Digital Commons Network^™

Retrospective: The Burney Centre, Mcgill University, 1945-2024, Peter Sabor

ABO: Interactive Journal for Women in the Arts, 1640–1830

The origins of McGill University’s Burney Centre go back to 1945, when Joyce Hemlow was appointed to McGill’s Department of English. After publishing a major biography of Frances Burney in 1958, Hemlow initiated what she termed the Burney Project: a research centre devoted to producing scholarly editions of the journals and letters of Burney and her father, the music historian Charles Burney. The Frances Burney edition was completed, in 25 volumes, in 2019; five volumes of the Charles Burney edition have appeared to date, with a sixth and final volume to follow. Joyce Hemlow was succeeded as Director of the …

A Review Of The South Central Society For Eighteenth-Century Studies (Scsecs) Annual Conference (Pinehurst, Nc 19-21 February 2026), Laura Runge-Gordon

ABO: Interactive Journal for Women in the Arts, 1640–1830

A conference review for the South-Central Society for Eighteenth-Century Studies conference held in Pinehurst, North Carolina February 19-21, 2026.  The conference was organized by SCECS President Catherine Parisian and featured the keynote speaker Peter Radford.

A Review Of Willow White's Feminist Comedy: Women Playwrights Of London (University Of Delaware Press, 2024), Mattie Burkert

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Willow White's Feminist Comedy: Women Playwrights of London by Mattie Burkert.

A Review Of Karen Bloom Gevirtz 'S The Apothecary's Wife (University Of California Press, 2024), Annika Mann

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Karen Bloom Gevirtz's The Apothecary's Wife by Annika Mann.

Teaching Evelina With Digital Humanities, Hilary Havens

ABO: Interactive Journal for Women in the Arts, 1640–1830

Digital humanities, an interdisciplinary field that applies digital methodologies and technologies to the humanities, is an excellent lens through which to approach the eighteenth century.  I integrate digital humanities tools and workshops alongside primary source readings in all of my eighteenth-century British literature classes to help students better understand those texts and the world in which they were created.  In my upper-level undergraduate class on late eighteenth-century literature, I teach four digital humanities tools to students, two of them (StoryMapJS and Voyant) in connection with Frances Burney’s Evelina (1778). These tools train students how to uncover historical and geographic contexts …

Teaching Frances Burney's Evelina With Netflix’S Bridgerton, Willow White

ABO: Interactive Journal for Women in the Arts, 1640–1830

This pedagogical essay explores strategies for teaching Frances Burney's first novel Evelina (1778) through comparison with Netflix's popular series Bridgerton. The essay demonstrates how Bridgerton's widespread popularity has renewed interest in Georgian literature and provides an engaging and accessible entry point for undergraduate students to explore Evelina's themes of social anxiety, gender, and coming of age.

Teaching A Stand-Alone Course On Burney, Lorna J. Clark

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay outlines a stand-alone course on Frances Burney, suggesting that she offers a good entry point into eighteenth-century studies. Given that she wrote in so many genres—novels, plays, journals, and letters—such a course avoids the narrowness which often marks a single author course. In twelve weeks, the course studied ten works: four novels, five plays (three comedies and two tragedies) and a selection of journals and letters. The latter describes well-known figures in Burney’s social and literary networks in eighteenth-century London and leads to discussion of techniques of the epistolary, of diary-writing and of women’s life-writing. Burney’s novels are …

Reading Burney’S Mastectomy Letter: Presentist Thinking And Personal Responses In The Classroom, Heather Meek

ABO: Interactive Journal for Women in the Arts, 1640–1830

Frances Burney’s mastectomy letter, in its graphic and detailed depiction of the operation she underwent without anesthetic in 1811, does not always lend itself immediately to standard, scholarly classroom discussion. It tends, rather, to incite unusually intimate responses, as well as conversations about medicine and health today. In my teaching of the letter in literature courses at Université de Montréal over the course of the past 13 years, I have found that students are inclined to seize upon the subject of breast cancer as especially contemporary in its relevance and to share their own anecdotal knowledge of the disease. I …

Lifelong Learning: Approaches To Teaching Frances Burney’S The Wanderer To Adults, Miriam Al Jamil

ABO: Interactive Journal for Women in the Arts, 1640–1830

The construction of a course for adult learners who are not studying for a qualification or credits but rather for enjoyment and engagement with learning for its own sake, requires an approach centered on needs which may not be entirely academic. Drawing on students’ individual life experiences while avoiding assumptions based on familiarity with the material shapes the course and offers many benefits. The essay is based on teaching Workers Education Association (WEA) courses and proposes the structure of a literature course on Frances Burney’s 1814 novel The Wanderer. It selects thematic content which resonates with older learners, such …

The Wanderers: Teaching The Literature Of Migration And Exile, Linda Zionkowski

ABO: Interactive Journal for Women in the Arts, 1640–1830

In our current global landscape, exile—or forced, often permanent migration—appears a central rather than tangential experience, being driven by armed conflict, environmental destruction, economic collapse, and political repression. The climate on many university campuses reflects students’ awareness of and concern for the situation of displaced populations, and this awareness has influenced political discourse and political action inside and outside the classroom. My course titled “The Wanderers: Teaching the Literature of Migration and Exile” begins with  Frances Burney’s narration of exilic experiences in her life writings and The Wanderer. Burney’s texts offer a conceptual foundation for exploring instances of physical …

Introduction: Concise Collection On Teaching The Works Of Frances Burney, Dana Gliserman Kopans

ABO: Interactive Journal for Women in the Arts, 1640–1830

This short essay introduces a Concise Collection special issue on teaching Frances Burney. The collection brings together a range of texts and approaches to them and demonstrates that Burney can be successfully taught to students outside of the graduate context.

The Secret(S) To Success: Genlis’S Guide To Raising A Foolproof Daughter, Jennifer Law-Sullivan

ABO: Interactive Journal for Women in the Arts, 1640–1830

Abstract: “The Secret(s) to Success: Genlis’s Guide to Raising a Foolproof Daughter”

Stéphanie-Félicité de Genlis’s Adèle et Théodore ou lettres sur l’éducation, first published in 1782, is an epistolary conduct novel that examines the question of how best to educate girls. Attempts to answer the question were exceedingly in vogue in the late 18^th century and can be traced back to Fénelon’s 1681 Traité de l’éducation des filles. Genlis’s novel offers a robust critique of previous education treatises, Rousseau, and a patriarchal society that did little to educate girls and mothers. She couches her critique in a …

Poking The Bear: American Involvement In The Afghan-Soviet War, Daniel Gunnarson

Voces Novae

No abstract provided.

A Lineage Of Violence: Online Radicalization, The Great Replacement, And Far-Right Terrorism In The United States, 2011–2019, Kai Kawafuchi

Voces Novae

No abstract provided.

War On Walls: The Role Of Political Murals In Northern Ireland, Julianne Martin

Voces Novae

No abstract provided.

The Traveller And His Masks: The Example Of Pierre-Jean Grosley's Swedes, Antoine Eche

SOROUD: The journal of Literacy Criticism

In this article, Antoine Eche will elucidate the motives that lead the writer- traveler to concealing his identity during the journey to a foreign country, and also after the publication of his travel narrative. He will therefore analyze the case of Pierre-Jean Grosley's account: Observation sur l'Italie et les italiens, by two Swedish gentlemen, translated from Swedish into French and published in 1764, by exploring in particular the relationship between the reader and the narrative text, which is established by the use of a pseudonym or an anonymous name. Thus, he will examine the question of manipulation and connivance, which …

Who Are Pessoa’ English Heteronyms? A Review Of Maria Colom Jiménez’ Thesis Fernando Pessoa’S English Literary Characters, Mohamed Jalid

SOROUD: The journal of Literacy Criticism

This paper aims at introducing Maria Colom Jiménez[1]’ thesis Fernando Pessoa’s English Literary Characters: A critical Study and Assessment of Personalities and Texts, which was presented in 2016 at Universidad Complutense de Madrid in partial fulfillment of the requirements for the doctorate degree. Pessoa’s heteronyms (literary characters/ personalities) is presented herein not as pseudonyms, but rather as fictional characters that undertake, alongside or on behalf of him, the task of planning, thinking, creating and writing. Such an imaginary world is, according to Jiménez, the first literary endeavor that allowed him to develop what he called ‘drama emgente’ (drama in people). …

Editorial (English) Disguise Representations(S), Chouaib Halifi

SOROUD: The journal of Literacy Criticism

No abstract provided.

Regarding World(S): A Review Of Elisha Cohn’S Milieu: A Creaturely Theory Of The Contemporary Novel (2025) And Daniel Wright’S The Grounds Of The Novel (2024), Katarzyna Bartoszyńska

CLCWeb: Comparative Literature and Culture

No abstract provided.

World Literature According To Its Poster Children, Jernej Habjan

CLCWeb: Comparative Literature and Culture

Some of the most influential pronouncements on world literature have been made by the kind of authors who are most likely to emerge as representatives of world literature once we agree on a definition, including Goethe, the young Marx, Tagore, Gorky, Hesse, Kundera, and the distinguished signatories of the manifesto for a world-literature in French. Breaking out of this vicious circle by referring to the authority of pure theorists of world literature is not the solution, as this would only pull us into a new vicious circle where most of these theorists would mostly remind us of the names that …

A Crisis For Utopia: Jameson, The Collective, And The Future Of World Literature, Trevor Jackson

CLCWeb: Comparative Literature and Culture

Working with Fredric Jameson’s influential discussions of utopia and world literature, the essay suggests that the prospect of utopia is frightening and also possibly boring insofar as it threatens to drain away the already waning possibility of experience in a postmodern, globalized world. In this world, resentment of the present seems to go hand in hand with a nostalgia for a fictitious past, underscoring the difficulty of conceptualizing new social, cultural, and economic arrangements. Viewing world literature as a possible source of a new utopian thought, a utopia unlimited to its contemporary dystopian guises, the essay retraces Jameson’s pronouncements on …

Milan Kundera As A Representative And A Theorist Of World Literature, Lucija Mandić

CLCWeb: Comparative Literature and Culture

The article traces the evolution of Milan Kundera’s notion of world literature across his career, contextualizing his writings within major historical events, including the so-called liberalization of Czechoslovakia in the 1960s, the post-1989 transition of the former Soviet bloc, and the turn of the millennium. Throughout the years, but particularly after his own immigration to France in 1975, Kundera consistently tied the notion of world literature with that of Central Europe to emerge with a conceptual framework that enabled him to position (semi-)peripheral European literatures within the Western canon. In his influential 2005 essay “Die Weltliteratur,” Kundera ultimately reframed the …

Against Pleonexia: Auerbach, World Literature, And The End Of History, Simon During

CLCWeb: Comparative Literature and Culture

Erich Auerbach’s essay on world literature, written in the early postwar period, has become central to our understanding of the field. This essay contextualizes Auerbach on world literature by approaching it through his larger project, which it thinks about in relation to scholars rarely considered in this context. These scholars are the French literary historians and critics Hippolyte Taine and Remy de Gourmont, and the German historical sociologist Alexander Rüstow. To place Auerbach at an intersection of these very different figures turns out to be illuminating. It both enlarges our sense of him and helps us better understand why he …

Small Nations, Big Debates: Empowering The Slovenes As A Subject Of World History In The Critical 1930s, Marko Juvan

CLCWeb: Comparative Literature and Culture

The article looks at how Slovene intellectuals and writers in the 1930s attempted to redefine the role of a small nation within the world-system in the face of global economic crisis, authoritarianism, imperialism, and the threat of fascist expansion. Three central interventions are examined in detail: firstly, Josip Vidmar’s culturalist defense of Slovenia as a nation defined by its intellectual and artistic achievements, which is contrasted with Edvard Kardelj’s Marxist reinterpretation of the Slovene national question as part of a broader anti-imperialist struggle; secondly, Anton Ocvirk’s peripheral model of comparative literary history, which emphasizes the creative contribution of small literatures …

The Proletarian Moment In World Literature, Anna Björk Einarsdóttir

CLCWeb: Comparative Literature and Culture

During the interwar period (1918–1939), an international literary movement emerged in relation to internationalist and socialist politics and political struggles. Writers around the world saw themselves as contributors to a new proletarian moment within the historical unfolding of world literature. This movement was international, and writers situated on the peripheries of both the capitalist core and the emerging socialist world looked toward revolutionary Russia and other centers of the socialist world. This paper focuses on three such authors, the American Richard Wright, the Argentinian Roberto Arlt, and the Icelander Halldór Laxness. During the interwar period, all three were involved in …

Zheng Zhenduo And The Problem Of Priority In World Literature, Daniel M. Dooghan

CLCWeb: Comparative Literature and Culture

This essay investigates how Zheng Zhenduo (郑振铎 1898–1958) developed a theory of world literature in response to threats to China both politically from without and culturally from within. Centered on an analysis of his 1922 article “A View on the Unification of Literature” (Wenxue de tongyiguan 文學的統一觀), the essay argues that although Zheng believed like many of his contemporaries in the transformative effects of reading world literature in translation, that does not constitute the entirety of his theorization of world literature. Instead, he accepted the first-move advantage of other national literatures in defining both world literary standards and literature …

Beyond The Great Wall: Zheng Zhenduo’S “Unification” Of World Literature At The Juncture Of China’S May Fourth And Post-World War I Era, Wenxin Liang

CLCWeb: Comparative Literature and Culture

This article examines Chinese literary scholar Zheng Zhenduo’s 1922 essay “A View on the Unification of Literature” (Wenxue de tongyiguan 文學的統一觀) as a counter-narrative to both imperial isolationism and post-World War I nationalist fragmentation. Writing at the intersection of China’s May Fourth Movement and the global post-war crisis, Zheng developed a theory of world literature that challenged both Goethean Eurocentrism and the compartmentalization of comparative literary studies. Through systematic analysis of Zheng’s theoretical writings, editorial projects, and pioneering work on folk literature (suwenxue 俗文學), this article demonstrates that Zheng’s project of “the unification of literature” operated on three …

An Arc Stretched Between East And West: World (Or Universal?) Literature In Maxim Gorky’S Publishing Utopias, Francesca Lazzarin

CLCWeb: Comparative Literature and Culture

The Vsemirnaia Literatura publishing house was founded in Petrograd by Maxim Gorky less than a year after the October Revolution. Aligned with the objectives of the new regime, its mission was to translate and publish a substantial body of European and Asian poetry and prose, thereby contributing to the broad cultural education of the emerging Soviet generations. These ambitions clearly reflect a key element of Gorky’s conception of culture as well: for Gorky, culture in its broadest sense (encompassing literature, art, music, and science) had the potential to unite humanity under the ideals of peace and harmony. Within this new …

A World Without Literature? Tagore’S Words For His Times And Ours, Salmoli Choudhuri

CLCWeb: Comparative Literature and Culture

In 1907, Rabindranath Tagore delivered a lecture on world literature to an audience in Calcutta, the then capital of British India. Amid powerful and intersecting forces—colonialism and nationalism, industrial modernity and mass poverty—Tagore’s position on literature was neither disengaged nor defensive, insofar as he related it to the human condition and the capacity for world-making. Far from staking a representational claim to world literature on behalf of Indian or Bengali literature, I argue in this article, Tagore reconceptualized the idea from its earlier canonical formulation by Goethe. He departed from dominant nineteenth-century philosophies that conceived the world as a spatial—and …

Reconsidering Karl Marx’S Concept Of World Literature, Kenneth Cheng

CLCWeb: Comparative Literature and Culture

It is widely assumed that Karl Marx and Friedrich Engels regarded world literature as an epiphenomenal product of the capitalist world market, and therefore as a symptom of rather than potential cure to the crisis of modern society. However, this conflicts with the fact that they designated the Communist Manifesto itself as a world-literary production—the joint work of communists of various nationalities—and opposed it to the national limitations of German socialist literature. This article challenges existing interpretations by outlining how Marx and Engels incorporated the humanistic idealism of the Goethean Weltliteratur tradition into the theoretical framework of historical materialism. It …