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Creativity And Captivity : Exploring The Process Of Musical Creativity Amongst Indigenous Cosmopolitan Musicians (Icms) For Mission, Uday Mark Balasundaram

ATS Dissertations

No abstract provided.

Syntagma Musicum Ii: De Organographia, Parts Iii – V With Index, Michael Praetorius, Quentin Faulkner Trans. & Ed.

Zea E-Books Collection

Michael Praetorius (1571–1621) achieved distinction as a practicing musician: as organist and Kapellmeister at Wolfenbüttel, Dresden and Magdeburg, and (in his later years) by incessant travel to fulfill commissions at various central German courts. Amid his travels Praetorius found time to publish an impressive series of collections of musical compositions, in all more than a thousand works. Praetorius’s three-volume Syntagma musicum (Musical Encyclopedia) belongs to the last years of his life. Volume I, Musicae artis analecta (1614/15, in Latin), treats principles and practices of religious music, from a decidedly Lutheran perspective. Volume II, De organographia (1619, in German) deals with …

Vol. 37 No. 2 (2014): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Vol. 37 No. 2 (2014): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 37, No 2-Aug 2014 edition of the Pacific Studies Journal.

Brahms The Exotic: The Representation Of Non-European And Ethnic `Others' In The Hafiz/Daumer Settings Of Opus 32, "Romanzen Aus L. Tieck's Magelone," And "Zigunerlieder," Opus 103, Kristina Marie Eckelhoff

Graduate Theses and Dissertations

Though scholars, performers, and classical enthusiasts alike recognized and praised the many facets of his compositional craft, Johannes Brahms's treatment of poetry in his Lieder has led to much conflicting assessments. The negative critiques exist partially because the majority of scholars do discuss an interpretation of the poems but seldom explain precisely how Brahms conveys the texts' meanings through his music, leaving the more specific details of text-to-music relationship and what it shows about Brahms's own understanding of the texts unexplored.

Brahms's Lieder have also been criticized because of the supposed lack of exotic qualities in those works that portray …

Exploring Naxi Baisha Xiyue, Nicholas Kircher

Masters Theses

"Exploring Naxi Baisha Xiyue" is a qualitative research descriptive paper delving into the origin of the Baisha Xiyue music style among the Naxi people based in northwest Yunnan province of the People's Republic of China. A brief historical background of Baisha Xiyue includes the Yuan dynasty (AD 1279-1368) invasion by Kublai Khan when he and his army entered Yunnan province in AD 1253. The topic of the remaining eight songs is a Naxi historical conflict with a neighboring tribe. As musical instruments are essential in the performance of this genre, each of the commonly used instruments are introduced and described. …

Introduction: Grotowski's Evolving Influence In Poland, Kathleen Cioffi

Mime Journal

In this introduction, Kathleen Cioffi discusses the physical basis of Jerzy Grotowski’s practice and describes how it developed through the various stages of his career, from the Laboratory Theatre stage to the Art as vehicle stage. She also surveys Grotowski’s Polish reception, including various controversies surrounding his work, and analyzes the evolution of his influence on several generations of physical theatre practitioners in Poland.

Dissonant Divas In Chicana Music: The Limits Of La Onda By Deborah R. Vargaswild Tongues: Transnational Mexican Popular Culture By Rita E. Urquijo-Ruizperforming The Us Latina And Latino Borderlands Edited By Arturo J. Aldama, Chela Sandoval, And Peter J. García, Cathryn Josefina Merla-Watson

Literatures and Cultural Studies Faculty Publications

Despite the performative turn of the 1990s, a disjuncture has persisted between performance studies, though self-admittedly expansive and porous, and much of the scholarship produced around the diverse acts constituting Latina/o performance. The books reviewed here engage Latina/o performance on its own terms and terrains while reconceiving the limits of the archive as well as the subjects and substance of performance. Myriad works considered here further intervene in debates regarding critical regionalism and transnationalism within Chicana/o and Latina/o studies, as well as American studies, by embracing a hemispheric approach while also being attuned to the inflections of the local. Also …

Standing In The Gap : The Past And Future Of Pan-African Studies At The University Of Louisville., Ricky L. Jones

Faculty and Staff Scholarship

Closing this special issue dedicated to the University of Louisville’s Pan-African Studies Department (PAS) on the occasion of its 40th anniversary, this article poses the questions, What is Pan-African Studies? What does Pan-African Studies do? Why is it needed? What does it address and how does it contribute to the ongoing humanization project that has sat at the heart of so many national and global struggles?

From Drum Beats To Beach Music: The Development Of Music In South Carolina, Elizabeth Oliphant

Senior Theses

This thesis examines musical genres present in South Carolina from the time of the Native Americans through 20th century rhythm and blues. Each style of music has combined musical elements over time to create the state’s rich cultural heritage. For thousands of years before the arrival of European explorers, Native American music put a high emphasis on the voice, as the absence of a written language facilitated a strong oral tradition. Free- flowing vocals with rhythmic accompaniment were relied upon to pass down sacred legends of the tribe, stressing vocal musicality as the highest art form. With the arrival of …

Folk Songs, Youth, And Propaganda: Music Of The Third Reich, Patrick Scott Peterson

Undergraduate Honors Thesis Collection

As the world watched the rise of a new political power in Central Europe, the German youth perceived a new, exciting movement sweep through their backyard. The Third Reich gained control over Germany through the planning and organization of Hitler and his Nazis. Hitler sought to construct his pure society, accomplished through the orzanization of the sovernment and the National Socialist German Workers' Party b . b (NSDAP). While their nation made drastic shifts politically, the rich history of German art music and folk music played into the changes during the rise of the Nazi party. German culture was formed …

Global Music Perspectives: Music Outside The Western Canon In Local Schools, Jane A. Best, John F. Grimsley, Alan C. Heise, Lauren M. Mascioli, Samantha F. Moroney, Lauren A. Satterfield, Emily I. Zeller

Celebration

As a class, we are designing a research project for investigating how music teachers from counties in South-Central Pennsylvania use music from outside the Western canon (i.e. "world music"). We are performing a qualitative study by interviewing k-12 music teachers from school districts in South-Central Pennsylvania. Teachers may choose to participate in a focus group interview with other teachers or in one-on-one interviews. The focus group interview will not exceed two hours and the one-on-one interviews will not exceed an hour. The interviews will be guided using a questionnaire (see attached), but the conversation may deviate from these questions at …

Mandala Spring/Summer 2014, Center For Southeast Asian Studies

Mandala

No abstract provided.

Antonio T. De Nicolás: Poet Of Eternal Return, Christopher Key Chapple

Research Resources

This book includes essays in honor of Professor Antonio de Nicolas.

“Why Do You Sing To Me?”: A Case Study Of Form And Function Of Children's Songs In The Caribbean Diaspora Culture In South Florida, Finley Walker

Masters Theses

How does a child gain a musical identity? Music resides in the depths of personhood. Even before birth we are all touched by its power. Music is a language in that it communicates--thoughts, feelings, desires, information, and more. As children grow physically and mentally, they also grow musically. A person's musical development will be directly influenced by their culture and family. The following qualitative study looks at the form and function of children's songs, specifically children's songs from the diasporic Caribbean culture in South Florida. Twenty-one interviews, including 53 participants, were conducted to see how children's songs might play a …

Chopin Mazurkas And Its Influence On Polish Nationalism, Pablo Cintron

Masters Theses

The innovative character of Chopin Mazurkas is forever linked with Polish culture. This thesis examines how the unmistakable sound of the Mazurka captures the Polish sound more than any other work written by the composer and how it contributes to Polish cultural nationalism during the Polish diaspora of the nineteenth-century. In this study, the author presents a brief examination on Chopin's traditional interpretation of his mazurkas as well as isolating the characteristics of Polish interpretation that sets the Mazurka performance apart from the non-traditional style. A research case is made when contrasting the current concept of the classical execution of …

Al'riq: The Arab Tambourine, Nathaniel Stottlemyer

Masters Theses

The riq (plural: riqat) is a small tambourine measuring 22cm - 25cm in diameter and approximately 5cm - 7cm in depth. The instrument consists of ten pairs of brass, bronze or copper jingles inserted equidistantly around the frame in two rows, held in place by metal pins. It is traditionally fitted with a natural skin head, usually fish, however modern riqat often utilize a variety of tuning systems, making the use of synthetic skins possible. Several names for the instrument exist historically. Historical variations of the riq appear frequently in Islamic art. The riq is performed with exceptional dynamic contrast …

“That’S The Way I’Ve Always Learned”: The Transmission Of Traditional Music In Higher Education, Alexandra Frank

Electronic Theses and Dissertations

This research examines the establishment of degree programs in traditional music in institutions of higher education. It defines traditional music and discusses the history of traditional and folk music programs at universities and conservatories in the United States, Finland, Scotland, and England. The institutionalization of American traditional music is compared to the institutionalization of jazz music in the United States. This thesis focuses on the Bluegrass, Old- Time, and Country Music Studies program at East Tennessee State University and features original ethnographic interviews with lecturers from the program. Two similar programs in Tennessee and Kentucky are also discussed. Some of …

Chopin Mazurkas And Its Influence On Polish Nationalsim, Pablo Cintron

Masters Theses

The innovative character of Chopin Mazurkas is forever linked with Polish culture. This thesis examines how the unmistakable sound of the Mazurka captures the Polish sound more than any other work written by the composer and how it contributes to Polish cultural nationalism during the Polish diaspora of the nineteenth-century.

In this study, the author presents a brief examination on Chopin's traditional interpretation of his mazurkas as well as isolating the characteristics of Polish interpretation that sets the Mazurka performance apart from the non-traditional style. A research case is made when contrasting the current concept of the classical execution of …

Documenting Black Sacred Music And History, Regennia N. Williams

The Journal of Traditions & Beliefs

Review of audio recordings “Spiritual Gifts: Live in Cleveland” and “Harvest Time: Featuring the New Spiritual Gifts Workshop Choir.”

“Bëggel Sa Réew :” Negotiating Contestation And Citizenship Through Hip Hop Production In Guédiawaye, Dakar, Dylan Mcdonnell

Independent Study Project (ISP) Collection

Hip hop cultural production has flourished in Senegal since the early-1980s, especially in Dakar, the administrative and economic capital, since the early 1980s as both a medium of engagement with “global” flows of musical influence and a localized platform for socio-political and contestation and organization. In the past ten years, high-profile rap and hip hop personalities based in communities centered in the banlieues (the disfavored, often impoverished neighborhoods surrounding Dakar) have begun to realize formal structures of professionalization and education in the elements of “urban culture.” This paper focuses on research done at Guédiawaye Hip Hop Center and Association, an …

School Of Music Faculty/Staff Newsletter, April 2014, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

A Midsummer Night's Dream, School Of Theatre And Dance

Programs - Theatre, Dance, and Film

An Opera In Three Acts by Benjamin Britten and Peter Pears, after William Shakespeare

Productions took place February 21 - 22 & February 26 - March 1, 7:30 p.m. Matinee: February 23, 2:00 p.m., 2014

Saving Jazz: Applied Ethnomusicology And America's Classical Music, Christopher Long

Masters Theses

In his 2009 article, Can Jazz Be Saved?, Wall Street Journal columnist Terry Teachout asserted that the American audience for jazz music performances was both shrinking and aging. Saving Jazz: Applied Ethnomusicology and America's Classical Music explores this jazz audience problem and finds that over the last thirty years the overall American audience for live jazz performances has not shrunk as has been widely reported, but is essentially unchanged in size. During that same period, though, there is no question that the median age of the audience has changed dramatically. Data collected by the National Endowment for the Arts and …

Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power

Student Publications

Black South Africans and African Americans not only share similar identities, but also share similar historical struggles. Apartheid and the Civil Rights Movement were two movements on two separate continents in which black South Africans and African Americans resisted against deep injustice and defied oppression. This paper sets out to demonstrate the key role that music played, through factors of globalization, in influencing mass resistance and raising global awareness. As an elemental form of creative expression, music enables many of the vital tools needed to overcome hatred and violence. Jazz and Freedom songs were two of the most influential genres, …

Vodou Value In Haitian Life, Brandi E. Lauer

Student Publications

Ever since the night of August 14, 1791 at Bwa Kayman, where Boukman Dutty declared war on the French during a Vodou ritual, Vodou has shown its dominance in the Haitian culture (Dominique 103). Along with being a religion practiced across the class boundaries of over six million Haitians, Vodou is a philosophy as well; a way of life for the majority of Haiti. Vodou “brings coherence where there might otherwise be chaos” (Michel 282-283). Used as a common ground for the intermixed Africans in the New World, Vodou has played a key role in the daily life of the …

Innovation In Nō: Matsui Akira Continues A Tradition Of Change, Mariko Anno, Judy Halebsky

Collected Faculty Scholarship

Within the practice of Japanese nō theatre, there are tensions between preserving the art and allowing change. However, innovation through performance has been central to nō throughout its long history, from the variant nō of the Edo era (1603–1868) to the more recent emergence of revival nō and new nō. The long career of nō master Matsui Akira (1946–) offers an individual perspective on the history of change in the tradition of nō. Based on a series of interviews with Matsui and research conducted at the Kita School of Nō and the Hōsei Nō Research Institute, this article examines Matsui’s …

The Sounds Of Paris In Verdi’S La Traviata (Book Review), Juliana Starr

Foreign Languages Faculty Publications

No abstract provided.

My Forays Into The World Of The Tablā, Madeline Longacre

Independent Study Project (ISP) Collection

This paper focuses on the historical and social aspects of the Indian tablā, as well as the practical aspects involved in actually playing one. In order to acquaint the reader with this topic, a description of the parts of a tablā, as well as the basic knowledge of how to play the tablā, is given. The paper then discusses the history of Varanasi and its significance to tablā playing through the Banaras Gharana. The disputed history of the tablā and its surrounding theories are then addressed, followed by the social context within which tablā players function. In this paper I …

Study Of Nagara Drum In Pushkar, Rajasthan, Kathleen Toomey

Independent Study Project (ISP) Collection

This paper examines the history and present functions of the pair of kettledrums called Nagara in Rajasthan, India. The location of study was centered in Pushkar. Library research, informants, and lessons on the drums make up the basis for the study. This essay focuses on the contemporary use of the ancient drum in traditional and performance contexts. Informants included Nagara players as well as supporters of Rajasthani folk music. The study focuses mainly on one family of drummers in Pushkar, the Solanki family. The drum has been adapted to many different contexts, and remained in use for traditional, religious and …