Digital Commons Network^™

Objective Chance, Convulsive Beauty And The Marvelous Within Fashion, Ellen Silva

MA Projects

Objective Chance, Convulsive Beauty and The Marvelous within Fashion is an exhibition inspired by the early idea of Surrealism specifically how the concepts of objective chance, convulsive beauty and the marvelous are intertwined and represented within fashion in the 21st century. The audience will be able to witness for themselves the use of these themes throughout the Surrealist movement by viewing works of fashion and artwork side by side. Some of the references are unmistakable, but some of them must be viewed with more of a conceptual focus as Surrealism was not only an art movement, but originally a philosophical …

Integrating The Oriental Gaze: Japonisme And Kitagawa Utamaro’S Influence In The Parisian Art World Of The Late 19th Century, Wanda Irini Goudas

MA Theses

This thesis discusses the phenomenon of Japonisme in Paris, how it manifested in the market, its accompanying theoretical discourse, and its role in fostering artistic innovation. In 1853, Japan officially opened its borders for trade with the West, resulting in an unparalleled influx of objects and artwork from Japan. This generated a widespread fascination with Japanese material culture, culminating in the phenomenon known as Japonisme. Among the imported items, ukiyo-e woodblock prints or ‘images of the floating world,’ became very significant. Exhibited widely across Paris, their peculiar themes and unique formal qualities prompted theoretical discourse and inspired shifts in artistic …

The Spiritual And Emotional Impact Of Color In Luis Barragán’S Convento De Las Capuchinas Sacramentarias, Ivana Martin

MA Theses

This thesis examines how Luis Barragán’s Convento de las Capuchinas Sacramentarias (1955) is a medium for spiritual experience. In his work, Barragán explores the use of color, light, and emotion as central elements and the ways in which they transform sacred space into an embodied, contemplative experience. There is also a comparison to other churches and other similar projects that were done during the same time period, specifically in Mexico. Modernist architecture in mid-century Mexico was largely defined by rationalist and more functional ideals, but Barragán separated himself from these tendencies to create an architecture that privileges silence, intimacy, and …

Becoming Art Itself: A Study On The Generative Logic And Discursive Structure Of Disability Art Incubation Institutions, Gonghui Lu

MA Theses

This study employs “Becoming” as its core analytical concept to examine how disability art incubation institutions operate at the intersection of contemporary art history and social systems as mechanisms that continuously generate both art and subjectivity. Building on Deleuze’s philosophy of becoming and Guattari’s notion of the rhizome, the study constructs a generative model linking art, institutions, and discourse. Through comparative analysis of international cases, it discusses the shift in disability art from a representational logic to a generative logic, and the dynamic oscillation between deterritorialization and reterritorialization within institutional practices. The study argues that disability art should not be …

The Postmodern Frontier: Richard Prince And The Neoliberal Spectacle Of The American Dream, Taïs Khassanova

MA Theses

This thesis examines the oeuvre of Richard Prince’s as a sustained allegory of contemporary American visual culture, beginning with his Cowboys series as the point of origin from which his later appropriations, including Girlfriends, Spiritual America, and New Portraits, unfold. Through the recursive gesture of appropriation, Prince’s Cowboys expose the myth of rugged independence as a corporate fiction, revealing how the frontier ethos was redeployed under the Reagan presidency to naturalize neoliberal ideology. Building on this premise, the thesis traces how such logic extends throughout Prince’s subsequent body of work, as his Girlfriends refigure the cowboy’s masculine autonomy as the …

Beyond Recognition: The Surrealist Strategy Of Face Concealment In The Portraits Of René Magritte And Ewa Juszkiewicz, Darina Kravchenko Eldridge

MA Theses

This dissertation investigates the evolution of the Surrealist strategy of face concealment from a modernist device of perceptual estrangement into a contemporary tool of feminist and postcolonial critique within portraiture. By obscuring the most recognisable marker of identity, it evokes a complex and unsettling emotional response in the viewer, transforming the act of looking at another person into an encounter with absence. The study situates this transformation within broader aesthetic and ideological discourses, drawing on feminist art history as articulated by Linda Nochlin and Griselda Pollock, alongside John Berger’s Ways of Seeing, Jacques Derrida’s hauntology, the Zeigarnik effect and Guy …

Can A Curator Influence Their Nation’S Art Market Value? Adriano Pedrosa, The 60th Venice Biennale, And The Global Repositioning Of Brazilian Art, Maria Joana Ventosa

MA Theses

The 60th Venice Biennale (2024), curated by Brazilian curator Adriano Pedrosa, the first Latin American curator, and the first curator based in the Global South to lead the Venice Biennale, revived long-standing debates concerning visibility and marginalization, who controls canon formation and, in a market where visibility directly affects value, the power of dictating the market. The curator furthered this discussion by curating a show literally titled “Strangers Everywhere”, focused on representations by artists who identify as “othered”, through, for example colonisation and erasure of native cultures, immigration or queerness.  This thesis examines the evolving role of biennials as platforms …

The Language Of Value: Lot Note Complexity And Auction Performance In Abstract Expressionism, Artur Sharifullin

MA Theses

This thesis asks a simple question: does the language in lot notes relate to price and to whether a lot beats or misses its estimate? I study eight Abstract Expressionist artists: Ad Reinhardt, Adolph Gottlieb, Barnett Newman, Franz Kline, Joan Mitchell, Lee Krasner, Robert Motherwell, and Sam Francis because their works are less representational and often need supporting text to explain the context. The main sample includes only lots sold for more than $1 million at Christie’s or Sotheby’s in New York or London over the past ten years. I measure a small set of writing features that are easy …

Reconstructing The Surreal: Female Artists And The Transformation Of Surrealist Aesthetics, Erin Regan

MA Theses

This thesis examines the role and legacy of female artists who took part in the Surrealist visual art movement of the early 20th century. Canonical accounts have historically privileged the contributions of male artists, marginalizing women to the fringes of the movement by framing female artists as being primarily relevant as muses for their male peers. This study contests this historiographical misconception, relying upon visual analysis and archival research, as well as drawing from psychological, feminist, and postmodern theory, ultimately arguing that their artistic and theoretical innovations fundamentally restructured Surrealism’s visual vocabulary, theoretical objectives, and cultural legacy. This thesis is …

Corporate Patronage In Art And Education: A Case Study Of Bloomberg's Interventions, Xiaojun Tian

MA Theses

This study focuses on the application of corporate sponsorship in the fields of art and education, delving deep into the interventions and cases made by Bloomberg L.P. in these two domains. Corporate sponsorship for the arts acts as a significant display of Cultural Corporate Social Responsibility (CSR), not only fostering diversity in the production of art institutions and artists but also having a profound effect on the educational sector. Utilizing case study methodology, this research deconstructs key projects and activities funded by Bloomberg, encompassing support for exhibitions and public art projects, as well as various initiatives aimed at art education, …

The Collapse Of The New Tendencies: How Did A Movement That Never Existed Cease To Exist, Tonka Protega

MA Theses

This thesis examines the short lifespan of the New  Tendencies. Although the  New Tendencies have gained renewed recognition over the last couple of years, there is still limited research on their final phase. To address this topic, I analyzed the narrative history of the  New Tendencies  , alongside the essays published in the exhibition catalogues. Additionally, I considered the historical and political situation in Croatia during this period, which influenced the manifestations. Ultimately, this thesis argues for the non-existence of the  New Tendencies  as a movement in the history of art and identifies the key reasons that led to its …

The Flavor Of Marketing: How Food Is Revolutionizing Luxury Brand Communication, Aloisa Ruf

MA Theses

This thesis explores how food operates as a cultural, psychological, and strategic instrument within the global luxury industry. Drawing from art history, marketing theory, and sensory studies, it traces how societies across Europe, the Middle East, China, Japan, Russia, and the United States have long used food to express hierarchy, belonging, and emotion—from the banquets of seventeenth-century Versailles to the branded cafes and collaboration of the 2010s and 2020s. Through a comparative and interpretive methodology, the research connects historical visual traditions with contemporary brand strategies, examining case studies such as Gucci Osteria, Louis Vuitton’s Desert Iftar, Dior Café, Loewe’s “Tomato” …

Global Art: An Economic Exploration Of The Factors Driving Sensible Gallery Expansion, James Mclennan

MA Theses

The goal of this thesis is to develop a practical and defensible decision tool to guide art gallery expansion. Focusing on four cities – New York, Hong Kong, London, and Doha – the thesis translates heterogeneous considerations into a matrix that scores each of the cities according to eight factors: Market & Demand; Regulation & Tax; Logistics & Shipping; Labor & Immigration; Legal Entity & Finance; Brand, PR & Audience; Competition & Benchmarking; and Risk. Sub-factors are scored and averaged to provide results on how each city scores against each other. The output is a ranked set of city recommendations …

Aura For Sale?: Art Merchandise And The Totalizing Culture Of Reproduction, Lily Paternoster

MA Theses

The art historical discipline largely excludes art merchandise from critical analysis, relegating it to being a marketing gimmick or gift shop opportunity. This failure to reconcile with the rapidly expanding enterprise for brand collaborations with fine artists has led to an overwhelming and unregulated commercial licensing industry, similar in mystique and ascend to that of the fine art market. Through the case studies of two post-humous artists and two living- Keith Haring, JeanMichel Basquiat, KAWS (Brian Donnelly), and Maurizio Cattelan- I argue that art merchandise exists on a constantly fluctuating scale between democratizing force and commodity. Despite its status on …

Rm Sotheby’S Construction Of Value In The High-End Car Market, Pablo Mijares Musi

MA Theses

The purpose of my thesis is to tell and enlighten any readers how the most prestigious and iconic auction house in the world, RM Sotheby’s sells more than just cars from the high-end car market and how the auction house adds value to through storytelling and provenance from each vehicle.  In today’s luxury market economics, we see somewhat of a radical shift. The high-end car market has moved into a very refined area where these beautiful machines are no longer seen and appraised just for their aesthetic design and mechanical engineering, now we see new value drivers for these works …

Does Blue-Chip Art Genuinely Provide Diversification And Risk Mitigation Once Illiquidity, Transaction Frictions, And Survivorship Bias Are Explicitly Incorporated Into Performance Analysis, Or Is The “Safe Haven” Label Fundamentally Misleading?, Radhika Vissanji

MA Theses

Blue-chip art is widely presented as a safe haven and portfolio diversifier, particularly during periods of financial market uncertainty. This perception is reinforced by art price indices and industry reports that emphasise long-term appreciation, relatively low volatility, and weak correlation with traditional financial assets. Despite the growing prominence of these claims in advisory and institutional discourse, there remains limited agreement on whether such properties persist once the structural characteristics of the art market are fully taken into account. This thesis evaluates whether blue-chip art genuinely delivers diversification and risk-mitigation benefits under realistic market conditions. Focusing on three structural factors, illiquidity, …

Cancel Culture: A Battle Of Headlines, Not Meanings, Nataliia Sapyrkina

MA Theses

This work explores the phenomenon of “cancel culture”, with a specific emphasis on the repercussions for Russian art, artists, and cultural institutions following the outbreak of the Russia-Ukraine conflict in 2022. The study examines “cancel culture” as a reputational sanctions mechanism functioning across the modern media landscape. By analyzing selected case studies this paper addresses cases of performance cancellations, institutional distancing, the termination of cooperation with donors, and the revision of artwork attributions. Crucially, Russia’s exclusion from the dialogue is driven both by direct legal grounds, namely sanctions, and by indirect technical factors or those arising from the internal structure …

From Crisis To Construction: Museum And Institutional Maturation In The Uae, Csilla Brigitta Lazar

MA Theses

This thesis examines the growth of museums and art institutions in the UAE against the backdrop of international debates about museum crisis. While many museums in Europe and North America are struggling with funding pressures, audience disconnection, collection issues and institutional reinvention, the UAE presents a different trajectory: one of rapid cultural investment, state ambition, private support and institutional construction. This thesis argues that the UAE does not represent a single alternative museum model, but a layered ecosystem made up of civic-educational, heritage, cultural diplomacy, philanthropic, creative economy and independent experimental models. Although UAE institutions benefit from financial stability, their …

M+, Beyond A Museum?: The Making Of A New Cultural Paradigm In Hong Kong, Grace Law

MA Theses

This thesis, titled M+, Beyond a Museum? The Making of a New Cultural Paradigm in Hong Kong, is a critical inquiry into whether M+ is a traditional museum or an institution that redefines Hong Kong’s cultural landscape. The study examines the operational and financial challenges encountered by the Museum in the backdrop of its distinguished architecture, meticulous programming, and advanced digital technology. By tracing the Museum’s development through its core exhibitions and international collaborations, this thesis demonstrates how M+ has evolved into a key art institution within the West Kowloon Cultural District (WKCD), and elevated its positioning in the cultural …

Painted By Hand, Written In The Sky: Martin Wong’S Fingerspelling As Invented Visual Language, 1982-1985, Bella Clemente

Dissertations and Theses

This thesis examines Martin Wong's (1946-1999) hand-painted fingerspelling as an invented personal visual language and vehicle of self-portraiture, analyzing three paintings created during his time in New York between 1982 and 1985: Attorney Street: Handball Court with Autobiographical Poem by Piñero (1982-1984), Compulsion (1984-1985), and Stanton Near Forsyth Street (1983). Through iconographic analysis of lingual elements in each work, including fingerspelling, graffiti, calligraphy, and poetry, this thesis argues that Wong's stylized adaptation of the American Sign Language manual alphabet reflects an evolving sense of self-identity, drawing on influences from Chinese artistic traditions, calligraphy, Kufic script, and the Nuyorican poetry and …

Part 3: Confluences In Shakers At The Center: Manifesting Spirits & Spectacles In Nineteenth-Century America, Douglas L. Winiarski

Religious Studies Faculty Publications

Introduction to Part 3 of Shakers at the Center: Manifesting Spirits & Spectacles in Nineteenth-Century America

"One of the last inspired message Eunice Bathrick recorded was also one of her longest— and most controversial. One day in November 1851, a Harvard sister “gifted in spiritual sight” informed her that Socrates had entered their room and “wanted to make himself known.” Bathrick hesitated. “I did not feel the least disposed to find out what this Spirit wanted,” she later explained, and so she ignored the presence of the “Ancient Philosopher.” She returned to her employments in the Square House, where she …

Epilogue: Spirits, Spiritualism Spirituality In Shakers At The Center: Manifesting Spirits & Spectacles In Nineteenth-Century America, Douglas L. Winiarski

Religious Studies Faculty Publications

Epilogue to Shakers at the Center: Manifesting Spirits & Spectacles in Nineteenth-Century America

"Exploring the theological, social, and cultural dimensions of one of America’s most ambitious prophetic movements 

The Shakers’ Era of Manifestations ranks among the most astounding events in American religious history. During the 1840s, members of the United Society of Believers in Christ’s Second Appearing embarked on an audacious project of receiving visions, revelations, and other manifestations from the spirit world and convincing both themselves and the world’s people of their reality. Gifted Shakers known as “instruments” surrendered their bodies to possessing spirits and celestial beings who, in …

Part 2: Performances In Shakers At The Center: Manifesting Spirits & Spectacles In Nineteenth-Century America, Douglas L. Winiarski

Religious Studies Faculty Publications

Introduction to Part 2 of Shakers at the Center: Manifesting Spirits & Spectacles in Nineteenth-Century America

"Shakers, Era of Manifestations, Mother's Work, New Era, Eunice BathrickEunice Bathrick bore witness to the spectacular developments of the Era of Manifestations. She wrote voluminously for the spirits and received dozens of personal messages and gifts in return. She participated in all the ritual innovations of the period, including the Passover feasts at Harvard’s Holy Hill of Zion. And she endorsed the “Sacred Roll” without hesitation. Bathrick’s extensive writings from this period— along with those of hundreds of other Believers—called forth an extravagant new …

Going Through The Motions At The Shaker Feast Grounds, Douglas L. Winiarski

Religious Studies Faculty Publications

Sally Bushnell rose unusually early on the Sabbath morning of June 4, 1843. A seasoned Believer of over two decades, Bushnell served as eldress of the gathering, or novitiate, order of the South Family in Canaan, a satellite community of the largest Shaker village at New Lebanon, New York. Although she had participated in all the dramatic events of the Era of Manifestations, she understood this day to be particularly special. The young Believers over whom Bushnell presided had been granted a privilege to visit the Holy Mount, the outdoor feast ground located on a high knob in the Berkshire …

Syntax, Newsletter Of The Suffolk University English Department, Issue 16, Fall 2025, English Department

Syntax Newsletter of the Suffolk University English Department

No abstract provided.

Language, Literature, And Culture Newsletter, Twelfth Edition (January 2026), Language, Literature, And Culture Department, Clark University

Language, Literature, and Culture

The twelfth issue of the Language, Literature, and Culture department newsletter, which went out in January 2026. The Language, Literature, and Culture department newsletter aims to "share stories, news, ideas, achievements, and important information about and within our academic department that can be helpful to the campus community at large".

A Kaleidoscope Of Sentiments, Emily Hartman

English Senior Capstone

This is a Creative Writing portfolio with many different genres and themes.

The Language Of The Eye: Affect In "North And South" And "Aurora Leigh", Gretl Holz

English Senior Capstone

This paper discusses how Elizabeth Barrett Browning in "Aurora Leigh" and Elizabeth Gaskell in "North and South use the eyes to express various character's emotions.

Coleridge’S Living Power: “The Eolian Harp”, Thomas Formichelli

The Criterion

No abstract provided.

Looking Towards The Past And Future With Waiata: Māori Historical Traditions In Ka Eke Ki Wairaka, Nuala Reynolds

The Criterion

No abstract provided.