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Articles 841 - 870 of 3304
Full-Text Articles in Entire DC Network
Marine Melodies: Traditional Scottish And Irish Mermaid And Selkie Songs As Performed By Top Female Vocalists In Contemporary Celtic Music, Olivia H. Phillips
Marine Melodies: Traditional Scottish And Irish Mermaid And Selkie Songs As Performed By Top Female Vocalists In Contemporary Celtic Music, Olivia H. Phillips
Undergraduate Honors Theses
Mermaids and human-seal hybrids, called selkies, are a vibrant part of Celtic folklore, including ballad and song traditions. Though some of these songs have been studied in-depth, there is a lack of research comparing them to each other or to their contemporary renditions. This research compares traditional melodies and texts of the songs “The Mermaid,” “The Grey Selchie of Sule Skerry,” and “Hó i Hó i” to contemporary recordings by top female vocalists in Scottish and Irish music.
The texts and melodies I have identified as “source” material are those most thoroughly examined by early ballad and folklore scholars. The …
Music Appreciation Course Design: Facilitating The Increased Participation Of Non-Music Majors In Collegiate Music Performance Ensembles, Rebecka Elizabeth Rose
Music Appreciation Course Design: Facilitating The Increased Participation Of Non-Music Majors In Collegiate Music Performance Ensembles, Rebecka Elizabeth Rose
Doctoral Dissertations and Projects
The cessation of music performance after high school graduation can be mitigated through recruitment type course design methods interwoven within collegiate Music Appreciation courses. When appropriately designed, Music Appreciation could serve as a catalyst for resuming musical participation in music ensembles. This study investigated how the college level Music Appreciation course may renew interest in performing music by non-music major students. Best teaching methodologies and Music Appreciation curriculum components to engage non-music majors are examined in addition to music ensemble recruitment techniques that can be integrated within Music Appreciation course design. This study is of qualitative design and utilizes the …
School Of Music Faculty/Staff Newsletter, May 2021, School Of Music
School Of Music Faculty/Staff Newsletter, May 2021, School Of Music
School of Music Faculty/Staff Newsletter
Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.
The Arranging Techniques Of Leon “Smooth” Edwards And Their Application To Calypso-Styled Classical Music Arrangements For Steel Orchestra, Michelle A. Rudder
The Arranging Techniques Of Leon “Smooth” Edwards And Their Application To Calypso-Styled Classical Music Arrangements For Steel Orchestra, Michelle A. Rudder
Electronic Theses and Dissertations
The steelpan was invented in the 1930s in Trinidad and Tobago. It has evolved over the past eighty years. Although steelbands are now found across the globe and at all levels of music education, academic research regarding the music of the steelpan and its composers and arrangers is scarce. This paper examines six works for steelband by Leon “Smooth” Edwards, a prominent arranger of indigenous steelband music for the Panorama competition in Trinidad and Tobago. Music scores for four of the works have been notated for the first time. The paper documents Edwards’ variation development techniques, voicing, and orchestration. The …
The Art Of Incorporating Afro-Latin Rhythms In Modern Jazz: In The Style Of Maria Schneider, Kristen Janelle
The Art Of Incorporating Afro-Latin Rhythms In Modern Jazz: In The Style Of Maria Schneider, Kristen Janelle
Composition/Recording Projects
This thesis explores how Afro-Latin rhythms came into use in modern jazz, specifically in the work of Maria Schneider and the author. Several Afro-Latin genres are explained theoretically and historically.
University Band, April 28, 2021, F. Mack Wood
University Band, April 28, 2021, F. Mack Wood
School of Music Programs
Braden Auditorium
April 28, 2021
Wednesday Evening
7:00 p.m.
Unity On The Surface, Laura Spinelli
Unity On The Surface, Laura Spinelli
Prologue: A First-Year Writing Journal
No abstract provided.
Illinois State University String Orchestra, April 25, 2021, Glenn Block
Illinois State University String Orchestra, April 25, 2021, Glenn Block
School of Music Programs
Center for the Performing Arts
April 25, 2021
Sunday Afternoon
7:00 p.m.
String Orchestra, April 25, 2021, Glenn Block
String Orchestra, April 25, 2021, Glenn Block
School of Music Programs
Center for the Performing Arts
April 25, 2021
Sunday Afternoon
7:00 p.m.
Wind Symphony, April 24, 2021, Anthony C. Marinello Iii, Lauren Bobarsky
Wind Symphony, April 24, 2021, Anthony C. Marinello Iii, Lauren Bobarsky
School of Music Programs
Center for the Performing Arts
April 24, 2021
Saturday Evening
5:00 p.m.
Symphonic Winds, April 24, 2021, F. Mack Wood
Symphonic Winds, April 24, 2021, F. Mack Wood
School of Music Programs
Center for the Performing Arts
April 24, 2021
Saturday
Noon
Contemporary Monacan Nation Identity Expression: A Music And Cultural Arts Study, Gretchen Cline, Katherine Morehouse
Contemporary Monacan Nation Identity Expression: A Music And Cultural Arts Study, Gretchen Cline, Katherine Morehouse
Liberty University Research Week
Graduate
Three Minute Thesis
Ja Rusyn Byl (I Am Rusyn): Household Folk Music As Resistance To Oppression, Spencer Mcneill
Ja Rusyn Byl (I Am Rusyn): Household Folk Music As Resistance To Oppression, Spencer Mcneill
Undergraduate Research and Scholarship Symposium
The Rusyns are a people indigenous to the Carpathian Mountains and its surrounding areas. Despite attempts by the Ukrainian government and surrounding nations to silently erase Rusyn culture from history, the Rusyn people have a distinct identity independent from that of any bordering nation. This unique identity is best outlined through Rusyn folk songs which depict pastoral images of the Carpathian homeland and patriotic tales of Rusyn ancestry. Much work to date has already been done documenting post Velvet Revolution revival of Rusyn culture. Because of this, I will instead focus on the lesser-known time prior and leading up to …
Contemporary Monacan Nation Identity Expression: A Music And Cultural Arts Study, Gretchen Cline, Katherine Morehouse
Contemporary Monacan Nation Identity Expression: A Music And Cultural Arts Study, Gretchen Cline, Katherine Morehouse
Liberty University Research Week
Graduate
Applied
Songs Of The Sea And The Sailor: Demystifying The Mythology Of British Sailing Culture, Henry Strobel
Songs Of The Sea And The Sailor: Demystifying The Mythology Of British Sailing Culture, Henry Strobel
Undergraduate Research and Scholarship Symposium
Sea shanties have generally been accepted as the main relic of the culture of British sailors: a mythology that permeates the 19th and 20th century describing the harsh, unforgiving and yet in many ways romanticized life at sea. The repertoire of this time was eventually written down and catalogued by folk music collectors such as Cecil J. Sharp, who were hoping to record and preserve the British identity for generations to come. However, in researching the etymology of these songs as well as the first-hand accounts of sailors, there is a significantly greater layer of complexity to this history than …
Introduction To World Music, Antoni Piza
Introduction To World Music, Antoni Piza
Open Educational Resources
MUS102 Syllabus & weekly course schedule
Japanese Popular Culture Influences In Contemporary Black American Rap And Hip-Hop, Rodrianna Gaddy
Japanese Popular Culture Influences In Contemporary Black American Rap And Hip-Hop, Rodrianna Gaddy
Senior Theses
Since hip-hop’s emergence in New York during the early 1970s, there has been an increasing amount of Japanese popular cultural references in Black American rap and hip-hop. This increase is made possible through globalization and innovations in communication technology. Most previous research on the trend has focused primarily on the impact hip-hop has had on Japanese culture, and how Afro-Asian collaborations have shaped music produced in the East and West. However, this thesis focuses on the influence various forms of Japanese media and history have had on contemporary Black American rap and hip-hop. I evaluate how artists can display these …
Songs For The Journey: The Music Of Pilgrimage, Joshua Taylor
Songs For The Journey: The Music Of Pilgrimage, Joshua Taylor
Doctor of Pastoral Music Projects and Theses
Pilgrimage has been a part of Christian experience since biblical times. Creating new stories, pilgrimage affords sacred travelers experiences that transcend nationalism, denominational identity, and cultural borders melding their individual constructs of meaning with communal experiences to create new insights. On these pilgrimages, music has played a significant role in the development of community. While pilgrimage is an independent act, it is also a shared existence with other pilgrims with music serving as a bridge between these two realities. With an estimated 100 million people undertaking pilgrimages at the beginning of the twenty-first century, the rediscovery of pilgrimage, and the …
A Stylistic Analysis Of Edvard Grieg’S Slåtter, Norwegian Peasant Dances, Op. 72, Zhiyuan He
A Stylistic Analysis Of Edvard Grieg’S Slåtter, Norwegian Peasant Dances, Op. 72, Zhiyuan He
Theses and Dissertations
Slåtter, Norwegian Peasant Dances, Op. 72 is a composition for solo piano by Norwegian composer Edvard Grieg (1843-1907). This set is one of his greatest contributions to piano literature, and shows his attempt to bring the traditional folk music to the rest of the world. The object of this study is to aid musicians toward a better understanding of Slåtter through a stylistic analysis of the work. The study includes historical information about the composer and his connection with nationalism in Northern Europe, and conveys how Slåtter can be considered a culminating work representing traditional Norwegian style characteristics.
The document …
Old Maid And The Thief; Gallantry, April 8, 2021, School Of Theatre And Dance
Old Maid And The Thief; Gallantry, April 8, 2021, School Of Theatre And Dance
Programs - Theatre, Dance, and Film
The School of Theatre and Dance and School of Music present:
Gallantry, written by Arnold Sundgaard; book, music, and lyrics by Douglas Moore
Old Maid and the Thief, written by Gian Carlo Menotti
April 30, 2021, 8:00 p.m.
Presented on WGLT Radio
Mapping Of Research Publications On Ethnomusicology Through The Lens Of Web Of Science, Puspanjali Hazarika, Atrayee Kashyap
Mapping Of Research Publications On Ethnomusicology Through The Lens Of Web Of Science, Puspanjali Hazarika, Atrayee Kashyap
Library Philosophy and Practice (e-journal)
This study attempts to define ethnomusicology as the study of people making music through the lens of mapping of research publications. People make sounds that are in ways or other sometimes considered as “music,” stretching into a specific cultural domain. This study delves into the idea of different types of music publications as a contingent cultural category. The necessary data were collected from the Web of Science database during 1996-2020 and analyzed accordingly.
Teach Them To Groove : Jazz Pedagogy Strategies In Undergraduate Multi-Percussion, Rachel Agan
Teach Them To Groove : Jazz Pedagogy Strategies In Undergraduate Multi-Percussion, Rachel Agan
Theses and Dissertations
No abstract provided.
Illinois State University String Orchestra, Concert Choir, March 28, 2021, Glenn Block, Karyl Carlson
Illinois State University String Orchestra, Concert Choir, March 28, 2021, Glenn Block, Karyl Carlson
School of Music Programs
Center for the Performing Arts
March 28, 2021
Sunday Afternoon
3:00 p.m.
School Of Music Faculty/Staff Newsletter, March 2021, School Of Music
School Of Music Faculty/Staff Newsletter, March 2021, School Of Music
School of Music Faculty/Staff Newsletter
Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.
Wind Symphony, February 28, 2021, Anthony C. Marinello Iii, Lauren Bobarsky
Wind Symphony, February 28, 2021, Anthony C. Marinello Iii, Lauren Bobarsky
School of Music Programs
Center for the Performing Arts
February 28, 2021
Sunday Evening
4:00 p.m.
Symphonic Winds, February 26, 2021, F. Mack Wood, Lauren Bobarsky
Symphonic Winds, February 26, 2021, F. Mack Wood, Lauren Bobarsky
School of Music Programs
Center for the Performing Arts
February 26, 2021
Friday Evening
8:00 p.m.
Symphonic Band, February 24, 2021, Anthony C. Marinello Iii
Symphonic Band, February 24, 2021, Anthony C. Marinello Iii
School of Music Programs
Center for the Performing Arts
February 24, 2021
Wednesday Evening
8:00 p.m.
Illinois State University String Orchestra, February 21, 2021, Glenn Block
Illinois State University String Orchestra, February 21, 2021, Glenn Block
School of Music Programs
Center for the Performing Arts
February 21, 2021
Sunday Afternoon
3:00 p.m.
The Making Of An Avant-Gardist: A Study Of Rafael Aponte-Ledée’S Early Life And Works (1957–1966), Noel Torres-Rivera
The Making Of An Avant-Gardist: A Study Of Rafael Aponte-Ledée’S Early Life And Works (1957–1966), Noel Torres-Rivera
Dissertations, Theses, and Capstone Projects
This dissertation explores the interconnectedness of political and musical discourses in Latin America by examining the formative years of Puerto Rican composer Rafael Aponte-Ledée (b. 1938), a leading figure in the Puerto Rican avant-garde movement in the late 1960s. Through extensive archival research, oral history, and qualitative field work, I analyze his time as a student at the Real Conservatorio Superior de Música de Madrid (1957-1964) and at the Centro Latinoamericano de Altos Estudios Musicales del Instituto Torcuato Di Tella in Buenos Aires (1965-1966). With this, I address the intricate network of musical works, events, mentors, institutional discourses, textbooks, technologies, …
New Chinese Music In New York City: From Revival To Musical Transnationalism, Serena Yiai Wang
New Chinese Music In New York City: From Revival To Musical Transnationalism, Serena Yiai Wang
Dissertations, Theses, and Capstone Projects
The Pulitzer Prize (2011, Zhou Long’s Madame White Snake), a Metropolitan opera commission (Tan Dun’s The First Emperor, premiered 2006), and the Ives Living Award (Chen Yi, 2001) are just some of the high-profile awards and commission bestowed upon Chinese émigré composers who have studied and built their professional reputation in New York City. The works of Chinese composers constitute what I call “new Chinese music,” which I argue has played a defining role in New York City’s cultural landscape and in the development of Western art music in general. The influence of Chinese composers and their works …