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Articles 1801 - 1830 of 3306
Full-Text Articles in Entire DC Network
A New Kind Of National: Modified String Quartet Practices In Post-Soviet Eurasia, Adam Taylor Lenz
A New Kind Of National: Modified String Quartet Practices In Post-Soviet Eurasia, Adam Taylor Lenz
Masters Theses
This thesis examines the practices of string quartet modification implemented by three post-Soviet Eurasian composers: Franghiz Ali-Zadeh (Azerbaijan), Vache Sharafyan (Armenia), and Dmitri Yanov-Yanovsky (Uzbekistan). After an introduction to the geography of the region and the biographies of the composers, their works containing modified string quartet configurations are examined within three distinct modification practices. These practices consist of the addition of outside instruments, the addition of electronic components, and the alteration of performance practice. The evaluation of these techniques is carried out through musical analysis and examination of cultural context. After each work has been examined, the body of works …
Marketing In A Multimedia Era, Jamie Armstrong
Crossed Boundaries In Musical Culture Between Asia And The West, Kheng K. Koay, Mikel Ledee
Crossed Boundaries In Musical Culture Between Asia And The West, Kheng K. Koay, Mikel Ledee
CLCWeb: Comparative Literature and Culture
In their article "Crossed Boundaries in Musical Culture between Asia and the West" Kheng K. Koay and Mikel LeDee examine Tony Prabowo's Pasar Loak (Flea Market) for soprano and percussions and Chinary Ung's Grand Alap (A Window in the Sky). Composers Prabowo and Ung adopt modernist techniques from Western and traditional Asian music cultures in their compositions. Koay and LeDee explore aspects which broaden the presentation of sound in the two selected compositions and the background influences of Western and Asian music on the two composers. Prabowo and Ung absorb new experiences and embrace music that excites them and Prabowo, …
Volume Cxxx, Number 24, May 17, 2013, Lawrence University
Volume Cxxx, Number 24, May 17, 2013, Lawrence University
The Lawrentian
No abstract provided.
Don Januario, Gustavo Leone
Don Januario, Gustavo Leone
Department of Fine & Performing Arts: Faculty Publications and Other Works
Don Januario is a traditional song from Bolivia. It was collected by musicians from the ensemble Florilegium, and published on their CD, Música de las Misiones y de la Plata (Sucre). This is an original version of the song and a series of variations in the style of the local baroque.
Django's Caravan: The Journey Of The Gypsy King, Patrick Ray Monson
Django's Caravan: The Journey Of The Gypsy King, Patrick Ray Monson
Music
The life and musical contribution of Django Reinhardt including musical and visual examples.
Preserving Dance Forms In India Through Education And Performance: A Curriculum For Bollywood Dance, Kimberly Martin
Preserving Dance Forms In India Through Education And Performance: A Curriculum For Bollywood Dance, Kimberly Martin
Masters Theses
This project is a practical curriculum of Bollywood dance that can be used to assist in the preservation of dance forms in India through education and performance. The goal of this curriculum is to systematically equip dancers of all ages with the basic knowledge and experiences needed to excel as dancers and choreographers of Bollywood dance. This will be achieved through practical experience that is built from the basics of Bollywood dance and founded in classical tradition and theory as presented in Bharat Natyam. This curriculum is broken up into four sixteen-week semesters and covers a series of steps, basics …
Finding Meaning In The Two-Finger Banjo Style., Jeffrey K. Elkins
Finding Meaning In The Two-Finger Banjo Style., Jeffrey K. Elkins
Undergraduate Honors Theses
The two-finger banjo style languishes as a small footnote in the lexicon of old time banjo music—very important to a passionate (and lucky!) few, but not known by too many others. This research is a starting point to understanding the meaning of two-finger banjo; through a review of primary literature, interviews, witnessing performances, and individual investigation of playing two-finger banjo, I have been able to document some understandings about the style.
These understandings informed further appreciation of old time music, the old time music (and banjo) communities, and the art of making music in this way—while describing the journey, I …
La Joya Isd Fine Arts: Teaching Mexican Identity Through Music And Dance, Katrena H. Henry
La Joya Isd Fine Arts: Teaching Mexican Identity Through Music And Dance, Katrena H. Henry
Theses and Dissertations - UTB/UTPA
The La Joya Independent School District has made a serious effort to cultivate and promote mariachi, conjunto, and folklórico programs at the middle school and high school level. Students give numerous performances throughout the year and these programs have exposed thousands of people to the music and traditions of Mexico and the border region. What draws so many students to these particular programs in La Joya ISD? What sense of "Mexican identity" do these programs create for its participants? Through observing various performances, interviewing educators, students, and community members, I explore why these programs are considered essential by the school …
Robert Nathaniel Dett And The Music Of The Harlem Renaissance, Daniel Weaver
Robert Nathaniel Dett And The Music Of The Harlem Renaissance, Daniel Weaver
History Theses
While the contributions of writers and poets to the period of American cultural history known as the Harlem Renaissance are relatively well defined and understood, assessing the contributions of musicians has been more problematic. The topic has been covered indirectly through works of American music history and African American history, but there have been comparatively few works linking music directly to the goals of the movement. Much of the insight into music’s place during this period derives from contemporary writers such as Alain Locke and James Weldon Johnson, both of whom featured discussions of music in their writings. Relatively unknown …
The Grand Gesture, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
The Grand Gesture, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
2012-2013 Exceptions Rule: No Compromise
In 1913, the audience at the Théâtre des Champs-Élysées erupted in one of the most infamous riots of the 20th century. The cause? A revolution in music, namely the premiere of Igor Stravinsky’s primal Le sacre du printemps, or The Rite of Spring. For the piece’s centennial, virtuosi pianists Sarah Rothenberg and Marilyn Nonken have created The Grand Gesture, a stark deconstruction of Stravinsky’s masterpiece. Add to the mix Olivier Messiaen’s equally uproarious Visions de l’Amen (1946) and you have an evening of experimental classics defying convention.
Senior Recital: Tyler Tillage, Piano, Department Of Music, University Of Richmond
Senior Recital: Tyler Tillage, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Where Would Hip Hop Be Without Colleges And Universities?, Erik Nielson
Where Would Hip Hop Be Without Colleges And Universities?, Erik Nielson
School of Professional and Continuing Studies Faculty Publications
Institutions of higher education have played a critical role in ensuring that hip hop music remains fluid and vibrant.
The Introduction Of The Black Conductor, Akeila Thomas
The Introduction Of The Black Conductor, Akeila Thomas
Undergraduate Research Conference
The conductor has become a position of great influence and necessity to the performing ensemble due to innovations in performance between the Baroque and mid to late Romantic periods. With such prominence given to the title, one such conductor has gained very little mention throughout the course of music's history. African-American musicians have played such a catalytic role in the shape and progression of Western music.
Que Bonita Es Esta Vida, Samara Martinez
Que Bonita Es Esta Vida, Samara Martinez
Undergraduate Research Conference
No abstract provided.
I Am Not Your Video Girl, Rashida Aluko-Roberts
I Am Not Your Video Girl, Rashida Aluko-Roberts
SURGE
“We need girls who are willing to be up on stage with us and who are not afraid to go HAM dancing in front of a crowd. I know at least a few of you who have the confidence/jaw-dropping dance moves to pull this off.” [excerpt]
Discourse Analysis As Potential For Re-Visioning Music Education, Brent C. Talbot
Discourse Analysis As Potential For Re-Visioning Music Education, Brent C. Talbot
Sunderman Conservatory of Music Faculty Publications
Discourse analysis holds great potential for re-visioning the field of music education. This paper explores works from Foucault, Blommaert, Scollon and Scollon, as well as others, to suggest a theoretical and methodological approach to analyzing discourse in settings of music transmission that takes into consideration who we are, what we do, and how we do it. Discourse is defined in this paper as meaningful, mediated language-in-place. By analyzing acts of speech as well as cultural objects (such as instruments, mallets, and bows) and concepts (such as a conducting gestures or solfege syllables) used as mediational means in situ, we can …
A Content Analysis Of Music Therapy Theses And Dissertations From 2000 To 2012 From Amta Approved Graduate Programs, Liisa G. Flores
A Content Analysis Of Music Therapy Theses And Dissertations From 2000 To 2012 From Amta Approved Graduate Programs, Liisa G. Flores
Masters Theses
The purpose of this content analysis was to categorize, code, and analyze trends related to graduate music therapy theses/dissertations completed from the year 2000 to 2012. Information was gathered related to what American Music Therapy Association (AMTA) approved schools have graduate programs and how many students have graduated from these institutions. Research questions addressed in this study were to determine (1) who were the thesis/dissertation advisors for students, (2) what was the type of goal for the research, (3) what types of studies were completed, and (4) what populations were studied.
Results included 35 schools offering graduate music therapy degrees. …
Rebel Girls: Feminist Punk For A New Generation, Rachel L. Bodansky
Rebel Girls: Feminist Punk For A New Generation, Rachel L. Bodansky
Scripps Senior Theses
This thesis examines the Riot Grrrl bands of the 1990s, as well as Amanda Palmer today, as examples of feminist punk artists. Rather than focusing on Riot Grrrl as a unique musical episode, this thesis argues that all punk is activist in nature, and that Riot Grrrl was building on this activist tradition while challenging the misogyny implicit in punk culture. Likewise, Amanda Palmer uses similar punk strategies (such as a DIY approach to music production, and direct interaction with fans) to create political music.
Across The Red Steppe: Exploring Mongolian Music In China And Exporting It From Within, Thalea C. Davis
Across The Red Steppe: Exploring Mongolian Music In China And Exporting It From Within, Thalea C. Davis
Masters Theses
Mongolian music culture as it exists in China is a unique entity unto itself as it features a base of traditional Mongolian practice and also includes aspects of Chinese music and culture. As the world becomes more interconnected and as China continues to display a markedly Han society to the world at large, Mongolian musicians and Mongolian-music enthusiasts in China maintain and evolve their musical culture in a nebulous middle-ground between Mongolian and Han-Chinese culture. How Mongolian music culture in China came to be and its ultimate function in global society are the key questions being investigated in this thesis. …
Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath
Masters Theses
This organology identifies and describes the Kachin's sound instruments, classifies them according to the Hornbostel-Sachs' system, and considers evidence of an indigenous classification scheme. Very little research exists to date on the music of the Kachin peoples of Northern Burma. This paper cites the only known indigenous organology and is the first English language study to extrapolate evidence into an emergent classification system. This qualitative study is based on ethnographic interviews, the minimal literature available on the topic, and participant observation drawn from fieldwork conducted in the Kachin State of Northern Burma (modern day Myanmar) during the months of May …
Adapting & Appropriating Art From Afar: Negotiating A Global Identity Through Popular Culture, A Study Of Salsa In The Senegalese Context, Elizabeth Bockenfeld
Adapting & Appropriating Art From Afar: Negotiating A Global Identity Through Popular Culture, A Study Of Salsa In The Senegalese Context, Elizabeth Bockenfeld
Independent Study Project (ISP) Collection
The following study is essentially an attempt to explore cross-cultural exchange and the resulting (re)creation of different forms of cultural expression. In its broadest sense it aims to explore the quotidian, cultural sides of globalization. It takes for its focus the re-appropriation of salsa music in Dakar, Senegal. Through interviews and participant observation in a number of salsa venues, I explore the various meanings Senegalese salseros put into salsa music and dance. Senegalese salsa is rooted in a very concrete historical background, while also holding meaning for the present. In short, the appropriation of salsa into the Senegalese context serves …
Cseas Weekly Bulletin (March 4, 2013), Center For Southeast Asian Studies
Cseas Weekly Bulletin (March 4, 2013), Center For Southeast Asian Studies
CSEAS Bulletin
No abstract provided.
Music And Movement Share A Dynamic Structure That Supports Universal Expressions Of Emotion, Beau Sievers, Larry Polansky, Michael Casey, Thalia Wheatley
Music And Movement Share A Dynamic Structure That Supports Universal Expressions Of Emotion, Beau Sievers, Larry Polansky, Michael Casey, Thalia Wheatley
Dartmouth Scholarship
Music moves us. Its kinetic power is the foundation of human behaviors as diverse as dance, romance, lullabies, and the military march. Despite its significance, the music-movement relationship is poorly understood. We present an empirical method for testing whether music and movement share a common structure that affords equivalent and universal emotional expressions. Our method uses a computer program that can generate matching examples of music and movement from a single set of features: rate, jitter (regularity of rate), direction, step size, and dissonance/visual spikiness. We applied our method in two experiments, one in the United States and another in …
Invitation Through Song: Evangelism And Divine Discourse In Arkansas Revivals, Chelsea Hodge
Invitation Through Song: Evangelism And Divine Discourse In Arkansas Revivals, Chelsea Hodge
Inquiry: The University of Arkansas Undergraduate Research Journal
For over a century, Protestant evangelists have held revivals to spread their beliefs. The invitation song is the culmination of these meetings; a sermon ends with an invitation to the unsaved to come forward and publicly accept the faith of the revivalists during the “invitation song.” This hymn is not just a traditional means to allow converts to declare their faith; Christians view this time of congregational singing as an intensely personal declaration of their own conviction, a discourse between themselves and the divine. The singers believe their music can be a powerful instrument of change because of a fundamental …
Juan Luis Guerra And The Merengue: Toward A New Dominican National Identity, Raymond Torres-Santos, Cuny Dominican Studies Institute
Juan Luis Guerra And The Merengue: Toward A New Dominican National Identity, Raymond Torres-Santos, Cuny Dominican Studies Institute
Publications and Research
This research monograph offers a historical account about the development of merengue in the Dominican Republic from the late 1800’s to the present.
How Bebop Came To Be: The Early History Of Modern Jazz, Colin M. Messinger
How Bebop Came To Be: The Early History Of Modern Jazz, Colin M. Messinger
Student Publications
Bebop, despite its rather short lifespan, would become a key influence for every style that came after it. Bebop’s effects on improvisation, group structure, and harmony would be felt throughout jazz for decades to come, and the best known musicians of the bebop era are still regarded as some of the finest jazz musicians to ever take the stage. But the characteristics of bebop can easily be determined from the music itself. [excerpt]
A Comparison Of Bluegrass Bands: 2013 Bands Versus The 1940s-1960s Bands, Elizabeth Rosanne Butler
A Comparison Of Bluegrass Bands: 2013 Bands Versus The 1940s-1960s Bands, Elizabeth Rosanne Butler
Electronic Theses and Dissertations
The present study investigated the bluegrass music genre of 2013 and compared it with bluegrass found in the 1940s and 1960s. To date, only one similar study has been identified. In 1963, L.M. Smith completed a study entitled, Bluegrass Music and Musicians: An Introductory Study of a Musical Style in Its Cultural Context. In the conclusion to his study, Smith listed five major characteristics found in the bluegrass genre: 1. "Bluegrass is hillbilly music, played by white Southern musicians for a Southern audience." 2. "Bluegrass is not dance music and is seldom used for this purpose." 3. "Bands are made …
Trans-Relational Poetics And Outsider American Modernist And Postmodernist Poetry, Anna Elena Eyre
Trans-Relational Poetics And Outsider American Modernist And Postmodernist Poetry, Anna Elena Eyre
Legacy Theses & Dissertations (2009 - 2024)
This dissertation is concerned with how language mediates the relationship between self and other, and in particular, mythopoetic language. The political potential of myth has long been condemned, so much so that the word "myth" is now synonymous with "false." I argue that this is a result of what I term as heroic mythopoesis wherein the relationship between self and other is predicated on a violent separation that reinforces conceptions of identity. In contrast, in what I term as trans-relational mythopoesis this relationship is contingent on an embodied exposure between self and other that reciprocally translates and transforms conceptions of …