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Mandala Vol. 23, Center For Southeast Asian Studies

Mandala

No abstract provided.

Spirituality In Limbo: An Observation And Analysis Of Mongolia’S Modern Religious Climate, Dustin Saldarriaga

Independent Study Project (ISP) Collection

This paper is essentially a history of religion in Mongolia with the purpose of illuminating the present state of religion at a socially, culturally, and politically unique point in Mongolia’s history. It has only been fourteen years since Mongolia experienced a political transition from totalitarianism to democracy, and the country now finds itself in a kind of “Limbo” with respect to not only the political state of the nation, but also the spiritual state of its individuals. The result is a religious climate filled with uncertainty and speculation, but also with passion and love. I attempt to explore this current …

Research Note: Musical Traditions In India, Salil Sachdev

Bridgewater Review

No abstract provided.

Book Review. Crafting Tradition, Jo Farb Hernandez

Faculty Publications

No abstract provided.

Summer 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Spring 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Fall 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Canons In Harmony, Or Canons In Conflict: A Cultural Perspective On The Curriculum And Pedagogy Of Jazz Improvization, Kenneth E. Prouty

Research & Issues in Music Education

This essay examines how jazz educators construct methods for teaching the art of improvisation in institutionalized jazz studies programs. Unlike previous studies of the processes and philosophies of jazz instruction, I examine such processes from a cultural standpoint, to identify why certain methods might be favored over others. Specifically, jazz education is treated as a fusion of two distinct historical and cultural forces: those of musical academia, and of the jazz community. I argue that methods of teaching improvisation reflect a dual identity, in which these two cultural traditions sometimes exert an uneven influence upon the learning environment. Improvisational curricula, …

Joseph Cooper Walker, Esq. (C. 1761-1810), A Forgotten Irish Bard: A Dissection Of His Advertisement As A Map To His Melodies, Hilary Brady Morris

Inquiry: The University of Arkansas Undergraduate Research Journal

In conducting preliminary research for my undergraduate honors thesis, I discovered a two-volume publication in Mullins Library at the University of Arkansas, The Historical Memoirs of the Irish Bards (1818) by Joseph Cooper Walker, Esq. (c. 1761-1810). It held a variety of information on the music and poetry of ancient Ireland. What interested me most was the collection of melodies at the end of the first volume. Looking at overviews of Irish music collection, I saw little mention of Walker and his Irish Bards. Upon further investigation, I found that the first edition of his book (1786) contained only fifteen …

An Ethnoarchaeomusicological Investigation Of Highland Guatemalan Maya Dance-Plays, Mark Harold Howell

Dissertations, Theses, and Capstone Projects

Instrumental music played on two valveless trumpets and a wooden slit-drum currently accompanies the highland Guatemalan Maya dance-play Rab'inal Achi. These two instrument types are known from the Prehispanic record and have been associated with the play since its first mention in the mid-nineteenth century.

The script of the Rab'inal Achi is considered by many scholars to have Prehispanic roots. The possibility that its accompanying music also originated in Precolumbian times is the impetus behind my study. To explore this possibility I apply ethnoarchaeomusicological research methods, incorporating data supplied by iconology-iconography, ethnographic analogy, history, archaeology, and music analysis. Ethnoarchaeomusicological …

A Practical Guide To Twentieth-Century Violin Etudes With Performance And Theoretical Analysis, Aaron Michael Farrell

LSU Doctoral Dissertations

This document is a partial catalog of what is readily available to violinists for studies relating to twentieth-century repertoire. More studies in this area exist throughout the world, so those presented here are intended merely as a starting point. The document also contains factual information about the studies, as well as performance and theoretical analysis and biographical information about the composers. This information is designed to serve a variety of purposes. The factual and biographical information may be used by the violinist to choose appropriate etudes for himself/herself or a student. Later, the in-depth analysis will assist players throughout the …

The Organ Works Of Fela Sowande: A Nigerian Organist-Composer, Godwin Simeon Sadoh

LSU Doctoral Dissertations

Fela Sowande (1905-1987) has a huge compositional output including orchestral and vocal works. However, his organ music outnumbered the totality of his compositions. His organ pieces represent a truly intercultural music in which distinct tripartite cultural idioms are evident—Nigerian, African American and European. Works of this nature serve as creative source materials for aspiring composers, performers, scholars, music educators, and students in Africa and the world. This composer, folklorist, and music educator was born into a well-known music family in Nigeria. He was active in radio broadcasting, Yoruba folklore and mythology, indigenous music research, Nigerian art music, performance, orchestral conducting, …

The Guajira Between Cuba And Spain: A Study In Continuity And Change, Peter L. Manuel

Publications and Research

No abstract provided.

Fall 2003, 909 Wmpg Fm

WMPG Program Guides

Fall 2003

Le Nuove Musiche, March 18, 2003, Michelle Vought, Glenn Block

School of Music Programs

Center for the Performing Arts
Tuesday Evening
March 18, 2003
8:00 p.m.

Women In Music Symposium Iv: Today And Tomorrow, March 3, 2003, James E. Major

School of Music Programs

Center for the Performing Arts
March 3, 2003
8:00 a.m.

Old-Time Kentucky Fiddle Tunes, Chris J. Goertzen

Faculty Publications

No abstract provided.

Program Book - 2003 Calvin Symposium On Worship And The Arts, Calvin Institute Of Christian Worship

Symposium on Worship Archive

Program book for the 2003 Calvin Symposium on Worship, including a schedule, session description, presenter biographies, practical information, and ads.

Winter/Spring 2003, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

History: Faculty Publications and Other Works

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.

Flamenco Guitar: History, Style, And Context, Peter L. Manuel

Publications and Research

No abstract provided.

Developing A Four-Mallet Marimba Technique Featuring The Alternation Of Mallets In Each Hand For Linear Passages And The Application Of This Technique To Transcriptions Of Selected Keyboard Works By J.S. Bach, Thomas Allen Zirkle

LSU Doctoral Dissertations

The goal of this study is to develop a four-mallet marimba technique that utilizes alternation within each hand on linear passages, then apply this technique to selected keyboard works of J. S. Bach. This paper provides a method of training the hands for this type of alternation and will hypothesize a conception of hand positions as a method of facing the visual/spatial logistics issues of marimba performance. A performance annotation chapter will then apply the alternation sticking, and its resultant positional concepts, to three new transcriptions of J. S. Bach's inventions and a prelude and fugue from his Well-Tempered Clavier …

The Dies Irae ("Day Of Wrath") And Totentanz ("Dance Of Death"): Medieval Themes Revisited In 19th Century Music And Culture, Erin Brooks

Inquiry: The University of Arkansas Undergraduate Research Journal

During the pivotal November 2002 football game of Arkansas vs. Georgia in the SEC conference championship, the Georgia marching band struck up their defensive rallying song. Instead of a typical "defense" song, the band played an excerpt of the Gregorian Sequence Dies Irae ("Day of Wrath'') from the Roman Catholic Requiem Mass. Drastically dissociated from its original medieval milieu, this musical Sequence still manages to elicit the same effect of fear and foreboding nearly a thousand years later. Precisely because of its deep musical and cultural roots, the Dies Irae occupies a significant place in history, closely intertwined from early …

Vol. 25 No. 4 (2002): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 25, No 4-Dec. 2002 edition of the Pacific Studies Journal.

Vol. 25 No. 4 (2002): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Review: Barry Craig, Bernie Kernot, And Christopher Anderson, Eds. , Art And Performance In Oceania, Jehanne Teilhet-Fisk

Pacific Studies

Barry Craig, Bernie Kernot, and Christopher Anderson, eds. , Art and Performance in Oceania. Bathurst, N.S.W.: Crawford House Press and Honolulu: University of Hawai'i Press, 1999. Pp. vii, 318, illus., bib., index. A$65.95 and US$65 cloth.

Reviewed by Jehanne Teilhet-Fisk, Florida State University

Vol. 25 No. 3 (2002): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 25, No 3-Sep 2002 edition of the Pacific Studies Journal.

Review: Mervyn Mclean, Weavers Of Song: Polynesian Music And Dance, Mary E. Lawson Burke

Pacific Studies

Mervyn McLean, Weavers of Song: Polynesian Music and Dance. Auckland: Auckland University Press, 1999. Pp. 556, illus., bib., index, CD. NZ$79.95 cloth.

Reviewed by Mary E. Lawson Burke, Framingham State College

Vol. 25 No. 3 (2002): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Powwows As An Arena For Pan-Indian Identity Formation, Megan L. Macdonald

Masters Theses

This study investigates the powwow and its role in pan-Indian identity formation. Powwows are regional gatherings that simultaneously employ sacred and secular rituals, and as such, they provide one arena for the negotiation of American Indian identity in the modern world. Through a discussion of the history and general format of the powwow, I will demonstrate that the powwow is a dynamic locus of cultural transmission through which both reservation and non-reservation Indians are able to construct and maintain identity on tribal as well as inter-tribal (pan-Indian) levels.

To illuminate the process of identity formation within the powwow, this study …