invitation to have an artful encounter with text/ures of trees.

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Attending The Way Of The Crane: Centring Our Lives Through Creative-Centred Work, Alexandra Fidyk Jun 2026

Attending The Way Of The Crane: Centring Our Lives Through Creative-Centred Work, Alexandra Fidyk

Artizein: Arts and Teaching Journal

A dreamscape using pastiche is used for reflecting upon the value of creative-centred practice and research. Attending to the image through reflection and circumambulation offers entry to a centring practice. In holding both, a new image emerged. The dreamscape—an unexpected scene of cranes in joyous dance—unfolds as actual dream and offers a metaphor for understanding an arc within the dreamer’s life. In this condensed yet nuanced rumination, personal and professional, poetic and haptic, participating and witnessing blur. This practice, the way of the Crane, is timely because it introduces relational pedagogy and testimonial teaching for our times—while touching the pulse …

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Mapping The Legacy Of Cinnabar Mining In California's Santa Ynez River, Lorrie Blair Jun 2026

Mapping The Legacy Of Cinnabar Mining In California's Santa Ynez River, Lorrie Blair

Artizein: Arts and Teaching Journal

This essay is a reflection of an artist residency focused on the environmental legacy of California’s cinnabar mining. The mineral cinnabar is a primary source of mercury that was used to mine gold in California in the 1800s, and is still used globally. For this residency, I asked, “How can I creatively map the emotional and sensory landscapes of Cinnabar mining sites?” “How can art making serve to expose elements of an ecological crisis?” To answer these questions, I created cyanotypes made in and with the Santa Ynez River, which flowed through two abandoned cinnabar mines. Cyanotypes are made by …

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Teaching The Eye To Slow Down: Attentive Noticing As Ecological Practice, Sara Ko Jun 2026

Teaching The Eye To Slow Down: Attentive Noticing As Ecological Practice, Sara Ko

Artizein: Arts and Teaching Journal

This visual essay unfolds through acts of careful noticing. Drawing from materials encountered through repeated walks across forested landscapes on Vancouver Island, it translates moss, soil, plant matter, and animal traces into immersive digital environments. Working through atmosphere, texture, and shifting forms rather than fixed representation, the project explores how perception is shaped by time spent with what is often overlooked. Digital processes are used not to stabilize or explain, but to hold uncertainty, fragility, and partial presence. The work invites readers to slow their looking and consider how learning, relation, and meaning can emerge through sustained attention.

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Red Thread Projects For Placentary Peace, Nané Jordan Jun 2026

Red Thread Projects For Placentary Peace, Nané Jordan

Artizein: Arts and Teaching Journal

Red Thread Projects are aesthetic expressions of my placental, eco-birthing philosophies as an artisteducator- scholar with lifelong roots reclaiming midwifery, and compassionate mother-centred birth care. Uplifting “birth” within embodied, feminist epistemologies, I aim to re-vision with the Mother, writ large and small. Since 1997, I have been creating textile artworks with red thread, activating these through performances in nature, where artwork, body, and place become interwoven texts, gifting gratitude to and with Mother Earth. My arts-centred research contributes to community education that empowers birth-givers, while advocating for the embodied, love-infused potentials of birth for human thriving.

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Moving Forward: The Pulse Of Arts-Centred Research [Editorial], Darlene St. Georges Jun 2026

Moving Forward: The Pulse Of Arts-Centred Research [Editorial], Darlene St. Georges

Artizein: Arts and Teaching Journal

Editorial

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Artizein Editorial Team: Movements And Transitions, Barbara Bickel Jun 2026

Artizein Editorial Team: Movements And Transitions, Barbara Bickel

Artizein: Arts and Teaching Journal

Editorial overview of movements and transitions taking place with the Artizein editorial team.

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About The Cover Art: Pulsing Renewal, Darlene St. Georges Jun 2026

About The Cover Art: Pulsing Renewal, Darlene St. Georges

Artizein: Arts and Teaching Journal

“Pulsing Renewal,” featured on the cover of this issue, is part of River’s Invocations, a creation-centred inquiry exploring River's ecologies, relationality, and creation. The painting was chosen for its close affinity with the issue theme, The Pulse of Arts-Centred Research. The visual language of Pulsing Renewal—its movement, rhythm, and emergence—echoes the vitality, responsiveness, and ongoing renewal evident across the articles, artworks, and conversations assembled in this volume. The work is presented here as a thematic point of entry into the diverse inquiries that follow.

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Full Issue_Artizein Arts And Teaching Journal, Darlene St. Georges, Barbara Bickel Jun 2026

Full Issue_Artizein Arts And Teaching Journal, Darlene St. Georges, Barbara Bickel

Artizein: Arts and Teaching Journal

Full Issue

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Stages Of Belonging: The Yiddish Art Theatre’S Search For Its Home In New York City, 1918-1934, Octavia Chudnow Jun 2026

Stages Of Belonging: The Yiddish Art Theatre’S Search For Its Home In New York City, 1918-1934, Octavia Chudnow

Lawrence University Honors Projects

In the first decades of the twentieth century, the main form of entertainment for the Jewish immigrant community was shund (trash) theater: popular and commercial theater. Although many immigrants enjoyed this kind of entertainment, playwrights, artists, and intellectuals critiqued its place in immigrants’ lives, especially since shund revealed the process of assimilation and was considered low-brow art. In 1918, Maurice Schwartz opened the Yiddish Art Theatre to create high-brow art for Jewish audiences. In my essay, I focus on the company’s history between 1918 and 1934, on the theater’s move from downtown to Midtown and back to the Lower East …

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Performance Arteries: From The Street To The Salon, Zoella Lin Jun 2026

Performance Arteries: From The Street To The Salon, Zoella Lin

Comparative Literature Undergraduate Senior Theses

This thesis concerns itself with navigating what it means to build community during a time of uncertainty. Specifically, it is an analysis of Charles Baudelaire’s poetry in Les Fleurs du mal and Spleen de Paris alongside his figure of the flâneur as a way to understand the aporia of the modern world (modernity) as a way to inform how instances of connection can occur. The first chapter suggests that a close reading of Baudelaire's poetry gives us insight into what it means to live in this present moment by looking at how Baudelaire’s poet-flâneur navigated the rapidly changing world of …

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Misinformation, Misattunement, And Autistic Theatre: Representation, Access, And Cultural Harm, Sarah J. Nuttall, Jessica Telling Jun 2026

Misinformation, Misattunement, And Autistic Theatre: Representation, Access, And Cultural Harm, Sarah J. Nuttall, Jessica Telling

Ought: The Journal of Autistic Culture

This article explores how autistic people experience theatre, showing that exclusion often comes not from individuals but from the way theatre spaces are designed and understood. Using audience feedback from Chameleon (Telling, 2025), an autistic-led production, we look at how common ideas about autism shape both what audiences expect to see on stage and how autistic people are treated in the theatre. Misinformation sets expectations about how autistic people should look, behave, and communicate, and these expectations influence how autistic presence is interpreted. We show how casting autistic performers, designing sensory‑aware environments, and inviting ongoing audience feedback can challenge these …

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Løp Gård: Revitalyzing History Through Food And Performance, Marija Griniuk, Barbro Laxaa, Magnus Sivertsen Sørvig Jun 2026

Løp Gård: Revitalyzing History Through Food And Performance, Marija Griniuk, Barbro Laxaa, Magnus Sivertsen Sørvig

DRS Biennial Conference Series

The current research explores the intersection of archives, history, food, and performance. Based on a case study from Løp Gård, a museum site within Nordlandsmuseet in Norway, the museum performance director (museumsregissør in Norwegian) Barbro Laxaa has developed a book that presents historical recipes created by former generations of Løp Gård’s owners. Laxaa explores methods of performing memory and the spirituality of place, positioning food as a catalyst that unites the lived experience of audiences with archival material and historical recipes rooted in the site. The method of this study is artistic research, which has led to the development of …

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Frictions And Constraints Of Institutioning: Facilitating Equitable Participatory Design With Migrants In Municipalities, Uttishta Sreerama Varanasi, Rūta Šerpytytė, Thomas Olsson Jun 2026

Frictions And Constraints Of Institutioning: Facilitating Equitable Participatory Design With Migrants In Municipalities, Uttishta Sreerama Varanasi, Rūta Šerpytytė, Thomas Olsson

DRS Biennial Conference Series

Applying participatory design in the public sector is both challenged and fuelled by the diversity and dynamism of changing populations, particularly with institutions looking to engage and integrate their migrant residents. We examine the capabilities of Participatory Design (PD) in a Finnish municipality, providing empirical evidence of the frictions and constraints of institutioning efforts towards equitable participation. Through the lens of institutioning, we analyse the political and social nature of institutional participatory approaches by the municipality. By engaging NGOs as civic intermediaries in between migrants and the public sector, we unpack the metacultural discourses, institutional strategies and policies that may …

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Bias Reconsidered: Ecologically Rational Heuristics In Design Cognition, Paul Parsons, Srishti Agrawal, Phuong Bui, Prakash Shukla, Ali Baigelenov Jun 2026

Bias Reconsidered: Ecologically Rational Heuristics In Design Cognition, Paul Parsons, Srishti Agrawal, Phuong Bui, Prakash Shukla, Ali Baigelenov

DRS Biennial Conference Series

Design cognition is often described through a heuristics-and-biases lens that foregrounds systematic errors such as anchoring, fixation, and premature narrowing. Yet in professional practice, the same patterns may function as adaptive strategies for coping with ambiguity, constraint, and ill-defined problems. This paper examines how bias-like tendencies appear in expert data visualization work using a multi-phase qualitative study with 11 professional designers. We analyze situated episodes through two contrastive interpretive lenses: a bias lens that highlights potential distortions, and an adaptive-expertise lens that treats the same tendencies as resource-rational strategies. We situate these interpretations within a broader design cognition perspective, drawing …

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Crafting Savage Futures: Translanguaging And The Material Politics Of Peripheral Making, Guilherme Meyer, Seher Mirza, Raees Calafato Jun 2026

Crafting Savage Futures: Translanguaging And The Material Politics Of Peripheral Making, Guilherme Meyer, Seher Mirza, Raees Calafato

DRS Biennial Conference Series

Dominant paradigms have confined imaginaries to narrow, hegemonic narratives, severing them from plural, relational, and non-domesticated possibilities. This paper challenges monolithic views of language and material craft by offering a transformative lens on cultural and linguistic dynamism within design research and practice. Drawing on “savage” futures (Lévi-Strauss, 1966) and “translanguaging” (Lee, 2015; García & Kleifgen, 2020), we highlight the situated creative practices of peripheral craft makers as mediums for multilingual storytelling, identity negotiation, and speculative futures. Translanguaging extends beyond language, involving embodied, material, and affective communication as non-hierarchical resources for collective worlding and shared meaning-making. Through participatory craft projects in …

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Material Articulation: Toward An Ornamental Thinking In Digital Tectonics, Ali Etemadi Esfarjani, Manuel Kretzer Jun 2026

Material Articulation: Toward An Ornamental Thinking In Digital Tectonics, Ali Etemadi Esfarjani, Manuel Kretzer

DRS Biennial Conference Series

This research explores ornament as a form of material intelligence in large-scale additive manufacturing. Through the evolution of two design case studies, this paper investigates how micro-scale design articulation evolves from surface tectonics to the traces of the machine’s toolpath and material behaviour. One reveals itself as an organic, agent-based, data-informed modulation. The other integrates a woven toolpath strategy that transforms 3D printing into a spatial composition. Considering ornament not only as an aesthetic element but as a manifestation of process creates a dialogue between matter, performance, and application. With the help of computational design and data, this intervention expands …

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Between Worlds: Play Materials As Mediators Of The Lived And The Ludic, Lakshmi Srinivasan, Khushboo Jogani Jun 2026

Between Worlds: Play Materials As Mediators Of The Lived And The Ludic, Lakshmi Srinivasan, Khushboo Jogani

DRS Biennial Conference Series

The ludic space exists both within and beyond reality as a parallel world. While play design has been explored through rules, experiences, and systems, the role of play materials as mediators between lived and ludic space remains under-discussed. This paper examines how play materials invite players into, operate within, and emerge from the ludic space, shaping gameplay and learning. Using a practice-based approach, the Between Worlds (BW) framework was developed and empirically grounded through classroom projects involving over 130 undergraduate students at BITS Design School. The framework identifies four qualities of play materials that enable transitions between lived and ludic …

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Disrupting And Reimagining Women’S Identities: A Feminist Design Methodology Inspired By The Self-Combing Women’S “Goddess Fictual” Practice, Lu Li, Catherine Caudwell, Rosie Scott Jun 2026

Disrupting And Reimagining Women’S Identities: A Feminist Design Methodology Inspired By The Self-Combing Women’S “Goddess Fictual” Practice, Lu Li, Catherine Caudwell, Rosie Scott

DRS Biennial Conference Series

This paper investigates the feminist identity transformation strategies of "self-combing" women in late nineteenth-century China, who resisted patriarchal marriage identity by enacting alternative female identities through "Goddess Fictual" practice (goddess fiction belief and ritual performance). Through fieldwork of the historical residences and spiritual spaces of self-combing women, this paper identifies the goddess shrine as their new female identity performative site. It was within this specific site that spiritual goddess belief and identity ritual performance converged to support these women’s identities. Inspired by this historical experience, we translate this feminist practice into a new design methodology. It demonstrates how this historical …

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‘Can I Cut The Big Box?’: Exploring Doubt And Material Hierarchies In Child-Centred Design, Cecilie Ann Alveniz Jun 2026

‘Can I Cut The Big Box?’: Exploring Doubt And Material Hierarchies In Child-Centred Design, Cecilie Ann Alveniz

DRS Biennial Conference Series

This paper offers a practical representation of evolving research within a PhD project, exploring play in a child-centred design process. During a workshop with children aged 6–8, the question "Can I cut the big box?" created a moment of tension that became a site of emerging knowledge. Drawing on abductive reasoning, the paper uses doubt as a generative method to explore uncertainty in fieldwork. Through writing and the notion of emplotment, the concept of Material hierarchies emerges - first grounded in material methods that position materials as active agents, then through the notion of playables - as a lens for …

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Staging Dramaturgies: Supporting Urban Curators In Navigating Sustainability Transitions, Cristina Ampatzidou, Martijn De Waal, Linda Vlassenrood Jun 2026

Staging Dramaturgies: Supporting Urban Curators In Navigating Sustainability Transitions, Cristina Ampatzidou, Martijn De Waal, Linda Vlassenrood

DRS Biennial Conference Series

Urban curators, citizen-professionals with creative backgrounds, who mobilise their skills to orchestrate positive local change, require tools that help building community, engaging institutions and establishing legitimacy within complex transition dynamics. This paper examines Huis van de Toekomst (HvdT), a community space in a Rotterdam district undergoing a shift from natural gas to district heating, where using a participatory design approach, we co-developed a digital community visualization prototype. Using dramaturgical analysis, the study shows how the setting and composition of participatory events, and how different actors are addressed, influence how community and institutional dynamics unfold. The prototype functioned as a boundary …

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Design Through Co-Elaboration: Friction, Dysfunction, And More-Than-Human, Corentin Loubet Jun 2026

Design Through Co-Elaboration: Friction, Dysfunction, And More-Than-Human, Corentin Loubet

DRS Biennial Conference Series

AI devices are structured by “seamless” and “emotional” design, which conceals many underlying mechanisms and algorithmic rules. By contrast, behavioral objects – through defamiliarization and misbehavior – prompt critical reflection on our relationship with technological artifacts and expose their inner workings. However, most behavioral objects, particularly in art contexts, are designed to ensure predictable outcomes and audience interactions, revealing an underlying desire to tightly control the discourse produced by the work. This paper contends that their critical significance can instead emerge from their material presence through a frictional, more-than-human approach in which dysfunction becomes a source of unpredictable expressivity and …

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Designing The Echo. Practices For Oral Heritage In The Digital Age, Ilaria Bollati, Luisa Collina, Alice Biancardi Jun 2026

Designing The Echo. Practices For Oral Heritage In The Digital Age, Ilaria Bollati, Luisa Collina, Alice Biancardi

DRS Biennial Conference Series

Oral heritage is inherently unstable: unlike written records, it persists through repetition and reinterpretation rather than through the conservation of a stable object. In post-digital cultural heritage contexts, safeguarding oral memories therefore cannot be reduced to storing audio files; it requires the socio-technical conditions to be designed that make voices interpretable, discoverable, and reactivatable. This paper develops and applies a three-phase framework ̶ Listening / Composing / Amplifying ̶ as an analytical and methodological lens for tracing how oral material is collected, translated into an questionable structure, and returned to the public through differentiated formats. The paper grounds the framework …

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Inclusive Design Revisited: A Paradigm Of Trustworthy Connectedness, Iris Van Hest, Eveline Van Zeeland, Jörg Henseler Jun 2026

Inclusive Design Revisited: A Paradigm Of Trustworthy Connectedness, Iris Van Hest, Eveline Van Zeeland, Jörg Henseler

DRS Biennial Conference Series

This paper revisits inclusive design by moving beyond its traditional emphasis on individual accessibility, which tends to overlook the relational dimension of inclusion. It proposes a paradigm of trustworthy connectedness, in which inclusion is conceptualised not merely as individual participation, but as the facilitation of relational ties between the designer or researcher and the individual or group. Inclusive design often relies on participatory methods, yet when participation and control become central, they risk silencing the very groups these approaches seek to include. Rather than participation or decision control, trustworthy connectedness, expressed through the designer’s competence and warmth, is central to …

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