Digital Commons Network^™

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

To Stain The Soul, Shaoqing Chen

Masters Theses

The process of art-making is a BDSM activity. Painting doesn’t start from the brain. It starts from the hands. Most of the time, painters move through muscle memory, not thought. So, who is in control? I believe there is a higher being—the God of Art. Not a person, not a legend, but something beyond exciting. It loves to see the artist sacrificed, suffering, twisted. It wants something beautiful and painful.

My art practice in the studio is like a BDSM moment in a dungeon. I am the submissive. The god is the one who gives orders. The more I suffer—both …

A Personal Manual Of Escapism, Qing Wen

Masters Theses

In this fast-paced, information-saturated era, avoidance has become a common mechanism of self-preservation. Confronted with global crises and structural instability, the current generation increasingly adopt a pessimistic stance toward the future: some retreat into virtual worlds, others find themselves unable to bear the weight of real-life responsibilities, and many turn to art as a private sanctuary. But is avoidance only a pejorative term?

It wasn’t until recently that I realized, nearly all of my creative work has stemmed from a place, or an action of escape. The imagined worlds I’ve built, the spaces I created to flee from reality—without knowing …

Exploring Al Balad, Danah Alqunfuzi

Masters Theses

Al Balad is a well-known destination for Jeddah’s visitors. With its inclusion in UNESCO World Heritage, the site has been transforming to fit the standards and become a more tourist destination. The reason the site is included in UNESCO is due to its diversity and unique architecture and sense of place. Preservation of this type is problematic because it threatens to suppress the dynamics that gave rise to Al Balad, freezing it in time. This thesis asks: How can landscape representation capture agents of change, the present moment, and the past so that the forces that breathe life in historically …

Show Time!, Georgia Oldham

Masters Theses

Time is always ticking and never easy to hold on to. Luckily, twisting over sketchbooks and doodling in page margins, sequential artists are on a mission to capture it for everybody. They’re even going to tell you a story along the way. This thesis explores my relationship to sequential art as it relates to time, storytelling, accessibility, and the performing arts.

Textus Complexus, Vishakha Ruhela

Masters Theses

textus complexus investigates how language shapes thought by merging scientific rigour and poetic action to challenge reductive narratives. My inquiry stems from a fascination with complexity as an existential condition—one that resists homogenisation, preserves collective memory, and demands inclusive, multidimensional engagement. Hybridity, as a spectrum from complicated to complex, becomes a methodological tool to uncover latent connections that lead to cross-communication, and articulate transitional spaces through recursive processes. By systematising multiplicity via layering, modularisation, and indexing, my work foregrounds expression through form, where structural clarity emerges from cumulative gestures rather than simplification.

The projects in this thesis trace the roots …

No One Thing, Kate Brown

Masters Theses

Graphic design has mobility. It is oriented toward action, travel, and distribution.

My projects put me in touch with people and ideas, language, and visual form. They’re broad, conversational, and curatorial in spirit. They allow me to cut a path through the discipline of graphic design, and to branch opportunistically out to others, when I can—to art, architecture, fashion, writing. I expand my field of operations. Make it as big as you are. Make it 1:1. Take the part and run with it. Fold it up, send it away.

Cinema As Praxis: An Integrated Theoretical Framework For Philippine Social Advocacy Cinema, Herwin Benedictos Cabasal

Social Transformations Journal of the Global South

This theoretical paper examines social advocacy cinema in the Philippines as a form of counter-hegemonic cultural practice. Drawing on Third Cinema Theory (Fernando Solanas and Octavio Getino), critical theory (Theodor Adorno and Max Horkheimer), and participatory communication for social change (Paulo Freire and Thomas Tufte), this paper proposes Cinema as Praxis as an integrated theoretical framework for understanding how politically driven advocacy films operate through the convergence of cultural and political production, ideological representation and critique, and participatory communication. It argues that social advocacy cinema functions through interconnected dimensions: (1) production as praxis, in which collective and grassroots filmmaking constitutes …

The Power Of Storytelling: Creatively Facilitating Conceptual Change In The Classroom, Mackenzie S. Rose, Marcus Johnson

Journal of Educational Research and Practice

Conceptual knowledge encompasses understanding the interrelationships among multiple pieces of information. Misconceptions of these interrelationships illustrate the need for effective educational strategies to facilitate conceptual change, with the goal of facilitating changes in learner understanding to appropriate, accurate, and complete concepts. Strategies, such as refutation texts, have proven effective in addressing science misconceptions, yet there is a prominent gap in research on conceptual change in nonscience subjects and the use of storytelling to facilitate such change. Storytelling, presented in a range of educational subjects, invites learners to engage in social discourses and problem-solving exercises. Prompted by classroom storytelling practices, creativity, …

Feelings That Drive, Kayla M. Jackson

LSU Master's Theses

Feelings That Drive is an interdisciplinary, multimodal thesis that blends poetry, personal narrative, lyrical essays, and spiritual reflection to explore the complex intersections of Black identity, memory, trauma, resilience, and healing in the contemporary American South. Framed in five thematic sections—Worn, Anxiousness, Desperation, Hopeful, and Restored—the work traverses emotional and geographic landscapes, most notably the author’s home in New Orleans, to trace the cumulative effects of racialized trauma, familial rupture, and spiritual seeking. Through nonlinear storytelling and form-breaking verse, the thesis confronts experiences such as anti-Blackness in institutional spaces, gendered violence, economic precarity, generational silence, and the haunting …

Lost In Transition: An Examination Of The Burden Of Choice In Samuel Beckett's Dramatic Works, Sam Parrish

English Theses

Samuel Beckett's plays, Waiting for Godot and Endgame, provide ample room for applying existential and speech act theories to examine the goals of the characters. In analyzing the exchanges between these characters, the audience becomes aware of the phenomenon of miscommunication and how it alienates the characters. This thesis furthers the discussion of Beckett's intentions regarding the human experience as embodied on stage by examining the text of the plays, rather than any specific performances. Specifically, I develop a framework that identifies a main character within each of the plays discussed, and how the interactions between that main character and …

Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker

LSU Master's Theses

This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …

Bellyache, Valerie Braylovskiy

Canterbury Scholars

My manuscript of poems, called "Bellyache," speaks to my experience with endometriosis and how it intersects with both womanhood, and the pain we inherit from our ancestors that becomes stored in our bodies over time. This project gave me the permission to write poems that grapple with both escaping and recreating what it’s like to be a woman inside the medical system which continues to equate pain with hysteria, and inside a world that either says you’re sick, or you aren’t.

There's No One Left Here, Logan Hentschel

Arrow Rock

No abstract provided.

This Kind Of Animal, Raegan Blair

Arrow Rock

No abstract provided.

The War Over The Heavens Does Not Favor The Gods, Logan Hentschel

Arrow Rock

No abstract provided.

Modi‘In, Nofim Neighborhood: Animal Bones, Nimrod Marom

Qadum: Journal of Excavation Reports from Israel

This report describes a very small collection of animal bones from a karstic cave and an unfinished cistern excavated in Nofim Neighborhood in Modi‘in. It appears to comprise domesticated animals in secondary or tertiary deposition. Many of the bones represent donkeys and dogs, and therefore cannot be considered food refuse.

The Canadian Press Views The 1908 American Presidential Election, Harvey Strum

Journal of 20th Century Media History

"How many people appreciate the tragedy of the defeat of Mr. Bryan," asked the anti-Bryan Toronto World on 5 November 1908. This expression of sympathy for the Great Commoner's defeat by Republican candidate William Howard Taft, represented the opinion of a minority of the Canadian press. Newspapers representing western agrarian progressives, trade unions, militant Protestant nativists, independent reformers, and social reform Liberals regretted Bryan's defeat since he symbolized reform that might creep across the 49th parallel. If Bryan's third defeat did not prompt the majority of Canadian editors to dance in the streets it did prompt them to raise their …

1960s Teen Fan Magazines And The Beatles: An Exploration Of Community, Fandom, And The Beatles Narrative, Allison Bumsted

Journal of 20th Century Media History

In the 1960s, before the days of the internet, there were few places a young person could read about popular music – as a limited number of print media outlets took popular music, especially rock, seriously. In order to read about popular music (beyond the reprinting of lyrics, industry news, or promotions), one would turn to newly developed teen-type and teen fan magazines like DIG or 16 Magazine, where pages were full of artists such as Elvis, Annette, Leslie Gore, Connie Francis, and Paul Anka. In 1964, the teen fan magazine reached a new height with the arrival of …

“To Prepare The Mind For Wonder”: Popular Science And Mass Media In The 1920s, Alexander Olson

Journal of 20th Century Media History

This article examines the creation and development of the Science Service, a 1920s initiative aimed at popularizing science through mass media. Founded by biologist William Ritter and newspaper magnate Edward Scripps, the wire service sought to disseminate accurate scientific information to the American public via newspapers, radio, and other popular media. While Scripps favored a commercially viable, accessible style that used entertainment to hook readers, Ritter envisioned science journalism as a tool for democratic education and intellectual empowerment. These conflicting philosophies created lasting tensions within the organization around how to address challenges such as sensationalism, editorial independence, and public skepticism. …

Automatonophobia, Adrian Bruch

Staff Scholarship - Australia & Dubai

These artworks were created as a direct result of my teaching the ANI216 Animation Studio. In the process of devising ways to incorporate photographic imagery into an animation, I developed a multi-plane system where I could create layers in Adobe Photoshop and combine them with original cartoon characters in After Effects and then animate them.

These artworks for an exhibition at the Garden Gallery (Royal Botanic Gardens, Sydney) are imaginary stills inspired by the actual animation. All three were sold.

The Sauce To Meat Is Ceremony: Cannibalism And Hospitality Serve As Horror And Culture Tropes In Hannibal And Macbeth, Shay Williams

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

When examining Macbeth (1623) as a case study within Shakespeare’s canon, we see all the obvious horror tropes - murder, witches, a ghost, bodies, blood and gore. What is less pronounced is the horror that lies within eating, drinking, feasting, and the ceremony of banquets. On the other side of the spectrum, and unlike the character of Macbeth, we have a figure that epitomizes all things horror, and has been read about in novels, watched on film, and as of late (2013-2015) has been the subject of a Television show, aptly named: Hannibal. In both works, we encounter men/monsters/killers …

"The Way It Comes—Through Nature:" Christian Realism, Rural Landscapes, And Divine Confrontations In Flannery O'Connor's Farm Fiction, Ashton Bailey Thomas

Master's Theses

Flannery O’Connor, though often labeled a Southern Gothic writer, preferred to place herself in the genre of “Christian Realism.” For her, the grotesque nature of her stories’ endings reflects not grace itself but the culmination of repeated rejections of grace. In her essays and letters, O’Connor argues that grace should be depicted “the way it comes—through nature,” equating the spiritual with the natural world. In her stories’ farm landscapes, O’Connor presents an ever-present grace through nature that, though often ignored or rejected, serves as a catalyst for spiritual confrontations. When this grace is continually denied, violence becomes the only force …

Prayer And Gunpowder, Muhammad Saqif Maqsud

Dissertations and Theses

Prayer and Gunpowder is the opening movement of a larger novel that reimagines piracy in the Mughal Empire through a lyrical, historically inflected narrative. Set in a fictional coastal city haunted by imperial fragility and foreign encroachment, the story follows a young boy, Adam, whose life is ruptured by colonial violence. What begins in the rhythms of everyday life--scarves in the market, whispered prayers, the jovial defiance of youth--erupts into loss, enlistment, and conscription into a crumbling navy that can no longer protect its shores.

The novel explores themes of grief, rupture, inheritance, and spiritual reckoning, filtered through the consciousness …

Personas Issue 3, 2025, Jonathan Maiullo

Personas: Multilingual Creative Writing Journal

No abstract provided.

Vampyres Reimagined, Madison Marie Strand

Masters Theses

This thesis explores the intricate interplay between imagination and reality in fantasy literature, encapsulated within the first ninety pages of my novel, A Ruin of Memories. It is an explorative contribution to the genre, with themes of mental health, loss, and belonging in an environment that morphs reality with the supernatural.

The artist statement serves as a reflective insight into my creative process and personal journey as a writer. It outlines my motivations for crafting A Ruin of Memories, rooted in my desire to paint a picture of spiritual warfare through the lens of vampyres, werewolves, and witches. Through this …

Character Dialogue And How It Works In Cinema, Janet Best

Masters Theses

BEYOND THE DOOR is a psychological thriller screenplay about an abandoned house and two sixth-grade girls with a shared trauma.

Science And The Humanities: Are They Two Polar Entities?, Elizabeth Mckenna Silvey

Masters Theses

Science and the humanities are often perceived as being separate entities. In academic settings, there is little to no overlap in these courses of study. One can obtain a Bachelor of Science or a Bachelor of Arts degree, but there are no academic majors that allow for the study of both the humanities and the sciences. Despite the seemingly different courses of study, it is through careful examination of literature and thoroughly delving into pieces of literature in order to excavate the meaning and purpose behind the work, that one is able to see the distinct connections between the two …

Waffles And Spaghetti: The Effects Of Cognitive Processing Methods On Team Performance And Communication, Jonah Daniel Browning

Masters Theses

The goal of this thesis is to shed light on a practical method for resolving conflicts in team environments that stem from miscommunications brought on by differing cognitive processes. Our brains use different cognitive processing techniques to make sense of and explore the vast amount of information the world presents them on a daily, even hourly basis. Each person has their own thinking style which influences how teams collaborate and problem solve. However, miscommunication can often arise when individuals fail to recognize and adapt to the varying processing methods, which can lead to frustration and inefficiency.

This research seeks to …

Creativity As A Universal Calling: Exploring The “God As Creator” Motif And Imago Dei As Foundations For Christian Practice And Ministry, Catherine Delanee Belcher

Masters Theses

“I’m just not a creative person.” This phrase is frequently expressed in various contexts, from elementary school art classes to collaborative projects in academic and church settings. It often functions as a convenient explanation for a perceived lack of enthusiasm or participation. Why is this statement so readily accepted as an unchangeable reality rather than challenged as a misconception? There appears to be a widespread belief that creativity is an exclusive attribute, reserved for artists, musicians, or visionaries. This assumption invites a critical theological inquiry: Is creativity an innate ability bestowed upon a select few, or is it a divine …