Digital Commons Network^™

Early Islamic-Period Glass Finds From Ramla, Tamar Winter

'Atiqot

The excavation at Ramla yielded a rich variety of glass finds, most of which were free-blown and decorated, and some production remains. Some of the finds are characteristic of the Umayyad period, while most date to the Abbasid–Fatimid periods, with some types continuing into the Mamluk period. The rich variety of the glass assemblage and sophisticated nature of the vessel types attest to the affluence of the population inhabiting this part of Ramla, and the familiarity of this population with contemporary trends of the glass industry.

Provenance Study Of A Double-Stamped Jar Handle Of The Early Islamic Period From Ramla, Nitzan Amitai-Preiss, Anat Cohen-Weinberger

'Atiqot

A zir-jar handle found on the surface in Area B of the excavation in Ramla exhibited two stamps of identical design and orientation. It seems to have been produced in a workshop in the vicinity of Jerusalem (Nebi Samwil?) during the Early Islamic period.

Pottery And Stone Objects From The Abbasid–Fatimid Periods At Ramla, Hagit Torgë

'Atiqot

The pottery assemblage from the excavation at Ramla comprises well-known vessel types of the late Abbasid–Fatimid periods, mostly dating between the ninth and eleventh centuries CE. Most of the vessels were locally made; however, fine-ware vessels imported from as far as Egypt and China, were also found. Other probably imported items from Egypt are a Shabti figurine and a fragment of green marble. These luxury finds indicate that the area was most likely part of the affluent neighborhood of Ramla uncovered south of the White Mosque in the Early Islamic period.

Remains Of Buildings And Installations From The Late Abbasid–Fatimid And Mamluk Periods In Ramla, Ron Toueg, Hagit Torgë

'Atiqot

Salvage excavation carried out at Ramla revealed three strata in Area A (Strata III–I), comprising remains of buildings, installations, water cisterns, channels and cesspits ascribed to the late Abbasid–Fatimid periods (second half of the ninth to the end of the eleventh centuries CE). The latest occupation phase in Area A (Stratum I) was a short-term secondary use of Fatimid-period structures by inhabitants of the Mamluk period (thirteenth–sixteenth centuries CE). These remains were part of a previously exposed affluent neighborhood. The high economic status of the inhabitants of this area was further indicated by luxury finds, such as imported pottery vessels, …

Remains Of A Rural Settlement From The Late Hellenistic–Early Roman Periods And A Hiding Complex From The Roman Period At Ḥorbat Mazruq Near Abu Ghosh (With A Contribution By Donald T. Ariel), Daniel Ein-Mor

'Atiqot

Three areas were excavated at Ḥorbat Mazruq (A1–A3), revealing two structures with shafts in their courtyards leading to underground chambers, and a water reservoir that was incorporated into a subterranean hiding complex. Four burial caves were surveyed northwest of Area A1, only one was fully plotted; they probably served the residents of the site. The ceramic and numismatic finds date the architectural remains to the end of the second century BCE until the first century CE. The ceramic material found within the hiding complex, which canceled the original use of the installations at the site, is typical of the first …

Early Bronze Age Fauna From Tel Lod, Edward F. Maher Maher

'Atiqot

The excavations at Tel Lod yielded a small zooarchaeological assemblage, primarily dating to Early Bronze Age IB (Strata VII–IV); the material from the latest occupation (Strata III–II) dates to late EB IB or the EB IB/EB II transition. The fauna of both phases is dominated by domestic stock, comprising sheep, goats, cattle and pigs, which were used both for primary products, such as meat, and secondary products, such as dairy, wool, hair, traction and for breeding. Wild animals, such as boar, gazelle, deer and hare, were also occasionally exploited.

The Flint Assemblage From Tel Lod, Polina Spivak

'Atiqot

A total of 2258 flint items were unearthed during the excavation at Tel Lod, originating in five well-defined strata (VII–II) dated to EB IB and the EB IB/EB II transition. The assemblage comprises elements from two main flint industries: the Pottery Neolithic Lodian Culture and the Early Bronze Age Canaanean blade industry. The lithic assemblages from Tel Lod reflect the agricultural activities pursued by the inhabitants of this settlement during both the Late Neolithic and the Early Bronze periods.

Early Bronze Age Remains At Tel Lod, Amir Golani

'Atiqot

A rescue excavation conducted in the southwestern part of the Early Bronze Age mound at Lod exposed an intensive settlement. The architectural remains of Strata VI–IV demonstrate the use of rounded exterior corners for domestic structures, characteristic of the end of EB I and the transition into EB II. The architectural remains associated with Strata IV–III include large, possibly public buildings dating to the end of EB IB. The ceramic assemblages from Strata VII–II are typical of late EB I in central and southern Israel. Two Carbon-14 dates from Stratum IV indicate a date at the beginning of EB IB …

Early Bronze Age Ia Settlement Remains At Ḥorbat Ḥammim (South), Near Modi‘In, Edwin C.M. Van Den Brink, Liora Kolska Horwitz, Ofer Marder, Henk K. Mienis

'Atiqot

The excavation at Ḥorbat Ḥammim (South) yielded a rock-cut basin and a small cave within a limestone bedrock outcrop. The basin is similar to other rock-cut installations previously exposed in the area and dated to the Chalcolithic period.
The manmade rock-cut cave was entered through a shaft. The sediments from the shaft and the cave consisted of many potsherds, stone tools and animal bones, that may have been washed into the cave, or intentionally discarded in it. The cave may have been quarried as early as the Late Chalcolithic period, although the bulk of the pottery dates to EB IA, …

The Mollusks From Tel Bet Yeraḥ, Inbar Ktalav

'Atiqot

Bivalve remains retrieved from EB II–III Strata at Tel Bet Yeraḥ include specimens originating from the Sea of Galilee and from the Mediterranean Sea. The mollusks indicate the exploitation of nearby sources for food and raw material for fashioning decorative items, as well as long distance trade connections with the Mediterranean coastal region. A broken valve of Glycymeris nummaria, with an artificial perforation in the umbo, was probably collected on the shore and used as a pendant.

The Fauna From Tel Bet Yeraḥ, Miriam Pines

'Atiqot

A small assemblage of 20 bones was retrieved from Tel Bet Yeraḥ, the majority originating from EB III Strata III–I. Most of the bones belong to adult sheep/goat and cattle.

The Ground Stone Tools From Tel Bet Yeraḥ, Gil Haklay, Ianir Milevski

'Atiqot

A total of 19 ground stone artifacts were recovered from Tel Bet Yeraḥ. Nearly all were made of basalt, while some mortars and perforated stones were made of limestone; one item, a rubbing stone, was made of pumice. Although small, the ground stone tool assemblage conforms with previous observations at this EB II and III site.

The Flint Assemblage From Tel Bet Yeraḥ, Maayan Shemer

'Atiqot

The excavation at Tel Bet Yeraḥ yielded 209 flint items, originating from five distinct occupation strata. The assemblage generally represents an industry characteristic of the Early Bronze Age, defined mainly by the consistent presence of Canaanean blades. The abundance of Canaanean blades produced from local raw material may indicate the existence of a specialized workshop near the site.

A Ceramic Zoomorphic Figurine From Tel Bet Yeraḥ, Nadeshda B. Knudsen

'Atiqot

A well-made ceramic zoomorphic figurine was recovered from a domestic EB IB context (Stratum V) in the southern part of Tel Bet Yeraḥ. The physical characteristics of this figurine suggest that it was intended to represent an equid, possibly a donkey. Such animal figurines are common at Early Bronze Age sites, usually representing familiar domesticate animals. The purpose of these figurines remains obscure, with multiple suggestions offered, including their use as toys, talismans, teaching aids, exchange tokens, or for rituals.

Early Bronze Age Remains In The Southern Part Of Tel Bet Yeraḥ, Amir Golani

'Atiqot

Five strata were exposed during a salvage excavation near the southwestern fringes of Tel Bet Yeraḥ: late EB I (Stratum V), EB II (Stratum IV) and EB III (Strata III–I). The direct superposition of the strata suggests a minimal time interval between the occupations and a nearly continuous habitation. The architectural remains attest that this area was domestic in nature, a conclusion further supported by the small finds, which include a large quantity of holemouth vessels, probably used as cooking pots, fauna, flint, ground stones and mollusks. This part of the site appears to have been finally abandoned in EB …

Late Chalcolithic And Early Bronze Age Ia Settlement Remains At Kafr Kanna, Lower Galilee, Edwin C.M. Van Den Brink, Valentine Roux, Anastasia Shapiro, Maayan Shemer

'Atiqot

Four strata were distinguished at the site: Stratum 4, dating to the Late Chalcolithic period; Strata 3 and 2, to EB IA; and Stratum 1, sub-recent. The Late Chalcolithic remains consisted of a stone surface and an underlying fill, and the EB IA remains included wall segments of three structures: two buildings (Stratum 3) and a wall of a large double-apsed structure (Stratum 2). The technological analysis of the pottery from the site testifies to a transmission from the Late Chalcolithic to Early Bronze Age populations in the way of making utilitarian ceramics, indicating continuity of the same population. The …

Front Matter, The Editorial Board

'Atiqot

No abstract provided.

Has Spain Recovered From The 2008-2009 European Financial Crisis?, Blake H. Rogers

CISLA Senior Integrative Projects

The 2008-2009 Financial Crisis, which originated in the United States, shocked global markets. Being incredibly linked to the United States' markets, European markets like Spain felt the effects first. However, their build-up to the crisis was unique to the United States, its fellow European Union members, and the PIIGS nations. The PIIGS nations, comprising Portugal, Italy, Ireland, Greece, and Spain, were a collection of primarily Southern European economies whose accession into the European Union led to unchecked borrowing at previously unheard-of interest rates. These rates created a massive cycle of borrowing to invest but ceased as the crisis halted all …

The Seed Of The Serpent And The Seed Of The Woman In The Standard Works, Noel Hudson

Interpreter: A Journal of Latter-day Saint Faith and Scholarship

The curse of the serpent in Genesis 3:15 is presented as an archetype for the battle between good and evil. An ancient Hebrew literary form that ties together multiple stories through a common set of images, situations, repeated words, and phrases, is termed a leitmotif. A biblical leitmotif based on the curse of the serpent in Genesis 3 and the curse of Cain in Genesis 4 is found throughout both the Old and New Testaments and is referred to as the seed of the serpent leitmotif. Hebrew prophets, early Christians, and protestant reformers all found the seed of …

The Calvin Forum: Winter 2025, Calvin Theological Seminary

Calvin Theological Seminary Forum (2002- )

CONTENTS - Vol. 35., WINTER 2025

Main Features: 2 - Letter from the President

6 - Where are the Pastors?

10 - Formation of Leaders in a Liminal season

16 - Where do Pastors come from?

23 - The minister as a manager of the mysteries of God

29 - Pastors are there and will be there

34 - Who will disciple the next generation of Disciple-makers?

39 - Raising up Ministry Leaders from the next generation

42 - Training Ministry leaders from the next generation

48 - Hope in the ruins

55 - A journey through Seminary in …

Prepping For The Last Battle, Daniel C. Peterson

Interpreter: A Journal of Latter-day Saint Faith and Scholarship

Intellectually acute, deeply learned, brilliantly imaginative, yet popular and easily accessible, C. S. Lewis was arguably the greatest Christian apologist of at least the past century. I believe that Latter-day Saints can benefit greatly from reading him and re-reading him and that those who are unfamiliar with his writing have an enviable treat awaiting them. I’m also convinced, by my own experience, that those who return to his work after having read some of it once, long ago, will find his books at least as good as they seemed on first acquaintance. In fact, they may even find, as I …

Full Issue

Interpreter: A Journal of Latter-day Saint Faith and Scholarship

No abstract provided.

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

The Categorisation Of Different Periods In Indian Art & The Market’S Role, Devashi Jain

MA Theses

When one thinks of Indian art, a broad spectrum of types of art & periods come to
mind. Each period is marked by distinct differences in style, influence, medium and
more, yet a significant number of these periods are grouped together, despite the
differences. Indian art is traditionally seen on the market under the Antiquities, or
Modern & Contemporary category in spite of the distinguishable differences in the
aesthetic, and cultural context. These categories inform market perceptions, value of the works as well as preferences of the collectors, and hence it is imperative to have well defined categories. This paper …

Islamic Themes In Us Hip-Hop Culture, Anders Ackfeldt

Music & Performance in Muslim Contexts

Explores how Islam is produced in American hip-hop culture by both Muslims and non-Muslims

Islam has been a part of hip-hop culture since it sprang from New York’s street culture in the 1970s. Today hip-hop has evolved into a global artform with a diversity of Muslim Islamic discourses expressed. Using tools from the field of social semiotics, this book examines how Islamic themes feature in US hip-hop culture, maintaining a particular awareness that both Muslims as well as non-Muslims participate in their production.

Anders Ackfeldt analyses a collection of lyrics, sounds and images to show how Islamic themes are featured …

A Discourse On Madina Fāzila, Virtuous State, In Muslim Thought: An Overview Of Jalāl-Al-Dīn Muḥammad Davānī’S Aḵlāq-E-Jalālī, Nazim Aman-Hunzai, Muhammad Nazir, Faizeh Zehra Mirza

Institute for Educational Development, Karachi

This study focuses on Jālāl-al-Dīn Muḥammad Davānī (1426–1502) as an illustrative figure in Muslim political thought, who offered a comprehensive perspective on the characteristics of an ideal Muslim state. Drawing on Davānī’s magnum opus, Akhlaq-e-Jalālī, the study explores his ethical framework for understanding the interrelationship between the individual, the state, and society. This work remained among the most influential writings on Muslim ethics, particularly in the Indian context, and continued to shape Muslim intellectual discourseand educational curricula well into the late 20th century. Its enduring presence highlights its intellectual relevance and its capacity to inspire ongoing debates on Muslim ethics.This …

Disorienting "Western" Viewers With Nacer Khemir's Desert Trilogy, Kristian Peterson

Philosophy Faculty Publications

In this essay, I explore tensions that arise when creating alternative cinematic visions of Muslim life, specifically frictions emerging from the goal of shifting public perception of the community and patterns of self-orientalization. Here, I complicate assumptions about the representation of Islam by looking at a self-articulated presentation of Muslims through the narrative feature series the Desert Trilogy, by Tunisian director Nacer Khemir (born 1948). I argue that Khemir is ensnared by ahistorical Islamic nostalgia and largely reinforces romantic orientalist aesthetics in his films. While his portrait of Muslims is much more “positive” than those in the broader archive, it …