Digital Commons Network^™

En Tiempos De Extinción, Adialyz Del Valle Berríos

Graduate Studies Theses and Dissertations 2026

En Tiempos de Extinción is a collection of short, mostly speculative, stories exploring themes of community, exploitation, resistance, and the ever-present effects of colonialism in nearly every aspect of life. “El Amor de una Diosa es Amor Suficiente” centers on a young girl’s initiation into a community that will do whatever it takes to indoctrinate the young. “Al Aire Libre” focuses on two tenured professors determined to enjoy their last day on the job, navigating the complicated feelings of what progress means in a world that prioritizes capital. In “OVNI,” the history of a wacky television dating show unravels …

Improvisational Theatre And Theatre Of The Oppressed: Fostering Growth In Myself And Beyond, Leigh S. Green

Graduate Studies Theses and Dissertations 2026

This thesis examines how improvisational theatre and Augusto Boal’s Theatre of the Oppressed function independently and how these practices have shaped me as both an artist and educator. Having grown up with improvisation and continued working professionally in performance and education, I have observed how it creates conditions that support development. Guided by a qualitative practice-as-research methodology, in which my own artistic and pedagogical practice serves as both site and subject of inquiry, this study explores three central questions: How does improvisational theatre contribute to youth development? In what ways can Theatre of the Oppressed deepen or reshape improvisation’s developmental …

Come And See: Exploring Complex Dynamics And Abjection Through A Southern Gothic Family Portrait, Lenee N. Peterson

Graduate Studies Theses and Dissertations 2026

“COME AND SEE: Exploring Abject Theory Through a Southern Gothic Family Portrait” examines the artist’s complex familial upbringing through the visual and narrative traditions of Southern Gothic art. Drawing upon abject theory and the cultural references of folk horror and Southern Gothicism, this thesis positions the family portrait where intimacy, trauma, and cultural inheritance collide. The project argues that direct confrontation with abjection can foster recognition, shared experience, and the possibility of collective healing. Grounded in practice-based research, this work functions as a critical and creative response to familial strain shaped by scarcity, social oppression, and emotional precarity. Through a …

The Middle Space: Redefining Collaborative Directing In Adaptive American Collegiate Theatre, Tyler J. Simons

Graduate Studies Theses and Dissertations 2026

This thesis examines collaborative directing as an adaptive, relational practice that exists between rigid hierarchical authorship and fully collectivized creation. Challenging dominant binaries in directing discourse that frame leadership as either singular or egalitarian, this study argues for a “middle space” in which authority, authorship, and responsibility are continually negotiated in response to institutional structures, pedagogical contexts, and interpersonal dynamics. Directing is framed not as a fixed methodology or ideological position, but as a responsive practice shaped by context. Grounded in a practice-as-research (PaR) methodology, the thesis analyzes four productions: Rhinoceros (Theatre UCF, 2024), The Tricks of Scapin (Freedom High …

Sonic Costumes For Immersive Theme Park Storytelling: Developing Interactive Wearables To Enhance Performer, Audience, And Environment Interaction, Rachel Yee

Graduate Studies Theses and Dissertations 2026

Costumes enhance the themed experience through visual storytelling while also allowing performers to interact fluidly with a physical space. These garments are typically passive storytellers in theme parks, even if the performers interact directly with guests. Some garments coordinate with and react to elements of the themed environment, predominantly when worn by performers within live shows, parades, or streetmosphere settings. However, this interactivity is often available only at a distance from guests, causing a separation between audience and performer. For instance, lights on parade costumes, such as those throughout Disney’s Magic Kingdom Park, often synchronize only with parade floats and …

Queering Poetry Workshops, Dobby Morse

Cal Poly Humboldt theses and projects

To what extent do participants report that a poetry workshop builds connections between poets and strengthen their confidence in writing? What do participants want or expect from a poetry workshop?

Through this project I hope to attend and host poetry workshops with an emphasis on the queer community. I will collaborate with campus and community organizations like Queer Humboldt and other organizations that are interested in exploring queer experiences through writing, connection, and meditation. This project will serve as a how-to guide for those seeking to conduct their own workshops.

« Look The King Is Naked » : Une Étude De The Naked King (2026) D’Alexei Ratmansky Vue À Travers Le Ballet De Cour Du Roi Soleil, Simone Gingerich-Boberg , '26

Senior Theses, Projects, and Awards

No abstract provided.

To Print A Remake: An Analysis Of Hollywood Remakes And Their Cultural Value, Connor F. Seaton

Honors Undergraduate Theses

In recent years, audiences and movie critics have expressed concern that Hollywood’s growing reliance on remakes, sequels, franchises, and similar adaptations has led to a broader worry that originality is fading from modern cinema and that the industry is instead focused on using adaptations to maximize profits. Although adaptation is often seen as a commercially driven framework for reproducing existing intellectual property in a new media format, this thesis argues that it should be recognized as an autonomous cultural category with its own artistic, historical, and social significance and merit. By analyzing adaptation scholarship and reviewing its complex historical development, …

Enhancing The Immersive Experience Through The Diversification Of Operational Costuming, Emma Nevitt

Graduate Studies Theses and Dissertations 2026

This thesis will be a comparative creative project that analyzes current operational wardrobe options within immersive lands, utilizing case studies and applied research, a neutral proposed immersive land will be created with operational costuming options that provides variety to the operational wardrobe that will enhance the immersive guest experience by creating a more compelling environment through wardrobe diversity. This will be achieved through a kit-of-parts approach where staffing will have a small variety of tops, bottoms, headwear, outerwear, and accessories to create a unique look to their own wardrobe while providing narrative insight. Each piece will be designed specifically for …

Exploring Vocal Fatigue In Female Singers, Cory M. Pinto

Theses, Dissertations and Culminating Projects

Vocal fatigue is a complex issue that may signal underlying vocal pathology or exist independently, especially among professional voice users such as singers, whose high vocal demands make them particularly susceptible. This dissertation investigates vocal fatigue in young adult female singers using both objective and subjective voice assessment measures during a novel vocal loading task. Key research questions addressed in this dissertation are as follows: (1) Which voice assessment measures demonstrate significant change over time in response to vocal loading? (2) which Participant Profile Characteristics most accurately predict changes in perceived vocal fatigue severity? (3) In what ways do symptom …

“An Extremely Dangerous Institution:” The Cultures And Controversy Of Public Social Dances In Montana, 1900-1930, Danielle Allison Brown

Graduate Student Theses, Dissertations, & Professional Papers

This paper explores public social dances east of the Continental Divide in Montana from 1900 to 1930. Rural social dances in schoolhouses and urban dances in dance halls created two different dance cultures. The relaxed nature of rural dances preserved the traditional values of nineteenth-century social dances, which reinforced community and family ties. Urban dances reflected the modern fads of the roaring twenties and challenged traditional values with sexual suggestiveness. Progressive Era moral reformers concerned about the possibility that social dance promoted illicit sexuality participated in an anti-dance movement and pushed for regulations of social dances. The anti-dance movement in …

Illusions Of Fairness And Sacrifice, Brady Schwertfeger

Graduate Student Theses, Dissertations, & Professional Papers

The American West is a shifting landscape. An incongruous expanse of isolation and urbanity, wilderness and extraction, wealth and welfare, clear water and fire. Fifteen years ago, I moved to my mother’s ancestral homeland of Montana, and have been here ever since. Before that, I was born and raised in Texas, both the West and the South (and often something else entirely), depending on who you ask. My experiences in this region have shaped me indelibly, and have inspired this collection of essays built around culture, politics, and justice in the West. “Pinedale, Wyoming” considers the musician as itinerant wanderer …

On The Chekist Front: Little-Known Pages Of The Life Of Ivan Voronaev (Agent "Nepliuev"), Founder Of Soviet Pentecostalism, Oleksandr Korotaiev

Occasional Papers on Religion in Eastern Europe

The figure of Ivan Voronaev (1885-1937), founder of the Soviet Pentecostal movement, occupies a contested place in the history of Eastern European Protestantism. Confessional narratives portray him as an “apostle of the Slavs” and martyr of faith, while Soviet anti-sectarian literature depicted him as a “bourgeois agent” and conduit of foreign influence. Despite their opposition, both approaches largely ignore the Chekist dimension of Voronaev’s biography–his systematic interaction with the Soviet security services and his role in their operational activities as a covert agent.

This article reconstructs previously marginalized episodes of Voronaev’s life on the basis of operational, investigative, and reporting …

The Theological Tradition Of The Orthodox Church In The Aspect Of The Formation Of Military Leadership In Ukraine, Olga Dobrodum, Andrii S. Zborchyi, Tetyana Kondratyuk-Antonova, Oleksandr L. Kolomiiets

Occasional Papers on Religion in Eastern Europe

Analysis of the Orthodox theological tradition as a moral foundation for military leadership in the Armed Forces of Ukraine during the full-scale war. The study moves beyond pragmatic managerial models, exploring Orthodox categories such as service (diakonia), sacrifice, and spiritual warfare. Drawing on patristic heritage and modern theologians, the authors examine leadership motivation, the role of faith in professional resilience, and the integration of Orthodox anthropology into military training. Special emphasis is placed on the Orthodox Church of Ukraine's chaplaincy as a key mechanism for actualizing these values while addressing challenges like secularism and multiconfessionalism.

Till Death Does Us Part: An Analysis Of Influences And Ideas Behind The Exhibition, Milo F. Rippe

Honors College Theses

“Till Death Does Us Part,” is a ceramic work created by Milo Rippe in the fall of 2025. The installation includes fifteen faceless figures, ten organ-inspired plates, and one big central figure. Also featured are three homemade stains and two homemade glazes. The figures are hand-built from slabs, combined to form a single piece. The plates were also cut from slabs, and then hand-rolled rims were added to each shape with slip. Stains and glazes are made by methodically measuring out each ingredient on a triple-beam scale, combining all ingredients with water, and running the mixture through a strainer to …

An Evolution Of Drag In Theatre: A Historical Reflection, Krista Peters

Theses and Dissertations

This thesis will serve as an overarching analysis and historical discussion on the art of drag within the traditional theatrical space. By employing queer theory, I will analyze how the use of drag has evolved throughout the history of Broadway and the United States and how it is responding to the contemporary social attitude. Drawing from the arguments of Butler, Lorde, Rich, Foucault, and others, this thesis uses historical survey to examine the direct representation of drag in theatrical spaces in conjunction with each representation’s sociopolitical and cultural environments. Sociopolitical contemporary contexts of each representation influence not only the form …

Science Fiction Cinema And The Technological Sublime: Spectacle And The Infinite From Early Cinema To Digital, David Jackson Dr.

Theses and Dissertations (Comprehensive)

This dissertation examines how science fiction cinema constructs and reimagines the technological sublime in the twentieth century: the experience of awe, terror, and admiration provoked by human-made power and scale. Drawing on the philosophical foundations of the sublime in Edmund Burke and Immanuel Kant and extending through Leo Marx’s and David E. Nye’s theorization of the technological sublime, I propose an aesthetic mode in which representation inflected with affect translates technological spectacle into examinations of humanity’s role and agency in the face of overwhelming technologized worlds and in some cases, even the universe itself.

Through three distinct historical periods …

“My Voice Is Trauma, My Voice Is Healing:” A Feminist, Trauma-Informed Embodied Study On The Impact Of Gender-Based Violence In Classical Music Communities, Sarah Pearson

Theses and Dissertations (Comprehensive)

This Social Work doctoral dissertation explores the impact of gender-based violence (GBV) in classical music communities on survivor-artists. This is an intersectional feminist, trauma-informed, embodied study that draws on these three theoretical concepts to conceive of classical music as an institution of both colonial patriarchal power and a site of spirituality and meaning-making. The issue of systemic GBV in the performing arts has been a focus of headline news and sensational celebrity stories in the last decade following the MeToo hashtag and is slowly gaining some attention in academic research.

For this qualitative study, the sample consisted of 14 participants …

My Quinceanera Girl, Manuel F. Medrano

History Faculty Publications

No abstract provided.

Performing Speculations: Rehearsing Futures Through Speculative F(R)Ictions, Rumen Rachev

Research outputs 2022 to 2026

I call myself a performance-scholar. By this I mean that I research within the field of performance studies and enact performances as a creative practice. Often, when people hear the term ‘performance studies,’ they think that I study theatre on stage. Performance studies includes theatre but is a transdisciplinary field with roots in anthropology, cultural studies and ethnography to name a few. Emerging in the twentieth century from the intersections of these disciplines, it refused the rigidity of traditional academic boundaries and instead cultivated a dynamic, open-ended mode of engagement. Performance studies treats performance not only as an object of …

Restructuring Actor Training For Psychological Wellbeing, Caroline C. Byce

Theses and Dissertations

This thesis highlights the importance of performer mental health as it relates to performance pedagogy. Based on a comprehensive review of traditional western actor training methods, survey data, and interviews, this research proposes a framework through which educators, directors, and performers alike can acknowledge both the artistic value and psychological harm prevalent in many prominent acting techniques. The insights put forth by this thesis extend beyond theatre acting and into television and film acting respectively, culminating in a series of practical steps -transferrable to any medium - for implementing a restructured and more human-centered approach to classrooms, workshops, and rehearsal …

Ideology And Iconography In Gustav Machatý’S Ecstasy (1933), Karl E. Toepfer

Open Educational Resources

This essay discusses the cinematic construction of sexual ecstatic experience in Gustav Machaty's 1933 film Ecstasy. Sergei Eisenstein's theory of cinematic montage governs the shapes the way the filmmakers organize the representation of erotic desire and rapture. But the film also shows affinity with the Czech "Poetist" movement of the 1920s in constructing a guiding view of ecstatic experience. The essay analyzes many images in the film, and concludes with an application of montage theory of ecstatic cinema to the consumption of erotic videos and internet imagery.

Women In Music: Experiences Of Women Oboists In Us Symphony Orchestras, Brianna Corgel

Graduate Theses, Dissertations, and Problem Reports (ETD)

The evolution of women in American music has been a gradual and ongoing process. Historically, women were largely excluded from public musical life and did not achieve widespread acceptance as professional musicians until the 20^th century, largely due to prevailing cultural and societal expectations. In the 19^th century, women typically performed in domestic settings for small gatherings of family and friends. Female instrumentalists were generally limited to the piano and a few string instruments, while wind instruments—such as the oboe—were discouraged because they were considered unladylike or visually unappealing when played. The 20^th century saw the emergence …

Lighting The Woods When There Are No Woods, Michael M. Mcginley

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis will document my own journey into the woods. I will discuss my role as the lighting designer, highlighting my design processes and decisions. The show’s evolution and history from the first design meeting to opening night will be documented and reflected upon. Additionally, I will expand on collaboration with the other design team members, the challenges and struggles that I encountered, and lastly my own reflection on the entire process. I will be using lighting paperwork, research photos, and production photos to illustrate key points and highlight details.

The Coal Mining Kids: Constructing A Working-Class Gay World In West Virginia (1900-2001), Hannah Ford

Graduate Theses, Dissertations, and Problem Reports (ETD)

Located in southwestern West Virginia, Bluefield has been the site of Bluefield State University, the Norfolk & Western Railway headquarters, the Baldwin-Felts Detective Agency, and the Shamrock Bar. The Shamrock was a gay bar opened by Helen Compton, in operation from the late 1960’s until 2001. Bluefield’s early industrial success in coal mining and the railroad quickly urbanized the space between 1900 and 1930, facilitating a diverse, working-class cultural foundation for Bluefield’s gay world. In the 1960’s, urban renewal efforts initiated by the War on Poverty, in combination with public awareness of homosexuality induced by the Lavender Scare, set the …

Creating The Role Of Passerby And Stationmaster In The Cherry Orchard, Selwyn Ofori

All Graduate Theses, Dissertations, and Other Capstone Projects

This paper will serve as a thesis submitted in partial fulfilment of the Master of Fine Arts degree in Acting. It is a detailed account of Selwyn Ofori's artistic process in creating the role of Passerby and Stationmaster in Anton Chekhov's The Cherry Orchard staged at Ted Paul at Minnesota State University, Mankato in Spring 2026. This thesis entails the actor's analysis from pre-production till performance in five chapters, namely: pre-production analysis, historical and critical perspective, journals, post-production analysis, process development, and appendix. The sources of my research are also recorded in the works cited.

Staging Violence With Intentionality, Toby O'Brien

Theses and Dissertations

This thesis examines the role of the fight choreographer in the theatre while addressing the potential issues staged violence has in distracting an audience from the intended narrative of the play. Avoiding the instruction manual approach of stage combat in favor of expounding on the theory of violent entertainment, I have constructed a thesis that informs the reader of certain types of violence found in both classical and modern productions and have researched the psychological ramifications of violent spectatorship and the necessity for content acknowledgements as well as consideration for the performer’s well-being. By exploring the history of violent entertainment …

The Ones Who Watched: Technology, Proxy Warfare, And The Testing Ground Hypothesis, Sean J. Oliver

Graduate Theses/Dissertations

Great powers need laboratories for war. This thesis argues that great powers find these laboratories in proxy forces. Proxy warfare is not just a tool for strategic influence. It is a machine for experimentation. This study posits a central testing-ground hypothesis. It contends that great powers deliberately use surrogates to vet emerging technologies, doctrines, and mobilization schemes under the pressure of real combat. The analytical methodology is historical. It traces patterns from the ancient world's proxy forces and the innovations of the Crusades to the Cold War and the digital age. The thesis examines enduring patterns, including the tension between …

Harmonizing Tradition And Technology: Exploring The Use Of Artificial Intelligence In Applied Music Instruction, Elizabeth Blanton Momand

Journal of the Association for Technology in Music Instruction

This presentation highlights how AI tools can enhance applied music instruction by providing real-time feedback, streamlining lesson planning, and personalizing instruction. Attendees will learn how AI fosters more effective teaching and independent student practice, while also exploring opportunities for interdisciplinary collaboration and innovation. This session equips music educators with strategies to modernize teaching and improve outcomes in 21st-century music programs.

Electro-Acoustic Dance Composition: Practicality And Pragmatism, Ian Evans Guthrie

Journal of the Association for Technology in Music Instruction

“Efficiency, expediency, and experimentation in Dance Compositions.”

In this presentation, I want to describe the practical difficulties in composing for dance and using live electronics, and how I have found a happy medium. The presentation will begin with an overview of common dance approaches as I have experienced at the Interlochen Center for the Arts, the Kansas City Ballet, and the Florida State University School of Dance, and other institutions. Then, I will discuss the limitations for elaborate electroacoustic setups, particularly in the “black box” theatres and variety of dance studios used at these places. I will defend my thesis …