Digital Commons Network^™

Hidden Behind Happiness: Bhutan’S Global Image And Ethnic Exclusion, Deepesh Das Shrestha

Master's Theses

Bhutan has gained international recognition for its philosophy of Gross National Happiness (GNH), which promotes holistic development through principles of well-being, environmental sustainability, cultural preservation, and good governance. Yet this celebrated image conceals a darker history: the systematic expulsion of the Lhotsampa, the Nepali-speaking ethnic minority of southern Bhutan. This study critically explores the contradiction between Bhutan's international image as a model of happiness and the lived experiences of Lhotsampa refugees who were displaced during the early 1990s.

Using a qualitative phenomenological research design, the study draws upon in-depth semi-structured interviews with six resettled Bhutanese Lhotsampa refugees living in the …

A Pot Of Gold At The End Of The Assembly Line: Jewelry, Facture, And Alienation, Jonathon A. Zalakos

Masters Theses

A Pot of Gold at the End of the Assembly Line integrates icons of mass-manufacturing with signifiers of joyful work, stimulating a dialogue between industrial and craft labour. Visible traces of the making process left on these works conjure a spectral ‘maker’, implied by the fingerprints, toolmarks, assembly, and conspicuous decision making of an ‘other’. As we relate to these signifiers as opportunities for our own bodily action, this spectre speaks in our own voice. Possessed by this ghost, viewers are vicariously thrust into an imaginary context and made sensitive to the nature of this work — whether it validates …

Embodied Leadership And Conditional Legitimacy: Critically Conscious Male Leaders Navigating Systems Of Power, Luis A. Legaspi

Dissertations

Leadership is not a neutral concept; it is shaped by overlapping systems of power, including empire, whiteness, neoliberal capitalism, and cisheteropatriarchy. These interlocking systems influence how leadership is defined, recognized, and legitimized, often privileging particular identities and forms of authority. The persistent underrepresentation of people of color, women, and queer individuals in positions of leadership reflects how dominant conceptions of leadership remain closely aligned with historically entrenched structures of power.

This critical narrative inquiry study examines how men, who disproportionately occupy positions of social and institutional authority, make meaning of masculinity, power, and leadership within these systems. Drawing on relational …

Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du

Masters Theses

Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …

Where My Memory Settles, Rachel Kobb

Masters Theses

My memory is blurry but ever present in an atmospheric state. Through my investigations of memory and sensorial experience, this thesis is an attempt to understand how the body recalls the spaces I have spent the most time: my various homes through life.

The output of this thesis is a paper installation that layers and translates spatial qualities of my past homes. The home is not a neutral container, but instead a space that should support a sense of retreat and security. Drawing upon Gaston Bachelard’s zones of experience, I explore how a domestic space is moved through distinct zones. …

Fetishismus:Facism, Sodomy, And The Exhibition, Matthew P. Gershovich

Masters Theses

Fetishismus examines the contemporary dislocation between homosexuality and queerness. Homosexuality is the biological, innate quality of same-sex attraction. Queerness is rooted in deviance, perversion, and sociologically attached to the “other.” Although almost always used in an explicitly homosexual connotation, “queerness” is not entirely contingent on the physical engagement of homosexual acts. In historical usage, queer is used as a pejorative adjective, implying a lack of masculinity with the intent to invoke repulsion. In contemporary parlance the two are treated as synonymous. This intertwined relationship relies on the forced lack of social and spatial belonging that is rooted in a foundational …

The Birdwatching Pause: Reframing Campus Life Through Everyday Bird Encounters, Katherine Zeng

Masters Theses

Birdwatching, typically framed as a leisure pursuit removed from everyday life, becomes here the organizing logic for a three-site campus route of restorative pause. The thesis departs from the assumption that nature must be sought out and instead asks what happens when the birds already present in urban space are made legible through design.

Three existing RISD buildings anchor the project, each organized around a distinct mode of encounter. At Carr Haus Café, a furniture-scaled insertion creates conditions for attentional reset through passive listening rather than active looking. At North Hall, a semi-open balcony garden introduces incidental, distanced contact with …

The Frame You're Holding, Andrea Mato

Masters Theses

The Frame You're Holding explores how my photographer's eye transitioned into a graphic designer's voice. The projects presented explore how to weave the textural and subjective qualities of photography into a design context. My practice explores how the frames of graphic design – the page of a book, the browser window, or the wall of an exhibition – can be expanded or reimagined. As a designer, I became the translator of content into form, seeking to author the design while collaborating with other voices. The Frame You're Holding is a snapshot of my practice as a graphic designer, encapsulating my …

My Mother The Mountain, Ricky Vasan

Masters Theses

Teach me How to Write a Love Song

I catch a glimpse of my mother sitting on her bed in her bedroom from the bathroom mirror. What a rare occurrence! One I am not fortunate enough to witness as often as I would like. A moment that I know —even before it has occurred—will one day become my dearest desire for wanting to turn back time. This moment is a mirage. Once I return to my senses, after the passing of a twelve-hour lag, it will already be too late.

This is the place where I wish to work from. …

“The Duty Of Hatred”: Anti Germanism In Ohio During Wwi, Quinn Edward Hall

History Undergraduate Senior Theses

During the First World War Ohio was engulfed in an environment of anti-Germanism. In an effort to mobilize the public for war, the federal and Ohio state governments labeled German-Americans and Germanness as an existential domestic threat. It was thus framed that policing the loyalty of German-Americans and riding the state of its German character were essential wartime duties. This ideology led Ohioans to eliminate German language from schools, purge the state of German culture, engage in mob violence against their German American neighbors, and successfully utilize anti-Germanism to enact statewide prohibition. While other historians have suggested that this anti-Germanism …

Subversives On The Small Screen: Unions, The Television Blacklist, And The Politics Of Fear In 1950s America, Emma Coulter

History Undergraduate Senior Theses

No abstract provided.

Held In Sediment, Kati Lowe

Masters Theses

This thesis examines time as a durational, non-linear condition shaped through emotion and perception rather than a sequence of forward-moving events. Through painting and related material strategies, the work focuses on aftermath, residue, interruption, and return. Throughout this thesis, terms such as misalignment, double vision, fragmentation, interruption, and recurrence function as a conceptual vocabulary for describing instability within memory, embodiment, and lived experience. Blurred edges, doubled forms, and punctures in the surface register a lag between experience and comprehension, especially in relation to grief, trauma, depression, memory, and embodied perception. Neon color functions as a counterpoint to delay, signaling persistence, …

Useful Useless Object, Jisu Han Jung

Masters Theses

If spicy ramyun is spicy for others but not for me, is it still spicy

ramyun? This question begins Useful Useless Object, my investigation

into furniture as a site where function, perception, and value are

constantly negotiated rather than fixed. From this question, I

explore how meaning is shaped by the unstable relationship between

object and user. In furniture, usefulness is often treated as an

objective standard, measured by comfort, efficiency, or practicality.

However, this project argues that usefulness is never universal;

it is subjective, relational, and dependent on individual experience,

expectation, and desire.

Through making objects that sit between …

The Right To Withdraw: Soft Boundaries And Material Refuge In The Workplace, Zhihao (Sky) Xing

Masters Theses

Traditionally, architecture has provided physical protection through solid structures and defined boundaries, while modern interior spaces have evolved further to serve function, efficiency, and the operational needs of society. These include open-plan offices, art school studios, and other public spaces like libraries. Although physical rigidity and operational efficiency have been well served by the modern built environment, the psychological experiences of those within it remain largely overlooked - a lack of privacy, emotional support, and space for emotional withdrawal.

This research explores why contemporary workplaces often expose individuals to sensory overload and why people often retreat to stairwells, restrooms, or …

Collecting Meaning: A Study On Collecting As An Artmaking Practice, Johanna Young

Masters Theses

This thesis explores how we practice creativity and construct narratives through the act of building collections. It examines collecting as both an innate creative impulse and a learned process. Using arts-based research and narrative inquiry, the study considers how our collecting habits reflect the ways we process information and express personal artistic interests. Drawing from personal experiences, this thesis mines the idea of the subconscious through the artistic lens of collecting.

1, 2, 2, 1, 1, 2, 1, 2, 2, 1, 2, 2, 1, 1, ..., Annemarie Torresen

Masters Theses

1

I invite you to see it and feel it and sit in it and breathe it in and

hold it in your lap. Art isn’t too scary, and neither is math.

2

bouncing between bounds of a binary

bippity boppity! let’s break brains and bread

balance or belly flop, what’s mine is yours:

bumptious and bumbling and barely able

i offer it broken and let you like it that way

Numb., Anna Rapson

Masters Theses

Social media platforms, from their conception, posed a break in the lived experience of the average human being’s day to day routines. Although access to information has always been shaped by portals into other lived realities—through photojournalism, print legacy media, news broadcasts both on radio and television—social media has posited a novel phenomenological architecture where borders between embodied reality and perception of lived experience are simultaneously blurred and reinforced. This morphed duality of consciousness positions the body and mind in tension, deconstructing pre-social media conceptions of the ontology of lived experience. In a digital world shaped by limitless input by …

Finding A Way Out Of The Filter Bubble: The Confusion Of A Heavy Social Media User, Longwen Miao

Masters Theses

This thesis studies how algorithmic recommendation systems reshape visual perception, aesthetic judgment, and the construction of selfhood within contemporary digital culture.

Everything begins with the experience of repeatedly encountering algorithmically recommended content on everyday digital platforms. On these platforms, images, sounds, and social interactions are continuously selected, repeated, and reorganized by predictive systems, forming an environment in which perception is constantly structured and adjusted.

From this observation, the research raises two central questions: how do algorithmic recommendation systems reshape visual perception, aesthetic judgment, and self-recognition, and how might these systems be intervened in or made perceptible through artistic practice? Within …

Always More To Explore: Play And Resilience In Community-Based Artmaking, Charlotte T. Faubert

Masters Theses

The following research investigates the ways in which material exploration in community-based artmaking spaces fosters learning through play and creative resilience. Using teacher-based action research, three visual arts workshops were designed, conducted, and reviewed in order to understand how community-based teaching strategies that center material exploration impact these two components of social emotional growth in elementary-aged art students. The conclusions drawn from this research indicate that material exploration, learning through play, and creative resilience are elements within community-based artmaking that form an ecosystem of learning, with all three phenomena feeding off of one another in a non-linear capacity. Additionally, it …

What Teachers See: Collaborative Artmaking In Chinese And U.S. Elementary Schools, Jiayu Shi

Masters Theses

This study explores how elementary art teachers in the United States and China perceive and use collaborative artmaking with their students. Driven by my personal journey as a Chinese student and art educator now studying in the U.S., this research asks: How do teachers in these two countries compare in their views of collaborative artmaking, including its social-emotional outcomes, benefits, and challenges. I conducted semi structured interviews with three elementary art teachers: two from China (one veteran, one early-career) and one from the U.S. with experience in both rural and urban schools. Findings show that teachers in both contexts value …

Critical Connections: An Evaluation And Envisioning Of Partnership Between Art Museums, Schools, & Central Offices, Bennett R. Portillo

Masters Theses

This thesis investigates systemic impediments to implementing partnerships between schools, art museums, and school districts’ central offices. This research suggests cross-sector connection and worker solidarity as strategies for resisting extremists efforts to de-coordinate the U.S. education system. Research methods include a review of existing literature and interviews with practitioners for the purpose of identifying shared values, challenges, and misconceptions in partnerships. From an anti-deficit perspective, the data analysis critically evaluates educational non-profits’ corporate values and re-centers practitioners' interpersonal investments.

What A Wonderful Dream, Zhaoyue Chen

Masters Theses

This thesis explores the relationship between childhood memory, cuteness, fantasy, and psychological tension through ceramic sculpture and installation. Drawing from amusement imagery, toys, consumer objects, animal forms, and decorative environments, my work investigates how cuteness can function as an emotional and visual surface rather than simply representing innocence. While these forms often appear soft, playful, and comforting, they can also evoke feelings of restraint, instability, vulnerability, and discomfort.

The title What a Wonderful Dream was inspired by a visit to a Winnie the Pooh ride at Disneyland with my close friend and her eleven-month-old baby girl. That experience led me …

Domestic Travelers: Transparent Machines, Hollow Bodies, Hanyi Wang

Masters Theses

Digitization is not a modern invention. Derived from the concept of fingers, this mindset of packing information into quantifiable, interchangeable units sounds mechanical, yet eerily physical. Try to imagine: a ghostly hand with millions of fingers with the same length, likeness, and function. Under the worldview of Digital Narrative, we live in a digital simulation: everything is representable with quantifiable units, fluid across media. Yet under this spectacle of convenient abundance, something is missing. The Unknowables are replaced with arbitrary symbols, while the Uncategorizables are omitted. This is a framework that cannot accommodate human subtleties and complexities. One needs to …

Until The Ground Breaks, Annie Hu

Masters Theses

Until the Ground Breaks explores the complex relationship between personal memory, embodied experience, and internalized "archival logic." By examining long-term cross-cultural diasporic experiences and the shifting dynamics of family narratives—including the sensory experiences and fading memory of a grandmother, a father's correspondence that acts as a textual record of emotional logic, and the continuous revision of family history—this thesis dissects the psychological tremors that occur when the illusion of a singular, stable memory archive collapses. This research rejects the view of memory as a static container of truth, revealing it instead as a dynamic, unstable, and constantly rewritten living system. …

41.82379°N, 71.38497°W, Xiaotong Cai

Masters Theses

I, Xiaotong Cai, have known an abandoned bridge was lifted and stuck at 64-degree from 1976. I have walked and bent down towards it for over 60 times, each paralleling a journal entry. The visits and 27,351 words (up until May 5th) are the living proof: observation, encounters, correspondence, collectively and personally. It’s been nine months since it emerged in flux. Two flesh. A moving outsider and a still bridge. How can an Unused giant activate a human body? Who is the attractor and intervener?

Here, my solution is to conduct a series of small gestures. I say, interpreting without …

The Role Of Halina In Indecent, Grace Olinksi

Student Theses

In December of 2025, I had the privilege of playing Halina in Paula Vogel’s theatrical love letter Indecent. It ran December 5th-9th in the New Workshop Theater at Brooklyn College, and was directed by MFA Directing candidate Sam Plattus. Indecent sprawls across time and place to tell the story of Sholem Asch’s controversial and groundbreaking play God of Vengeance. Halina, the female “Middle,” of Vogel’s archetypal acting troupe, takes on the roles of many mature and worldly women, including Manke, the prostitute and doomed lover of God of Vengeance, the actresses who portray Manke throughout the play’s history, hopeful immigrants, …

Boring Objects Bureau, Eric Fan

Masters Theses

The Boring Objects Bureau is an anti-sustainability design studio. Through its work, the Bureau is interested in developing new strategies that can challenge the stereotypes of what sustainability looks like for the products that underpin our modern lives.

The Bureau’s first investigation focused on the smartphone, a product where breakage and decay through obsolescence is inevitable. As a result, people are faced with either the expected sustainable approach of repair, which can be expensive and inconvenient, or replacement, which costs more and restarts the cycle. The Bureau therefore wanted to ask: could this breakage and decay instead be embraced as …

Care Ecologies Between Knots, Eliza R. Marris

Masters Theses

Discarded fibers like raw wool behave the way harm reduction does. Harm reduction resists stigma and works to move beyond assumptions and oversimplifications of substance use and addiction. Wool is irregular, complicated, and emotionally charged. It resists compression and maintains its own being even when pulled apart. Working with raw wool is in relationship with complexity, as is harm reduction.

At its core, harm reduction is grounded in thoughtfulness and empathy towards people, their lived experience, and its nuances. It is a witness to lives, memories, and imprints, acknowledging the entangled realities of addiction. Our detachment from fiber remainders, materials …

The Marathon Without Running: Experiencing A Runner's Sensorial Journey, Harin Kim

Masters Theses

The marathon is defined not by motion alone, but by the changing conditions a body moves through—and remains within—over time. Breath, cadence, heat, sound, crowd compression and attention fluctuate, producing phases that structure the race from within. These interior states are difficult to access by spectators from the sidelines, yet they are precisely what shape the runner’s experience.

This thesis begins with a simple but unconventional question: How can an exhibition translate the runner’s physical sensations and emotions into a multidimensional experience for spectators who do not run? Through a sequence of pop-up exhibitions placed along the New York City …

How To Make A Jumpsuit, Xue Huang

Masters Theses

Through interdisciplinary artistic research combining illustration, embroidery, garment construction, and installation, this thesis investigates how patriarchal narratives become internalized within the female body and disconnect women from embodied forms of feminine knowledge and vitality.

Drawing from Michel Foucault’s theories of disciplinary power, Jungian psychology, Traditional Chinese Medicine, and feminist writings by Audre Lorde and Karina Blancarte, the project examines how systems of productivity, control, and gendered ideology shape both psychological experience and bodily perception.

The thesis culminates in a large-scale textile installation titled How to Make a Jumpsuit, consisting of embroidered silk panels, commercial jumpsuit pattern pieces, meridian imagery, sculptural …