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Pro Musica Newsletter, Spring 2011, Bowling Green State University. College Of Musical Arts Apr 2011

Pro Musica Newsletter, Spring 2011, Bowling Green State University. College Of Musical Arts

Pro Musica Newsletters

No abstract provided.


Soul Medicine: The Role Of Traditional Senegalese Music In A Therapeutic Context, Alexa K. Dorris Apr 2011

Soul Medicine: The Role Of Traditional Senegalese Music In A Therapeutic Context, Alexa K. Dorris

Independent Study Project (ISP) Collection

The purpose of this study was to discover the role of traditional Senegalese music used in therapeutic contexts. Specifically, I sought to discover its uses and understand the ideologies and cultural significance behind its usage. I collected data using participant observation, interviewing, and archival research in Dakar and Ngoundiame, a Serrere village, Senegal. I found that music was used for cathartic and healing purposes in two primary schools in Dakar and in the traditional ndepp ceremony, respectively. These usages of music reflected larger themes in Senegalese culture. In conclusion, I recommended that music be integrated into mental health treatment through …


Red Note New Music Festival Poster, 2011, School Of Music, Carl Schimmel Apr 2011

Red Note New Music Festival Poster, 2011, School Of Music, Carl Schimmel

Red Note New Music Festival

The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.


Like The Roar Of A Thousand Thunders: Instrumental Music And Creativity In Tibetan Buddhist Ritual, Eben Yonnetti Apr 2011

Like The Roar Of A Thousand Thunders: Instrumental Music And Creativity In Tibetan Buddhist Ritual, Eben Yonnetti

Independent Study Project (ISP) Collection

Tibetan Buddhism has numerous detailed and diverse traditions of ritual music that play an integral part in religious practices. Despite the prominence of such performances in Tibetan Buddhist life, spectators and researchers alike have frequently misunderstood them based purely on physical observation. As a religion that focuses on the cultivation and development of the mind, any analysis focusing only on physical description is significantly flawed. Music in Buddhist practice is at a base level a sound offering. On a higher level, however, it is much more. If done with the proper motivation, musical performance during ritual is a method to …


"Go In De Wilderness": Evading The "Eyes Of Others" In The Slave Songs, Erik Nielson Mar 2011

"Go In De Wilderness": Evading The "Eyes Of Others" In The Slave Songs, Erik Nielson

School of Professional and Continuing Studies Faculty Publications

This essay explores the trope of the wilderness in the slave spirituals, arguing that it functions to recreate symbolically the natural landscape into which slaves regularly took refuge in order to elude white surveillance. Drawing on a variety of sources, it considers the unique surveillance culture in the antebellum South, its effect on the everyday lives of the slaves, and the ways in which the slaves used their natural surroundings to avoid it. It then uses a close analysis of the song "Go in the Wilderness " as a point of departure for a broader discussion of the way the …


[Review Of] Blues, Funk, Rhythm And Blues, Soul, Hip Hop And Rap: A Research And Information Guide, Robert A. Aken Feb 2011

[Review Of] Blues, Funk, Rhythm And Blues, Soul, Hip Hop And Rap: A Research And Information Guide, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.


Cseas Weekly Bulletin (January 24, 2011), Center For Southeast Asian Studies Jan 2011

Cseas Weekly Bulletin (January 24, 2011), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.


Digital Preservation And Spatial Representation At The Washington Square Mound Site (41na49), Nacogdoches County, Texas, Robert Z. Selden Jr. Jan 2011

Digital Preservation And Spatial Representation At The Washington Square Mound Site (41na49), Nacogdoches County, Texas, Robert Z. Selden Jr.

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

Thirty-one years of excavations at the Washington Square Mound site (41NA49) have produced a large number of artifacts, excavation records, field notes, photographs, slides, maps, excavation profiles, and plan view maps. This article is the product of an effort to synthesize the aforementioned information for the initial field school which occurred in the summer of 1979. Through the use of geographic information systems (GIS), a digital grid was constructed atop aerial photography to house the digitized information within a spatial representation of the provenience from which it was recovered. This allows a query of the artifact catalog to produce the …


Community Singing As Troubled Learning: Exploring Musical, Social, And Ethical Dimensions Of Safety And Risk Among Adult Singers, Deanna Yerichuk Jan 2011

Community Singing As Troubled Learning: Exploring Musical, Social, And Ethical Dimensions Of Safety And Risk Among Adult Singers, Deanna Yerichuk

Music Faculty Publications

How are safety and risk negotiated within community singing? Many group facilitation techniques within adult education take as foundational that participants must feel safe to participate fully in group learning. This concern for participants safety acknowledges that power and privilege circulate unequally within any social learning context, shaped by race, gender, class, ability, sexual orientation, and in the case of singing, musical competencies. However, community singing can be safe without being comfortable. Comfort, therefore, is not the same as safety, although the two concepts are often conflated. A lack of ease with the process and/or content suggests a possibility of …


Stabat Mater, Gustavo Leone Jan 2011

Stabat Mater, Gustavo Leone

Department of Fine & Performing Arts: Faculty Publications and Other Works

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries.

In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several of these …


Misa Espiritu Santo, Gustavo Leone Jan 2011

Misa Espiritu Santo, Gustavo Leone

Department of Fine & Performing Arts: Faculty Publications and Other Works

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries.

In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several of these …


Whence Comes Black Art?: The Construction And Application Of “Black Motivation”, Derrell Acon Jan 2011

Whence Comes Black Art?: The Construction And Application Of “Black Motivation”, Derrell Acon

Lawrence University Honors Projects

George Schuyler, in his tragically misguided 1926 essay for The Nation magazine, “The Negro-Art Hokum,” suggests that the only difference between Blacks and Whites is the color of skin, and that both races experience the same social, psychological and educational forces in America. He blatantly disregards American racism and inequality, and in his attempt to put forth his advocacy of color-blindness he merely projects and perpetuates the most racist of ideals within our country. Schuyler views the concept of Black Art very narrowly and insists on the impossibility of such an idea because of the supposed Americanness of the art. …


Ethnomusicology [And Aesthetics], Peter L. Manuel Jan 2011

Ethnomusicology [And Aesthetics], Peter L. Manuel

Publications and Research

No abstract provided.


Tunepal: Searching A Digital Library Of Traditional Music Scores, Bryan Duggan, Brendan O'Shea Jan 2011

Tunepal: Searching A Digital Library Of Traditional Music Scores, Bryan Duggan, Brendan O'Shea

Reports

Purpose – This paper aims to describe the Tunepal project as an example of a music information retrieval (MIR) system that is having an impact on how musicians access, learn and play traditional Irish music around the world. Design/methodology/approach – This paper describes the functionality of the Tunepal system: consisting of the tune corpus, the web site tunepal.org and mobile apps supporting iOS and Android OS. Tunepal facilitates query-by-title and query-by-playing music (QBP) searches and allows a musician to retrieve and playback scores amongst other supported functions. Findings – Tunepal has been favorably received and musicians report that the system …


Brazilian Music For Youth Choir By Funarte: Exploring Issues Of Pedagogy And Authenticity In Brazilian Choral Music, Diego Daflon Tavares Pinto Jan 2011

Brazilian Music For Youth Choir By Funarte: Exploring Issues Of Pedagogy And Authenticity In Brazilian Choral Music, Diego Daflon Tavares Pinto

LSU Master's Theses

The purpose of this study is to stimulate the dissemination of Brazilian choral repertoire, especially the pieces from the series Brazilian Music for Youth Choir by FUNARTE, and provide accurate interpretative information for authentic performance and effective teaching. Musical and pedagogical analyses of three of the pieces from the series by FUNARTE (2009) were done as means to the purpose of the study. In addition, ethnographic interview were held with the composers of each of those pieces, Paulo Malaguti, Leandro Maia, and Caio Senna, and the technical-pedagogical coordinator of the series, Eduardo Lakschevitz. Through the interviews with the composers it …


Regina Caeli, Gustavo Leone, Martin Schmid S.J. Jan 2011

Regina Caeli, Gustavo Leone, Martin Schmid S.J.

Department of Fine & Performing Arts: Faculty Publications and Other Works

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries.

In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several of these …


"India", In "Classical Aesthetic Traditions Of India, China, And The Middle East", Peter L. Manuel Jan 2011

"India", In "Classical Aesthetic Traditions Of India, China, And The Middle East", Peter L. Manuel

Publications and Research

No abstract provided.


Red Note New Music Festival Program, 2011, School Of Music Jan 2011

Red Note New Music Festival Program, 2011, School Of Music

Red Note New Music Festival

The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.


Interpretation And Expressive Imagery In The Butterfly Lovers Violin Concerto On Double Bass: Transcribed By Yung-Chiao Wei, Min-Tzu Chao Jan 2011

Interpretation And Expressive Imagery In The Butterfly Lovers Violin Concerto On Double Bass: Transcribed By Yung-Chiao Wei, Min-Tzu Chao

LSU Doctoral Dissertations

The purpose of this research paper is to show the interpretation of the Chinese piece—The Butterfly Lovers Violin Concerto—through expressing imagery. The concerto is composed by Chen Gang (陳鋼) and He Zhan-hao (何占豪) in 1959. In 2004, Yung-Chiao Wei, a double bass professor at Louisiana State University transcribed the piece for double bass. It is a very useful repertoire for double bass players to experience Chinese music through the plot’s expressing imagery. The Chinese musical language is different from Western music language in the concept of pentatonic scale, tone color, and tempo. I believe that double bass players can effectively …


My Bad Romance: Exploring The Queer Sublimity Of Diva Reception, Blake Paxton Jan 2011

My Bad Romance: Exploring The Queer Sublimity Of Diva Reception, Blake Paxton

USF Tampa Graduate Theses and Dissertations

This study explores the historic relationship between pop music divas and gay male fandom. It charts fan experiences from the early 60s with Judy Garland to contemporary times with pop diva Lady Gaga. This project also gives a description of the embodied experience of Brett Farmer’s “queer sublimity of diva reception.” Farmer (2005) argues that diva worship among gay men has become a queer sublimity, “the transcendence of a limiting heteronormative materiality and the sublime reconstruction, at least in fantasy, of a more capacious, kinder, queerer world” (p. 170). Using the methods of participant observation in drag performance and karaoke …


Pop Song As Custom: Weddings, Ethnicity, And Entrepreneurs In West Sumatra, Jennifer Fraser Jan 2011

Pop Song As Custom: Weddings, Ethnicity, And Entrepreneurs In West Sumatra, Jennifer Fraser

Faculty & Staff Scholarship

No abstract provided.


Nationalism And Its Expression In Cuba’S Art Music: The Use Of Folklore In Mario Abril’S “Fantasia (Introduction And Pachanga)” For Clarinet And Piano, Nikolasa Tejero Jan 2011

Nationalism And Its Expression In Cuba’S Art Music: The Use Of Folklore In Mario Abril’S “Fantasia (Introduction And Pachanga)” For Clarinet And Piano, Nikolasa Tejero

University of Kentucky Doctoral Dissertations

In the centuries since the colonization of the New World, the people of Cuba created a strong musical tradition. Initially, their music mirrored the European composition canons of structural, melodic and harmonic order. The eventual confluence of its distinct cultural elements (i.e. the European, African, and, to a lesser extent, Amerindian) led to the emergence of a new, distinctly Cuban musical tradition.

The wars for independence that began in the United States and Europe in the eighteenth century created a surge towards political and cultural autonomy that swept across the Latin American colonies, generating a wave of nationalism during the …


Vol. 33 No. 2/3 (2010): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Dec 2010

Vol. 33 No. 2/3 (2010): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 33, No 2/3-Aug/Dec 2010 edition of the Pacific Studies Journal.


Vol. 33 No. 2/3 (2010): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Dec 2010

Vol. 33 No. 2/3 (2010): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …


Human Things: Rethinking Guitars And Ethnography, Matthew L. Hale Dec 2010

Human Things: Rethinking Guitars And Ethnography, Matthew L. Hale

Masters Theses & Specialist Projects

This work is about objects and their makers, their relationship, and the negotiation between tradition and innovation in the creation of things. I explore the relationship between tradition, innovation, and technology as it pertains to the creation, perception, and interaction with acoustic steel string guitars and ethnographies. First, I focus on the works of two Nashville based guitar makers, Grant and Cory Batson. I investigate the ways in which the Batsons critically evaluate traditional construction techniques and design features as they create their instruments, looking at their theories of tone production, methods of construction, and their perceptions and uses of …


A Comparative Analysis Of Parallel Revisionism In The Plays Rabinal Achí And Zoot Suit, Matthew C. Lewis Nov 2010

A Comparative Analysis Of Parallel Revisionism In The Plays Rabinal Achí And Zoot Suit, Matthew C. Lewis

Theses and Dissertations

This study draws parallels between the dramatic works Rabinal Achí­, an anonymous ancient Mayan text, and the Luis Valdez masterpiece Zoot Suit. The parallel that I seek to establish is one of the strong trend of historical revisionism in both works as well as a parallel development of plot and characterization. This work does not claim to be representative of revisionism as a whole, nor does it seek to establish a new official history, but it does to demonstrate how both works, even though they are separated by hundreds of years, share a common bond of subversion and …


Ua68/1/3 Arts & Letters, Vol. 2, No. 1, Wku Potter College Of Arts & Letters Oct 2010

Ua68/1/3 Arts & Letters, Vol. 2, No. 1, Wku Potter College Of Arts & Letters

WKU Administration Documents

Magazine created by WKU Potter College of Arts & Letters regarding faculty and student research, events and programs.


Kahn Chronicle: Fall 2010, Smith College, Kahn Liberal Arts Institute Oct 2010

Kahn Chronicle: Fall 2010, Smith College, Kahn Liberal Arts Institute

Kahn Chronicle

Table of Contents:

Marking Time: Smith's Newest Time Capsule
Information Sessions: Renaissances & Evil
2010-2011 Student Fellowships
Short-term Project Fellowship Opportunities
Neilson-Kahn Seminar
News Briefs
Tes Slominski: Mellon/ ACLS Fellow
Wellness & Disease Project Final Report
Telling Time Project Final Report
A Note from the Director


Textile Society Of America Newsletter 22:3 — Fall 2010, Textile Society Of America Oct 2010

Textile Society Of America Newsletter 22:3 — Fall 2010, Textile Society Of America

Textile Society of America: Newsletters

Reflections of a Symposium Co-Chair [Textiles and Settlement: From Plains Space to Cyber Space, 12th Biennial Symposium, Lincoln, Nebraska, October 6–9, 2010]
From the President
TSA News
TSA Member News
In Memoriam: Elayne Zorn, 1952–2010
Symposium Exhibition: Binary Fiction: Digital Weaving 2010
Conference Reviews
Exhibition Reviews
Book Reviews
Featured Collection [Bowes Museum, Barnard Castle, Durham, England]
Collection News
Textile Community News
Publication News
Calendar-Conferences & Symposia, Exhibitions, Lectures
Call for Papers


Rhythms: Music At The University Of Northern Iowa, V29, Fall 2010, University Of Northern Iowa. School Of Music. Oct 2010

Rhythms: Music At The University Of Northern Iowa, V29, Fall 2010, University Of Northern Iowa. School Of Music.

Rhythms: Music at the University of Northern Iowa

Contents:

From the Director --- 1
-- School of Music Ensembles Perform for Dalai Lama --- 2
-- Varsity Men's Glee Club Tours Italy and Celebrates 50 Years --- 3
-- Texas Tenor on a Wild Ride --- 4
-- Alumnus Jim Linabon Launches New Television Series --- 4
-- Here's To Us! School of Music Alumna Elly Leslie Releases New Album --- 5
-- Giving Back: James Coffin Visiting Artist Jazz Fund --- 5
-- Jazz Division Celebrates Successful Year --- 6
-- Alumni Success Stories: Dave Lisik --- 7
-- Join us for an Evening in Paris --- …