Digital Commons Network^™

Wake Up Running! : A Call To Ethical Leaders In Quest Of Democratic Space, Walter Earl Fluker

Intersections

No abstract provided.

Full Issue

Intersections

No abstract provided.

Home And Religion, Emma Alexandra Grimley, Orlando Woods, Lily Kong

Research Collection College of Integrative Studies

This chapter explores how religious practices and identities intersect with the home as both a construct and physical locale and surveys the social science literature on religion in/and the home. We argue that the shifting space-times of religious practice reflect and influence the changeable and porous boundaries between public and private space, the home and beyond the home. This influence is shown by reference to three areas of focus: the home as a private space of and for religion; the use of religion to cross social and spatial boundaries of home; and the reconfiguration of the home in religious practice …

Eugene Talmadge’S Library Book Purge Of 1941, David B. Parker

Georgia Library Quarterly

In Summer 1941, Governor Eugene Talmadge ordered a purging of 23 books from Georgia’s public school libraries. The books covered several subjects: race relations, sex education, evolution, South-bashing, states’ rights, communism, and more. He was planning on running for a US Senate seat in 1942, and perhaps he did this to attract voter support—showing that he would protect the state’s traditional values from various modern threats. There was immediate opposition, with many people comparing Talmadge’s ban to German Nazism.

The Reception Of Fiducia Supplicans As Indicative Of The Paths Of Synodality, Chimaobi Clement Emefu Cssp

Spiritan Horizons

No abstract provided.

A Love Letter To My Sisters, Angel Jones

Gatherings

This epistolary submission is written in response to experiences at the State of Women of Color in NY Higher Education symposium in March 2025.

The Paradox Of The Broker: Why Educators Of Color Must Be Supported, Not Just Celebrated, Tatiana C. Parker

Gatherings

In this article, Dr. Tatiana C. Parker examines the transformative potential of social capital brokering within the higher education system, particularly for communities that have been systematically excluded through opportunity hoarding and network closures both historically and presently. Institutions of learning have long served as sites for the transmission of instrumental (tangible) and expressive (emotional) social capital returns. Yet, the same system that has supported mobility is now under attack through the divestment of education, ideological resistance, and the longstanding disenfranchisement of educators of color.

Drawing on her research regarding Black women and upward mobility, she asserts that when educators, …

Comparative Legal Rhetoric, Lucy Jewel

Kentucky Law Journal

No abstract provided.

Raphael Say Dan Non-Toxic Masculinity Dalam Dunia Mode Prancis, Layyina Arifah Shabira, Airin Miranda

Multikultura

Non-Toxic Masculinity kini menjadi wacana penting dalam merespons maskulinitas tradisional yang kaku dan menekan. Penelitian ini menganalisis bagaimana Raphaël Say, model dan influencer asal Prancis, merepresentasikan bentuk maskulinitas yang lebih inklusif dan gender-fluid melalui platform media sosial Instagram dan TikTok. Dengan menggunakan Analisis Wacana Kritis oleh Fairclough (1995), Semiotika Roland Barthes (1957), dan Teori Performativitas Judith Butler (1990), analisis ini mengungkap bagaimana Raphaël Say membangun narasi maskulinitas baru yang ekspresif, lembut, dan menantang norma gender hegemonik. Melalui visual, gaya berpakaian, bahasa tubuh, serta narasi digital yang ia tampilkan secara konsisten, Say memanfaatkan media sosial sebagai ruang resistensi terhadap konstruksi gender …

Mentalitas Avos’ Dalam Film Ironiya Sud’By Ili S Lyodkim Parom (Ironi Takdir, Atau Nikmati Saunamu)(1976) Karya Eldar Aleksandrovich Ryazanov, Septifa Laelasari, Thera Widyastuti

Multikultura

This study discusses the Avos’ mentality character possessed by Russian society, which is implicitly portrayed through the film Ирония Судьбы Или С Лёдким Паром (Ironi Takdir, Atau Nikmati Saunamu) by Eldar Aleksandrovich Ryazanov (1976). The purpose of this research is to identify the forms of characteristics that represent the Avos’ mentality in the film. The research method used is expository and descriptive-critical analysis. Roland Barthes’ semiotic theory (denotation and connotation) is applied to uncover the signs in the film that implicitly reveal the characteristics of the Avos’ mentality. These signs indicate traits of the Avos’ mentality, such as a …

Kekerasan Dan Kekuasaan Dalam Rumah Tangga Pada Cerpen La Confidence Karya Guy De Maupassant: Representasi Patriarki Pada Masyarakat Bangsawan Prancis, Laila Priyanka Rasani, Abellia Anggi Wardani Dr.

Multikultura

This article discusses the domestic violence portrayed in Guy de Maupassant's short story La Confidence. The story centers on Marquise de Rennedou, who recounts to her friend, Baroness de Grangerie, her revenge for her husband's harsh treatment. The purpose of this study is to explain the depiction of patriarchal normalization that causes domestic violence, as viewed through the concept of power represented in La Confidence, along with the characters' efforts to resist such violence. This research employs a qualitative methodology using A.J. Greimas’s structural analysis theory, based on the actantial and functional schemes. The actantial scheme helps identify …

Vernacularization And Bilingualism Among The Sundanese; A Case Study Of Kawi Culture, Aditia Gunawan

Wacana, Journal of the Humanities of Indonesia

This article examines the linguistic landscape of pre-modern Sunda, drawing on documents from the fourteenth to sixteenth centuries. The study highlights the significant role of Old Javanese as a cosmopolitan-vernacular language among Sundanese intellectuals, shaping bilingual practices in the region. Employing the framework of language order, which posits that languages are hierarchically structured within a culture, this research seeks to address the question: what roles did Old Sundanese and Old Javanese play within the language order of Sundanese society? To answer this, the study first traces the circulation of Old Javanese texts in the Sundanese region, analysing their impact on …

"Breaking Barriers: First-Gen Experiences", Julian Melendez Miranda

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Journey to college as a first-generation student, navigating challenges and self-doubt.

First Gen Voices, Jesus Arias

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Looking back at my first semester, I’ve made some truly fond memories. Starting off with an amazing group of people in the program and going on our retreat helped me find a community I could rely on. This community has remained by my side, even during challenging times, and for that, I’ll always be grateful. Whether it was tackling escape rooms or being part of First Year Seminar, the first-gen community has shown itself to be incredibly strong and tightly connected.

The First Generation, Alberto Martinez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

My poem basically describes how I feel as a first-generation student is. Many of us including myself, felt as if we were alone, not knowing if we have someone by our side, but through our experience, we do share a common ground. First to go is a place where we all can share that and is a place where we do not have to be alone but have the support of those around us who can relate to how we feel.

Roots, Aolanni Jimenez-Gonzalez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This poem closely focuses on my experience and acceptance of my first-generation identity. Language is a symbol of my heritage from my family and how I carry hope and resilience as I navigate my everyday life. I want to depict my journey through language and how it serves as a powerful source to communicate with my loved ones and others. While appreciating the roots and strength of my family and striving to live out my dreams and be the first of many to come.

Balance, Alondra Hernandez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Through the poem, I wanted to explain my journey as a First Gen student who was struggling to balance school and work. I also wanted to represent the many students who are facing the same fight everyday. My hope was to show encouragement and motivation to keep going.Making sure to remind yourself to live each day knowing you're doing your best.

First Doubts, Carla Bueno

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

As first-gen students, we often struggle with the identity and responsibility of being the firsts to navigate through the unknown. With this, doubts of our ability to succeed come naturally and these can be consuming. My advice is to not be afraid of using resources available and asking questions as these are the first steps into finding our way in institutions not built for us.

Dreams To Reality, Annette Gomez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Beneath the shade of the trees, I reflect on the weight of my family’s dreams and the determination it takes to pursue a degree. The clear blue skies and open spaces remind me that possibilities are just as boundless, even when the roads feel steep. Here, amidst the peace and beauty I find the strength to strive as a First-Generation Latina student.

A New Beginning, Jefferson Ramos

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

The purpose of my reflection is to demonstrate to other individuals, especially first-generation students, my experience with the college process, along with the obstacles I faced, the doubts, and everything that comes along with being the first person in your family to attend a higher education institution in the United States. In my reflection, I describe the process that I experienced, from the very beginning of high school to the start of my college journey. To finalize my reflection, I leave the reader with three important tips I have learned along the journey: being resilient, not being afraid of new …

My Experience, Gabby Flores

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This essay reflects personal experiences starting college and navigating new environments that are new to me.

Deceiving Angels Ii, Alejandra Rodriguez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

I share a dream with my family. The dream of graduating from college, getting a good job, and living a better life. A life where we won’t be financially tied down. I am now attending Loyola Marymount University and pursuing a degree in Animation. I’m the first in my family to pursue a degree in Film & Television, and even though I can’t help the thoughts that I should be doing something more “impactful,” I know that it’s my passion and that it is the combined efforts of my family and those who have helped me, that led me here. …

Trailblazin, Zahir Pineda

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

My "trailblazin" collage is just a collage of me and my brother as we grew up. It was just us two for the majority of our childhood and we were always pushed to make the most of our education here in the US. Growing up I always relied on him, and he made sure to be there to guide me and help me learn from his mistakes. Fast forward to now and we're both at LMU together, and the same way he trailblazed the path for me, I hope to do for my two younger siblings. It symbolizes what has …

Introduction

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

No abstract provided.

Family Dynamics In Everything, Everywhere, All At Once, Isabell Lachinpour

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This paper was originally a submission for my general psychology final. The prompt for it was to analyze any topic covered in class and connect to any form of fictional media. I chose to study the social psychology behind the relationships of immigrant parents and their children, connecting it to the movie Everything, Everywhere, All At Once by Daniel Scheinert and Daniel Kwan. I especially picked this movie because of how connected I felt to the characters in the movie as I have gone through some of the same experiences they have and know many immigrant children that have felt …

Introduction – Musiques Au Proche-Orient Après Le Tournant Numérique, Amr Abdelrahim, Thomas Michel, Nicolas Puig

Regards

Le développement des pratiques du do it yourself, l’avènement des home studios et la multiplication des circulations sonores (samples, échantillons sonores, etc.) grâce aux supports numériques et aux plateformes d’écoute ont modifié en profondeur la production musicale au Machreq. Cette introduction dresse le tableau des études produites sur la musique au Proche-Orient depuis l’avènement du numérique au début des années 2000 ; elle passe en revue les différents paradigmes mobilisés et propose une approche centrée notamment sur les Science and Technology Studies pour comprendre le sens des évolutions en cours.
Elle décrit ensuite les différentes contributions qui alimentent ce …

Liminality And Monopoly: Contextualizing The Transformations Within The Egyptian Digital Music Scene After 2013, Fayrouz Karawya

Regards

The echoes of the political upheavals, notably in Egypt post-2011 and elsewhere in the Arab world, have produced a supra-monopolistic structure of music production systems and streaming platforms, reflecting post-revolutionary political strategies amid autocratic restoration across the region. While the digital age initially offered greater freedom and creativity to a rising “mediated dissidence class” and countercultural music currents, post-2013 strategies increasingly instrumentalized digital platforms to impose authoritarian control and restrict musical expression. In parallel, social media platforms, which have become crucial for musical mediation, promotion, and marketing, have mirrored broader social and political polarizations that emerged in the post-2013 period. …

Le Stade Rotana De La Pop Arabe, Pierre France

Regards

Rotana, owned by Saudi prince Al-Waleed bin Talal, has been a central and ambiguous player in the Arab music industry since the 1980s, yet its history remains fragmentary and elusive. More than a simple record label with a defined sound and aesthetic, it stands as an audiovisual group embedded within a large holding company linked to Gulf-style capitalism. Rotana has established a lasting model where music operates in close connection — or dependency, from a more critical perspective — with other economic sectors, shaping both artists’ career paths (conceived as buy/sell transactions and transfer markets) and how songs are produced. …

Sonic Acts Of Care: Friendship-Based Networks And Grassroots Activism In Beirut, Rim J. Irscheid

Regards

The article examines a Beirut-based network of self-funded, independent musicians that translate memories and their emotions into artistic and activist practices. Drawing on musical albums created since the 2020 Beirut port explosion, the article explores the social and emotional impact of artist-run spaces for music production. Focusing on a friendship-based network around the collectively-run recording studio Tunefork Studios, it examines how care, trust, and solidarity with Lebanon’s citizens and music producers are translated into both their creative practices and their production and distribution strategies. I argue that Beirut-based musicians increasingly thematise the emotional toll and personal investment in political, infrastructural …

Promouvoir Son Image Et « Se Faire Un Nom » Dans La Scène Rap Proche-Orientale : L’Exemple De Soundcloud, Thomas Michel

Regards

This article examines the role of the SoundCloud platform in building careers for independent rappers and producers in the Middle East, particularly in Jordan and Palestine. Based on an ethnographic survey conducted between Amman and Jerusalem, the author analyses how artists use this platform to make themselves known, distribute their music, and navigate a digitized musical ecosystem. The study draws on Popular Music Studies and studies of digital platforms to examine three main areas.
The first concerns visibility, through the recommendation tools and playlists offered by SoundCloud, which provide local and international exposure. The second looks at the forms of …