Digital Commons Network^™

Program Book - 2006 Calvin Symposium On Worship: Word, Music, Vision, Action, Calvin Institute Of Christian Worship

Symposium on Worship Archive

Program book for the 2006 Calvin Symposium on Worship, including the schedule, presenter bios, and practical information.

Musical Life At Mission Santa Clara De Asis, 1777-1836, Margaret L. Cayward

Research Manuscript Series

The Spanish missions in Califomia¹ were frontier outposts established in order to defend northern borderlands and also to extend Spanish civilization to the peoples of California. From the founding of Mission San Diego in 1769 to the secularization of Mission Santa Clara in 1836, these settlements remained distant from the Spanish metropolitan areas, yet not "off the end of the road" when it came to European cultural life. The Spanish crown, in conjunction with the Roman Catholic Church,² sent Franciscan missionaries³ to "reduce" the Indian communities in California into concentrations of the population into religious settlements known …

Summer 2006, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format. "The WMPG 'Zine"

The Politics Of Implementing Local Cultures In Music Education In Taiwan, Wai-Chung Ho

Research & Issues in Music Education

Recent studies of the localization and globalization of Taiwan’s music education cannot explain the complicated interplay between localization and the pursuit of local cultures in national development and policy making in the broader society, and in school education in Taiwan between the late 1980s and 2004. Features of localization in Taiwan’s music education include the highlighting of local artists and musical styles such as Taiwanese opera, puppetry shows, and local folk music in the curriculum. More importantly, music education to support the indigenous core values of peace, the beauty of the homeland, and harmony in society and in everyday life …

Frustrations Of The Documentary Linguist: The State Of The Art In Digital Language Archiving And The Archive That Wasn’T, Robert E. Vann

Department of Spanish Research

This paper is a qualitative review and critique of existing electronic language archives from the perspective of the documentary linguist. In today’s day and age there are many online archives available for storage of and access to digital language data, among others: AILLA, ANLC, ASEDA, DOBES, ELRA, E-MELD, LACITO, LDC, LPCA, OTA, PARADISEC, Rosetta, SAA, THDL, and UHLCS. It is worth pointing out that I use the term language archive loosely in this paper, referring to a variety of organizations and resources such as those listed above that store and provide digital language data to different degrees and for different …

About The Authors

Textile Society of America: Symposium Proceedings

About the Authors

A-Z

Nettie Adams

Monisha Ahmed

...

Yoshiko Iwamoto Wada

Stephen Wagner

A Country That Ain’T Really Belong To Me’: Dominicanyorks, Identity And Popular Music, Angelina Tallaj

Publications and Research

No abstract provided.

Richard Wallaschek's Nineteenth-Century Contributions To The Psychology Of Music, Amy B. Graziano, Julene K. Johnson

Music Faculty Articles and Research

RICHARD WALLASCHEK (1860-1917) is most widely known for his contributions to comparative musicology; however, he also made significant contributions to the field of music psychology. From 1890 to 1895, Wallaschek pursued interdisciplinary studies at the British Museum in London. During this time Wallaschek proposed theories about the perception and production of music. According to Wallaschek, the perception of music occurs through two types of mental representation: Tonvorstellung (tone representation), which referred to the perception of individual musical elements, and Musikvorstellung (music representation), which referred to the perception of the higher-order structure of music. Wallaschek emphasized Gestalt-like concepts in his discussion …

Harmonically Combined Contour Icons For Concurrent Auditory Display, Charlie Cullen, Eugene Coyle

Conference papers

This paper considers the harmonic combination of basic melodic shapes known as contour icons in concurrent auditory displays. Existing work in the field (such as that concerning earcons) has considered the combination of patterns designed using low level cognitive features, and so effective streaming is difficult. This work investigates means by which musical patterns with high level cognitive features (such as contour) representing data values can be rendered concurrently, so that multiple data sets can be effectively conveyed using an auditory display. The detection and comprehension of harmonically combined contour icons was tested in comparison to those combined uniquely (non …

Brazilian Nationalistic Elements In The Brasilianas Of Osvaldo Lacerda, Maria Jose Bernardes Di Cavalcanti

LSU Major Papers

Brazilian composer Osvaldo Lacerda (b. 1927) is an important figure in the Brazilian nationalist school of composition, following the tradition of Camargo Guarnieri. This study examines Brazilian nationalistic elements in the Brasilianas, a series of twelve suites for piano composed by Lacerda. These piano suites, written between 1965 and 1993, each comprise four movements, utilizing a wide variety of genres. This monograph is divided into three chapters. The first chapter provides a background on Brazilian history and Brazilian musical nationalism. The second chapter consists of information about Lacerda. The third chapter contains historical aspects and musical characteristics of the genres …

Concert Recording 2006-01-29, Christopher Lacy, Holly Gash, Luis Giron May, Robert Richardson, Treva Thoms, Sarah Mesko, Andjela Subotic, University Of Arkansas, Fayetteville. Opera Theater

Concert Recordings & Programs

Thais / Massenet

Flamenco In Focus: An Analysis Of A Performance Of Soleares, Peter L. Manuel

Publications and Research

No abstract provided.

The Saga Of A Song: Authorship And Ownership In The Case Of ‘Guantanamera’, Peter L. Manuel

Publications and Research

No abstract provided.

Musical Pattern Design Using Contour Icons, Charlie Cullen, Eugene Coyle

Conference papers

This paper considers the use of Contour Icons in the design and implementation of musical patterns, for the purposes of detection and recognition. Research work had endeavoured to deliver musical patterns that were both distinct and memorable, and to this end a set of basic melodic shapes were introduced using a Sonification application called TrioSon that had been designed for the purpose. Existing work in the field (such as that concerning Earcon design) has considered the mechanisms by which patterns may be made distinctive, but it is argued that separate consideration must be given to the method of making such …

Tan Dun's Eight Memories In Watercolor: Insights Into Performance, Zhen Zeng

Theses : Honours

"Shostakovich, as· a composer also living under a dictatorship, taught me to express deep humanity. From Takemitsu, I learned that Western and Eastern instruments can be part of the same color palette. John Cage led me to discover structures and sounds as yet unknown, by always keeping an open mind. I owe deepest thanks to these three composers, whose contributions to music have also helped me develop myself---as a composer from a·. traditional culture, growing up in a high-pressure society, living in a now international world." (Tan Dun) The global reach of Tan Dun's music reached its zenith recently at …

Folk Wiki: The Shared Traditions Of Folk Music And The Wiki Way, Phillip Mark Chamberlin

USF Tampa Graduate Theses and Dissertations

Wiki is often perceived as representing a revolutionary break from conventional notions of authorship, writing, and textual history. Dialogues concerning Wiki tend to ignore the characteristics that Wiki shares with earlier forms of collaboration, particularly folk music. In both Wiki and folk music, content is often collectively shared and authored, even if specific individuals create and change the content. Many collaborators are anonymous, quasi-anonymous, or pseudo-anonymous, but the perception of this anonymity is, in both genres, problematic. Second, both Wiki documents and folk songs exist in the "Eternal Now," a seemingly perpetual state that makes these texts available for addition, …

Thai Popular Music: The Representation Of National Identities And Ideologies Within A Culture In Transition, Lamnao Eamsa-Ard

Theses: Doctorates and Masters

Thai popular music always reflects and reproduces the concerns of Thai people in changing times especially in regard to issues relating to identity. The purpose of this study was to investigate the relationship between the preservation of Thai identity and the ideologies surrounding it and the adoption of Western innovation in Thai popular music. The issues surrounding the identity and ideology of Thais, such as class, gender and ethnicity are explored within the area of Thai popular music. I use ethnography as the major tool for gathering and analysing the research data. Using triangulated ethnographic techniques, involved in-depth interviews, focus …

Marshall University Music Department Presents The Third Annual Festival Choir Weekend, David Castleberry

All Performances

No abstract provided.

Louis Armstrong And The Image Of New Orleans: The Popular As Consequential, Connie Zeanah Atkinson

Midlo Center Publications

No abstract provided.

Vol. 28 Nos. 3/4 (2005): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Vol. 28 Nos. 3/4 (2005): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 28, Nos. 3/4-Sept/Dec 2005 edition of the Pacific Studies Journal.

Summer 2005, 90.9 Wmpg Fm

WMPG Program Guides

Summer 2005

Issue 04, Cariso!Summer 2005, Columbia College Chicago

Cariso! The Alton Augustus Adams Music Research Institute newsletter

Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: "Performance Forum on VI Music and Dance Traditions", "CBMR Rockefeller Resident Fellows for 2005-06", "March 2005 Lecture and Summit", "AMRI Holds First Workshop for Teachers", "Family of the 'Duke of Iron' Donates Instrument to the People of the Virgin Islands", "Upcoming AMRI Events", "Brown Girl in the Ring and Other Game Songs of the U.S. Virgin Islands", "Stanley …

Three Violin Sonatas By Twentieth Century Mexican Composers: An Alternative To The Standard Violin Literature With Pedagogical Application, Martha Placeres

Theses and Dissertations - UTB/UTPA

The project "Three Violin Sonatas by Twentieth Century Mexican Composers: an Alternative to the Standard Violin Literature with Pedagogical Application" has as its objectives to introduce violin music by Mexican composers to the community of the Rio Grande Valley, to demonstrate how these works can become part of the standard violin repertoire, and to develop pedagogical strategies for teaching these pieces.

To start this project, it was necessary to choose and incorporate the following composers: Manuel Maria Ponce Cuellar because he is the most known and prolific composer in Mexico and also well-known around the world; Blas Galindo Dimas because …

Program Book - 2005 Calvin Symposium On Worship: Word, Image, Music, Action, Calvin Institute Of Christian Worship

Symposium on Worship Archive

Program book for the 2005 Calvin Symposium on Worship, including a schedule, presenter bios, and practical information.

Spring 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.

Fall/Winter 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Issue 03, Cariso! Winter 2005, Columbia College Chicago

Cariso! The Alton Augustus Adams Music Research Institute newsletter

Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: ""Christmas with the Ancestors: Jonkonnu and Related Festivities in Jamaica", "New AMRI Hours", "St. John People Love and Honor Their Elder Musicians", "Support from VICA", "St. Croix Colloquium" , "Rockefeller Fellow Dr. Kennth Bilby Lectures on Jonkonnu", "Teaching the Music of Alton Adams", "Tra-la-la-la-la: Music in the U.S. Virgin Islands", "The 2004=05 Rockefeller Fellows". Issue 3, 12 pages.

Ancient Maya Music Now With Sound, Cameron Hideo Bourg

LSU Master's Theses

The subject of Maya music is by no means a new field of study for Hispanic cultural scholars or Mesoamerican anthropologists. For example, the archeological reports of Dr. Norman Hammond and Dr. Paul Healy have greatly increased the information in this area of study. The instrumentation utilized by ancient Maya musicians and the raw materials that were the essence of their production have been the major themes in these previous publications. However, these perspectives exclude the sound of music and aspects of ancient Maya society. This thesis has been planned to examine ancient Maya music according to archaeology, society and …

Religious Processions: Urban Politics And Poetics, Lily Kong

Research Collection School of Social Sciences

In this paper, I will explore the ways in which processions, by their very visibility, foreground the relationships between the secular and the sacred, while contributing to a construction of identity and community, and simultaneously surfacing fractures therein. Using the example of multireligious yet secular Singapore, I will examine (a) the state's management of religious processions, including the regulation of time and space for such events, as well as regulations over noise production; (b) the tactics of adaptation, negotiation and resistance that participants engage in at an everyday level in response to the state's ideologies, policies, laws and strategies; (c) …