Digital Commons Network^™

Boring Objects Bureau, Eric Fan

Masters Theses

The Boring Objects Bureau is an anti-sustainability design studio. Through its work, the Bureau is interested in developing new strategies that can challenge the stereotypes of what sustainability looks like for the products that underpin our modern lives.

The Bureau’s first investigation focused on the smartphone, a product where breakage and decay through obsolescence is inevitable. As a result, people are faced with either the expected sustainable approach of repair, which can be expensive and inconvenient, or replacement, which costs more and restarts the cycle. The Bureau therefore wanted to ask: could this breakage and decay instead be embraced as …

The Porous Auto Body, Banshee Maria

Masters Theses

Balances within the human body and auto mechanical structures share a staggering amount in common. The two are intrinsically linked through their shared reliance on intricate internal and external systems to be in balance in order to function. Our biological makeup consists of electrical, fluid and chemical systems which mirror the machines we have chosen to forge. I am plagued by the human need to see ourselves mirrored in metal form, or perhaps we are just unable to create too far outside ourselves, resulting in the leeching of human structures into all technology we construct.

The Old Testament of the …

Huh? Wow!, Lieyah Dagan

Masters Theses

I view design as a series of gestures: actions through which ideas are processed, refined, and communicated. Barbara Tversky, an American psychologist, describes gesture as a way of thinking through action, where movement becomes part of how understanding is formed (Tversky). In this sense, gesture is not only a means of communication between people, but a way of understanding and responding to the world through action.

My process begins with noticing—observing things in the world and returning to moments that hold a particular quality or possibility. Many of the things that draw my attention carry traces of movement or manipulation: …

Sous-Bois, Spencer G. Peterson

Masters Theses

This thesis explores furniture as a dynamic site of belief production.  Compressed theatrical ecosystems where image, object, and body collapse into one another.  These objects will not offer clarity and they will not restore order.

But they also mask nothing.

Compress, layer, stage, repeat.

Oscillate between seen, felt, and believed.

Household Hegemon: Domestic And Affective Traces Of Us Influence In Mexico In The 1950s And 1990s, Edgar Solórzano

Masters Theses

“Household Hegemon: Domestic and Affective Traces of US Influence in Mexico in the 1950s and 1990s” is a collection of personal essays, historical research, and fictional texts that examine the impact of US-American soft power on Mexican society. This project expands and deepens the research and work developed during my two-year MFA in Sculpture at RISD, evolving material investigations into a comprehensive written and visual record of the 1950s post-WWII boom and the 1990s post-NAFTA transition. These two decades not only represent the most significant in terms of American influence but also the years in which my parents and I …

Sites Of Departure, Kevin Tomas

Masters Theses

At all scales of human history, there exists a record: The story of how things came to be. An infinity of interconnected traces that thread the intimate and the immense into a single fabric.

Beginning from distinct points of entry, Sites of Departure explores the axes of resolution and scale in documentation, asking what becomes visible when the instruments of the dominant record are set aside. Moving between recovery and confrontation, the work questions the structures that produce our understanding, while creating new documents for future interpretation—all against the reality that to make a claim, is to claim some truth. …

Optimalism, Clara F. Cayosa

Masters Theses

Optima. Optimal. Optimism. Optimalism.

Optima is a humanist typeface created by designer Hermann Zapf (German, male)

Optimal is what design—and life—in 2026 wants to be: maximum productivity, maximum output. But optimal for whom, and by whose measure?

Optimism is what you find in jeepney decalomania, or sari-sari store signage in the Philippines. It is the joy of everyday making, an assemblage of color and humble material. In Clara Balaguer’s words: of turning shit into gold.

Optimalism is my (Filipino, female) thesis; an accumulation of what I've learned trying to persist in graphic design. This is …

Re-Assembly, Tonia Zhang

Masters Theses

Graphic design is bound by invisible defaults — software suites, standardized formats, and interfaces optimized for speed, profit, and frictionless output. Re-Assembly treats these standardized technologies not as neutral scaffolding, but as the primary material for critical inquiry. By dissecting this “default” infrastructure, the work exposes the logic of extraction and control baked into our templates and grids. Through a practice of subverting and rebuilding these everyday systems, design is pushed to operate under decentralized and open terms. This repositioning rejects the role of the designer as a surface technician, instead defining them as an active agent and an architect …

Mediated Landscapes, Image Road Trip, Faith Kim

Masters Theses

I do whatever I can to not work on my laptop. But when I do, I'm greeted with the pristine landscape of Mac OS Tahoe — it was Mac OS Sequoia for a long time until recently. These default wallpapers are engineered layers composing an image: mediated, highly designed, presented as though they were simply found. Where an image lives determines what it means.

From the digital camera to the phone camera, effortless distribution, infinite storage: photography has reshaped not just how we make images but what we think they're for. I'm as interested in moving existing images around as …

Productive Armature, Gabriel Ofem Peter

Masters Theses

What if water was all you had, what if your only source of survival was a body of water? I shudder to think that some people get to be put in this situation in the world we live in. As I understand the importance of water to survival, it is obvious that water can be the only lifeline of survival for a community. This is the experience for residents of Makoko, Lagos. Their survival depends on the Lagos Lagoon, a large body of water flowing in from the Atlantic Ocean. This research looks beyond the surface of what this community …

Watershed Amendments: Assembling New Pervious Ground From Landscape Waste, Sophie Kaplan-Bucciarelli

Masters Theses

In Providence, Rhode Island, much of the downtown area is built over a vast historic tidal estuary. Though we no longer see the salt marshes, wooded bluffs, or meadows that once characterized this landscape, we recognize their absence in contemporary crises of urban heat, flooding, polluted soils and stormwater runoff, and habitat loss. These conditions are particularly acute along the city’s industrialized river corridors, where vacant lots and parking areas sit idle, their history paved over and potential constrained by limited imagination and resources.

These lots - already experiments in fill and land building after centuries of disturbance - can …

Lost In The Current, Yeying Wen

Masters Theses

Lost in the Current explores “imaginary reality” through the language of print. In my illustrative two-dimensional prints, small figures inhabit an imaginary world emphasizing human fragility, resilience, and emotional tension. Through etching, lithography, mezzotint, book arts, installation, and papermaking, I investigate how individuals respond to fear, conflict, and instability. To me, printmaking is a meditative process that allows me to slowly digest my overwhelming thoughts and emotions. By constructing expansive microcosms populated by fragile figures, I attempt to visualize psychological states such as fear and fragility, as well as notions of duality. My works are both personal and observational as …

Through You I Will Feel, Mitchell L. Poon

Masters Theses

Through You I Will Feel is an installation exploring my family’s archive and my relationship with my ancestral heritage. An abstracted simulation of my childhood home’s dining room, it examines how revisiting the family archive can reveal new information not only about the past, but also about the present and the future. The installation consists of five works which integrate printmaking and print-adjacent processes: a set of four lithographic prints, cyanotype and natural toning on fabric, inkjet-printing on shrink plastic, UV dye-printing on polymer clay tiles, and digitally printed wallpaper.

The written thesis is a culmination of my time at …

Human After All, Ritu Mantri

Masters Theses

human

0. a being, relating to, or belonging to a person or to people.

1. an organism whose behaviour is structured by survival, instinct, and the immediate conditions of its environment.

2. a primate capable of thinking in abstractions. It makes marks, builds tools, and uses language to reflect on itself and the world around it.

3. a maker that increasingly constructs systems as a mirror of itself to store memory, meaning, and perception beyond the limits of its body.

4. an entity whose intelligence is increasingly indistinguishable from the tools and technological infrastructures it has built.

5. a superhuman …

Subversives On The Small Screen: Unions, The Television Blacklist, And The Politics Of Fear In 1950s America, Emma Coulter

History Undergraduate Senior Theses

No abstract provided.

The Right To Withdraw: Soft Boundaries And Material Refuge In The Workplace, Zhihao (Sky) Xing

Masters Theses

Traditionally, architecture has provided physical protection through solid structures and defined boundaries, while modern interior spaces have evolved further to serve function, efficiency, and the operational needs of society. These include open-plan offices, art school studios, and other public spaces like libraries. Although physical rigidity and operational efficiency have been well served by the modern built environment, the psychological experiences of those within it remain largely overlooked - a lack of privacy, emotional support, and space for emotional withdrawal.

This research explores why contemporary workplaces often expose individuals to sensory overload and why people often retreat to stairwells, restrooms, or …

Numb., Anna Rapson

Masters Theses

Social media platforms, from their conception, posed a break in the lived experience of the average human being’s day to day routines. Although access to information has always been shaped by portals into other lived realities—through photojournalism, print legacy media, news broadcasts both on radio and television—social media has posited a novel phenomenological architecture where borders between embodied reality and perception of lived experience are simultaneously blurred and reinforced. This morphed duality of consciousness positions the body and mind in tension, deconstructing pre-social media conceptions of the ontology of lived experience. In a digital world shaped by limitless input by …

Body In Process: Assembly, Control And The Medical Gaze, Fangzhou Lu

Masters Theses

This project begins with the doll as a way to think through assemblage. It has a human form, but it is not born as a whole; it is assembled from parts. Its joints, holes, and modular structure make it more like a puzzle toy. I use it to examine the act of “assembly” itself, and to understand the body as something that can be taken apart, adjusted, and replaced.

This logic of assembly also runs through real-life practices surrounding living bodies. Medical repair and treatment, through suturing, fixation, replacement, and transplantation, maintain and extend the body’s reconfigurability. In the plant …

In Transit, Ziqi Xu

Masters Theses

The train moves continuously, yet it never seems to arrive. Inside, light shifts, sound repeats, and space unfolds from one carriage to the next. There is a persistent sense of forward motion, but no clear destination. The experience is familiar, yet difficult to locate within a fixed point in time. We often understand time as something that flows—a linear progression from past to present to future. However, what we perceive may not be time itself, but changes in our environment. A light turns off. A door opens. A sound fades. These events create the sensation of movement, allowing us to …

Music As An Environment, Yuval Gur

Masters Theses

Music.

For me, music has always been a constant. In my happiest moments it lifted my joy into other realms; in my darkest, it consoled me and offered refuge.

Over time, however, this constancy has grown predictable. Recorded music, once capable of transforming a day, has faded into background sound - familiar but dulled. This project begins with my loss of wonder: how might the act of listening regain its power to move me?

I ask: how does the experience of listening transforms when music is encountered as an environment that can be entered and navigated rather than as a …

Domestic Travelers: Transparent Machines, Hollow Bodies, Hanyi Wang

Masters Theses

Digitization is not a modern invention. Derived from the concept of fingers, this mindset of packing information into quantifiable, interchangeable units sounds mechanical, yet eerily physical. Try to imagine: a ghostly hand with millions of fingers with the same length, likeness, and function. Under the worldview of Digital Narrative, we live in a digital simulation: everything is representable with quantifiable units, fluid across media. Yet under this spectacle of convenient abundance, something is missing. The Unknowables are replaced with arbitrary symbols, while the Uncategorizables are omitted. This is a framework that cannot accommodate human subtleties and complexities. One needs to …

Where Each Step Lands: Reconnecting And Reparenting Through Visual Narrative, Skye Wang

Masters Theses

This research begins with lived experiences of dissociation and a persistent sense of disconnection between body and consciousness. It explores the potential of visual narrative as an embodied practice. Through daily walking and sketching, bodily sensations are translated into visual language through a synesthetic process, forming the foundation for a picture book as the central outcome of this project.

The picture book adopts the perspective of a jumping spider positioned beneath a five-year-old girl’s shoe, creating a shifting, downward-facing viewpoint. The spider functions as a viewing position, while the girl represents the inner child. The narrative is constructed around the …

Open_______, Eitan Boiarsky

Masters Theses

This thesis examines how ambiguity can function as a deliberate design strategy rather than a condition to eliminate. While modern design traditions have prioritized clarity, efficiency, and immediate legibility, this work revisits Umberto Eco's concept of the Open Work and Oskar Hansen's Open Form to argue that openness is not a failure of design but a method within it.

Through a series of workshops and object-based experiments, ambiguity is structured as a design instrument that invites interpretation rather than delivering fixed meaning. Participants encounter unfamiliar forms with deliberately withheld information, producing moments of hesitation, speculation, and reinterpretation. These encounters demonstrate …

American Paradise, Virginia Hanusik

Masters Theses

The following is a collection of stories and ideas about the making of our physical and emotional worlds, along with their fracturing, deconstruction, and degradation within the American industrial landscape.  It suggests the value of the unknown and the grace of mistakes, emotional and material friction, and the hiccups that come with learning.

For American Paradise, I’m bringing my interest in landscape extraction, and the people and families within them, to my own autobiography. In this work I turn to where I grew up, the people that brought me there, my connection to manual labor, and the use of specific …

Sentience, Sheetal Agrawal

Masters Theses

The increasing urgency for sustainable and adaptive systems has driven research toward embedding intelligence directly into materials rather than relying solely on external sensing and control systems. This thesis explores how smart material1 embedded systems can be designed to recognize and respond to environmental signatures, defined as measurable patterns such as temperature fluctuations and mechanical forces. Central to this investigation is the integration of shape memory alloys, particularly Nitinol, with geometry-based actuation mechanisms that amplify material behavior into functional system responses.

The central argument is that designing with smart materials is a design problem, not primarily a materials science problem …

Gray Sheep, Jennifer Richie

Masters Theses

When material comforts are not available or accessible, how can we care for one another with what is available? Can these methods be scaled up? How can we emulate the tight cultural bonds of people who relied on each other due to their isolation from cultural centers (like towns and cities)? Is it possible to be self-sufficient and not wealthy in the 21st century or has this ability died with past generations?

Using only scraps, found and discarded materials, and items from RISD’s Loop Lab and Second Life, I explore the skills and engineering that would have been a necessary …

Somatic Prosthetics For Planetary Resonance, Disha Dharesh Kumar R

Masters Theses

This thesis investigates how industrial design can transcend extractive technological paradigms in favor of relational interfaces that foster planetary attunement. Framing the climate crisis as a 'crisis of imagination', the research challenges the Western bifurcation of nature and culture by drawing on Indic cosmologies- which recognize stones, plants, and ecosystems as conscious at different levels and participants in a shared cosmic field. By synthesizing research in Biosemiotics, Quantum Information Pansycishm, and Neuroscience, the project redefines intelligence as a distributed, more-than-human phenomenon.

The research materializes as a speculative design artifact: a device that functions as a somatic prosthetic for planetary resonance. …

Material Costs, Karima Weinman

Masters Theses

This thesis investigates how migration fatality and disappearance data can be reinterpreted through material craft to create a more reflective encounter with information. Working with the Missing Migrants Project's dataset, this project asks how design can communicate dimensions of human loss that conventional data visualization cannot reach.

The work situates contemporary border violence within a longer colonial history, arguing that the logics of surveillance and quantification that structured European imperial expansion persist in the databases that govern mobility in the Mediterranean today.

Terrazzo is a 15th-century Venetian flooring technique built from discarded fragments bound together into a unified surface. This …

Painting As Sfx, Callie Coccia

Masters Theses

Almost all of the subject matter I have been preoccupied with these past two years (and my adult life) has originated from a place of dissonance. There’s a narrative experience that things like wax figures, midcentury film, and theme parks insist upon. That narrative insistence contrasts with an observed reality. Epcot does not have a slice of Italy housed within the park, Bette Davis does not have an evil twin (A Stolen Life [1946], Dead Ringer [1964]), a wax figure of Alfred Hitchcock is not Alfred Hitchcock. Yet these narratives are so overbearingly convincing or coercive that their sweaty alternate …

Embodied River: Deliberate Unbuilding In Post-Dam Landscapes, Travis Kelley

Masters Theses

This thesis explores the possibilities and challenges that legacy hydro-powered dams and mill complexes offer. Through historical and contemporary analysis of New England’s 14,000 dams and of a particular site in Maynard, Massachusetts, the research delves into the factors that make these interventions so challenging. It begins from an assumption rooted in the ethical and environmental imperative to remove or modify legacy dams, which are those built for a purpose that is no longer being utilized, and rejects the existing binary of “remove” vs “preserve,” which is the dominant narrative in the dam removal conversation as it exists in 2026. …